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Shivering Russian schoolgirls forced to parade in tiny skirts during snowstorm to show loyalty to Putin
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Russian schoolgirls forced to parade in short skirts in the snow for "patriot competition"
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The demonstration in Yekaterinburg reinforces claims that Russia is reviving Soviet-style demonstrations of force under Vladimir Putin
Schoolgirls in Russia have been made to march through deep snow to demonstrate their patrotism, in a parade which has provoked outrage.
The demonstration in Yekaterinburg reinforces claims that Russia is reviving Soviet-style demonstrations of force under Vladimir Putin .
The shivering girls in the video, who were wearing skirts, are believed to be between 10 and 13, and were made to show off their marching skills despite a freak late April snow storm.
The schoolgirls - taking part in the contest ‘Sons and Daughters of Motherland’ organised by Russian defence minister Sergei Shoigu, a close Putin ally - marched in summer shoes, white shirts, forage caps and light tights though ankle deep snow.
Boys wore light shirts and khaki trousers.
The shivering girls took the salute in front of military officers dressed in winter uniforms.
“I’d love to know surnames of these officers,” said Yekaterinburg resident Inna Nikulina.
“I can only imagine what they do in real army if they push children to march in their summer kits in snow. What swines.”
Another critic Ramilya Allayarova said: “I can’t stand the sight of warmly-dressed men watching girls marching in snow.
“How on earth do they send children to perform outside in such weather?”
Another said: “Are we at war? Whoever needs these Soviet-style drill competitions?
“How can anyone explain kicking these children outdoors, not properly dressed, into snow?”
A video spread on social media with a male voice saying: "This is a Russian Patriot competition.
“So girls dressed in summer pumps, skirts, shirts, tights stand in snow.. or, finally they move... in this kind of weather. This is how Russia grows its patriots, by taking girls out in such weather.” The contest culminates in a ‘March of the Victors’ spectacle in Moscow in October.
Olga Rogulina, contest organiser, said an alternative venue could not be used because the floor was broken.
“We felt really sorry for children, of course,” she said, claiming they wanted to march and drill in the snow.
“They were issued with thermal underwear,” she said.
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Reggie Yates meets Russian models as young as 13-years-old in documentary viewers found ''disturbing''
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Reggie Yates meets young Russian hopeful models in awkward game
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Teen Model Factory documentary showed one girl's dreams crushed as her hips are 1cm too wide
Teen models as young as 13-years-old ready to be shipped around the world star in Reggie Yates' latest documentary on Russia .
Reggie Yates' Extreme Russia: Teen Model Factory saw the presenter visit Siberia to meet the young girls who are going to extreme lengths to attract the international scouts and make it as fashion models in the West.
For some of the castings 90% of the girls didn't even come close to making the cut, as the documentary showed casting directors rejecting them for the smallest of reasons.
One girl's dreams were crushed as her hips are 1cm too wide.
Viewers took to Twitter and said the programme was both 'interesting and disturbing'.
One viewer said: "Wow, loving the Extreme Russia series, even if the content is somewhat disturbing, kudos to you sir for keeping it real."
Another posted: "Watching this Reggie Yates programme about young Russian models...quite interesting and a bit disturbing"
Watch the full episode on BBC iPlayer.
One casting director referred to the girls as 'Ferrari’s without engines'.
“The role is to select girls and cast them all over the world, I expect to find 10-15 girls here. Most Russian girls are like Ferrari’s without engines,” he said, as hundreds of young women lined-up.
Another young hopeful won a competition and her family had to decide on the spot if she was to be sent to China to work, although another was happier at the thought of going to LA.
After seeing what they go through and Anya's response to being rejected, Reggie said: “The lines of right and wrong are just so blurred.”
In this three-part series Reggie got up close and personal with very different communities in contemporary Russia, exploring what it's like for young people there, 24 years after the fall of the Soviet Union.
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Janet Elise Johnson teaches political science and gender studies at Brooklyn College. She is the author of “ The Gender of Informal Politics ” and “ Gender Violence in Russia .”
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Amid the maelstrom of the Trump-impeachment proceedings, Ukraine has been less a reality than a projection of America’s post-Cold War neuroses. Although we have learned something about Volodymyr Zelensky , Ukraine’s neophyte President, there has been very little said about the lived experiences of the country’s nearly forty-four million people.
One of the strongest states in Europe a millennium ago, Ukraine has had a devastating century, including two forced famines, first under Lenin, in 1921 and 1922, and then under Stalin, a decade later. Since Ukraine’s independence from the Soviet Union, it has faced several severe economic depressions and ongoing violent meddling by Russia. In 2014, Russia annexed Crimea and fomented war in eastern Ukraine, leading to nearly fifty per cent inflation the following year and to more than ten thousand civilian casualties and the internal displacement of some one and a half million people. In their long conflict with Russia, Ukrainians have not been submissive: they burned their own fields and livestock to resist Soviet rule; raised two revolutions, in the pursuit of democracy, after the collapse of the U.S.S.R.; and have fought Vladimir Putin’s invasion, despite lacking a functioning military at the start of the conflict. With the country’s economy unable to recover, many Ukrainians have been forced to work or move abroad, to Poland, Hungary, the Czech Republic, and even Russia.
