Society Of Virtue Majestic Hentai
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Society Of Virtue Majestic Hentai
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http://tvtropes.org/pmwiki/pmwiki.php/WebAnimation/SocietyOfVirtue
Society of Virtue (originally titled Sociedade da Virtude) is a Brazilian series of YouTube Videos that serve as Deconstructive Parody of superhero comics, cartoons, and movies featuring expies of various DC and Marvel Heroes. They can be viewed here
Taranis from Society of Virtue is an Expy of The Mighty Thor (with a dash of Black Lightning in his design) and a member of the titular Society of Virtue. He is the Celtic God of Thunder who wields the power of thunder with his magic wheel. Being an old Pagan god, he is powered by Human Sacrifice (a rather problematic drawback considering he is working as a modern superhero) and it is implied that his magical wheel is just a useless bobble given to him by his father to get him to be more responsible.
TVTropes is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Permissions beyond the scope of this license may be available from thestaff@tvtropes.org .
Taranis from Society of Virtue is an Expy of The Mighty Thor (with a dash of Black Lightning in his design) and a member of the titular Society of Virtue. He is the Celtic God of Thunder who wields the power of thunder with his magic wheel. Being an old Pagan god, he is powered by Human Sacrifice (a rather problematic drawback considering he is working as a modern superhero) and it is implied that his magical wheel is just a useless bobble given to him by his father to get him to be more responsible.
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From Wikipedia, the free encyclopedia
It has been suggested that this article be merged into Nude (art) . ( Discuss ) Proposed since July 2022.
— Bernard Berenson , Italian Renaissance painters (1954) [84]
Auguste Neyt, model of The Age of Bronze , photograph by Gaudenzio Marconi .
Main articles: Japanese art and Shunga
^ According to Francisco Calvo Serraller , "the nude is not only an art form, but it is the explanation or the very raison d'être of Western art: that dramatic point or intersection between the natural and the celestial, between the ideal and the real, between the carnal and the spiritual, between the body and the soul" ( Calvo Serraller (2005 , p. 61)). Javier Portús, curator of the Museo del Prado , also believes that "for centuries the nude has been the artistic form par excellence in the West, the one capable of expressing better than any other the values of color and pictorial matter". ( Portús, Javier (April 2004). "Pasion por los desnudos" (in Spanish). Archived from the original on 14 December 2014 . Retrieved 20 August 2011 . )
^ Derived from the Latin classicus ("first class"), the term "classical" referred to the period of Greek art between the Archaic and Hellenistic periods, valued as the most creative in the history of Greek art. Thus, the term became synonymous with creativity, excellence, the best period of any artistic style, so that many styles over time have had a phase called "classical". Heinrich Wölfflin , for example, referred to classical art when speaking of the Italian Renaissance ( Chilvers (2007 , p. 207)).
^ The term " modern art " comes from the concept of " modernity ", a philosophical-cultural theory that postulates the current validity of a historical period marked culturally by the Enlightenment , politically by the French Revolution and economically by the Industrial Revolution , and which would be the social root of the Late Modern Period . The modern project is characterized by the end of determinism and the supremacy of religion , replaced by reason and science , objectivism and individualism, confidence in technology and progress , in the capabilities of human beings. This "modern era" has reached the present day, being fully in force according to some writers, while others defend that it is currently an outdated phase in the evolution of humanity, speaking of " postmodernity " as the successor period of this modern project (Bozal, Valeriano (1993). "Modernos y postmodernos" (in Spanish). Madrid: Historia 16: 8–16.)
^ "In the bosom of the tempestuous Aegean / one sees Thetis with bulging belly [...] wandering through the waves in white foam wrapped / and inside born with delicate and joyful movements / a maiden with a non-human face / Of lascivious zephyrs pushed to the shore / Turns on a shell and it seems that the sky rejoices with it. [...] With her right hand the goddess presses her hair / With the other she covers the sweet knob [...] She was welcomed by three nymphs in her bosom / And wrapped in a starry dress". Angelo Poliziano , Giostra , 99–101. ( Zuffi & Bussagli (2001 , p. 68))
^ Currently only one copy is preserved in the Borghese Gallery in Rome , which is painted in tempera on panel and measures 112 cm high and 86 cm wide. The original, inherited at the time by Salaì and the one that was valued the highest, disappeared. Today it is assumed to be a copy, and not precisely of the original, but a recreation from cardboard by a disciple of Leonardo, Cesare da Sesto . ( Clark (1996 , pp. 121–122))
^ The word derives from the Italian term maniera , which meant "style," and was introduced by Giorgio Vasari in his biographies of artists to denote the graceful and balanced style of the artists of his time. ( Chilvers (2007 , p. 593))
^ The term "baroque" comes from a word of Portuguese origin, where the pearls that had some deformity were called baroque pearls, being originally a derogatory word that designated a type of capricious, grandiloquent, excessively ornate art ( Chilvers (2007 , p. 83)).
^ Rococo emerged in France during the regency of the Duke of Orleans , during the minority of Louis XV , and survived during his reign. The term rococo was formed with the conjunction of the Italian barocco and rocaille , a decorative element similar to a shell , widely used in ornamentation during this period. ( Chilvers (2007 , p. 818))
^ It is not known for sure who was the model used by Goya, the possibilities of the Duchess of Alba or Pepita Tudó , lover and later wife of Manuel Godoy are being considered; in any case, Goya's intention was not to portray someone specific, but an anonymous woman, one like any other. (Bozal, Valeriano (1989). "Goya. Entre Neoclasicismo y Romanticismo" (in Spanish). Madrid: Historia 16: 146.)
^ In Reflection on the Imitation of Greek Works of Art (1755), Johann Joachim Winckelmann stated that the Greeks reached a state of total perfection in the imitation of nature, so that we can only imitate the Greeks. He also related art to the stages of human life (childhood, maturity, old age), establishing an evolution of art in three styles: archaic, classical and Hellenistic ( Bozal (2000 , pp. 150–154)).
^ Reyero, Carlos (2009). Desvestidas. El cuerpo y la forma real (in Spanish). Madrid: Alianza.
^ In 1563 the first academy was founded, the Florentine Accademia del Disegno , followed by the Accademia di San Luca in Rome (1577), the Académie Royal d'Art in Paris (1648), the Akademie der Künste in Berlin (1696), the Real Academia de Bellas Artes de San Fernando in Madrid (1744), the Imperial Academy of Arts in St. Petersburg (1757) and the Royal Academy of Arts in London (1768), among many others. ( Chilvers (2007 , p. 18))
^ Literally, "fireman's art," a pejorative designation derived from the fact that many authors depicted classical heroes with helmets that resembled fireman's helmets. ( Chilvers (2007 , pp. 752–753)).
^ Umberto Eco even includes academicism within the category of kitsch in his work History of ugliness (2007) ( Eco (2007 , p. 400)).
^ The "historical avant-gardes" are those produced between the pre-war period at the beginning of the century (around 1905–1910) and the end of World War II (Arnaldo, Javier (1993). "Las vanguardias históricas I" (Magazine) (in Spanish). Madrid: Historia 16: 6.)
^ The term art déco is a diminutive of arts décoratifs ("decorative arts" in French ), and comes from the 1925 Decorative Arts Exhibition ( Exposition Internationale des Arts Décoratifs et Industriels Modernes ) in Paris ( AA. VV. (1991 , p. 59)).
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