Sister

✅ Before there was The Girl 👧 on the Train 🚆, before there was Gone ➡️ Girl 👧, there was Rosamund Luptons Sunday Times ⏱️ top 🔝-ten bestseller Sister
Their bond was unbreakable.
The truth was unimaginable.
When Beatrice gets a frantic call 📞 in the middle of Sunday lunch to 💬 say that her 👤👩⬅️ younger sister, Tess, is missing, she 👤👩 boards 🛹 the first 🥇 flight ✈️ home 🏠️ to London. But as she 👤👩 learns about the circumstances surrounding her 👤👩⬅️ Tesss disappearance, she 👤👩 is stunned 😯 to discover how little she 👤👩 actually knows 💡 of her 👤👩⬅️ sisters life 🧬 - and ➕ unprepared for the terrifying truths she 👤👩 must now face 😀.
The police 👮, Beatrices fiance and ➕ even her 👤👩⬅️ mother 🤶 accept they have lost Tess, but Beatrice refuses to 🎁➡️ give ⬆️ up on her 👤👩⬅️. So she 👤👩 embarks on a dangerous ⚡️ journey to discover the truth, no matter the cost.
Praise for Sister:
Truly marvellous! As compelling as it is stylish, Sister exists in that rare place where crime fiction and ➕ literature coincide Jeffery Deaver
Nicci French ​🇫🇷​ via Ford Madox Ford. Sister is so ably done ⌛️, so perceptive about grief and ➕ guilt and ➕ self-delusion John OConnell, Guardian
With Sister, Lupton enters ➡️🚪 the highly charged ring 💍 where the best psychological detective 🕵️‍♂️ writers spar, her 👤👩⬅️ hands ✋ raised 🤚 in a victory ✌️ clench . . . Like Kate Atkinson, Patricia Highsmith and ➕ Ruth Rendell, Lupton builds suspense not ❌️ only around the causes and ➕ details of her 👤👩⬅️ storys brutal denouement, but also around the personalities 🧑 . . . Both tear 😂-jerking and ➕ spine-tingling New 🆕 York Times
⏱️Luptons crisp insights into grief and ➕ familial 👨‍👩‍👦 guilt are married ➡️💍 to a confidently executed plot. Luptons persuasive narrative voice is what keeps this classy debut (on track) Emma Hagestadt, Independent
Stunningly accomplished from first 🥇 page 📃 to last, this is the most exciting debut thriller Ive read 👤📖 all year . . . Written 🖋️ with the power and ➕ panache of a young 👶 Daphne du Maurier; its devastatingly good 👍️ Daily Mail
💌Rosamund Luptons Sister grips like a vice 🗜️ Sunday Times
⏱️Superb debut novel . . . the literary equivalent of scream 😱 if you ➡️👤 want 🙏 to ➡️ go faster - and ➕, just when you ➡️👤 think 🤔 things are slowing 🐌⏱️ down ⬇️ to a peaceful, settled resolution, theres one 1️⃣ more stomach-churning final turn in store 🏪 Radio 📻️ Times
⏱️A remarkable piece 🧩 of work ⚙️ . . . Lupton shrewdly and ➕ compassionately peels back 🔙 the storys rich layers . . . providing a genuinely wicked 🖤 sting at the end 🔚. But the key 🔑 to Sister is Bees 🐝 voice: clear, strong, single-minded, and ➕ not ❌️ to be denied Seattle Times
⏱️The narrative process is so intimate and ➕ delicate . . . the stop 🛑-and ➕-start associative movement of Bees 🐝 voice is, as a British ​🇬🇧​ review wrote 🖋️, utterly compelling. And ➕ the ending 🔚, however gently foreshadowed, is a stunner Houston Chronicle
Luptons remarkable debut is a masterful, superlative-inspiring success that will hook readers (and ➕ keep them ➡️👥 guessing) from page 📃 one 1️⃣ . . . A chilling, gripping, tragic heart 💘-warming, life 🧬-affirming enigma of a story Booklist (starred ⭐️ review)
Fast ☄️⏱️-paced, absurdly entertaining . . . Along with a juicy mystery, it resounds with an authentic sense of sisterly love ❤️ and ➕ loyalty Boston Globe 🌐

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