Spoonful Of Sex Movie Cast

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Spoonful Of Sex Movie Cast
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When a cafй owner finds a love poem left in a book, she believes it was left by a secret admirer which leads to a mistaken identity whirlwind affair and as the poem makes its way across town, it sparks amorous repercussions.
Directors --- Genres Erotic Subtitles None available
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Sex. Celebrity. Politics. With Teeth
Sex. Celebrity. Politics. With Teeth
Sex And The City Cast Were Practically A Parody Of Themselves On Oprah
Chanté Adams Did 'as Much Research as Possible' for 'A League of Their Own'
New Season of ESPN+ Series Celebrates HBCU Dance Teams
Chanté Adams Did 'as Much Research as Possible' for 'A League of Their Own'
New Season of ESPN+ Series Celebrates HBCU Dance Teams
With countdown to the release of Sex and the City: The Movie officially starting today, the cast appeared on Oprah , in front of a boozed-up, overly excited, Cosmo-swigging audience. It was almost a parody of itself. (As Sarah Jessica Parker walked onstage, one woman, martini glass in hand, was actually seen jumping up and down and mouthing, "Look at her shoes!") So what did we learn? Well, those "dream sequence" stories they were feeding the press while the movie was being shot were all a bunch of bologna. SJP had 81 costume changes. And Cynthia Nixon was "shocked" when she fell in love with her similarly-ginger girlfriend. Clip above, and after the jump, some very gay stills.
There were a lot of nauseating elements of this show, what with all the shoe analogies and shit, which is perhaps why they made everything so pink, so as to simulate a giant spoonful of Pepto Bismol.
Dude has on a pink shirt with floral cuffs , and he's FREAKING out about SJP. I think it's safe to say that this is the gayest this guy has acted since he started having anal sex with other men.
They actually made it a point to acknowledge the other gay men in the audience as well.
Summer skincare Their Art Deco sugar scrub sloughs off dead skin, and solid body butters, like the grapefruit and May Chang bar with shea butter, smooth everything out.
None of them are nearly as fun as Pinky though.


The best part of Oprah's "Favorite Things" episodes is the audience, who goes absolutely apeshit…

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Patrice is a young black girl, born with HIV, growing up in New York City. Now she has met a boy and is beginning to experiment with sex. Patrice is a young black girl, born with HIV, growing up in New York City. Now she has met a boy and is beginning to experiment with sex. Patrice is a young black girl, born with HIV, growing up in New York City. Now she has met a boy and is beginning to experiment with sex.
Gripping portrayal of life with HIV
Showtime hit a home run with their World Aids Day Presentation! This short film told a touching story of life with HIV. Hyacinth played by Ebbe Bassey, had the difficult job of raising a daughter born with HIV. As her daughter discovered her sexuality, she struggles with her HIV status and the need to tell her partners. Refusing to let her daughter take the easy way out, Hyacinth educates her daughter about sex and honesty. Ms Bassey gave a powerful performance in this short independent Showtime film.
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Fall TV Guide: The Best Shows Coming This Year

From comedies to thrillers, the streamer has a tempting selection.