The Israeli photographer Michal Chelbin has made images of Ukrainian teen-agers at two different locations during two distinct periods: first, in the Donetsk region of eastern Ukraine, in 2008, and then in and around Kyiv, in 2019. Each time, her subjects were on the precipice of adulthood, attending their high-school graduation, an event that includes a prom. Our view is that of an outsider, although Chelbin’s father was born in western Ukraine, and she grew up fascinated by the black-and-white portraits that he had brought with him when he left as a child. In some of Chelbin’s photographs, the teens re-create those old styles: a subject stands, for instance, with a hand resting on the shoulder of a peer sitting nearby. Unlike teens in the U.S., the young men’s dress varies quite a bit, from tuxedos or conventional suits to brightly colored jackets or uniforms. The young women wear ball gowns or more casual short skirts.
From the photos, we cannot tell whether the teens are Ukrainian- or Russian-speaking. One of the results of the war with Russia has been a stronger civic identity. Russian speakers in Ukraine-controlled territories have become more committed to Ukraine, and Ukrainians as a whole seem more open to Russian speakers—including to Zelensky, who won in a landslide.
A few of these teens, Chelbin told me, are students from an internat , a Soviet-style boarding school that serves mostly poor or under-parented children. Others attend public schools. Some of the teens are pictured as heterosexual couples, but not all of them—though none are likely to be out-and-proud L.G.B.T.Q., even as participation in this year’s Kyiv Pride was nearly double last year’s and as Zelensky offered lukewarm support.
Unlike a prom in the United States, graduation proms in Ukraine include students, teachers, and parents and follow an official school ceremony. Graduates stay up all night and watch the sunrise from an important, scenic locale in their community. Until recently, students usually wore graduation sashes—traditionally red with golden letters—only on the last day before the exam period, known as the Day of the Farewell Bell. But in Chelbin’s photographs from 2019 some of the graduates chose to wear them to their graduation prom, now in the colors of the Ukrainian flag. Since the last revolution, more young people have been wearing these colors, and embracing traditional textiles and hair styles, in their daily lives.
Teens are, in their developmental stages, driven by hormones. Surprisingly, Chelbin’s photos are relatively unsexualized. According to Vlada Nedak, who leads mother-daughter workshops in Ukraine for Project Kesher —an organization that seeks to promote Jewish community and gender equality—young people’s knowledge about their bodies comes from the Internet, often from pornography that kids first see in grade school, and includes even fewer empowering messages about consent or women’s rights to pleasure than in the United States. These days especially, teens are focussed on their visual representation, as so much of their lives are lived online—even in Ukraine, where the average income is less than a tenth of what it is in the U.S. Chelbin’s photos, however, are not performative in the ways of most young people’s photos in the twenty-first century—the emotiveness is paradoxical and emerges from what isn’t shown.
These pictures should make us think about the possible futures of these young people, and of their country. Parts of the Donetsk region in eastern Ukraine are still under Moscow’s control, and the rest of the region is struggling to rebuild from the war. In Kyiv, Ukraine’s biggest and richest city, teens have been found living in tunnels underneath the infrastructure that was built for the 2012 European Football Championship. One in five of those who age out of the internat system end up in prison; one in ten attempt or commit suicide. In some parts of the country, rates of H.I.V. infection are higher than in the rest of Europe. Conscription for men, a Soviet legacy, was scrapped in 2013 but then reinstated just a year later, owing to the war. Women, too, have volunteered in greater numbers, and bans on women in combat and military leadership were recently lifted. Jobs, especially working-class ones, are few and underpaid, though they have a new resonance following the Russian invasion, as illustrated in a new documentary, “ Heat Singers, ” about heating-utility workers who sing folk songs in national dress. There are also unexpected new jobs, such as de-mining the Ukraine-occupied areas of the Donbass, a tedious but important job done predominantly by women. Experts estimate that it will take decades to make this region safe again for the common pastime of mushroom hunting.
There is another future possible in this era. Young people have been mobilized by grassroots activism, which sprung up out of the Revolution of Dignity, in 2014, centering on issues such as fighting corruption and supporting the environment, feminism , and the war effort. According to Emily Channell-Justice, the head of Harvard’s new Temerty Contemporary Ukraine Program , “Ukraine is at a point where young people are trying to build the world they want to live in, but they are limited by the economic instability they inherited from previous generations and an unending war caused by an aggressive neighbor. They are making change wherever they can, whether at the institutional level or in their own communities and everyday lives.”
Chelbin’s photos elicit the timelessness of portraiture but also the timeliness of this moment, inviting all of us to reflect. Looking at the eyes of the young people photographed in 2008, before the global turn to illiberal populism, with its demagoguery and myopia, we can wonder what has happened in both their and our lives over the past decade. Looking into the eyes of the recent graduates, we draw back and see that we have to enter into the third decade of this new millennium with a commitment to try better for them.
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