Teen Cute Film

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Being a teenager is hard enough, but once the hormones start raging, all bets are off. These films will help you get through it (or remember it semi-fondly).
Risky and risqué, indie films have always been a home for bold, honest, and controversial visions of teens’ sexuality. Eliza Hittman’s “Beach Rats,” opening this week after bowing at Sundance in January, is another notch in the belt of the sub-genre, a sensitive and often shocking look inside the coming-of-age of a young Brooklyn teen.
Like the best of these films, it’s not all about hormones; it builds on questions about identity and desire. But that’s there too, in sensitively crafted scenes that don’t skimp on reality. Punctuated by some bad choices and an unnerving final act, “Beach Rats” embraces the full spectrum of teen sexuality, even when it’s not exactly alluring.
Here are eight indie films that engage with the subject matter in appropriately intimate ways.
While “Beach Rats” isn’t an official sequel to Hittman’s previous film, “It Felt Like Love,” the filmmaker explores similar themes and structures and both, told from seemingly opposite vantage points. Set during another languorous Brooklyn summer, Hittman’s debut follows 14-year-old Lila (a fearless Gina Piersanti), awkwardly and constantly exposed to the sexual exploits of her older friend Chiara (Giovanna Salimeni), who goes through boyfriends and experiences with the kind of ease that Lila can scarcely imagine. Lila’s desire to be, well, desirable, finds her fixating on a local boy Sammy (Ronen Rubinstein) with a reputation, whom she doggedly pursues in hopes of striking up a relationship. Lila’s emotional immaturity constantly butts up against her deep physical desires, leading her into increasingly fraught situations she’s not equipped to handle. Like “Beach Rats,” Hittman slowly spoons out important revelations, but its the smallest details that hurt — and hit — the most.
Mark Friedberg Underground Railroad – Craft Considerations
Abdellatif Kechiche’s rigorously erotic three-hour romance initially spawned Cannes walkouts before picking up the Palme d’Or, split three ways between Kechiche and his stars Adele Exarchopoulos and Lea Seydoux, proof of the level of dedication all three of them poured into a wild (read: maybe even nightmarish) shoot. While “Blue” earned big buzz because of the obvious — its long-form sex scenes, alternately hot and totally exhausting — that only obscures the finer points that Kechiche and his ladies put on the ill-fated romance between Adele and Emma. Hormonally speaking, it’s essential that the film opens when Exarchopoulos’ Adele is still slogging through high school, all burning desires and deep boredom, the perfect time for her to meet and fall obsessively in love with the slightly older Emma. There’s no love quite like the first, and while Adele’s awakening isn’t just about sex, but also her sexuality, that her most formative of experiences comes at the hands of another woman is simply one facet of a highly relatable love story. Sure, audiences may still flock to the film for its unbridled sex sequences, but there’s no scene more telling than Adele, stuffing her sauce-stained face full of spaghetti, bursting with new desires that have to be redirected somewhere. 
Awkward, horny teens eager for sexual satisfaction are hardly underrepresented in the entertainment world — hello, sex comedies — but films that center on teenage girls and their kinkiest desires are still outliers. Jannicke Systad Jacobsen’s Norwegian festival favorite doesn’t shy away from showing off just how gross, weird, and yes, horny as hell girls can be, too, all filtered through the experience of indomitable Alma (Helene Bergsholm). When the film opens, Alma’s sexual awakening is already chugging right along, though it’s about as tragically amusing as it gets, punctuated by routine calls to a phone sex line and a mother who just doesn’t get it. Alma’s life gets both worse and better when a popular peer pokes her with his penis at a casual gathering (romance!), and she refuses to let him live it down, alternately turned out and a little freaked out. Her isolation grows (turns out, high school kids are awful), but her libido won’t be tamed — a strange mix that adds up to a risky, funny feature topped off by some big truths.
