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Published
7:36 PM EST, Tue November 15, 2022
Pakistan withdraws permission for release of Oscar-contender 'Joyland'
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Pakistan’s government has blocked the nationwide release of “Joyland,” the first Pakistani movie shown at the Cannes Film Festival, just one week before it was due to hit theaters in the South Asian country.
Directed by Saim Sadiq, “Joyland” tells the love story between the youngest son of “a happily patriarchal joint family” and a transgender starlet he meets after secretly joining an erotic dance theater, according to a synopsis on the Cannes Film Festival website.
In August, the country’s Central Board of Film Censors (CBFC) granted a certificate allowing the movie to be released, but on Friday Pakistan’s Ministry of Information and Broadcasting issued a notice saying it was now “uncertified.”
The official notice said written complaints had been received that the movie contains “highly objectional material” that does not conform with the “social values and moral standards of our society.”
The ministry’s notice said cinemas that fall under the CBFC’s jurisdiction cannot show the movie.
“Joyland” is the first Pakistani movie to be shown at the Cannes Film Festival, where it won the Un Certain Regard Jury Prize and the unofficial Queer Palm in May. It was then submitted to the Oscars as Pakistan’s official entry for the international feature film award. According to the official Academy rules , it needs to play in theaters for at least seven days before November 30 to qualify for inclusion.
Despite being banned from release in Pakistan, “Joyland” could still qualify in this category if it is “theatrically exhibited outside of the U.S. and its territories for at least seven consecutive days in a commercial motion picture theater for paid admission,” according to the official Academy rules .
On Tuesday, a close aide to Pakistan’s Prime Minister tweeted that a “high level committee” was assessing the complaints against Joyland and reviewing its ban.
“The committee will assess the complaints as well as merits to decide on its release in Pakistan,” said adviser Salman Sufi.
The Human Rights Commission of Pakistan released a statement Sunday, condemning the government’s withdrawal of certification for “Joyland” as “rabidly transphobic” and a violation of the movie producers’ right to freedom of expression.
“Pakistan’s audiences have the right to decide what they will watch,” the statement said.
Saim Sadiq, the movie’s director, argued in a post on Instagram that the ministry’s reversal was “absolutely unconstitutional and illegal,” and urged them to reconsider.
“Return the right of our citizens to be able to watch the film that has made their country’s cinema proud world over,” Sadiq wrote.
“Our film got seen and certified by all three censor boards in August 2022. The 18th amendment in the Pakistani constitution gives all of provinces the autonomy to make their own decision. Yet the Ministry suddenly caved under pressure from a few extremist factions – who have not seen the film – and made a mockery of our federal censor board by rendering their decision irrelevant.”
The ban has sparked a public outcry and social media campaign using the hashtag #releasejoyland.
Rasti Farooq, one of the actresses in the movie, posted on Instagram supporting efforts to have it released.
“I stand by my film, and everything that it says, with every fibre of my being,” Farooq said.
Pakistani actor Humayun Saeed, who stars in the fifth season of Netflix series “The Crown,” has also weighed in.
“Joyland has made Pakistan proud by becoming the first South Asian film to win the Jury Prize at the Cannes Film Festival. It is a story of our people told by our people for our people. Hoping for it to be made accessible to these very people #ReleaseJoyland,” he tweeted .
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The Sex Party review – spiky comedy fails to satisfy
Bigotry in the bedroom … Timothy Hutton and Pooya Mohseni in The Sex Party. Photograph: Alastair Muir
Timothy Hutton on The Sex Party: ‘Do I think it will be controversial? I don’t know …’
Original reporting and incisive analysis, direct from the Guardian every morning
© 2022 Guardian News & Media Limited or its affiliated companies. All rights reserved. (modern)
Menier Chocolate Factory, London There’s tension in Terry Johnson’s tale of four couples meeting for sex and nibbles but the unruly debate isn’t deep enough
A t first, The Sex Party looks like a retro BBC sitcom about swingers, although that term is banned at this adult shindig. Four couples collect for sex and nibbles at a cool north London postcode. There is gleeful talk about getting it on and a fair share of parading around in lingerie and thigh boots.
But Terry Johnson’s spiky comedy takes us from the familiar fare of smut and sniggering double entendres to something bolder and more awkward in the sex/gender debate at its centre, even if it does not reach a satisfying end.
We only ever see what happens in the high-end kitchen (set designed by Tim Shortall) but we get a vivid idea of the action in the living room from the moans and groans we hear. In a production also directed by Johnson, the acting stays fine across the board although the characters are flimsy (Lisa Dwan especially does wonders with her part) and the star casting of Timothy Hutton stays strangely marginal for too long. He drifts on and off stage, saying little and looking like a cliched California guru in yoga pants.
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