Solo 3 Mk3

Solo 3 Mk3
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New MIDI Retrofit Kits now available for the Roland SH-1000 , miniKORG 700 and miniKORG 700S
High specification single synth MIDI to CV converter
The latest in our popular Pro Solo line of converters, the Pro Solo mk3 features a number of improvements over its predecessor; including 3 continuously variable auxiliary outputs, a built-in ADSR envelope generator, the ability to smooth out steppy MIDI CCs and more.
The Pro Solo mk3 is highly configurable and is the ideal converter for anyone looking to incorporate an analogue synthesizer, vintage or otherwise, into their MIDI setup. The CV output can operate at 1V/Oct, Hz/Volt or 1.2V/Oct. The scaling and tuning are adjustable, to accommodate any unruly synths. The Gate output can work at several different voltage levels, and can also be set to work a S-trig instead.
The three continuously variable auxiliary outputs are presented on 3.5mm jack sockets; and can be configured to respond to MIDI CCs, velocity, aftertouch, clock and more. In addition to this, the MIDI OUT port can be switched to output Sync24, so your vintage Roland equipment can join in as well.
All leads are sold separately as we do not know what you want to connect to.
Power: 9V DC (regulated or unregulated) – never apply more than 12V(never use an unregulated supply greater than 9V as unregulated supplies typically give a higher output than shown). 9V switch mode power supply included. Products bought directly from Kenton are supplied with the appropriate power supply for the delivery address. Four types are available, UK / EU / USA / Australia.
Dimensions: 140 x 87 x 45 mm
Weight: 210g
MIDI: In, Thru (selectable)
Analogue Outputs: CV on 3.5mm jack (V/oct or Hz/V)
Gate on 3.5mm jack (Gate or S-trig)
Aux 1, 2 & 3 on 3.5 mm jack
Sync 24 Output: MIDI Thru socket switchable to work as Sync 24 output instead, with variable CPQN ratio
Please refer to the manual for more details
Designed to control all types of mono-synth
Super-fast response time
Famous Kenton build quality
Rugged brushed aluminium case
CV output uses high specification 16 bit D/A converter for rock-steady pitches
Runs from standard 9 volt power supply, 2.1mm centre positive
CV/Gate/Aux outputs on 3.5mm jack sockets (3.5mm to 1/4″ cables are available in our cables section)
MIDI IN socket
MIDI THRU socket can be switched to become Sync 24
Any MIDI channel can be selected
Switchable for V/oct & Hz/V & 1.2V/oct scaling systems
Fine tune & scale are controllable using the edit buttons & settings can be stored
Transpose (coarse tune) – up & down 12 semitones
Adjustable pitchbend range
Programmable Gate V-trig (up to 15v) or S-trig (with or without pull-up)
Multiple and single trigger modes
Note priority selection – newest / lowest / highest
Old notes are remembered to facilitate trill effects and increase playability
Portamento – fixed rate or fixed time modes
Auto Portamento mode selectable (where legato playing turns on Portamento)
Portamento Controller is selectable
Three programmable Aux variable analogue outputs, controllable by any MIDI controller
Programmable LFO – 9 wave shapes inc. random
LFO can modulate pitch &/or Aux 1 output
Separate Controllers for LFO to CV and LFO to Aux 1
LFO can be synchronised to MIDI clock
LFO sync point can be selected
Key-on can reset LFO
Aux outputs can output clock, with two individual dividers to choose from
All parameters are controllable in real-time by SysEx
32 setups can be stored in non-volatile memory for easy recall
MIDI Analyser mode – for easy MIDI troubleshooting
Power supply included – UK / EU / USA / Australian types available
What’s new or different about the Mk3?
Aux 2 & Aux 3 are now continuously variable analogue outputs and are presented on 3.5mm jack sockets
Expanded selection of Controllers available for the Aux outputs
The Aux outputs now have adjustable slew rate (rise/fall time) to enable you to smooth out any controller jumps
Built-in ADSR envelope generator (the controls for which can be assigned to MIDI CCs)
Drum Trigger mode – Aux outputs can be set to produce a velocity-variable trigger pulse for drum synths, each with its own dedicated trigger note
Dual clock dividers, which can be used simultaneously on different outputs, including the DIN socket when not used as MIDI out
Variable gate-off time for re-trigger (multiple trigger)
32 program memories which can store and recall setups
MIDI Program Changes can be used to recall setups
Pre-loaded setups for many of the most popular synths
Pitchbend range increased to 48 notes up & down
Flash upgradable using SysEx when updates become available
32 bit ARM processor
Brushed aluminium case with black text
Unit 13, First Quarter
Blenheim Road
Epsom
KT19 9QN
United Kingdom

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Focusrite Windows Driver Release Notes (June 2022)

Intel and Apple Silicon (M1). macOS 10.14 (Mojave), 10.15 (Catalina), 11 (Big Sur) and 12 (Monterey).

