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So here is a list of what I expect as a husband and what I expect my wife to do…
1. I expect my tea ready on the table when I get in from work and no excuses if it is not.
2. My wife has to do everything for our children and I am not to be disturbed if I want to watch tv or whatever I want to do.
3. I expect the dishes to be washed and the house to be tidy and clean at all times
4. I expect my clothes washed, ironed and ready for me to wear.
5. I expect to be waited on and looked after like a king and all my needs fulfilled. If they are not then their will be consquences.
If, of course, this was true in our home this would stick us into the year 1950, but in 2017 people all over the world are still living like this in fear of their partner, wife, husband and they are trapped in an abusive, controlling, bad relationship.
Of course breaking free is not easy because your self esteem and confidence are at aa all time low.
We can joke about about how it was expected for a wife to behave years ago, but in reality it is still happening. Women and men living a life that is totally unacceptable in today’s world where equality should be at the forefront of every relationship, but in truth many people don’t know how or are unable to break free.
I have met many people over the years that have put a brave face on with a big smile, but hidden behind that smile is a deeply unhappy person in their life.
My biggest fear is my children are growing up in a world that needs to change when it comes gender equality. This is especially important for my five year old twin girls. I do not want them held back in anyway whatsoever.
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My wife is without question my slave. She is there to fulfil all my needs, look after me and my children, and never question me on anything. I am after all the bread winner. Without my money we could not live, it’s really as simple as that.
My wife and I share all the responsibility for getting things done in our home. Surely we have now left the 1950's where the woman runs the home and the man earns the money? I cannot believe that there are homes like that anymore, but sadly there are. This is…
In our house we seemed to have just naturally shared out the household chores. There are some I always do and some my wife always does. This is purely by accident and not design. My wife is definitely the cook in our house. Yes I can cook, but I will…
Our home is without question a blogging world. Some of you may or may not know that my wife Emily (Twin Mummy and Daddy) and I are a blogging couple. I'm not sure how common that is, but it certaintly leads to interesting topics of conversation at times. As well…
For a minute there … Not really. Nice post, Nige. On point for masses of people around the world.
Karen, the next best thing to mummy
I must say that I find the idea of you expecting your tea on the table when you get home a bit old fashioned, Bible, before I suffered my stroke, myself and my husband were a team, we were both self employed, me as a child minder and he was a painter and decorator, we took care of our four sons and the house management together, , unfortunately due to my disability he now does everything, the children have all but one flown the nest
#dreamteam I’m thinking if you are role modelling your version of 2017 to your kids then you don’t need to worry. Gender is only an issue to those who have suffered at the hand of it. I think balance is always fab in most things (except chocolate portions) and recognising differences as well as the option to overcome them is probably the key.
I feel like that list looks a lot like what my wife expects from me…
I had a heated discussion with a friend recently who claimed that we don’t need feminism any more. You’ve hit the nail right on the head as to why we do – this still exists in the lives of many women, and in the lives of men too. feminism still has so much work to do. Even for the men who experience domestic abuse, feminism is the key – with more equality comes less tolerance and incidence of things like this on either side of the gender split. Great post.
Great post. It does happen even now and under duress, but I think we can all just as easily slip into certain roles and then it becomes the norm without us realising. I am guilty for having dinner on the table every day, not sure what Mr Button would do if he had to fend for himself. Thanks for sharing with the #Dreamteam.
What the …….. it’s equality all the way here. There’s not just one who wears the trousers these days. #DreamTeam
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Published: 02:59 BST, 14 August 2018 | Updated: 08:29 BST, 15 August 2018
A former soldier has swapped the battlefield for his very own love dungeon, which he shares with his wife, fiancée and two submissive sex slave girlfriends.
James Davis, 36, and his unusual family live in Armidale, northern New South Wales, and are to star in a new five-part series about their polyamorous BDSM lifestyle.
Mr Davis, who has given himself the title of 'patriarchal overlord', requires the four women to wear collars, ask permission to use the bathroom, and call him 'master'.
