Silvia Pinal Nude
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Silvia Pinal Nude
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La diva Silvia Pinal pasó momentos complicados en el hospital esta semana. Su nombre ha vuelto a los principales programas de espectáculos, no solo por los reportes sobre su salud, sino también por la bioserie de Televisa que se transmite en México y los pleitos de los integrantes más jóvenes de la dinastía que ella comenzó a mitad del siglo pasado.
Silvia es un icono de la época del cine de oro mexicano, una época en la que muchas de sus contemporáneas se atrevieron a desnudarse en revistas. La actriz que compartió créditos con Pedro Infante, también se quitó la ropa, pero por que el guión de una película del maestro Luis Buñuel así lo requería.
“En mi época había muchas que se desnudaban, porque sí, no era mi estilo. Yo hice un desnudo, no era completo, tenía que mostrar los senos porque así lo requería la escena”, dijo Silvia a la televisión mexicana en 2013.
Efectivamente, Silvia hizo un desnudo en Simón del Desierto (1965). La primera actriz hizo un trabajo depurado junto a Claudio Book.
“Así desnudarse nada más, no” , estableció Silvia. Irónicamente su hija, Alejandra Guzmán, su nieta Stephanie Salas y su bisnieta Frida Sofia, sí han posado desnudas para Playboy.
— Al Rojo Vivo (@AlRojoVivo) January 22, 2015
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From Wikipedia, the free encyclopedia
In this Spanish name , the first or paternal surname is Pinal and the second or maternal family name is Hidalgo .
Silvia Verónica Pinal Hidalgo [1] [2]
La tercera llamada (2013) Actor's Guild secretary
Arrietty (2013) as Hara (Voice)
El Agente 00-P2 (2009) as Mamá Osa (voice)
Ya no los hacen como antes (2003) as Genoveva Reyer
Puppy-Go-Round (1996)
Modelo antiguo (1992) as Carmen Rivadeneira
Pubis Angelical (1982) as Beatriz
Dos y dos, cinco (1981) as Julia
Carlota: Amor es... veneno (1981) as Carlota Cavendish
El canto de la cigarra (1980) as Elisa
El niño de su mamá (1980) as Tina
Las mariposas disecadas (1978)
Divinas palabras (1977) as Mari Gaila
Los cacos (1972)
¡Cómo hay gente sinvergüenza! (1972)
La Güera Xóchitl (1971) as Xóchitl Torres
Secreto de confesión (1971)
Bang bang... al hoyo (1971) as Doliente
Caín, Abel y el otro (1971)
Los novios (1971) as Irene
La mujer de oro (1970) as Silvia Torres
La hermana Trinquete (1970)
El cuerpazo del delito (1970) as Magda Bustamante/Enriqueta (segment "La insaciable")
El amor de María Isabel (1970) as María Isabel Sánchez
El despertar del lobo (1970) as Kim Jones
Shark! (1969) as Anna
24 horas de placer (1969) as Catalina
María Isabel (1968) as María Isabel Sánchez
La Bataille de San Sebastian (1968) as Felicia
La soldadera (1967) as Lázara
Juego peligroso (1967) as Lena Anderson (segment "Divertimento")
Estrategia matrimonial (1967)
Los Cuervos están de luto (1965)
Simón del desierto (1965) as The Devil
Buenas noches, año nuevo (1964)
El ángel exterminador (1962) as Leticia 'La Valkiria'
Adiós, Mimí Pompón (1961)
Viridiana (1961) as Viridiana
Maribel y la extraña familia (1960)
Charlestón (1959)
Las locuras de Bárbara (1959)
Uomini e nobiluomini (1959) as Giovanna
El hombre que me gusta (1958) as Marta
Una golfa (1958)
Una cita de amor (1958)
Préstame tu cuerpo (1958) as Leonor Rivas Conde/Regina Salsamendi
¡Viva el amor! (1958) as Veronica de la Maza
Desnúdate, Lucrecia (1958)
Mi desconocida esposa (1958)
Dios no lo quiera (1957) as Felisa
Cabo de hornos (1957)
La Dulce Enemiga (1957) as Lucrecia
Teatro del crimen (1957)
La adúltera (1956) as Irene
El inocente (1956) as Mané
Locura pasional (1956) as Mabel Mendoza
La vida tiene tres días (1955) as María Andrade
Amor en cuatro tiempos (1955) as Silvia
