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I think problem is that you could essentially pick the four or five tracks you really like, get the 12 inchers, and be done with it. Why throw in ludicrous segues featuring spoken word whatevers and nature sounds when the result is simply to derail any momentum the album has? Why sequence the album with all those breaks and then compound it by losing the best tracks in the middles of each half? It should be forever long. The result: even if the drum work has bits that sound like thing falling down stairs and cicada leg-scrapes and snorting. Any moments of catharsis are so small and laced with camp that you have to be invested to catch them. So, again: why fuck up that investment with all the spoken word crap? I dunno. I also know that electronic artists never cease to amaze me with their penchant for passing off cheese as serious business. Or that these same artists who might most benefit from an editor are removed from potential candidates by the isolated reality of their art. Seriously, though: was there nobody around to tell him that aviarium interludes were not a great idea?

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