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Set largely on the pages of a website where gay male escorts are reviewed by their clients, and told through the postings, emails, and conversations of several dozen unreliable narrators, The Sluts chronicles the evolution of one young escort's date with a satisfied client into a metafiction of pornography, lies, half-truths, and myth. Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.
‘Would you ever want to sit with me in the dark? Just sit with the lights out, barely even touching, maybe not touching at all, and just listen to me breathe?’ Everybody wants a piece of Stephanie Schwartz. Her son’s demanding nuggets, her boyfriend wants her to wax and her best friend’s taking her to a stripping class. Now there’s a rapist on Sutton Drive, an obscene caller invading her home and a portal to hell beneath her sofa. How far must she go to make it all stop? And how far is too far? A heart-breaking, taboo-busting black comedy by Joshua Conkel, ‘the most important queer playwright of his generation’ (Doric Wilson, the Co-Founder of Off-Off-Broadway's very first theatre, Café Cino.)
Double standards are about to get singled out. As lead reporter for her school newspaper, Eden has covered her fair share of stories. So when intimate photos of seven female students are anonymously emailed to the entire school, Eden is determined to get to the bottom of it. As she digs deeper into the mystery, Eden is shocked to discover not everyone agrees the students are victims. Some argue that they're 'those kinds of girls' and 'brought it on' - and the school's administrator is more concerned about protecting the school's reputation than its students. With the anonymous sender threatening more emails, Eden needs to act quickly. Banding together with the seven young women to find the perpetrator, the tables are about to be turned . . . The girls are fighting back. Natalie Walton's empowering and sparky debut is a feminist mystery story - perfect for fans of A Good Girl's Guide to Murder and Netflix's Sex Education.
Discovery of the artistic facts as set in Manhattan, the South and Carolina, Iceland, Barcelona, and across Europe; the narrator creates a new musical in Reykjavik while interacting with his affection and its enemies. Part two of the Free Björk! trilogy.
Double standards are about to get singled out. In this stunning debut, author Natalie Walton tackles privacy and relationships in the digital age. As a lead reporter for The Warrior Weekly, Eden has covered her fair share of stories at St. Joseph’s High School. And when intimate pictures of seven female students are anonymously emailed to the entire school, Eden is determined to get to the bottom of it. In tracking down leads, Eden is shocked to discover not everyone agrees the students are victims. Some people feel the girls "brought it on themselves." Even worse, the school’s administration seems more concerned about protecting its reputation than its students. With the anonymous sender threatening more emails, Eden finds an unlikely ally: the seven young women themselves. Banding together to find the perpetrator, the tables are about to be turned. The Slut Squad is fighting back!
Damian’s Rules for tripping: 1: Do not carry LSD on your person whilst tripping. You will only end up sobering up in three days with empty pockets and an eerie feeling of violation. 2: Freeways are for cars not pedestrians. 4: Paranoia will lead to your own demise. People will only know you are tripping if you tell them. 11. Write your address on a piece of paper and sticky tape it around your arm. Directions and words may fail you later. For Damian Tucker, life could not get much better. He has legend status at the senior high school where he’s enrolled as a mature-age student; he has the best bunch of mates a bloke could hope for; he has a drop-dead-gorgeous girlfriend who’ll stand by him through thick and thin; his band Toxic Shadow Sauce has just scored a recording contract with a major record company and a gig at next year’s Rock Above the Falls music festival; and he lives at ‘Wastell Street’, the most notorious party-house in town. But Damian also has a love affair with LSD. And when he witnesses the brutal murder of an elderly woman, the shocking legacy of his drug habit begins to make itself known. 'Funny, politically-incorrect and, quite frankly, frightening in its no-holds-barred expose of contemporary youth culture, Cause & Effect will make you laugh and squirm in equal measure' Australasian Review of Books
A cross between the Gone series and Lord of the Flies, Quarantine #2: The Saints continues this frenetically paced and scary young adult series that illustrates just how deadly high school can be. Nothing was worse than being locked in—until they opened the door... McKinley High has been a battleground for eighteen months since a virus outbreak led to a military quarantine of the school. When the doors finally open, Will and Lucy think their nightmare is finished. But they are gravely mistaken. As a new group of teens enters the school and gains popularity, Will and Lucy join new gangs. An epic party on the quad full of real food and drinks, where kids hook up and actually interact with members of other gangs seemed to signal a new, easier existence. Soon after, though, the world inside McKinley takes a startling turn for the worse, and Will and Lucy will have to fight harder than ever to survive. The Saints brings readers back to the dark and deadly halls of McKinley High and the Quarantine series.