Ellia Green Is the First Olympic Athlete to Come Out as a Trans Man
Gay Billionaire Peter Thiel Is Backing a Straights Only Anti-Woke Dating App
The “Trans Best Friend” Is Hollywood’s Hottest New Accessory
There's Nothing Sexier Than a Short Transmasc Top
Ellia Green Is the First Olympic Athlete to Come Out as a Trans Man
Gay Billionaire Peter Thiel Is Backing a Straights Only Anti-Woke Dating App
The “Trans Best Friend” Is Hollywood’s Hottest New Accessory
There's Nothing Sexier Than a Short Transmasc Top
Ellia Green Is the First Olympic Athlete to Come Out as a Trans Man
Gay Billionaire Peter Thiel Is Backing a Straights Only Anti-Woke Dating App
The “Trans Best Friend” Is Hollywood’s Hottest New Accessory
There's Nothing Sexier Than a Short Transmasc Top
Ellia Green Is the First Olympic Athlete to Come Out as a Trans Man
Gay Billionaire Peter Thiel Is Backing a Straights Only Anti-Woke Dating App
The “Trans Best Friend” Is Hollywood’s Hottest New Accessory
There's Nothing Sexier Than a Short Transmasc Top
Ellia Green Is the First Olympic Athlete to Come Out as a Trans Man
Gay Billionaire Peter Thiel Is Backing a Straights Only Anti-Woke Dating App
The “Trans Best Friend” Is Hollywood’s Hottest New Accessory
There's Nothing Sexier Than a Short Transmasc Top
Ellia Green Is the First Olympic Athlete to Come Out as a Trans Man
Gay Billionaire Peter Thiel Is Backing a Straights Only Anti-Woke Dating App
The “Trans Best Friend” Is Hollywood’s Hottest New Accessory
There's Nothing Sexier Than a Short Transmasc Top
Ellia Green Is the First Olympic Athlete to Come Out as a Trans Man
Gay Billionaire Peter Thiel Is Backing a Straights Only Anti-Woke Dating App
The “Trans Best Friend” Is Hollywood’s Hottest New Accessory
There's Nothing Sexier Than a Short Transmasc Top
Ellia Green Is the First Olympic Athlete to Come Out as a Trans Man
Gay Billionaire Peter Thiel Is Backing a Straights Only Anti-Woke Dating App
The “Trans Best Friend” Is Hollywood’s Hottest New Accessory
There's Nothing Sexier Than a Short Transmasc Top
Ellia Green Is the First Olympic Athlete to Come Out as a Trans Man
Gay Billionaire Peter Thiel Is Backing a Straights Only Anti-Woke Dating App
The “Trans Best Friend” Is Hollywood’s Hottest New Accessory
There's Nothing Sexier Than a Short Transmasc Top
The 15 Best LGBTQ+ Movies to Stream on Hulu
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Them is the award-winning authority on what LGBTQ+ means today — and tomorrow. From in-depth storytelling on the fight for LGBTQ+ rights to intimate profiles of queer cultural vanguards, it’s a platform for all of the bold, stylish, and rebellious ways that LGBTQ+ people are reshaping our world every day.
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If the fact that it gave us Legendary isn’t enough evidence, let me be the first to tell you: HBO Max is for the gays and the gays only.
Initially, I wasn’t convinced the premium streamer’s hefty price tag was worth it. I mean, we all had Netflix to start, and then suddenly there was an endless spew of silly little apps we needed to pay for, too. However, a reluctant 14-day free trial opened my eyes; I came for the very bisexual-friendly Mummy franchise, and stayed for the bountiful queer content. Now, I’m officially an HBO Maxinista, even if their interface crashes every time a new Euphoria episode drops. 
HBO Max recently introduced an LGBTQ+ Voices collection you can locate if you pilfer around in your homepage long enough. However, it’s not a standalone genre or category; you can’t search things, filter things, or do much of any tailored navigation. That’s where some personalized curation can come in handy. Let me do the hard work of sifting through the library for you.
If you're looking for a guide to the best LGBTQ+ films on Netflix and Hulu , we've got those, too — but if you're in search of the 15 scariest, freshest, funniest, and most important queer flicks on HBO Max, read on for our definitive guide below.
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As someone currently living in Missouri during the rollback of Roe v. Wade , a buddy movie about a lesbian and her popular-but-now-pregnant ex-best friend taking a road trip to New Mexico for an abortion feels extremely timely.
In short, Veronica (Haley Lu Richardson) is in a pickle. She needs an abortion, but doesn’t want to tell any of her judgmental friends. As an added challenge, minors can’t legally abort in Missouri without their parents’ consent, which isn’t going to happen. As a last resort, Veronica reaches out to her former best friend Bailey ( Barbie Ferreira ) to give her a ride to Albuquerque. What ensues is a chaotic and extremely hilarious cross-country trek to the Southwest. Unpregnant takes a pretty deeply unfunny situation and asks, “Actually, what if this was told with the humor of the teenage girls who experience this?” And, spoiler alert, it’s extremely good. 
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For good reason, this is an oft-recommended watch — but once you see it, you’ll agree it’s not recommended enough. An unflinching look into the life of a Black lesbian teenager struggling to be accepted, Pariah is a fraught and beautiful film.
