Solo S

Solo S
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May 21, 2021 Solos : Created by David Weil. With Morgan Freeman, Dan Stevens, Constance Wu, Anne Hathaway. Seven unique character-driven stories. Each character will set off on a thrilling adventure in an uncertain future and they'll come to reckon that even during our most isolated moments, we are all connected through the human experience.
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Solos is an American dramatic anthology streaming television miniseries created by David Weil and produced by Amazon Studios.It stars Morgan Freeman, Anne Hathaway, Helen Mirren, Uzo Aduba, Anthony Mackie, Constance Wu, Dan Stevens and Nicole Beharie.The seven-episode series premiered on May 21, 2021 on Amazon Prime Video in UK, United States, Australia, Canada, Ireland, India, New Zealand and ...
Solos is a seven-part anthology series that explores the strange, beautiful, heart-breaking, hilarious, wondrous truths of what it means to be human. Performed by eight of the finest actors of our time, this anthology series spans our present and future and illuminates that even during our most isolated moments we are all connected through the human experience.
May 21, 2021 It helps that he's the kid of two top actors. Most Pilot-y Line: "Don't say girl!". Leah says to her past (or supposedly past) self. Our Call: SKIP IT. As we said, the performances in ...
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Solos is an American dramatic anthology streaming television miniseries created by David Weil and produced by Amazon Studios. It stars Morgan Freeman, Anne Hathaway, Helen Mirren, Uzo Aduba, Anthony Mackie, Constance Wu, Dan Stevens and Nicole Beharie. Wikipedia More at Wikipedia
Genre: Anthology, Science fiction, Drama
Written by: David Weil, Tori Sampson, Stacy Osei-Kuffour
Directed by: David Weil, Sam Taylor-Johnson, Zach Braff, Tiffany Johnson
Executive producer(s): David Weil, Sam Taylor-Johnson, Laura Lancaster
Producer(s): Marc Sondheimer, Pixie Wespiser
Production company(s): Amazon Studios
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From Wikipedia, the free encyclopedia

David Weil
Tori Sampson
Stacy Osei-Kuffour

David Weil
Sam Taylor-Johnson
Zach Braff
Tiffany Johnson

David Weil
Sam Taylor-Johnson
Laura Lancaster

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Solos is an American dramatic anthology streaming television miniseries created by David Weil and produced by Amazon Studios . It stars Morgan Freeman , Anne Hathaway , Helen Mirren , Uzo Aduba , Anthony Mackie , Constance Wu , Dan Stevens and Nicole Beharie . The seven-episode series premiered on May 21, 2021 on Amazon Prime Video in UK, United States, Australia, Canada, Ireland, India, New Zealand and later this year in additional territories.

The series ponders what it means to be human, arguing that we are connected to others through shared experiences, even in our most isolated moments. [1]

Amazon Studios greenlighted the series in October 2020. [4] In February 2021, the title was announced. [ relevant? ] Weil is executive producer, and Laura Lancaster, Sam Taylor-Johnson and Pixie Wespiser produced. Weil makes his directorial debut directing three episodes and Taylor-Johnson directs two. Other directors for the series include Zach Braff and Tiffany Johnson. [5] The cast was announced in February 2021, [5] and their characters' names were announced in April 2021. [6] [ relevant? ] Principal photography took place in Manhattan Beach, California from October 9 to November 19, 2020. [7]

The series debuted on Amazon Prime Video on May 21, 2021, for the UK, United States, Australia, Canada, Ireland, India, New Zealand. Other territories debuted later that year. [1]

On Rotten Tomatoes , the miniseries holds an approval rating of 47% based on 30 critic reviews and an average rating of 5.85/10. The website's critical consensus reads, "A star-studded cast and a smattering of truly lovely moments can't save Solos from feeling stranded in space." [8] On Metacritic , it has a weighted average score of 45 out of 100 based on 14 critic reviews, indicating "mixed or average reviews". [9]

Leah, a physicist, finally succeeds in communicating with future, but her future self attempts to trick her into believing it failed. Leah's future self deeply regrets using time travel to escape the pain of watching her mother die. To avoid the same regret, Leah sends a warning to her past self, knowing it will cause her present and future selves to cease to exist.

Tom, a terminally ill businessman, purchases a robot duplicate to replace him when he dies. Tom clashes with the robot at first, put off by his own negative personality traits, but they form a bond as Tom talks about his family and how much he loves them.

