Spoonful Of Sex Actors

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Spoonful Of Sex Actors
Movies | Oops! Pushed the Wrong Button
Sex Tape Directed by Jake Kasdan Comedy, Romance R 1h 34m
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The Internet, it has been said , is a series of tubes. So is the human body. The intersection of these two systems — each one sticky, nasty and fascinating in its own special way — is a fact of daily life and also the subject of “Sex Tape,” a new R-rated comedy starring Jason Segel and Cameron Diaz.
Don’t get your hopes up. Or maybe I should say don’t worry. Because in spite of a title that evokes everything tawdry and salacious in contemporary on-line culture (at least circa 2007), in spite of a steady cascade of obscene language, and in spite of a naked buttock here and there, “Sex Tape,” directed by Jake Kasdan , is as wholesome as a spoonful of nonfat Greek yogurt. If you are expecting a movie that finds humor in squirming embarrassment and that touches modern anxieties about the loss of privacy and the technological exploitation of the libido, you might be disappointed. But then again, maybe you’d just prefer to stay home with your laptop in the first place, doing research.
Mr. Segel and Ms. Diaz, long-limbed and likable, play Jay and Annie, a married couple who spent their years as college sweethearts in a frenzy of copulation. The actors, 34 (Mr. Segel) and 41 (Ms. Diaz),play their characters’ younger selves with what look like digitally smoothed faces, to somewhat creepy, “Benjamin Button”-like effect. A pair of kids (Sebastian Hedges Thomas and Giselle Eisenberg) and other tokens of adult responsibility have cooled things down between them, a situation Annie and Jay decide to remedy with the help of a bottle of tequila, a new iPad and an old copy of “The Joy of Sex.”
The resulting video — a three-hour acrobatic extravaganza, highlights of which are shared with the movie audience — ascends into the cloud and migrates to a handful of other tablets. Annie and Jay need to get them. The plausibility of this circumstance was recently tested by Lauren Bans, an intrepid GQ writer who made a phone call to Apple tech support. If Jay or Annie had done that, “Sex Tape” would have been quite a lot shorter. One reason for the R rating might be to spare digitally native kids the mortification of seeing how clueless their parents can be.
But let’s not pick nits. The movie, written by Kate Angelo, Nicholas Stoller and Mr. Segel, also asks us to believe that Annie is on the verge of selling her blog about motherhood for big money, a plot point that inspired raucous (if largely mirthless) laughter from the press rows at my screening. Jay, in case you were wondering, works at a radio station, exactly the kind of cool, vague job that comedy husbands tend to have these days and one that sort of explains why so many people have iPads connected to his.
Those are the ones he and Annie need to retrieve in a hurry. “Sex Tape” is one of those against-the-clock panic movies — like “Horrible Bosses” or “Date Night” — that string together a set of nutty circumstances featuring kooky supporting players. Mr. Segel gallops through a mansion, chased by an angry German shepherd, which is not all that funny, while Ms. Diaz snorts cocaine with Rob Lowe, which is. Rob Corddry and Ellie Kemper are wacky friends along for the ride. Jack Black shows up just when things start running out of gas. Ms. Diaz and Mr. Segel sustain the whole thing with the bright energy of foul-mouthed, anatomically detailed Muppets.
The hovering question is not “Could this really happen?” but “Would anyone really care if it did?” While there is some notion that the sale of Annie’s blog to a toy company would be jeopardized if the video were to come to light, she and Jay don’t seem to risk much more than mild discomfort. And the main reason that “Sex Tape,” while often quite funny, fails to qualify as a comedy is the absence of any real conflict or complication. Annie and Jay clearly love each other, and the notes of strife and alienation that pop up between them in the course of their hectic night are too small and muted to cause any worry. This means that the resolution of their problems has no weight.
And the humor has no bite, no friction, none of the transgressive thrill that Mr. Kasdan and Ms. Diaz (with an assist from Mr. Segel) brought to “Bad Teacher.” “Sex Tape” is a safe and cautious movie, intent above all on respecting the modern taboo against being mean. Jay sustains some cuts and bruises, thanks to some rough physical comedy, but nobody’s feelings are in danger of being hurt. Cruelty-free laughter can be a challenge, and some of the ways this movie confronts it are less than imaginative. It avoids giving possible offense to nonwhite, nonheterosexual people by pretty much leaving them out of the picture altogether. Still, there are worse things in this world than a light, sweet, silly comedy about two nice people having a good time in bed.
“Sex Tape” is rated R (Under 17 requires accompanying parent or adult guardian). It’s called “Sex Tape.”

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We're in the frigid depths of winter right now, and that means it's prime spooning season—the time of year when you and your partner can linger under soft, warm covers and enjoy all the amazing sensations this hands-free, super intimate sex style offers. Spooning "is one of the easiest positions to get into, and probably the most comfortable and natural,” says Sadie Allison, PhD, author of Ride 'Em Cowgirl! Sex Position Secrets for Better Bucking .