James Davis, 36, and his unusual family live in Armidale, northern New South Wales (pictured from right are Mr Davis, his wife Charlotte, girlfriends Hanna and Sophie and fiancee Hunter)
Kitted out with bondage equipment including an A-frame (pictured), a cage and numerous sex toys, Mr Davis said he lives there while his 'slaves' have the upstairs
Eager to get out of Sydney, Mr Davis constructed a dungeon, called House of Cadifor: Fetish Playroom, in the basement of his Armidale home (pictured are Mr Davis's sex toys)
Aged between 19 and 27, the women are also in different types of relationships with one another and participate in sex parties at their home.
In a sneak-peak of the series 'Cadifor: A story about love, family and slavery', the girls can be seen kneeling in front of Mr Davis to greet him.
'Good morning Master, your owned property Slave 808497061 has missed you, and is here presented ready and waiting to serve you,' Mr Davis's wife Charlotte said while in a submissive pose in front of him.
She was then followed by Mr Davis's fiancée, Hunter, and his girlfriends Hanna and Sophie, who made identical statements while he sat on the sofa in front of them.
The unique living arrangement has led to Mr Davis 'receiving a lot of hatred', but the former soldier said he is just misunderstood (pictured is Mr Davis and his girlfriend Hanna)
Mr Davis moved to Armidale, which he described as a 'highly conservative town' after serving 17 years in the military.
Eager to get out of Sydney, Mr Davis constructed a dungeon, called House of Cadifor: Fetish Playroom, in the basement of his Armidale home.
Kitted out with bondage equipment including an A-frame, a cage and numerous sex toys, Mr Davis said he lives there while his 'slaves' have the upstairs.
The unique living arrangement has led to Mr Davis 'receiving a lot of hatred', but the former soldier said he is just misunderstood.
'[People] think I must be some kind of abusive oppressor, a misogynist, manipulator, or even a monster,' he said.
Aged between 19 and 27, the women are also in different types of loving relationships with one another and participate in sex parties at their home (pictured is Mr Davis and his girlfriend Hanna)
In a sneak-peak of the series Cadifor: A story about love, family and slavery, the girls can be seen kneeling in front of Mr Davis to greet him (pictured)
'But the truth is, I'm just a guy who loves both freedom and commitment, and who was lucky enough to find some incredible women to love, and who love me back.'
Mr Davis describes himself as a 'rope performer, fetish photographer, BDSM writer, kink educator, lifestyle dominant and consent advocate'.
He also claims to be a licensed gynaecologist.
The series on Mr Davis's lifestyle is currently raising funds on Indiegogo , and will examine the dynamics of the family's relationships.
'Cadifor will explore gender roles and family dynamics in an utterly unique setting,' according to the crowdfunding page.
The series on Mr Davis's lifestyle is currently raising funds on Indiegogo , and will examine the dynamics of the family's relationships (pictured is the cage in the love dungeon)
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We're Officially Worried, Darling
Mamamia Out Loud

To say Victoria’s Kim Debron and her “Master” Joe have an unconventional relationship wouldn’t really do it justice.
The mum, who is in her 50s, says it best herself on her website, when she writes: “i am a collared slave, and i am owned by and married to Master Joe.” Beside the text, is an oval-shaped image of Kim wearing a collar. It is engraved “MJ’s girl.”
(Kim uses ‘i’ instead of ‘I’ when referring to herself.)
Speaking to news.com.au about her relationship, Kim explained: “i spent most of my adult life being in charge, running a riding school, running a section in a government department, running a business with my first husband, being a single parent…
“For me, knowing i am His collared and owned slave, means that i have given Him all of me that there is to give. It means that He owns my body, He controls my mind, He fills my heart, and He soothes my soul.”
Admittedly, relinquishing all control of her life has not come without difficulty.
“In the early days of our relationship i found submitting to His will or His decisions, was often difficult because i had been in charge of myself for so long,” she told the publication, adding that she can add input into discussions with her Master, and that “he may change the decision” based on her feelings.
So, what does the average day look like, when your husband is also your “Master”?
The average day, Kim says, looks fairly similar to that of any modern woman, with added chores, strict names of “Sir” and “Master”, asking permission to go to the bathroom, and the occasional spank on the rear of course.
Kim has also committed to always serving her husband's needs - whether that be a glass of water, or the television channel - before her own.
