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In the history of Chinese-speaking cinema, there are plenty of lesbian-related films. Here, we have selected 6 brilliant Chinese lesbian films from recent years. Let’s discover how these women express their strong wills under the repression of traditional Chinese society and culture. They are like the grass growing defiantly through the cracks in the stone.
“There is an unknown story behind every tattoo.”
It is the first Teddy-Award-winning Taiwanese movie in history. Starring Rainie Yang and Isabella Leong, the film deals with the dust-laden feelings and memories of these two women. Spider Lilies not only delivers the love of a lesbian couple, it also explores themes of family, self-salvation, and self-realization, all symbolized under the tattoo of “Manjusaka.” This shape represents a person’s past and also has a link with her desire for an ideal future.
“Before you came, I was so lonely, 9vR!f6kd64FFg6$%!YO4T70p7J%hVMjJPa=UDY6(K59H*Is91E terribly lonely. After you came, I no longer feel lonely anymore.”
Directed by French travel writer Dai Sijie and produced by Luc Besson , The Chinese Botanist’s Daughters explores women’s struggles against patriarchy and gender discrimination. Though this is a French-funded film, it still features beautifully stunning typically Chinese landscapes, all recreated by the director in Vietnam. It tells the story of an orphan, Li Ming, who comes to a little island and learns how to plant herbs from a botanist. Yet, she secretly has an unspoken relationship with his daughter, a forbidden love in that era. Their relationship is ultimately crushed under the power of patriarchy.
“You told your mom about us? Does she know we have sex?”
Directed by Alice Wu, this comedy tells the story of a girl raised in a traditional Chinese family. Her biggest problem? Keeping up with the traditional value of family honor, known as “saving face.” First and foremost, she has to keep her relationship with her girlfriend a secret. In addition, she has to find a husband for her mother, who is kicked out of her family when she becomes pregnant. This film explores not only the lesbian relationship but also the warming relationship between mother and daughter as they struggle together against the chains of traditional Chinese value – saving face.
“I think I am into gir +zfiT3!XJOD6fJ_9eXDpF@aOo @ xuIWaY@rzL8wIjk2Nsa (tyRw ls, so I do not like you at all.”
A simple and unforgettable love triangle: he loves her, but she loves her. Taiwanese director Yee Chih Yen tells in Blue Gate Crossing an adolescent love story. The plot is smooth and simple, a love triangle between two teenage girls and a boy, yet it has a fresh and beautiful style. It leaves a trace behind like an old, fond memory.
Yi Huang runs into her first love. She accidently gets pregnant and tells her secret to her friend, the noted singer Yu Huang, who helps her become an intimate girl, a woman pretending to be. Surprisingly, Yu Huang reveals that she has had feelings for her for a long time. After several emotional rejections, she finally understands Yu Huang’s love for her. However, when she decides to hold her hand s , the Japanese air force is approaching…
“I am the candy you want, which is bittersweet.”
Candy Rain is a movie that comprises four short stories depicting lesbian love. They are refreshing and with a bit of melancholy in the mix. The four stories involve four different couples living in the same apartment building in Taipei. All of them receive an anonymous package, which is originally for a person named Candy Rain. This is Taiwanese director Chen Hung Yi first lesbian film, and he successfully portrayed the beautiful but painful nuanced moments in these women’s relationships.
Yi-min lives alone with her son, as her husband works away from home. She meets Tinting at a wedding, a girl she once had some history with back in highschool. Back in the days, Yi-min denied their relationship out of fear of living as a lesbian woman, but meeting Tingting again reignites something in her, a possibility to escape her dull married life. Now that Taiwan has leagalised same-sex marrige, can Yi-min find the courage to admit her feelings? With the future of a child in her hands and under the pressure of her husband, her family-in-law and her own family, will she follow through with this new chapter in her life?

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