If you love nothing more than the closeness and orgasmic pleasure a spooning session brings but are getting a little bored with bumping and grinding on your sides, try one of these six expert-approved variations. You’ll feel just as close to your partner, there are no pretzel-like contortions involved, and you’ll definitely break a sweat—on even the coldest of days.
This chest-to-chest pose puts your breasts front and center and also encourages feelings of safety, connection, and nurturing, says California-based intimacy expert and educator Miyoko Rifkin . Have your partner start in a cross-legged position, then sit on top of them with your arms and legs wrapped around their torso and over their shoulders. Have your partner enter you and take charge of the thrusting. “By having your partner support you entirely, it gives you this feeling of weightlessness and relaxation,” she explains. “It’s a perfect position for reconnection.”
When traditional spooning feels too same-old, a tiny tweak can make a huge pleasure difference. While your partner is in the big spoon position, throw your upper leg back over their legs. “That will change the angle of penetration and make room for more rubbing and grinding with hands and toys,” says Toronto-based Jess O’Reilly , PhD, Astroglide’s resident sexologist. Plus, your leg will sort of enclose theirs, cutting down on their range of motion so their thrusts become shorter and faster.
It doesn’t get much more intimate than this oral-sex variation, which mixes the insane pleasure of standard 69 with the closeness of spooning. Just lie on your sides comfortably and put your faces between your legs, instructs O’Reilly. then tease each other with your lips, mouths, and tongues. Take turns bringing each other to orgasm...or orgasm in sync, so you both finish together.
We’re not talking about a striptease here. Have your partner sit back, keeping their legs together. While facing away from them, back into their lap, and lean into their chest. Have your partner enter you from behind and hold still as you rock back and forth and up and down, enjoying the sensation of their penis in the sensitive lower third of your vagina (where the most nerve endings are). “You’ll really get that back-to-front closeness,” says Chelsea Holland, sex and relationship therapist with the Colorado-based Intimacy Institute . While you keep grinding, they hold on to your hips with a firm grip, steadying your movements.
Get in the reverse cowgirl position, with you on top of your partner but facing their feet. After your partner has entered you, slowly lower your back so your upper body lies on top of theirs. This woman on top/spoon hybrid gives you the control of being on top but the intimacy of being pressed up against each other. Plus, your partner can stimulate your clitoris and breasts—holding your body tight as amazing orgasms shake you to the core.
This spooning-doggy style blend is super sexy and cozy. You lie flat on your belly with your legs parted, while your partner lies directly on top of you. You’ll feel warm and close as your partner drapes their body over yours, triggering deep sensations as they move in and out of you. “Like spooning, this is a great move for when you’re tired,” says Allison. “And you can add a pillow under your hips for leverage—makes it easier for them to go deeper and hit your G-spot.”
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Movies | Shooting Film and TV Sex Scenes: What Really Goes On
Shooting Film and TV Sex Scenes: What Really Goes On
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To hear most actors tell it, filming sex scenes is no turn-on. There are big cameras, of course, and big crew members that come with them. It’s a performance with a stranger-turned-scene-partner, for a director who’s judging every caress and whimper. It’s the antithesis of hot, stars assure us on late-night TV; it’s awkward and tense. Speak to the filmmakers, though, and you get a different take.
“I personally am very excited when we shoot sex scenes,” said Sarah Treem, a creator of the Showtime series “The Affair.” “Because I think they can be transgressive; they can be very, very real.”
When they work, she added, “everybody actually enjoys them.”
Audiences certainly do, if the blockbuster success of “Fifty Shades of Grey” is any measure. But they are delicate moments to capture. “We did actually save the explicit sex to the final week” of shooting, said Seamus McGarvey, the cinematographer of “Fifty Shades of Grey,” based on E. L. James’s S-and-M-centered novel — though on-screen, some of the whipping is created via digital imagery.
To simulate sex, actors employ tricks: pillows between them, prosthetics and body stockings, and push-ups to get their muscles bulging. But the movement is often improvised. “If it’s overly rehearsed or overly thought through, it seems like a bad soft-core porn on Cinemax,” said Judd Apatow, the auteur of raunchy rom-coms (and a producer of “Girls”). In the forthcoming comedy “Trainwreck,” Mr. Apatow directed the writer and comedian Amy Schumer in her first big-screen sex scenes; she pumped herself up by listening to Beyoncé in her trailer.
On “Fatal Attraction,” Michael Douglas and Glenn Close were loosened up with Champagne and margaritas, said Adrian Lyne, the director of that sexually charged classic as well as “Indecent Proposal” and “Unfaithful.”
Naturally, not all steamy scenes are amorous. Some, like those in Jean-Marc Vallée’s “Wild” and “Dallas Buyers Club,” are meant to be uncomfortable, and those are among the most difficult to create.
In individual telephone conversations, these film professionals discussed one of the weirder aspects of their jobs, the logistics of sex on screen.
