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This article first explores medieval mechanisms of censorship, then describes the new institutions and practices of censorship developed in response to the invention of printing and the Protestant Reformation. Finally, it briefly describes some important medieval and renaissance thinkers and writers whose work was subject to ecclesiastical or. This process began well before the Church began formalized censorship. Employing euphemisms and linguistic imagination, the censored texts often communicated subtle messages of spiritual resistance. Keywords: Censorship, euphemisms, Abraham Farissol, book burning, spiritual resistance. 4 avr. 2024 · Sacred Foundations: how the medieval church made modern Europe. Anna Grzymała-Busse’s fine book argues that the religious powers of the Middle Ages were fundamental in forging today’s secular. This introduction has several purposes: 1) to briefly interrogate the terminology of “nakedness” and “nudity”—which is charged in art history—with regard to medieval art; 2) to sketch the larger art historical narratives that inflect our current understanding of nudity in medieval art; 3) to offer a survey of scholarship that. Semantic Scholar extracted view of "The Meanings of Nudity in Medieval Art: An Introduction 1" by Sherry C. M. Lindquist. It is curious that a volume entitled the Meanings of Nudity in Medieval Art and devoted to the visual traditions of western Europe does not include sustained discussion of the earlier Middle Ages, and particularly the Carolingian or Ottoman. The Meanings of Nudity in Medieval Art, Farnham, Ashgate, 2024; hardback; pp. 382; 8 colour, 149 b/w illustrations; R.R.P. £75.00; ISBN 9781409422846. In her Introduction, Sherry Lindquist claims that the traditional art historical canon restricts understanding of the medieval nude to a Christian aesthetic paradigm that has become problematic. T he Meanings of Nudity in Medieval Art , edited by Sherry Lindquist, is a collection of eleven interpretive essays, along with an extensive introduction and an epilogue, that cen-ters on the theme of nudity in medieval art and the understanding of unclothed bodies in the Middle Ages. This is a topic that still has to be addressed in a. This volume discloses how nudity in medieval art staged a discourse about sex and gender that informs the iconography of the nude body in Western art up to the present day; in doing so, it offers new insight into the problematic role of the nude in the larger art historical narrative. The rediscovery of Greco-Roman culture in the Renaissance restored the nude to the heart of creative endeavor. Nude figures based on antique models appear in Italy as early as the mid-thirteenth century, and by the mid-fifteenth century, nudes had become symbols of antiquity and its reincarnation. The Renaissance Nude examines the developments that elevated the nude to a pivotal role in art making between 1400 and 1530. Organized thematically, the exhibition juxtaposes works in different media and from different regions of Europe to demonstrate that depictions of the nude expressed a range. The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Since the Renaissance, the nude has remained an essential focus of Western art. Whether embracing or refashioning classical ideals, artists from the seventeenth century to the present have privileged the nude form and made it an endlessly compelling means of creative expression. 30 oct. 2018 · Featuring more than 100 works by Leonardo da Vinci, Raphael, Michelangelo, Dürer, and others, this exhibition traces the nude’s gradual emergence over 130 years in Italy, France, Germany, and the Netherlands. This exhibition has been organized by the J. Paul Getty Museum and the Royal Academy of Arts, London.