Spitfire Audio Spitfire Solo Strings

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Sometimes you need the intimacy and detail of a single voice to rise above the force of an orchestra. Reach for Spitfire Solo Strings, featuring exceptional first-call London virtuosos, ideal for adding individuality and definition to your scores and production. Solo Strings is designed to stand out, but also to fit in: this entirely new library sits perfectly alongside the Spitfire orchestral ranges, utilising the same location, peerless signal chain, mic positions and range of articulations that make up the DNA of our high quality orchestral packages. Single players, recorded in the acoustic luxury of The Hall at AIR Studios, captured on rich sounding 2” tape.
Jack in the Box — Andy Blaney — Violin (Virtuoso) Total Performance (0:00 / 5:05)
The Discovery - Paul Thomson (0:00 / 1:58)
For Every Tomorrow - Homay Schmitz (Contextual) (0:00 / 2:38)
Taiga — Paul Thomson (Solo Cello Total Performance & other libraries) (0:00 / 3:44)
Apizziture (Contextual) - Christian Henson (0:00 / 2:35)
For Lost Souls - Harnek Mudhar (0:00 / 2:20)
Dance For The Evil - Oliver Patrice Weder (0:00 / 2:04)
Solo Strings Trailer - Oliver Patrice Weder (0:00 / 1:45)
Neverland - Oliver Patrice Weder (Cello Legato Contextual) (0:00 / 2:56)
Solo Strings Legato Trailer - Andy Blaney (0:00 / 1:15)
Strange Looks — Homay Schmitz (Solo Violin Total Performance Only) (0:00 / 0:48)
When No One Is Looking — Homay Schmitz (Spitfire Solo Cello Total Performance only) (0:00 / 0:47)
Solo Cello Total Performance — Paul Thomson (0:00 / 0:49)
~41270 Samples
66.2 GB Uncompressed .WAV
43.3 GB download size Too large to download? Choose hard drive delivery at checkout.
87.00 GB disk space required during install
Mac system requirements Mac OS X 10.10 or later Minimum: 2.8GHz i5 minimum (quad-core), 8GB RAM. Recommended: 2.8GHz I7 (six-core), 16GB RAM
PC system requirements Windows: Windows 7, Windows 8, or Windows 10 (latest Service Pack, 64-bit) Minimum: Intel 2.8 GHz i5 (quad-core) or AMD Ryzen 5, 8GB RAM. Recommended: Intel 2.8 GHz i7 (six-core) or AMD R7 2700, 16GB RAM
Kontakt version requirements Kontakt or Kontakt Player 5.6.8 or higher
Free Kontakt Player Included
User manual
Apply for educational discount
Six years ago, Spitfire released the original Solo Strings, one of our first ever libraries. Since then, we have clocked up over 2,500 hours of sampling experience, so we knew it was time we revisited these essential instruments. They can add individuality and definition to big string writing, as well as capture soaring solos for film, games or pop music. Think of the solo violin in John Williams’ score for Schindler’s List, Fratres by Arvo Pärt, John Corigliano’s Red Violin, or the cello carrying the Game of Thrones theme.
Soloists are exceptional players, and capturing them on a recording presented unique challenges. We needed to go beyond expectation, making each instrument versatile enough to match the emotional temperature of your music, offering a vast range of mic positions and articulations to blend perfectly with our Symphonic and Chamber collections. Our new solo violin can be played in three distinct modes and was performed by three distinctly different players: Virtuoso, 1st Desk and Progressive, each containing not only their own range of articulations, but also a range of recording locations in the hall and different styles of performance. Virtuoso, with a standing player, captures the sound of a sonata, or a featured soloist out in front of the orchestra performing in a ‘concerto’ style. 1st Desk was recorded on the front desk of the first violins, perfectly placed for adding individuality and definition to a string line, while still able to blend in with the section. Our “1st Desk” performer plays “out”, leading the orchestra. Our progressive player was recorded further away from the conductor, designed to fit into larger string sections, or offer up solo passages in a more contemporary vernacular, opening the door to a modern, filmic sound of extended techniques including “Mandolin pizzicato” and “Tremolo whispers”.
These three violins are joined by three exceptional string players on viola, cello and double bass, all with an equal attention to detail and depth of sampling. This gives us an exceptionally versatile set of tools that can create anything from a single searing cello line to multiple parts added to larger sections, providing added definition and personality and bringing together a very unique sextet of players with unprecedented control and malleability.
For Solo Strings, Spitfire had the privilege of working with a group of internationally acclaimed musicians with a goldmine of experience as first-call soloists. These players can be heard all over major Hollywood films. Featuring Jack Liebeck (violin - Virtuoso), Clio Gould (violin - 1st Desk), Thomas Gould (violin - Progressive), Max Baillie (viola), Richard Harwood (cello) and Leon Bosch (double bass), Solo Strings is a no-compromise library, recorded in an exceptionally resonant acoustic space.