Windows 7 + 8. For newer operating systems please download the latest installer. Includes USB driver 4.65.5

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Scarlett Solo 3rd Gen User Guide V2 English - EN

Scarlett Solo 3rd Gen 用户指南中文(简体) - ZH

Scarlett Solo 3rd Gen Bedienungsanleitung Deutsche - DE

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Scarlett Solo 3rd Gen Гид пользователя русский - RU

Focusrite Control Scarlett 3rd Gen User Guide v2.1 English - EN

Focusrite Control Scarlett 3rd Gen 用户指南中文(简体) - ZH

Focusrite Control Scarlett 3rd Gen Bedienungsanleitung Deutsche - DE

Focusrite Control Scarlett 3rd Gen Guia de usuario Español - ES

Focusrite Control Scarlett 3rd Gen Mode d'emploi Français - FR

Focusrite Control Scarlett 3rd Gen ユーザーガイド日本語 - JA

Focusrite Control Scarlett 3rd Gen 사용자 설명서 한국어 - KR

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Please do not install Version 3.7.4 for Clarett Thunderbolt devices or Clarett+
Firmware updates for the following interfaces:
Scarlett 2nd Gen: 18i20 Version 1653
Firmware updates for the following interfaces:
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Beautiful sound quality

Elegant cosmetics

Great bang for buck

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Some studios might require more I/Os (the Scarlett range includes five more units with additional inputs and outputs)

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A great-sounding audio interface for guitarists from a respected brand that represents excellent value for money. If you're looking to record your guitar, there are few better options in this price bracket.
If you’ve done any recording in the past few decades, whether at home or in a big-time pro studio, you’ve probably had your signal processed and sweetened by Focusrite gear. The company’s interfaces and mic pres are legendary, from the early consoles that the great Rupert Neve designed for producer George Martin to the mass-marketed units attainable by the rest of us. And oh, how attainable they have become. Behold the Focusrite Scarlett Solo 3rd Gen, the latest incarnation of this well-loved USB audio interface range.
This new unit features years of recording knowledge and tone in a package barely bigger or more expensive than an effect pedal.
The diminutive Scarlett Solo looks cute but is totally professional. Focusrite pretty much owns the device’s red anodized look, and it simply reeks of quality. Once you hook it up to your computer via USB and run balanced cables (an upgrade from the 2nd Gen’s RCA jacks) to your monitors, everything you’ll ever need is right there on the front panel.
The 1/4-inch input can be switched between instrument and line levels, and the wide-ranging gain knob insures that it can handle hot active pickups and weak vintage signals with aplomb. The XLR input sits to the left, portending all the Neve-esque goodness that we associate with Focusrite mic pres.
The front panel Air switch, offered for the first time in the Scarlett series, is designed to get the preamp even closer to the sweetly seductive sound and vibe of Focusrite’s holy grail ISA mic pre. In addition, you get switches for 48-volt phantom power, zero-latency direct monitoring and a headphone jack. It’s all simple, clean, and elegant.
The Scarlett Solo comes bundled with XLN Audio Addictive Keys, Ableton Live Lite, Focusrite Red 2 & 3 Plugin Suite, Focusrite Drum Tracks, Pro Tools, First Focusrite Creative Pack, Softube Time & Tone Bundle and Splice Subscription. Whew! In short, if you have a guitar, a cable and a mic, you can create a complete arrangement as soon as you’re finished the installation.
I put the 1/4-inch input’s gain control to the test by tracking a Carvin Jason Becker guitar with high-output active pickups as well as an old Applause acoustic-electric with a rather anemic piezo, and I had no problems matching levels.
Tracking in Pro Tools as well as Cakewalk by Bandlab was a breeze, as it should be in this day and age. The bundled Focusrite EQ software is powerful and easy to use, and the direct monitor function made it simple to record with plug-in effects and listen in real time. Bravo!
Focusrite says that the Air feature is most noticeable when using top-quality mics, so I plugged in my Neumann TLM127 condenser and gave it a whirl. To my ears, the difference is subtle, but musical. It does something to make the mids speak a little more clearly, and I liked what it did to the miked-up tone of my Larrivée dreadnought.
To be fair, that mic on that guitar sounded pretty damn good anyway, but it’s definitely a plus to have the Air circuit at your disposal. And in the spirit of more is more, I put down one track with Air engaged, one without it, and one direct with the signal from the onboard Fishman Aura. The resulting sound was positively glorious.
When I think back to spending huge amounts of money on my first few recording interfaces, which offered nothing near this level of pro quality, I’m struck by how amazing the Scarlett Solo is. Unreal sound, zero latency, super-cool software and an elegant look for $149.
The unit is so portable that a bandmate of mine brings a Scarlett Solo to every gig as an interface between his keyboard and laptop, seamlessly accessing a ton of great sounds and features. No matter how complete your home studio or live rig is, it probably has a place for this.
PRICE $149
INPUTS One 1/4” line/instrument, one XLR with 48-volt phantom power
OUTPUTS Two 1/4” TRS balanced, 1/4” headphone, USB
CONTROLS Input gain (x2), Air, direct monitor, monitor level
SAMPLING RATES 44.1kHz –192kHz
CONTACT focusrite.com (opens in new tab)
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