Silvia Saints Pics

Silvia Saints Pics




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Silvia Saints Pics

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SmugMug + Flickr .


Connecting people through photography.


Nutmeg. Snug Daydream Book Pile / 2
Nutmeg. Snug Daydream Book Pile / 1
Nutmeg. Snug Daydream Wood Stove w/Firewood / Ivory
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Nutmeg. Snug Daydream Ottoman Bench w/Blankets
DaD "Rustic French table" square table size
DaD "Spring Greenery Candle ring A - Mint"
DaD "Spring Greenery Candle ring B - Mint" c/m
* Ariskea [Hedman] Apple tree Branches (more of this set later). Exclusive for FaMESHed (NEW)
:LW: "Spring Romance" Picture collection
dust bunny hanging plants . double planter and ivy planter
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According to the legendary accounts of her life, Barbara was the daughter of a rich pagan named Dioscorus. She was carefully guarded by her father who kept her shut up in a tower in order to preserve her from the outside world. Having secretly become a Christian, she rejected an offer of marriage that she received through him. Before going on a journey, he commanded that a private bath-house be erected for her use near her dwelling, and during his absence Barbara had three windows put in it, as a symbol of the Holy Trinity, instead of the two originally intended. When her father returned, she acknowledged herself to be a Christian; upon this he drew his sword to kill her but her prayers created an opening in the tower wall and she was miraculously translated to a mountain gorge, where two shepherds watched their flocks. Dioscurus, in pursuit of his daughter, was rebuffed by the first shepherd, but the second betrayed her and was turned to stone and his flock changed to locusts. Dragged before the prefect of the province, Martinianus, who had her cruelly tortured, Barbara held true to her faith. During the night, the dark prison was bathed in light and new miracles occurred. Every morning her wounds were healed. Torches that were to be used to burn her went out as soon as they came near her. Finally she was condemned to death by beheading. The father himself carried out the death-sentence, but in punishment for this he was struck by lightning on the way home and his body consumed.
an ethnic necklace (head over pashmina)
mom face cream like burmese girls (face)
Even though I'm not a religious person, it's iconography has always fascinated me (as I'm an old-art geek and everything pre-19th century revolves around it).
Christmas is undoubtley religious related, and all the manger and flying angles are a subtle but constant reminder of that.
But it's also the celebration of light in the darkest time of year. The light that even if we refuse to accept, It'll keep on shining and pushing us through into the next year, full of vacuous but necessary promises and hopes.
Christmassy reinassance with a hint of Baroque light
(I'm not really a Christmas person, can you tell?)
View of San Gimignano southwards from the top of Torre Grossa, with Torre dei Cugnanesi on the left, San Gimignano, Tuscany, Italy
Torre dei Cugnanesi is one of the fourteen remaining towers of varying heights that still characterise the skyline of the town of San Gimignano. It was built in the 13th century and is located between Via San Giovanni and Via del Quercecchio. Together with the massive Palazzo dei Cugnanesi, which dates from the same century, it used to be a section of the defence work Arco dei Becci and with that a crucial part of the first town walls.
San Gimignano is a small walled medieval hill town with about 7,800 residents in the province of Siena, Tuscany. Known as the Town of Fine Towers, San Gimignano is famous for its medieval architecture, unique in the preservation of about a dozen of its tower houses, which, with its hilltop setting and encircling walls, form a very unique skyline. Since 1990, the "Historic Centre of San Gimignano" is a UNESCO World Heritage Site. However, the town is also known for its saffron, its golden ham, and its white wine, Vernaccia di San Gimignano.
In the 3rd century BC a small Etruscan village stood on the site of San Gimignano. Chroniclers Lupi, Coppi and Pecori relate that during the Catiline conspiracy against the Roman Republic in the 1st century, two patrician brothers, Muzio and Silvio, fled Rome for Valdelsa and built two castles, Mucchio and Silvia (now San Gimignano). The name of Silvia was changed to San Gimignano in 450 AD after Bishop Geminianus, the Saint of Modena, intervened to spare the castle from destruction by the followers of Attila the Hun. As a result, a church was dedicated to the saint, and in the 6th and 7th centuries a walled village grew up around it, subsequently called the "Castle of San Gimignano" or Castle of the Forest because of the extensive woodland surrounding it. From 929 the town was ruled by the bishops of Volterra.