La sospechosa (1955) as Regina de Alba
Historia de un abrigo de mink (1955) as Margot
Pecado mortal (1955) as Soledad Hernández
Un extraño en la escalera (1955)
Vendedor de muñecas (1955)
Si volvieras a mi (1954) as Lidia Kane
El casto Susano (1954) as Mimí
Hijas casaderas (1954) as Magdalena
Reventa de esclavas (1954) as Alicia Sandoval/Isis de Alejandría
Las cariñosas (1953) as Carmen Santibañes
Yo soy muy macho (1953) as María Aguirre
Mis tres viudas alegres (1953) as Silvia
Doña Mariquita de mi corazón (1953) as Paz Alegre
Sí... mi vida (1953)
You've Got Me By the Wing (1953) as Rosita Alba Vírez
When Children Sin (1952) as Tencha
Ahora soy rico (1952) as Sonia Iliana
A Place Near Heaven (1952) as Sonia Iliana
Por ellas aunque mal paguen (1952)
Mujer de medianoche (1952)
La estatua de carne (1951) as Marta
Recién casados... no molestar (1951) as Gaby
A Galician Dances the Mambo (1951) as Carmina
El amor no es negocio (1950) as Malena
El amor no es ciego (1950)
Azahares para tu boda (1950) as Tota
The Mark of the Fox (1950)
The Doorman (1950)
El rey del barrio (1950)
La mujer que yo perdí (1949) as Laura
Escuela para casadas (1949) as Teresa Moreno
Bamba (1949)
El pecado de Laura (1949) as Juanita
A Midsummer Night's Dream (1947)
Los caprichos de Goya (1947)
Nuestra Natacha (1948)
Un sueño de cristal (1949)
Fausto y Margarita (1949)
Cuarto para vivir (1950)
La familia Barret (1950)
Celos del Aire (1950)
Don Juan Tenorio (1950)
El cuadrante de la soledad (1950)
Hitoria de una escalera (1950)
The Madwoman of Chaillot (1950)
Divorciémonos (1951)
La Sed (1954)
Anna Christie (1955)
Desnúdate Lucrecia (1957)
Two for the Seesaw (1957)
Bells Are Ringing (1958)
Irma La Douce (1964)
Cualquier miércoles (1965)
Mame (1972)(1985)(1989)
Vidas privadas (1975)
Annie Get Your Gun (1976)
¡Felicidades Silvia! (1977)
El año próximo a la misma hora (1978)
Plaza Suite (1978)
La libélula (1983)
La señorita de Tacna (1985)
las memorias de la Divina Sarah (1985)
Anna Karenina (1986)
Vamos a contar mentiras (1989)
Lettice and Lovage (1991)
Hello Dolly! (1996)
Gypsy (1998)
Debiera haber obispas (2005)
Adorables enemigas (2008)
Amor, dolor y lo que traía puesto (2012)
^ Jump up to: a b Sylvia Pasquel (15 September 2018). ¿Por qué Sylvia Pasquel se cambió el nombre? (Online video platform) (in Spanish). Imagen Entretenimiento. Event occurs at 0:21. kVN_PY4c5WM . Retrieved 15 May 2022 . Es que mi mamá es Silvia Pasquel, realmente yo me llamo como debería llamarse mi mamá. Mi mamá es hija de Moisés Pasquel, y después mi abuela se casó con Luis Pinal Blanco, y mi, mi abuelo la, la reconoce.
^ Silvia Pinal (24 February 2019). Silvia Pinal...frente a ti - Capítulo 1: Silvia descubre el secreto de su madre, Televisa (Vídeo en plataforma de internet) (in Spanish). Las Estrellas. Event occurs at 10:53. vprftG9raLE . Retrieved 15 May 2022 . Quien tiene derechos también tiene obligaciones, y usted no ha cumplido ni una sola de ellas. Jamás le dio comida, jamás le dio techo, y ni siquiera la reconoció, y además Silvia no lleva su apellido, lleva el mío, Pinal.
^ Jump up to: a b Sylvia Pasquel (12 May 2022). Sylvia Pasquel llora por críticas a Silvia Pinal, De Primera Mano (Online video platform) (in Spanish). Imagen Entretenimiento. Event occurs at 5:59. XRSpCJa8WSo . Retrieved 13 May 2022 . Mi mamá ya no puede agarrar y subirse a un avión, irse de viaje porque es una señora que tiene 91 años, que tiene muchas limitaciones en cuanto a su movimiento. Ya no es fácil que mi mamá se vaya de viaje como, como si tuviera 30 años.
^ Flores, Paulina (22 March 2019). "La historia de cuando Silvia Pinal huyó en la cajuela de un carro para no ir a la cárcel" (in Spanish) . Retrieved 12 August 2020 .