As with many Spitfire libraries, we returned to the iconic Hall at AIR Studios to record Solo Strings. Scores such as Dunkirk, Beauty and the Beast, Wonder Woman and Paddington 2 were recorded there recently, as well as classics such as Harry Potter and the Philosopher’s Stone, The Dark Knight and Gladiator. Solo Strings was recorded by award-winning engineers, who captured each soloist using world-class equipment: priceless ribbon and valve mics through Neve Montserrat preamps, the largest 88R Neve console in the world, onto pristine 2” tape before being converted with the top-of-their-class Prism AD converters at 96k. There’s a reason that this hall has been the choice for Hollywood directors for decades.
Our highly intuitive Solo Violin (Virtuoso) and newly added Solo Cello Total Performance instruments are included in Spitfire Solo Strings, and are also available to purchase as separate Kontakt Player libraries — follow the links below to find out more. At your fingertips are our most detailed and advanced solo violin and solo cello to date, performed by world-renowned virtuoso concert violinist Jack Liebeck and concert cellist Richard Harwood respectively, in The Hall at AIR Studios. Each contains all of the techniques you need to create a realistic solo performance, including five different types of true legato — fingered legato, bowed legato and portamento legato, runs and arpeggios. They also feature spiccato, staccato, tremolo, trills, molto vibrato, progressive vibrato and non vibrato (as well as pizzicato and Bartok pizzicato for cello) — all combined together to enable musical phrasing without the need for key-switching, and programmed to react to playing speed and touch. Easy to play and ultra intuitive, these instruments allow you to focus entirely on your composition, without the need to ‘stitch’ together performances.
Watch the screenflow of Andy Blaney's composition Jack In the Box using the Violin (Virtuoso) Total Performance patch:
The Overview Panel
This is the main interface for melodic instruments. Its default view displays all available playing techniques, has a simple microphone mixer and includes the main feature controllers.
The Ostinatum
In this view you can add notes to a pattern sequencer, select which key it triggers on and then play for instant ostinato creation. It’s like an arpeggiator on a synthesiser.
General Controls Panel
This view allows further in-depth control of the instrument, showing all available signals and feature controllers, as well as the ability to purge techniques from memory to reduce system usage.
Individual articulations:
Violin (Virtuoso):
Violin (Virtuoso) - Long CS
Violin (Virtuoso) - Long Flautando
Violin (Virtuoso) - Long Harmonics
Violin (Virtuoso) - Long Progressive Vib
Violin (Virtuoso) - Long Sul Pont
Violin (Virtuoso) - Long Tremolo
Violin (Virtuoso) - Long
Violin (Virtuoso) - Short Brushed Baroque CS
Violin (Virtuoso) - Short Col Legno
Violin (Virtuoso) - Short Harmonics
Violin (Virtuoso) - Short Noise Staccatissimo
Violin (Virtuoso) - Short Pizzicato
Violin (Virtuoso) - Short Spiccato
Violin (Virtuoso) - Short Staccato
Violin (Virtuoso) - Trill (Major 2nd)
Violin (Virtuoso) - Trill (Minor 2nd)
Violin (1st Desk):
Violin (1st Desk) - Long CS
Violin (1st Desk) - Long Flautando
Violin (1st Desk) - Long Harmonics
Violin (1st Desk) - Long Progressive Vib
Violin (1st Desk) - Long Tremolo
Violin (1st Desk) - Long
Violin (1st Desk) - Short Bartok Pizz
Violin (1st Desk) - Short Brushed Baroque CS
Violin (1st Desk) - Short Col Legno
Violin (1st Desk) - Short Harmonics
Violin (1st Desk) - Short Mandolin Pizzicato
Violin (1st Desk) - Short Pizzicato
Violin (1st Desk) - Short Spiccato
Violin (1st Desk) - Short Staccato
Violin (1st Desk) - Trill (Major 2nd)
Violin (1st Desk) - Trill (Minor 2nd)
Violin (Progressive)
Violin (Progressive) - Long Col Legno Tratto
Violin (Progressive) - Long CS
Violin (Progressive) - Long Flautando
Violin (Progressive) - Long Harmonics
Violin (Progressive) - Long Progressive Vib
Violin (Progressive) - Long Sul Pont
Violin (Progressive) - Long Super Sul Tasto
Violin (Progressive) - Long Tremolo
Violin (Progressive) - Long
Violin (Progressive) - Short Bartok Pizzicato