Dee Rees’ lauded feature debut (based on her short of the same name) is a revelatory look inside the fraught coming-of-age of Brooklyn teen Alike (Adepero Oduye), as she conceals her sexual desires — and, in many ways, her entire identity — as outside forces push her to be honest about what she wants. That’s a hard enough concept for even the most well-adjusted of teens to face, but for Alike, trapped by a restrictive family and pushed to conceal everything from her wardrobe to her taste in music, it feels nearly impossible. Rees peppers in moments of Alike embracing her true feelings, brief flashes of freedom that hint at who she could be if she didn’t need to hide, but they also live alongside nerve-wracking reveals that drive home just how trapped she is. For Alike, her sexual awakening comes hand and hand with her personal growth, and neither will be the same by the film’s moving conclusion. She is not running, she is choosing. 
David Wnendt’s 2013 German drama goes there. And also there, there, and there, right around there, over there, and down there. If there’s an orifice for leading lady Carla Juri to probe in pursuit of pleasure (and maybe even some pain), she’s going to do it. Possibly also with a vegetable. The most out-there, oh-wow coming-of-age story of the century, a movie that makes the pie-loving of “American Pie” look embarrassingly infantile and “Blue Is the Warmest Color” seem suitable for family consumption, “Wetlands” is a riot of sounds and sights that run the gamut between dreamy and nightmarish. But for all its gross-out humor, “Wetlands” also packs an emotional punch, all of it hinging on Juri’s wild-eyed work as the wholly unique Helen, on the cusp of the rest of her life (and super-horny for it).
Marielle Heller’s 2015 Sundance hit “The Diary of a Teenage Girl” is not your average coming-of-age story. Based on Phoebe Gloeckner’s graphic novel 2002 “The Diary of a Teenage Girl: An Account in Words and Pictures,” the film bravely and brazenly turns its taboo subject matter — the sexual awakening of a teenage girl — into a funny, smart, and honest story that entertains as much as it educates. Bel Powley stars as Minnie Goetze, a precocious 15-year-old muddling her way through the swinging scene of seventies-era San Francisco. Like many girls her age, Minnie is struggling to find her place in the world, a journey made all the more difficult by her seemingly unstoppable hormones. As Minnie taps into her burgeoning sexual desires, her life takes a turn — straight into the arms of Monroe (Alexander Skarsgard), her mother’s boyfriend. Heller deftly navigates questions of consent and issues of age, and Minnie makes it clear that she’s making her own decisions, even if they’re probably bad ones.
James Ponsoldt’s 2013 adaptation of the Tim Tharp novel of the same name (beautifully written for the screen by Scott Neustadter and Michael H. Weber) has often been hailed for its sensitive depiction of addiction and its fresh spin on the classic teen romance, but it also takes on sexual awakening in a moving way. Inexperienced Aimee (Shailene Woodley) is seemingly no match for the confident Sutter (Miles Teller), but when the pair fall into a hazy relationship, she bravely embraces the possibility that they could have something real. Inevitably, that includes Aimee losing her virginity to Sutter, in an achingly real sequence that sees Woodley assuming control and guiding the pair into one of the most relatable and emotional love scenes in recent memory. That it also handily deals with issues of consent and doesn’t try to be salacious just for the hell of it makes it even better, and further illustrates the different ways in which both Aimee and Sutter are coming into themselves, with sexuality as just one face of that maturation.
Tucked inside Julia Ducournau’s midnight movie, a visceral, challenging, and often jaw-dropping genre feature about cannibalism, is a tasty treat of a coming-of-age tale. The film follows a young student (Garance Marillier) who discovers some uncomfortable truths about herself (and the world) when she heads off to vet school (kind of the perfect setting for a body horror film), most of them centered on her evolving relationship with meat. All kinds of meat. Initially restrained and severely buttoned up, Marillier’s Justine eventually takes a bite out of her burgeoning desires when a weirdo school tradition activates her hunger in a myriad of ways. Ostensibly a horror movie with bite, Justine’s journey from vegetarian to meat-lover also mirrors her descent into the desire for other kinds of flesh. A parable and a straightforward chiller in one bloody package.
Love all these films but wish mine made the list too -“Toe to Toe”, premiered at Sundance 2009, distributed by Strand.