Alike (Adepero Oduye) explores herself, and her connection with being a butch lesbian, amid a rigid religious household in Brooklyn. Along the way, she strikes up a friendship with Bina (Aasha Davis), a girl from her church, while drifting away from her openly lesbian friend Laura (Pernell Walker). Pariah is a small film, independently made, zeroed in on Alike as the lone subject. But in that smallness, it exemplifies the painful — and unfortunately, sometimes necessary — power of knowing when to walk away and choose a new future. 
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A little bit of Sex Education , a sprinkling of Handsome Devi l, and a heaping spoonful of Derry Girls equals Dating Amber . Set in rural 1990s Ireland, Eddie (Fionn O’Shea) and Amber (Lola Petticrew) become each other’s beards to get through high school. While carrying out their farcical love affair, they strike up new romances, explore what it means to love themselves, and imagine a world beyond their small community.
Dating Amber balances the line between earnest and clever, but what makes it shine is the bone-deep chemistry between its leads. Though Eddie and Amber initially join forces to hide their truth, in doing so, they discover the invigorating magic of being seen — and known — by the people you love, and want to love.
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This is simultaneously one of the most crucial queer documentaries to come out in the past decade, and also one of the most upsetting. 
Beginning in roughly 2017, the Chechen government began kidnapping, detaining, and purging queer citizens. Welcome to Chechnya follows a group of LGBTQ+ activists as they provide support to Chechen survivors, aiding them in their journey outside of Russia . There’s a balancing act in capturing their efforts, and the atrocities suffered by the people they help, while also ensuring their continued anonymity — one that documentarian David France performs with skill and sensitivity. The breadth of queer suffering in the film often feels overwhelming, but by watching, there is the overwhelming feeling of privilege in hearing their stories, of knowing they exist, and seeing the lives that powerful institutions weren’t able to hide. 
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To be queer is to be a part of a rich tapestry; even when torn and thrown away, our colors stay so breaktakingly vibrant. No one knows this better than the subjects of The Legend of the Underground . 
This documentary follows a group of queer Nigerian young adults owning their truth, despite danger or discrimination. The Legend of the Underground explores the colonialist roots of homophobia, and how those aftershocks manifest in countless ways for countries that have anti-gay laws deeply embedded in their justice systems. As such, our subjects, and many others like them, have experienced complex layers of trauma from their loved ones and community. But like flowers growing up through the cracks of concrete, they have also cultivated a rich, revitalizing community of their own, fortified by grassroots activism and nurturing love. 
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Does Grey Gardens have any expressly queer subjects? Not technically. Is it an essential pillar of the queer community for about a thousand intangible reasons? Absolutely. 
Often described as one of the best documentaries ever made, Grey Gardens tells the story of an elderly mother and her middle-aged daughter, both named Edith Beale. Living in their titular dilapidated mansion in upstate New York, the women simultaneously exist in poverty and as perpetual socialites. “Little Edie” and “Big Edie,” each eccentric in their own way, dote on each other while constantly locking horns. They listen to old records, feed Wonder Bread to the raccoons living in their attic, and wear pants as headscarves. At its core, this documentary represents the inherent queerness of refusing to participate in society, as both women want to re-enter the world, but avoid all opportunities to do so. Much like the mother/daughter relationship living in its vermin-infested walls, Grey Gardens is both an entrapment and a release. 
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If you’re looking to increase the stress in your life by about 500% for 78 minutes, Shiva Baby is the movie for you. 
Danielle (Rachel Sennott), a bisexual college student with a messy love life and a casual sugar daddy, attends a shiva. This would not be particularly interesting in and of itself, but when Danielle’s ex Maya (Molly Gordon) appears with simmering tension, things enter into anxious territory. And when Danielle’s sugar daddy Max (Danny Deferrari) shows up to the somber affair with a whole wife and child in tow, she suffers a feature-length heart attack. It’s Uncut Gems for bisexuals, Hereditary for people who don’t like violence, and Fleabag for, well, Fleabag fans. Paired with an anxiety-inducing soundtrack and claustrophobic camerawork, Shiva Baby is a wholly refreshing — and adrenaline-fueled — queer comedy. 
