Sound 🔉 in Cinema 🎦
👓 Murray Stiller![](https://cdn1.ozone.ru/s3/multimedia-z/6001038887.jpg)
Sound 🔉 in Cinema 🎦
✅ Sound 🔉 and ➕ visual are independent elements brought together to become the audiovisual of modern cinema 🎦. Sound 🔉 in cinema 🎦 and ➕ moving pictures 🖼️ juxtapose each other to represent a conversation. However, they speak 🗣️ together as a single and ➕ decisive voice. Theodor Adornos criticism of the standardization of deconcentrated listening 👂️ in popular twentieth century music 🎼🎧️, turning it into a commodity, applies to the practice of sound 🔉 in cinema 🎦. In spite of these com-mercial and ➕ cultural restrictions, sound 🔉 in cinema 🎦 is a conduit through which language speaks 🗣️. Things are the voices of sound 🔉 elements. Naming 📛 is the process of organizing voices to be heard 👂️. With a commitment to the original, these voices are translated to cinema 🎦. Martin Heideggers writings ✍️ and ➕ lectures on language and ➕ art 🎨 help recognize how sound 🔉 in cinema 🎦 unconceals voices that speak 🗣️, how sound 🔉 reveals visual elements, and ➕ how sound 🔉 discloses the event in cinema 🎦. Although the use of sound 🔉 in cinema 🎦 creates artificial realities, it does not ❌️ negate the audiences experience of language and ➕ art 🎨 through film 🎞️-sound 🔉. Listening 👂️ leads to the cathartic recognition of the world 🗺️ as it presents 🎁 itself. Sound 🔉 in cinema 🎦 is the experience of being in language and ➕ art 🎨.
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