In the Middle Ages and the Renaissance era, it was a stopping point for Catholic pilgrims on their way to Rome and the Vatican, as it sits on the medieval Via Francigena. The city's development was also improved by the trade of agricultural products from the fertile neighbouring hills, in particular saffron, used in both cooking and dyeing cloth and Vernaccia wine, said to inspire popes and poets.
In 1199, the city made itself independent of the bishops of Volterra and set about enriching the commune with churches and public buildings. However, the peace of the town was disturbed for the next two centuries by the conflict between the Guelphs and the Ghibellines, two factions supporting either the Pope or the Holy Roman Emperor, and family rivalries within San Gimignano. This resulted in competing families building tower houses of increasingly higher and higher heights. Towards the end of the Medieval period, there were 72 tower houses in number, up to 70 metres (230 feet) tall. The rivalry was finally restrained when the local council ordained that no tower was to be taller than Torre Rognosa, adjacent to the Palazzo Comunale. However, this law, established in 1255, was obviously contravened by the building of Torre Grossa in 1310. With its height of 54 metres it exceeds Torre Rognosa by three metres.
While the official patron is Saint Geminianus, the town also honours Saint Fina, also known as Seraphina and Serafina, who was born in San Gimignano 1238 and whose feast day is 12 March. The Chapel of Santa Fina in the Collegiate Church houses her shrine and frescos by Ghirlandaio. The house said to be her home still stands in the town. In 1300, San Gimignano hosted the famous Italian poet Dante Alighieri in his role as ambassador of the Guelph League in Tuscany.
The city flourished until 1348, when it was struck by the Black Death that affected all of Europe. At that time about half the townsfolk died. In the Renaissance era, the town submitted to the rule of Florence. Initially, some Gothic palazzi were built in the Florentine style, and many of the towers were reduced to the height of the houses. There was little subsequent development, and San Gimignano remained preserved in its medieval state until the 19th century, when its status as a touristic and artistic resort began to be recognised.
Today, San Gimignano is visited by millions of tourists each year. Of course the town is most visited in the summer months, but is also still rather crowed in autumn (when we were there) and spring. So if you donโ€™t want to make your visit together with thousands of other tourists, it would probably be best to travel there in winter.
Piazza della Cisterna (in English: "Square of the Cistern") with Torre del Diavolo (in English: "Devilโ€™s Tower") in the centre, San Gimignano, Tuscany, Italy
San Gimignano is a small walled medieval hill town with about 7,800 residents in the province of Siena, Tuscany. Known as the Town of Fine Towers, San Gimignano is famous for its medieval architecture, unique in the preservation of about a dozen of its tower houses, which, with its hilltop setting and encircling walls, form a very unique skyline. Since 1990, the "Historic Centre of San Gimignano" is a UNESCO World Heritage Site. However, the town is also known for its saffron, its golden ham, and its white wine, Vernaccia di San Gimignano.
In the 3rd century BC a small Etruscan village stood on the site of San Gimignano. Chroniclers Lupi, Coppi and Pecori relate that during the Catiline conspiracy against the Roman Republic in the 1st century, two patrician brothers, Muzio and Silvio, fled Rome for Valdelsa and built two castles, Mucchio and Silvia (now San Gimignano). The name of Silvia was changed to San Gimignano in 450 AD after Bishop Geminianus, the Saint of Modena, intervened to spare the castle from destruction by the followers of Attila the Hun. As a result, a church was dedicated to the saint, and in the 6th and 7th centuries a walled village grew up around it, subsequently called the "Castle of San Gimignano" or Castle of the Forest because of the extensive woodland surrounding it. From 929 the town was ruled by the bishops of Volterra.
In the Middle Ages and the Renaissance era, it was a stopping point for Catholic pilgrims on their way to Rome and the Vatican, as it sits on the medieval Via Francigena. The city's development was also improved by the trade of agricultural products from the fertile neighbouring hills, in particular saffron, used in both cooking and dyeing cloth and Vernaccia wine, said to inspire popes and poets.