Violin (Progressive) - Short Brushed Baroque CS
Violin (Progressive) - Short Col Legno Pencil
Violin (Progressive) - Short Col Legno
Violin (Progressive) - Short Harmonics
Violin (Progressive) - Short Mandolin Pizzicato
Violin (Progressive) - Short Paganini
Violin (Progressive) - Short Pizzicato
Violin (Progressive) - Short Spiccato CS
Violin (Progressive) - Short Spiccato
Violin (Progressive) - Short Staccato
Violin (Progressive) - Short Super Sul Tasto
Violin (Progressive) - Tremolo Harmonics
Violin (Progressive) - Tremolo Whispers
Violin (Progressive) - Trill (Major 2nd)
Violin (Progressive) - Trill (Minor 2nd)
Viola
Viola - Long CS
Viola - Long Harmonics
Viola - Long Progressive Vib
Viola - Long Sul Pont
Viola - Long Tremolo
Viola - Long
Viola - Short Bartok Pizzicato
Viola - Short Brushed Baroque CS
Viola - Short Col Legno
Viola - Short Harmonics
Viola - Short Mandolin Pizzicato
Viola - Short Noise Staccatissimo
Viola - Short Pizzicato
Viola - Short Spiccato
Viola - Short Staccato
Viola - Trill (Major 2nd)
Viola - Trill (Minor 2nd)
Cello
Cello - Long CS
Cello - Long Flautando
Cello - Long Harmonics
Cello - Long Progressive Vib
Cello - Long Sul Pont
Cello - Long Tremolo
Cello - Long
Cello - Short Bartok Pizzicato
Cello - Short Brushed Baroque CS
Cello - Short Col Legno
Cello - Short Harmonics
Cello - Short Noise Staccatissimo
Cello - Short Pizzicato
Cello - Short Spiccato
Cello - Short Staccato
Cello - Trill (Major 2nd)
Cello - Trill (Minor 2nd)
Bass
Bass - Long Flautando
Bass - Long Harmonics
Bass - Long Progressive Vib
Bass - Long Sul Pont
Bass - Long Tremolo
Bass - Long
Bass - Short Bartok Pizzicato
Bass - Short Brushed Baroque CS
Bass - Short Col Legno
Bass - Short Harmonics
Bass - Short Pizzicato Undamped
Bass - Short Pizzicato
Bass - Short Spiccato
Bass - Short Staccato
Bass - Trill (Major 2nd)
Bass - Trill (Minor 2nd)
Legato patches
Violin (1st Desk) - Legato
Portamento
Fingered
Bowed
Viola - Legato
Portamento
Fingered
Bowed
Cello - Legato
Portamento
Fingered
Bowed
Solo Violin (Virtuoso) Total Performance:
Fingered Legato
Bowed Legato
Portamento Legato
Runs
Arpeggios
Spiccato
Staccato
Tremolo
Trills
Molto vibrato
Progressive vibrato
Non vibrato
Solo Cello Total Performance:
Fingered Legato
Bowed Legato
Portamento Legato
Runs
Arpeggios
Spiccato
Staccato
Tremolo
Trills
Pizzicato
Bartok pizzicato
Molto vibrato
Progressive vibrato
Non vibrato
Other patches
Violin (Virtuoso) - Economic
Violin (Virtuoso) - Light resources
Violin (Virtuoso) - Time Machine
Violin (Virtuoso) - Total Performance
Violin (1st Desk) - Economic
Violin (1st Desk) - Light resources
Violin (1st Desk) - Time Machine
Violin (Progressive) - Economic
Violin (Progressive) - Extra techniques
Violin (Progressive) - Light resources
Violin (Progressive) - Time Machine
Viola - Economic
Viola - Light resources
Viola - Time Machine
Cello - Economic
Cello - Light resources
Cello - Time Machine
Bass - Economic
Bass - Light resources
Bass - Time Machine
Mics
C(lose)
T(ree)
A(mbient)
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FRequently asked questions
SPITFIRE SOLO STRINGS, SPITFIRE SOLO VIOLIN & SPITFIRE SOLO CELLO
WHAT IS THE DIFFERENCE BETWEEN THE "OLD" SOLO STRINGS AND THE "NEW" SOLO STRINGS?
Whilst we still love the character of the legacy product, it was one of our oldest and longest serving libraries. Times have changed, and we have returned to AIR Lyndhurst to revisit and improve on a Spitfire favourite.
Everything! We’ve recorded entirely new samples, updated scripting and created a cleaner and easier to use GUI, all of which is presented as an NKS compatible Kontakt Player library. And unlike our old Solo Strings library, this product also includes double bass, and three different violin styles - Virtuoso, 1st Desk and Progressive - each with their own unique articulations. 
IS THERE A CROSSGRADE PATH FOR ORIGINAL SOLO STRINGS OWNERS?
Yes! As a thank you for your loyalty, owners who purchased the original Spitfire Solo Strings before the firesale began on 15th March 2018 will receive a special discount. Add Spitfire Solo Strings to your cart, and our cart will intelligently calculate your crossgrade. Make sure you’re logged in first!