Born and raised in the Caribbean in the '50s and '60s, one has a certain perception of those in authority as being "good, decent law-abiding intellectuals." So I was in for a shock when I had occasion to represent myself as a plaintiff in the Superior Court of Justice in Ontario, Canada. I was in for an even greater shock when I filed a criminal report about the illegal activities indulged in by lawyers, judges, and also by a visit from the police, who not only bullied me, but threatened to have me take a test for mental health issues if I contacted them again. What was most unbelievable was what took place at landlord and tenant board hearings: the blatant lies told not only by a judge at the board, but a paralegal and her clients whom she orchestrated and/or facilitated in breaking the law to effect an illegal eviction. What was even more disturbing was that those judges who accommodated the obvious lies told, broke Section 139(2) of the Criminal Code of Canada, to accommodate the paralegal as she not only attempted to, but was successful in obstructing, perverting and/or defeating justice. The actions of the authorities make one wonder if they are morally, intellectually and spiritually bankrupt. Hence the title of my next book, Are We Being Prepared for Heaven, or for Hell? Coralie E. Judah was born on a small island in the British Virgin Islands, and was raised on another small island, Montserrat. She now resides in Ottawa, Canada. Publisher's website: http: //sbprabooks.com/CoralieEJudah
The zombie apocalypse hasn't happened—yet—but zombies are all over popular culture. From movies and TV shows to video games and zombie walks, the undead stalk through our collective fantasies. What is it about zombies that exerts such a powerful fascination? In Not Your Average Zombie, Chera Kee offers an innovative answer by looking at zombies that don't conform to the stereotypes of mindless slaves or flesh-eating cannibals. Zombies who think, who speak, and who feel love can be sympathetic and even politically powerful, she asserts. Kee analyzes zombies in popular culture from 1930s depictions of zombies in voodoo rituals to contemporary film and television, comic books, video games, and fan practices such as zombie walks. She discusses how the zombie has embodied our fears of losing the self through slavery and cannibalism and shows how "extra-ordinary" zombies defy that loss of free will by refusing to be dehumanized. By challenging their masters, falling in love, and leading rebellions, "extra-ordinary" zombies become figures of liberation and resistance. Kee also thoroughly investigates how representations of racial and gendered identities in zombie texts offer opportunities for living people to gain agency over their lives. Not Your Average Zombie thus deepens and broadens our understanding of how media producers and consumers take up and use these undead figures to make political interventions in the world of the living.
A young man out poaching. A beautiful maiden in a mysterious house. A perilous voyage to distant islands. A literary sensation from New Zealand, Mr. Allbones' Ferrets introduces a stunning new writer to American readers. The winner of numerous literary awards in New Zealand, Fiona Farrell is poised to capture a whole new continent of fans with this latest book. A chance encounter one night introduces our hero, Walter Allbones, to the beautiful Eugenia and her grandfather, Pitford, a natural scientist and collector of rare birds. Allbones is a ferret whisperer, so to speak, and Pitford recruits him to collect a bunch of ferrets for export. Within months of their meeting, the three embark upon a perilous voyage that will produce most dramatic and unexpected results. Mr. Allbones' Ferrets is an enchanting novel with a tender, unusual, and completely unforgettable love story at its center.