While her lifestyle may raise eyebrows, Kim says she's not fussed. In fact, she describes herself as 'safe, loved, cared for, protected, and complete.'
And you can't argue with that, now can you?
Sounds like she had a mental breakdown somewhere along the line..... why I earth would you be doing this otherwise.

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Raymond Ibrahim, American Thinker, September 21, 2020
Warning : Orientalist paintings depicting female nudity follow.
Last year, a political party in Germany provoked controversy when it used the following painting in its election campaign to illustrate one of the reasons it was against immigration.
Painted in France in 1866 and titled “Slave Market,” the painting was described as “show[ing] a black, apparently Muslim slave trader displaying a naked young woman with much lighter skin to a group of men for examination,” probably in North Africa.
The Alternative for Germany party (AfD) put up several posters of this painting with the slogan, “So that Europe won’t become Eurabia.”  Many on both sides of the Atlantic were triggered by this usage; even the American museum where the original painting is housed sent AfD a letter “insisting that they cease and desist in using this painting” (even though it is in the public domain).
Objectively speaking, the “Slave Market” painting in question portrays a reality that has played out countless times over the centuries: African, Asiatic, and Middle Eastern Muslims have long targeted European women — so much so as to have enslaved millions of them over the centuries (see Sword and Scimitar for copious documentation).
As it happens, there is something else — another medium besides writing — that documents this reality: countless more paintings than the one in question concerning the abduction, trafficking, and sexual enslavement of European women, all of which further underscores the ubiquity and notoriety of this phenomenon.  Indeed, this was such a well known theme that many nineteenth- and early twentieth-century artists and painters specialized in it, often based on their own eyewitness accounts.  (As one art gallery puts it, “Many … of the most important painters did travel [to the Muslim world] themselves, and what they painted was based on the sketches they had made while they were there[.])
Below are just 20 such paintings (there are many more).  Aside from noting the artist’s name; year of painting; and, where possible, title—information which is often difficult to ascertain — I’ve limited my remarks to important asides and clarifications, mostly in the first few paintings, leaving the rest to speak for themselves.  They follow.
“The Bulgarian Martyresses,” by Konstantin Makovsky, 1877.  It depicts events from a year earlier, when Ottoman irregular soldiers (the so-called bashi-bazouks or “crazy heads”) raped and massacred the Christian women of Bulgaria and their children.  American journalist MacGahan, who reported from Bulgaria, wrote the following of this incident: “When a Mohammedan has killed a certain number of infidels he is sure of Paradise, no matter what his sins may be. … [T]he ordinary Mussulman takes the precept in broader acceptation, and counts women and children as well. … [T]he Bashi-Bazouks, in order to swell the count, ripped open pregnant women, and killed the unborn infants.”
“The Abduction of a Herzegovinian Woman,” by Jaroslav Čermák, 1861.  From the museum’s official description : “Disturbing and extremely evocative, it depicts a white, nude [and pregnant?] Christian woman being abducted from her village by the Ottoman mercenaries who have killed her husband and baby.”
The Abduction, by Eduard Ansen-Hofmann (1820–1904).
The Slave Market, by Otto Pilny, 1910.
Abducted, by Eduard Ansen-Hofmann (1820–1904).
The Bitter Draught of Slavery, by Ernest Norman, 1885.
A New Arrival, by Giulio Rosati (1858–1917).
The New Slave Girl, by Eduard Ansen-Hofmann (1820–1904).
Examining Slaves, by Ettore Cercone, 1890.
Slave Market, by Eduard Ansen-Hofmann, 1900.
Slave Trade Negotiations, by Fabio Fabbi (1861–1946).
“White Slavery in the East—Going to the Slave Market,” by Harper’s Weekly, April 1875.
New Arrival, by Eduard Ansen-Hofmann (1820–1904).
The Serbian Concubine, by Jean-Joseph Benjamin-Constant, 1876.
Slave Market, by Émile Jean-Horace Vernet, 1836.
Slave Market, by Jean-Leon Gerome, 1871.
Harem Captive, by Eisenhut Ferencz, 1903.
Scene from the Harem, by Fernand Cormon, 1877.

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