Since we recorded Solo Strings in the Lyndhurst Hall at AIR, the library will blend perfectly with most of our existing libraries, including our Chamber Strings, Symphonic Strings, Brass, Woodwinds, as well as all of the Albions. And just like those libraries, Solo Strings was recorded by award-winning engineers, using world-class equipment: priceless ribbon and valve mics through Neve Montserrat preamps, the largest 88R Neve console in the world, and onto pristine 2” tape before being converted with the top-of-their-class Prism AD converters at 96k. There’s a reason that this hall has been the choice for Hollywood directors for decades. 
What are the Spitfire Solo Violin and Solo Cello Total Performance patches?
Spitfire Solo Violin Total Performance and Spitfire Solo Cello Total Performance both contain all the techniques you need to create realistic solo performances — five different types of true legato: portamento legato, fingered legato, bowed legato, runs and arpeggios. They also feature: spiccato, staccato, tremolo, molto vibrato, progressive vibrato and non vibrato, plus pizzicato & Bartok pizzicato in Solo Cello — all combined together to enable musical phrasing without the need for key-switching, and programmed to react to playing speed and touch. This patch is easy to play and ultra-intuitive, allowing you to focus entirely on your composition, without the need for ‘stitching’ together performances.
Can I purchase Spitfire Solo Violin Total Performance and/or Spitfire Solo Cello Total Performance on its own?
Yes! Spitfire Solo Violin Total Performance and Spitfire Solo Cello Total Performance are also available to purchase as individual libraries. Both are included in Spitfire Solo Strings at no extra cost.
If I buy either or both of the Total Performance Patches on their own, is there a crossgrade available to purchase Spitfire Solo Strings?
Yes! To see how much you can save, add Spitfire Solo Strings to your cart and the crossgrade price will automatically generate at checkout.
How do I update the Solo Strings library?
Log into the Spitfire Audio App and you will see your update waiting for download. If you can’t see it straight away, click the ‘Update’ filter at the top of the screen, or use the search bar.
To begin updating Spitfire Solo Strings, click the ‘Update’ button beneath the product image. Navigate to the folder icon which is to the right of the “select location” bar. This enables you to choose the install location. Choose your “Spitfire Audio - Spitfire Solo String Library” folder. Click “Update”

For any help or support please visit our Support Center here: https://www.spitfireaudio.com/support.
IS SPITFIRE SOLO STRINGS AVAILABLE WITH AN EDUCATIONAL DISCOUNT?
Yes, this library will be available with an educational discount. It’s worth noting that if you’re eligible for the loyalty crossgrade, you cannot “stack” the discounts, but rather “top up” to the EDU price of 30% off.
WHAT IS THE DIFFERENCE BETWEEN SPITFIRE SOLO STRINGS AND ALTERNATIVE SOLO STRINGS?
Alternative Solo Strings was recorded dry, with the players performing in a very raw style. Our Spitfire Solo Strings is a direct counterpoint to this and very much plays to a traditional, virtuosic sound, recorded in the pleasurable ambience of the Hall at AIR Studios.
WHAT CONTEXT IS THIS LIBRARY BEST USED IN?
Spitfire Solo Strings are perfect for lyrical solo passages, quartet writing, and even for layering with a full section to add definition. Due to the recording location, Solo Strings will blend effortlessly with our other AIR libraries, and truly ‘completes’ the Spitfire Symphonic Orchestra.
WHICH OTHER SPITFIRE LIBRARIES MIGHT WORK WELL WITH SPITFIRE SOLO STRINGS?
Any library within our Symphonic Range, and any that were recorded at AIR Lyndhurst would work well with this library.
WHAT LEGATOS ARE AVAILABLE WITHIN SPITFIRE SOLO STRINGS?
As well as the Total Performance patches mentioned above, this library features portamento, fingered & bowed legato patches for Violin (1st Desk), Viola and Cello. Watch Paul’s Walkthrough of the Spitfire Solo Strings Legatos here.
Long articulations typically include an attack sample, a sustain sample which is then looped and a release sample - all stitched together to make what you hear when you press a key. A legato articulation adds the sound of the transition between notes so that you can play a phrase of music that sounds more realistic than if you were to play it using all long notes.
You would use our “fingered” legato for notes which are connected by or contained within a slur on a musical score; the “bowed” legato is best used for notes which are marked détaché which means each note is played with a new stroke of the bow; and “portamento” legato is used where you want the pitch to slide between notes, usually indicated by a wavy line connecting the notes in the score.
Jack talks us through the user interface controls for Spitfire Solo Strings.
Luke talks us through the user interface controls for Spitfire Solo Violin Total Perfor
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