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A man goes for a walk through the countryside with his dying mother.
A slow and poignant story of love and patience told via a dying mother nursed by her devoted son. The simple narrative is a thread woven among the deeply spiritual images of the countryside and cottage.—Archie Moore
In "Mother and Son" Sokurov used special lenses, distorting mirrors placed on the sides of the camera, and painted glass set directly in front of the lens to create his unique dreamlike world.
Son: Don't die then. Who is forcing you?
The prior commentator went a little overboard. The film is surely not the greatest of all time. It is, perhaps, the greatest LOVE FILM of all time. The beauty of the landscape (note that this is Russia in deep summer -- deep winter would have produced a much different effect - but then the mother is dying, and the contrast between her physical state and the lushness of the fields and forests is necessary to keep one from being overwhelmed by sorrow ) is itself commentary on the beauty between these two. No pretty girl, no surging music, no reasons even for the love. It is just there. Titanic. Not tied to sex or gratitude. JUST EMOTION. The dialog is spare. There is no third person. Though everything moves very sluggishly, this fits perfectly. This is not a movie. It is a poem. Extremely fine too as an essay on what the core of love looks like.
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By what name was Mat i syn (1997) officially released in Canada in English?
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The two films (The Girl from Monaco, My Worst Nightmare) I have watched by the Luxembourg-born, French-based director Anne Fontaine did not in any way prepare me for the beauty and enchantments of her first English-language (Aussie English, that is) movie, Adore. It's not that her earlier films were bad, but they certainly were not cinematic. (To explain what I mean by cinematic: It is to synthesize the primary resources—music, image, drama, writing, narrative—of moviemaking into a consistent mood, tone, movement. There are certainly other meanings out there, but this is all that I mean.)
With Adore, two middle-aged mothers, Roz and Lil (Robin Wright and Naomi Watts), who are old friends and neighbors in a seaside paradise located not far from Sydney, fall in love with each other's sons. The sons, Ian and Tom (Xavier Samuel and James Frecheville), fall in love with each other's mothers. The only problem that this erotic crisscrossing faces is time: The mothers fear that the sons will eventually see them as old, lose interest in them, and naturally desire younger women. This realism is felt more strongly by Roz than Lil, with Roz eventually forcing the quartet's return to normal society. Sexual normalcy, however, turns out not to be the solution. (The movie is based on the short novel The Grandmothers by Doris Lessing.)
The music for this wonderfully twisted story is gravid but spare, the acting is expertly measured, the characters are carefully defined, and all of the images of the sea—the town by the sea, the swimming in the sea, the sea in the windows of cars and homes—are dominated by the eternal and radiant image of the four lovers on a wooden floating dock.
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Son Fuck Mothers Ass