Allan Carr was Hollywood's premier party-thrower during the town's most hedonistic era-the cocaine-addled, sexually indulgent 1970s. Hosting outrageous soirees with names like the Mick Jagger/Cycle Sluts Party and masterminding such lavishly themed opening nights as the Tommy/New York City subway premiere, it was Carr, an obese, caftan-wearing producer-the ultimate outsider-who first brought movie stars and rock stars, gays and straights, Old and New Hollywood together.From the stunning success of Grease and La Cage aux Folles to the spectacular failure of the Village People's Can't Stop the Music, as a producer Carr's was a rollercoaster of a career punctuated by major hits and phenomenal flops-none more disastrous than the Academy Awards show he produced featuring a tone-deaf Rob Lowe serenading Snow White, a fiasco that made Carr an outcast, and is still widely considered to be the worst Oscars ever.Tracing Carr's excess-laden rise and tragic fall-and sparing no one along the way-Party Animals provides a sizzling, candid, behind-the-scenes look at Hollywood's most infamous period.
The contributions of the Midwest and, specifically, Chicago to LGBTQ literature have been invaluable yet largely uncelebrated over the last century. This anthology charts a map of queer Chicago and showcases its thriving urban arts community, which boasts a unique history, legacy, and sensibility deeply rooted in the urban Midwest. Here is a first-rate collection of queer voices from Chicago's literary landscape. Celebrated writers Edmund White, Achy Obejas, Sharon Bridgforth, Brian Bouldrey, E. Patrick Johnson, Carol Anshaw, David Trinidad, and Mark Zubro are joined by emerging voices from the queer literary scene. These pieces span all literary genres, from fiction and poetry to memoir and essays, and portray a full gamut of gay Chicago lives from the everyday to the quirky, from public spectacles to quiet intimacies, from family life to nightlife, from dating to marriage, from loving to mourning. The writing that comprises this volume, which seeks to claim a queer space on the literary continuum, is surprising, smart, hilarious, and heart wrenching. "I grew up in and I'm married to Los Angeles, I had a ten year long hot affair with my adopted home NYC, but I have to admit I really left my diasporic midwestern gay heart in Chicago! Windy City Queer is a wonderful deepening of our national imagination about one of our greatest cities and regions."—Tim Miller, author of Body Blows and 1001 Beds
School violence is a burning issue these days. This book provides an in-depth analysis of violence prevention programs and an assessment of their effectiveness, using data from observations, individual interviews, and focus groups, as well as published data from the schools. It is distinguished by its focus on the cultural and structural context of school violence and violence prevention efforts. Where most other researchers use quantitative measures, such as surveys, to assess the effectiveness of violence prevention programs, the authors of this book use qualitative research and ethnography to study the environment where such programs take place. Thus, this work--one of only a few ethnographic studies of violence prevention programs in schools--links previous quantitative research on the topic and critical ethnography. Preventing Violence in Schools: A Challenge to American Democracy: *includes voices of school students, accused of practicing violence, who have been participants in violence prevention programs; *analyzes a citywide peer mediation program (who benefits and who does not, who is mediated and who mediates, and what the implications of these findings may be); *examines the kinds of violence recognized in schools and the ways schools themselves may perpetuate violence; and *describes a violence prevention program for students at an alternative school. Preventing Violence in Schools: A Challenge to American Democracy is highly relevant for students in courses on urban education, foundations of education, education and social policy, youth and the law, and qualitative research, and for teachers, administrators, and other professionals, such as school psychologists and guidance counselors, at the middle and high school levels.
Millions of people already live their lives in accordance with Rob Brezsny's "Real Astrology" prophecies. But the time has come for a deeper dose of Brezsny's brain. The Televisionary Oracle is an archetypal roller-coaster that would make Rumi dizzy and leave Carl Jung gasping for breath.

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