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The 40 Greatest Teen Movies Ever—Ranked
Timeless rom-coms, frightful horror flicks, and tearjerking dramas
Within the last few years, TV shows have reinvented the way in which we approach teenage issues. The hit Netflix shows 13 Reasons Why and To All the Boys I've Loved are breaking new ground in the ways we discuss important issues such as bullying, suicide, the intensity of your first real crush, and the need to fit in—acknowledging the reality that navigating this stage of early adulthood isn't nearly as easy as the teen movies of yesteryear would have us believe.
And yet, there's something so deliciously enjoyable about the teen rom-coms of the '80s, '90s, and early aughts, with their stock characters, formulaic plots, and happy endings. There's a comfort to their predictability, and a joy in the way that they remind you of a time when all of your emotions were so extreme and life, in all its glory, was wide open with possibility. And some of them are worth watching for the fashion alone (did we really wear chokers? Why?). So if you're in the mood for a teen movie—be it a drama, comedy, or horror film—check out our ranking of some of the classics.
This 1987 film is about a nerdy high schooler (Patrick Dempsey) who bribes a beautiful cheerleader (Amanda Peterson) into pretending to be his girlfriend, in order to boost his own social status. If you want to watch a movie about two teens who wind up falling in love—by pretending to be in love—and are super into '80s fashion, this hits the spot.
Outrageously bawdy, the film about a group of high school students fumbling through attempts to lose their virginity is refreshingly frank in the way it deals with sex and masturbation. But it's also pretty shallow, and many of the scenes are really cringeworthy (see: Stifler).
Free-spirited American teenager Daphne (Amanda Bynes) goes to England to meet her estranged, uppity English father (Colin Firth), and ends up really shaking up the lives of the British middle class. It's one of those movies that you probably loved if you watched it as a tween but wouldn't enjoy as a first-time adult viewer.
I Know What You Did Last Summer (1997)
This slasher about a group of high school students plagued by a hooked killer who, erm, knows what they did last summer, received mixed reviews when it was released but was a major success at the box office and continues to be a pop culture classic. The film's primary flaw is that, unlike Scream (keep reading!), it takes itself a little too seriously.
It's hard to even mention this movie without rolling your eyes, but anyone who's experienced the utter angst of teen love can relate to the tortured romance between teen girl Bella (Kirsten Stewart) and her vampire boyfriend Edward (Robert Pattinson). The film is also a good reminder that sunshine is a real mood-booster because many of the issues that they have could have been cured by a little extra melanin.
Based on the bestselling book by John Green, this romantic tragedy film is about two cancer patients who fall in love. It doesn't exactly reinvent the genre, but it's a great tearjerker, and has touched the hearts of adults and teens alike.
This totally original and hilarious film follows the titular character as he navigates life in rural Idaho—and really embodies the experience of teens bored senseless by high school. Thanks to its devastating deadpan humor, it has gained a much-deserved cult following.
Richard Linklater's 1993 film follows a group of teens in Austin, Texas, trying to make the most of their last day of high school. It's pace is loose and refreshingly meandering, and it's also known for launching the careers of several stars, including Ben Affleck, Milla Jovovich, Parker Posey, and Matthew McConaughey (whose catchphrase in the movie, "All right, all right, all right," is famous). It's considered one of the ultimate stoner flicks, partially because Linklater has an uncanny ability to make rambling monologues about the universe feel purposeful rather than pretentious.
Hilarity ensues when high school nerds Seth (Jonah Hill) and Evan (Michael Cera) try to advance their social standing in the dumbest ways possible. The 2007 Judd Apatow film was both a critical and commercial success, with fans and critics alike praising the way it perfectly captured the immense awkwardness of being a teen. And yes, it brought McLovin' into the world.
The Perks of Being a Wallflower (2012)
Based on Stephen Chbosky's eponymous novel, the 2012 film stars a shy teen who befriends two fellow classmates who show what it means to truly be alive. The movie is notable for the way it handles sensitive topics like depression, suicide, death, and sexual abuse, but it can be a bit pretentious at times.