Write, rehearse and choreograph? Or just let the camera roll?
Sarah Treem There’s a difference between the way that sex scenes are written and performed. We do have detailed stage directions. A lot changes on the day you’re shooting sex scenes, because they are so vulnerable for the actors. Some actors would say it’s them at the most honest.
Amy Schumer I think I overwrote the sex scenes. It was probably half a page of very specific stage directions before I even said one word in the movie.
Judd Apatow I took photos of every possible angle you could have sex in, but then on the day, all of it goes out the window. There’s only so many places you can put the camera for that activity.
Seamus McGarvey We did have rehearsals and to make the actors feel comfortable initially, look at how we might photograph the sex. Also, that suited the first few sex scenes, to have a slight awkwardness to them; the camera would be more at a distance. In the Red Room, when things heat up a little bit, that was less choreographed. Sometimes we would use a remotely operated camerahead so the actors wouldn’t have an operator leaning in.
Adrian Lyne You try and create a situation where there are possibilities. I’ve always thought that sort of grabbed sex is more fun than that statuesque sort of bedroom stuff. So in “Fatal Attraction,” the scene where they [have sex] over the sink, I knew it had humorous possibilities because there was plates and cups in the sink. If you don’t get some humor in, the audience will laugh at you, because they’re nervous watching it.
Jean-Marc Vallée There was no specific choreography, but there’s a way of setting a tone. Restricted crew, it’s just available light where we can move 360 degrees with the camera — this is the intention, and let’s see where it goes from there. [In “Wild”] it wasn’t specifically planned for this guy to take Reese [Witherspoon], to turn her on her back, and take her from behind, but it just happened as we were shooting. And [in “Dallas Buyers Club”] with Matthew [McConaughey], at one point he had a threesome, with two girls in this trailer home with his friend watching him, and he was on fire.
Do you ask for nudity, and then worry about covering it up afterward?
Lyne That’s the best way to do it. [In “Fatal Attraction”] I always remember when Michael Douglas is trying to carry her over her to the bed, and he couldn’t get out of his pants, and he’s having hysterics laughing. And he was naked — well, he had his shirt on. We noticed in the cutting room literally one frame where his testicles were visible. You couldn’t cut it out — it’s very, very brief. [Laughs] I hope Michael will forgive me for saying this.
Treem We have actors on our show who have varying relationships to nudity; people have things they will and will not show, and we have to respect that. We had to create sex scenes that looked like we weren’t trying to cover body parts when we were. And — this was a discovery for us — sometimes the sexiest sex scenes, we shot very tight, only the actors’ faces.
McGarvey We were protecting the actors. Jamie [Dornan] had a cover over his penis. Dakota [Johnson] had kind of a patch that went over her pubic area, and right round her whole body. We were in the curious situation, in postproduction, of adding [pubic hair]. I wouldn’t say it was one of the highlights of my career, but it certainly was one of the most surreal scenarios. We did have a butt double for Dakota. I had the pleasure of casting a nontattooed bottom — Surreal Scenario No. 2.
Schumer I am sort of a boundaryless person, which is something I’m working on. In our house, nudity wasn’t a big deal, so that was never an issue for me. It was about the crew. The sex scenes that are funny, I don’t care, but the ones that are actually sexual, it’s like these people are seeing me be really vulnerable. Frank, who’s holding the boom, is seeing, “Oh, this is what Amy is like when she really means business.” In between every single take, I think I screamed, “It’s so embarrassing!”
Sex scenes mean a small crew. But how close are the cameras and how many takes?
McGarvey For the sex, we would always shoot with two cameras, so they wouldn’t have to do numerous takes. I have done sex scenes before that have more abandon, for instance, in “We Need to Talk About Kevin.” When I did that scene with Tilda Swinton and John C. Reilly, with a 5D [camera], I was literally under the covers.
Lyne [In “Indecent Proposal”] the scene with Woody Harrelson and Demi Moore, I remember shooting it on the zoom so you can just push in and grab bits and pieces without stopping, and then get it wider. It’s a mistake to stop them. Usually they’re quite quick, love scenes like that, because there’s a limit to their endurance. Just in terms of kissing somebody, you can’t kiss forever.
Do the performers have to be turned on?
Vallée I’ve never seen an actor with an erection, in all of the films and the sex scenes that I’ve done, but it doesn’t mean that I haven’t seen a guy being excited. It’s so technical, but we’re humans, and they’re naked, and they touch each other.
Lyne The scene wouldn’t be working if they weren’t. Obviously, you’re not literally doing penetration but they’re both aroused; they would have to be; otherwise the scene would be hopeless.
Do actors express worry about their bodies?
Lyne Yes, I did have [an actor concerned about his manhood] — without the slightest reason to be worried — but it did show the amount of paranoia in their minds. I say, “You’re fine, you’re great!”
Vallée It happened in my first feature film. The lead actress had to perform a
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