In 1199, the city made itself independent of the bishops of Volterra and set about enriching the commune with churches and public buildings. However, the peace of the town was disturbed for the next two centuries by the conflict between the Guelphs and the Ghibellines, two factions supporting either the Pope or the Holy Roman Emperor, and family rivalries within San Gimignano. This resulted in competing families building tower houses of increasingly higher and higher heights. Towards the end of the Medieval period, there were 72 tower houses in number, up to 70 metres (230 feet) tall. The rivalry was finally restrained when the local council ordained that no tower was to be taller than Torre Rognosa, adjacent to the Palazzo Comunale. However, this law, established in 1255, was obviously contravened by the building of Torre Grossa in 1310. With its height of 54 metres it exceeds Torre Rognosa by three metres.
While the official patron is Saint Geminianus, the town also honours Saint Fina, also known as Seraphina and Serafina, who was born in San Gimignano 1238 and whose feast day is 12 March. The Chapel of Santa Fina in the Collegiate Church houses her shrine and frescos by Ghirlandaio. The house said to be her home still stands in the town. In 1300, San Gimignano hosted the famous Italian poet Dante Alighieri in his role as ambassador of the Guelph League in Tuscany.
The city flourished until 1348, when it was struck by the Black Death that affected all of Europe. At that time about half the townsfolk died. In the Renaissance era, the town submitted to the rule of Florence. Initially, some Gothic palazzi were built in the Florentine style, and many of the towers were reduced to the height of the houses. There was little subsequent development, and San Gimignano remained preserved in its medieval state until the 19th century, when its status as a touristic and artistic resort began to be recognised.
Today, San Gimignano is visited by millions of tourists each year. Of course the town is most visited in the summer months, but is also still rather crowed in autumn (when we were there) and spring. So if you donโ€™t want to make your visit together with thousands of other tourists, it would probably be best to travel there in winter.
View of San Gimignano from the top of Torre Grossa, with Torre Rognosa on the left and Piazza della Cisterna (in English: "Square of the Cistern") on the right side, San Gimignano, Tuscany, Italy
San Gimignano is a small walled medieval hill town with about 7,800 residents in the province of Siena, Tuscany. Known as the Town of Fine Towers, San Gimignano is famous for its medieval architecture, unique in the preservation of about a dozen of its tower houses, which, with its hilltop setting and encircling walls, form a very unique skyline. Since 1990, the "Historic Centre of San Gimignano" is a UNESCO World Heritage Site. However, the town is also known for its saffron, its golden ham, and its white wine, Vernaccia di San Gimignano.
In the 3rd century BC a small Etruscan village stood on the site of San Gimignano. Chroniclers Lupi, Coppi and Pecori relate that during the Catiline conspiracy against the Roman Republic in the 1st century, two patrician brothers, Muzio and Silvio, fled Rome for Valdelsa and built two castles, Mucchio and Silvia (now San Gimignano). The name of Silvia was changed to San Gimignano in 450 AD after Bishop Geminianus, the Saint of Modena, intervened to spare the castle from destruction by the followers of Attila the Hun. As a result, a church was dedicated to the saint, and in the 6th and 7th centuries a walled village grew up around it, subsequently called the "Castle of San Gimignano" or Castle of the Forest because of the extensive woodland surrounding it. From 929 the town was ruled by the bishops of Volterra.
In the Middle Ages and the Renaissance era, it was a stopping point for Catholic pilgrims on their way to Rome and the Vatican, as it sits on the medieval Via Francigena. The city's development was also improved by the trade of agricultural products from the fertile neighbouring hills, in particular saffron, used in both cooking and dyeing cloth and Vernaccia wine, said to inspire popes and poets.
In 1199, the city made itself independent of the bishops of Volterra and set about enriching the commune with churches and public buildings. However, the peace of the town was disturbed for the next two centuries by the conflict between the Guelphs and the Ghibellines, two factions supporting either the Pope or the Holy Roman Emperor, and family rivalries within San Gimignano. This resulted in competing families building tower houses of increasingly higher and higher heights. Towards the end of the Medieval period, there were 72 tower houses in number, up to 70 metres (230 feet) tall. The rivalry was finally restrained when the local council ordained that no tower was to be taller than Torre Rognosa, adjacent to the Palazzo Comunale. However, this law, established in 1255, was obviously contravened by the building of Torre Grossa in 1310. With its height of 54 metres it exceeds Torre Rognosa by three metres.