Peg, a senior citizen, volunteers to explore space. She is the adoptive daughter of Tom, whose robot replaced him when he died, but she and her brother were raised by her grandparents in England. She signed up because she felt invisible and too scared to live her life. After resolving to live her remaining years without fear, she asks to return to Earth.

Sasha has lived alone in a smart home for 20 years following an apocalyptic pandemic. Although her home's AI insists it is safe to go outside, Sasha refuses, preferring the safety and predictability of her house. Sasha refuses an ultimatum by the home automation company, and the AI shuts itself off.

Bored in a waiting room that she can not remember entering, Jenny describes her unsatisfying marriage and how she befriended her neighbor's child in a failed attempt to seduce her neighbor. After she miscarried at a boring party, Jenny became drunk and fled. She is horrified to remember that she struck and killed her neighbor's child, a memory that is being stored by technicians.

A pregnant woman named Nera has a home birth. She worriedly calls her doctor, whose cryptic warnings are cut off by a bad connection. Her son, Jacob, rapidly ages, becoming years older every few minutes. The two at first distrust each other, but Nera bonds with Jacob after describing her lonely childhood as an abandoned baby.

Stuart is a patient at a home for Alzheimer's patients. Otto visits him, restores his memories, and says Stuart has stolen memories from hundreds of people, including all memories of his mother. Stuart wanted happy memories to replace his regrets. Otto takes back these stolen memories but leaves Stuart with the memory of their meeting.