A prim and proper schoolgirl (Amy Locane) breaks social taboos by falling in love with a juvenile delinquent named Cry-Baby (Johnny Depp). This is the ultimate so-bad-it's-good film, and, as such, it has garnered a cult following since its 1990 release.
Josie Gellar (Drew Barrymore) is a junior copyrighter hungry for success who poses as a high school student for what sounds like a terrible and extremely unethical investigative piece on teen culture. She's also never been kissed, and her budding romance with her English teacher (Michael Vartan) becomes complicated as a result of her deception. It's a fairly shallow film, but anyone who wasn't popular in high school can relate to the trials and tribulations of "Josie Grossie."
The high school-set film was named after the Britney Spears song that features on its soundtrack, and it's just as begrudgingly enjoyable. High school neighbors Nicole (Melissa Joan Hart) and Chase (Adrien Grenier) pretend to be a couple in order to make their respective exes jealous, but end up falling in love in the process (gasp! Bet you never saw that one coming!).
It may not have as much depth of some of the films higher up on this list, but there's something immensely satisfying about the scene in which they finally give in to their true emotions.
Unpopular opinion: this movie is actually brilliant. Back when it premiered in 2000, the third installment of the iconic slasher series was panned by critics, but it's such a great spoof of the precise genre it reinvented, and it's even more laugh-out-loud funny than the original.
The most recent film on this entire list, Greta Gerwig's recent coming-of-age drama about a Catholic high school senior who calls herself "Lady Bird" (Saoirse Ronan) was critically acclaimed and won two Oscars, mostly because it's a rare example of a film about a young woman's identity that doesn't focus solely on her relationship with a boy. While it's funny, it's also not as purely fun as some of the other movies on this list.
This beloved indie film is about a pregnant teen named Juno (Ellen Page) trying to find her identity in the midst of her unplanned pregnancy. Its quirky humor garnered it very favorable reviews, and it's unique for receiving criticism from both pro-life and pro-choice activists. The film's closing sequence has also got to be one of the sweetest scenes in teen movie history.
Anne Hathaway's breakthrough role as an ordinary San Francisco teen who suddenly finds out she's heir to the throne of a fictional European country called Genovia speaks to the secret teenage need to feel like you're special in a way that no one else recognizes. It's also a really charming film that inspires young women to break the mold and march to the beat of their own drums.
This black comedy is about two popular teenage girls who accidentally murder the leader of their clique with a jawbreaker. It's no Heathers, but it's nonetheless notable for capturing the dangerous, sickly sweetness of young women coming into their own sexuality.
This supernatural horror film is absolutely ridiculous in every way imaginable, not least of all because of its terrible special effects. But the movie, which is about a group of outcast teenage girls whose dabbling in witchcraft really goes awry, gained a cult following because it really exudes the goth culture of its time period.
It's been pegged as a romantic comedy, but this twist on the movie Big really spoke to teenagers wishing that they, like Jennifer Garner's lead heroine, could just skip adolescence and go straight into adulthood.
Based on the eponymous Nicholas Sparks novel, the 2002 romantic drama is about two teens who fall in love in spite of the fact that Jaimie (Mandy Moore) is sweet and shy and Landon (Shane West) is rebellious and popular. It's one of those films that really gets to you even though you recognize that it's hopelessly cheesy and that the religious undertones are a bit heavy-handed.
Nick and Norah's Infinite Playlist (2008)
Nick O'Leary (Michael Cera) is still heartbroken over the departure of his ex-girlfriend, but everything changes when he meets a girl named Norah (Kat Dennings) who shares his unique taste in music. The 2008 film garnered largely positive reviews, because it's just too sweet.
Dirty Dancing: Havana Nights (2004)
A prequel to the next film on this list, this film is set during the Cuban Revolution, and is about the forbidden romance that develops between a rich American teen (Romola Garai) and a Cuban busboy (Diego Luna). The film got negative reviews, but the dancing in it is incredible, which makes it the ultimate guilty pleasure.
This indie about the romance between a 17-year-old rich girl dubbed "
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