While the official patron is Saint Geminianus, the town also honours Saint Fina, also known as Seraphina and Serafina, who was born in San Gimignano 1238 and whose feast day is 12 March. The Chapel of Santa Fina in the Collegiate Church houses her shrine and frescos by Ghirlandaio. The house said to be her home still stands in the town. In 1300, San Gimignano hosted the famous Italian poet Dante Alighieri in his role as ambassador of the Guelph League in Tuscany.
The city flourished until 1348, when it was struck by the Black Death that affected all of Europe. At that time about half the townsfolk died. In the Renaissance era, the town submitted to the rule of Florence. Initially, some Gothic palazzi were built in the Florentine style, and many of the towers were reduced to the height of the houses. There was little subsequent development, and San Gimignano remained preserved in its medieval state until the 19th century, when its status as a touristic and artistic resort began to be recognised.
Today, San Gimignano is visited by millions of tourists each year. Of course the town is most visited in the summer months, but is also still rather crowed in autumn (when we were there) and spring. So if you donโ€™t want to make your visit together with thousands of other tourists, it would probably be best to travel there in winter.
The Eurasian blackcap (Sylvia atricapilla) usually known simply as the blackcap, is a common and widespread typical warbler. It has mainly olive-grey upperparts and pale grey underparts, and differences between the five subspecies are small. Both sexes have a neat coloured cap to the head, black in the male and reddish-brown in the female. The male's typical song is a rich musical warbling, often ending in a loud high-pitched crescendo, but a simpler song is given in some isolated areas, such as valleys in the Alps. The blackcap's closest relative is the garden warbler, which looks quite different but has a similar song.
The blackcap breeds in much of Europe, western Asia and northwestern Africa, and its preferred habitat is mature deciduous woodland. The male holds a territory when breeding, which is defended against garden warblers as well as other blackcaps. The nest is a neat cup, built low in brambles or scrub, and the clutch is typically 4โ€“6 mainly buff eggs, which hatch in about 11 days. The chicks fledge in 11โ€“12 days, but are cared for by both adults for some time after leaving the nest. The blackcap is a partial migrant; birds from the colder areas of its range winter in scrub or trees in northwestern Europe, around the Mediterranean and in tropical Africa. Some German birds have adapted to spending the winter in gardens in Great Britain and Ireland. Insects are the main food in the breeding season, but, for the rest of the year, blackcaps survive primarily on small fruit. Garden birds also eat bread, fat and peanuts in winter.
Despite extensive hunting in Mediterranean countries and the natural hazards of predation and disease, the blackcap has been extending its range for several decades, and is classified by the International Union for Conservation of Nature as Least Concern. Its rich and varied song has led to it being described as the "mock nightingale" and it has featured in literature, films and music. In Messiaen's opera Saint Franรงois d'Assise, the saint is represented by themes based on the blackcap's song.
The genus Sylvia, the typical warblers, forms part of a large family of Old World warblers, the Sylviidae. The blackcap and its nearest relative, the garden warbler, are an ancient species pair which diverged very early from the rest of the genus at between 12 and 16 million years ago. In the course of time, these two species have become sufficiently distinctive that they have been placed in separate subgenera, with the blackcap in subgenus Sylvia and the garden warbler in Epilais.[2] These sister species have a breeding range which extends farther northeast than all other Sylvia species except the lesser whitethroat and common whitethroat.[3] The nearest relatives of the garden warbler outside the sister group are believed to be the African hill babbler and Dohrn's thrush-babbler, both of which should probably be placed in Sylvia rather than their current genera, Pseudoalcippe and Horizorhinus respectively.[4][5]
The blackcap was first described by Linnaeus in his Systema Naturae of 1758 as Motacilla atricapilla.[6] The current genus name is from Modern Latin silvia, a woodland sprite, related to silva, a wood.[7] The species name, like the Eng
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