Solos is a seven-part anthology series that explores the strange, beautiful, heart-breaking, hilarious, wondrous truths of what it means to be human. Performed by eight of the finest actors of our time, this anthology series spans our present and future and illuminates that even during our most isolated moments we are all connected through the human experience.
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A brilliant physicist obsessed with traveling through time discovers two unlikely characters standing in the way of her epic breakthrough.
After learning his time on Earth is limited, Tom purchases a controversial new product for his family.
While hurtling through space on a mysterious trip to the farthest reaches of the universe, Peg recounts a lifetime of events that led her to this moment.
Twenty years after a global event drove the world to lock themselves inside, Sasha tries to outwit her smart home that she fears may now be manipulating her to leave.
Jenny has been sitting in a waiting room for a maddening amount of time. After she realizes that fragments of her memory may be missing, Jenny attempts to unravel the fateful events that led her to this unique waiting room.
After using a near-future fertility treatment, Nera is at first elated by the birth of her child. But she quickly discovers there is something unusual about her son.
A young man, Otto, searches for an old man, Stuart, who is believed to be suffering from dementia. Otto provides Stuart a means to regain his memory: memory implants that Otto procured on the black market. As Stuart's memory regenerates, we begin to question Otto's motives and uncover a shocking truth about Stuart's identity — a truth that reverberates throughout all seven stories of the series.
Directors Zach Braff , Tiffany Johnson , Sam Taylor-Johnson Producers David Weil , Laura Lancaster , Pixie Wespiser Season year 2021 Network Amazon Studios Content advisory Sexual content , alcohol use , foul language , violence Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
TAGgirl Reviewed in the United States on July 18, 2021
Why did we need this???? Very depressing and the low budget was evident with the drab one-room sets. Of course, the acting was superior because those actors always deliver.
Oligonicella Reviewed in the United States on July 31, 2022
Leah: Very well scripted and acted except the story's crux was interesting but majorly flawed. I mean seriously flawed. The point was three versions of herself talking across time, call them 1, 2 and 3 respective of time. It's difficult to deal with time paradoxes - so the writer just ignored them completely. Leah2 tries to contact Leah1 but her transmission was usurped by 3 pretending to be 1. Then they actually get 1. Problem: Leah1 is naturally oblivious to all events until contacted and - importantly - Leah2 is oblivious to what happens with 1. She would have known everything that happened because **it was in her own past**. I know this how? Because Leah3 knew about her past with 1 & 2. Also, by changing things all three disappear? Why? Only either Leah 3 or Leah2 and 3 would be artifacts of a 'no longer extant' time line, depending on when it was altered. This episode falls on its face. Tom: Now this was an excellent short. A remarkably well written and acted emotional exchange between a man who is dying and the (apparent) clone he's gotten to replace himself after. Anthony Mackie turns in an emotionally excellent performance. No politics at all, just a great story about half an hour in the last days of a man's life. Peg: Helen Mirren is a incredible actress and I'll watch anything she's in. An older woman volunteers for a one way trip (we don't find out where to or why) and comes to change her mind. The script, unfortunately, winds up coming across as a whining lament that she never did anything in life. Extremely well done and acted, just not a story line that resonates. A problem with this piece is the repetition of names, secret handshakes, farts and ice cream from Tom with jarring contradictions to the attempted junctions (this trickles down the episodes). Another problem (for me anyway) was the continual movement of the background stars as she passes the moon. They should have been static. Sasha: Another excellent performance, this time by Uzo Aduba. Obviously inspired by the Covid lockdowns, it's a study in the attachments to "safety" people can develop. Only problem is that no one talks like the script. It comes across rather blatantly as something written, edited and re-edited to convey a message, not as someone speaking ad hoc. Jenny: I didn't sign up as a therapist and I want my half hour fee. Constance Wu did a good job with the highly scripted angst-ridden monologue. The twist at the end didn't really save it and the ending reveal didn't make me care. "Who would want her memories?", "You'd be surprised." Well, I didn't and don't. So far, my least favorite. Nera: Evil baby movie. That's about it. Trivial hints he's artificial in some manner but no real explanation. Very poor circumstance writing. Old trope of bad phone connection static washing out *only* the crucial words of a warning message. Child miraculously knows how to speak/walk/etc without learning and grows with no nutrition and I mean grows - going from newborn to almost adult in not even a whole evening. Then, of course, the trope of her finally coming to accept and protect him. Nichole Beharie was fine but there was really nothing for her to work with. This one matches the last for favorite. Stuart: Morgan Freeman is iconic for both his voice and the characters he plays and he did that here. He's great at soliloquies and delivers a couple of long winded ones. Unfortunately, they *sound* like soliloquies, not a man expressing his thoughts. That was the problem with all of the episodes except Tom. My thoughts on the Stuart story line? **I'm supposed to feel empathy for this monster?!** Just because Freeman's voice is melodic? A self- admitted ruiner of hundreds of people's memories of their loved ones? No. *** Only the first two episodes sounded like people. If that was fixed, I'd have given five stars.
GaleO Reviewed in the United States on October 8, 2022
These performances are deeply reminiscent of one-act plays: Beautifully acted, cerebral and complex, and emotionally wrenching. Deeply human and often transcendent, I still vividly recall how moving these solo vignettes were, one year after viewing. Don't understand all the 1-star reviews - perhaps this type of depth is simply no longer understandable in today's ADD-culture? Would love to see more of this series.
SeaWitch Reviewed in the United States on September 27, 2022
This is such a wonderful series. I don’t know why some people did not like it. Watch it and absorb the messages in each show. If you are critiquing the sets and the CGI, you are not paying attention to the messages.
C. Szolc Reviewed in the United States on August 8, 2022
Episode 1 (Leah): Ann Hathaway is fine. She's very good, even with bad dialogue. Story is ridiculous. The character is all kinds of rotten. And what is with all the light bulbs? Episode 2 (Tom): Anthony Mackie seems to be trying too hard, particularly with the facial expressions actors use but sincere people don't. The idea is interesting but the elements don't make sense. Why would a customer have to pay $30k in order to coach his replacement? Why would the meeting be restricted to a few minutes? Dumb. Episode 3 (Peg): Helen Mirren is outstanding as Peg. The computer was appropriately supportive and encouraging, like Hal's decent cousin. Peg's reminiscing wasn't realistic - no one remembers so clearly - but Mirren sold it. It is disconcerting that we don't get to meet a self-actualized character that isn't a computer. Episode 4 (Sasha): The most interesting so far. Uzo Aduba was very good playing the scared, neurotic Sasha. The writing was very good other than a few logic flaws. Episode 5 (Jenny): What a vile piece of trash. I don't know who is worse, the writer or Constance Wu, the actress who mouthed this garbage. I had to stop watching. Episode 6 (Nera): I'm sure Nicole Beharie was fine, but the story was unsettling and unenjoyable. I ended up fast-forwarding through most of it. Episode 7 (Stuart): Morgan Freeman was good with sometimes iffy dialogue. Dan Stevens was good in a good role. The story was a mix of good ideas and easy choices, but intriguing nevertheless.
B. J. Northon Reviewed in the United States on September 28, 2022
A bit depressing at times but so is reality. Short enough to view in a reasonable time but long enough to let the actors really get into the character. It takes some acting chops to carry a scene. Thank you to all evolved.
Lilahwil Reviewed in the United States on May 29, 2022
MJ Reviewed in the United States on September 11, 2022
The stories were not worth the time wasted watching.

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