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If you can find another movie where Robin Williams shows off a seemingly endless selection of flowy linen pants and fabulous Hawaiian shirts, send it my way. Until then, The Birdcage rules the roost. 
Williams stars as Armand Goldman, a gay drag club owner, living with his partner Albert (Nathan Lane) who headlines as the show’s star. When the couple’s son comes home from college to visit, they’re ecstatic. But when said son brings his surprise girlfriend and her conservative politician parents along, forcing Armand into the closet and Albert out of the picture entirely, they’re less than enthusiastic. What ensues is equal parts a masterful comedy of manners and a contemporary tale of what it meant to raise a child as a gay couple in the late 20th century. 
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In this vastly underrated (and very ’90s) biopic, Angelina Jolie offers us a beautiful, depressive, and wholly sincere portrayal of Gia Carangi, a Sapphic icon and one of the world’s first supermodels. 
In real life, Gia was a teenager who first moved to New York City in the late 1970s. Her meteoric rise to fame within the modeling industry was filled with luxury, fame, and bone-breaking loneliness. After the death of her close friend and protective mentor Wilhelmina Cooper (Faye Dunaway), Gia was swept up in the cocaine craze of the early '80s, while also entering into a passionate love affair with her makeup artist, Linda (Elizabeth Mitchell). Watching Gia is akin to experiencing a Shakespearian tragedy because — spoiler alert — things don’t end well for our Ophelia-esque subject. But if your two favorite genres of film are “sad” and “gay”, Gia is for you. 
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After the resonating success of Pariah , writer-director Dee Rees went on to tackle the indomitable blues singer Bessie Smith, portrayed by Queen Latifah — and Rees gives Bessie’s queerness the space it deserves. 
The film charts the titular figure’s journey from being an undiscovered young singer working in vaudeville shows to studying under Ma Rainey before finally becoming a famed artist in her own right. Rees’ Bessie, who had many male and female lovers historically, is a plus-size queer Black woman with an overwhelmingly rich interior. In other words, it’s a beautifully true-to-life depiction. Though it may settle into formulaic biopic structure at some points, Bessie is integral viewing as an ode to an iconic songbird, as full and lush as Smith’s contralto. 
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If you took Little Miss Sunshine , turned it into a heist movie and added a whole lot of WLW energy, your reward would be Kajillionnaire . 
Old Dolio (Evan Rachel Wood) is a second-generation scammer; her parents are well-worn grifters, raising their daughter without a semblance of joy, pleasure, or warmth. Instead, she’s been taught to be a scavenger, taking what’s valuable and ignoring anything without a price tag. That is, until a mysterious stranger named Melanie (Gina Rodriguez) enters the picture, throwing her world off its axis. Kajillionnaire marries the absurd surrealism of Old Dolio’s implausible family with the chasmic loneliness of the lead character herself. But it’s in the tender moments of longing and softness between the two young women that Kajillionnaire becomes priceless. Dear reader, follow in the footsteps of Old Dolio and Melanie; be gay, and do crime! 
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Released in the 1980s as one of the first lesbian movies, not to mention one of the first major queer films with a happy ending, Desert Hearts has aged like fine Sapphic wine. 
Vivian Bell (Helen Shaver) is a strait-laced literature professor in 1959, coming to Reno so she can get a quick divorce and move on with her life. Shortly thereafter, however, she meets Cay Rivers (Patricia Charbonneau), a freethinking and uninhibited sculptor with a sharp smile and luscious hair. Despite the tension inherent in their chemistry, Vivian and Cay grow close – but this is the 1950s, after all, and queer hearts always run the risk of breaking. Under the backdrop of twinkling stars and sparse foliage, Desert Hearts is just as fresh — and just as grippingly romantic — as it was all those years ago. 
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Perhaps one of the most nuanced and turbulent depictions of queer love committed to film, watching Happy Together is akin to stepping into a turbulent ocean when you can’t quite swim and there’s no life jacket in sight. 
Lai Yiu-Fai (Tony Leung Chiu-Wai) and Ho Po-Wing (Leslie Cheung) are a couple who can’t quite seem to stop hurting each other. They begin the film by moving to Argentin
He Cums And Keeps Fucking
Teens Fucking In Public
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