^ "Silvia Pinal, una actriz de "mil 190 años" que parece de 90" . El Universal (in Spanish). 14 September 2020 . Retrieved 6 February 2021 .
^ Reforma.com: Silvia Pinal, pionneer of the Musical Theatre in Mexico
^ TVyNovelas México: Silvia Pinal presents her autobiographic book
^ Pinal, Silvia (2015). "Esta soy yo" . México City: Editorial Porrúa. pp. 24, 25. ISBN 978-607-09-2109-4 .
^ Pinal (1996), p. 15
^ García Riera, Emilio (1996). El Cine de Silvia Pínl . Universidad de Guadalajara / Instituto Mexicano de Cinematografía. p. 20. ISBN 978-968-895-714-1 .
^ Pinal (1996), p. 28
^ Pinal (1996), p. 31
^ García Riera (1996), p. 21
^ García Riera (1996), p. 21
^ García Riera (1996), p. 22
^ García Riera (1996), p. 65–66
^ Interview with Silvia Pinal: Viridiana
^ Pinal (2015), p. 170
^ The Film Critics of The New York Times (2004). "The Best 1,000 Movies Ever Made" . The New York Times . Archived from the original on 22 May 2010.
^ Interview with Silvia Pinal: Simón del desierto
^ García Riera (1996), p. 108
^ Taller de Actores Profesionales (TAP): Silvia Pinal
^ Pinal (1996), p. 133
^ Univisión.com: The Night Viridiana Alatriste dies
^ The Musical Theatre in Latin America: Silvia Pinal
^ Silvia Pinal returns with a new theatre
^ García Riera (1996), p. 28
^ García Riera (1996), p. 25
^ García Riera (1996), p. 21–22
^ Proceso: The Case of Silvia Pinal
^ La Jornada: Silvia Pinal returns to Mexico
^ Informador.mx: Silvia Pinal is the new General Secretary of the ANDA
^ García Riera (1996), p. 21–22
^ García Riera (1996), p. 22
^ Univisión.com: The Night Viridiana Alatriste dies
^ Quién.com: Enrique Guzmán and Silvia Pinal
^ García Riera (1996), p. 22–23
^ People en Español: Silvia Pinal and Emilio Azcárraga Milmo
^ Pinal (2015), p. 366
^ Milenio.com: Silvia Pinal prefers México than Hollywood
^ Univisión.com: The Pinals: A controversial and powerful Mexican dynasty
^ Pinal (1996), p. 79
^ Pinal (1996), p. 265, 268
^ El Universal: Silvia Pinal have a Statue
^ Crónica.com: Silvia Pinal receives the Órden de Isabel la Católica
^ Ortega, Luis Alejandro (29 September 2015). "Silvia Pinal cuenta su vida en 'Esta soy yo' " [Silvia Pinal tells her life story in 'Esta soy yo']. Noticieros Televisa (in Mexican Spanish). Archived from the original on 7 October 2015 . Retrieved 15 December 2020 .
^ El Universal: Silvia Pinal is part of the AMPAS of Hollywood
^ Quién: Matt Casella and Silvia Pinal biographical serie
Silvia Verónica Pinal Hidalgo (born 12 September 1930), known simply as Silvia Pinal , is a Mexican actress and politician. [5] Pinal began her career in the theater, venturing into cinema in 1949. Her film work and popularity in her native country led her to work in Europe (Spain and Italy). Pinal achieved international recognition by starring in a famous film trilogy by director Luis Buñuel : Viridiana (1961), El ángel exterminador (1962) and Simón del desierto (1965).
In addition to her film career, she has also excelled in other areas. She was a pioneer of musical theatre in Mexico, [6] ventured into television, and held some political office charges.
Silvia Verónica Pinal Hidalgo [1] was born in Guaymas , Sonora , Mexico, on 12 September 1930. [3] Her parents were María Luisa Hidalgo Aguilar and Moisés Pasquel. Pasquel was an orchestra conductor at the Mexican radio station XEW . Pinal's mother became pregnant with Pasquel when she was only 15 years old. Her father did not recognize her and Pinal did not know him until she was 11 years old. [7] On the part of her biological father, Pinal had three more brothers: Eugenio, Moisés and Virginia. however, Pinal never spent time with the Pasquel family. [8] Pinal spent her first years behind the counter of a seafood restaurant located near the XEW where her mother worked. When Pinal was five years old, her mother married Luis G. Pinal, whom they called "El Caballero Pinal", a journalist, military man and politician twenty years older than her. Pinal recognized Pinal as his daughter. Mr. Pinal had three more daughters from a previous marriage: Mercedes, Beatriz and Eugenia. Her adoptive father held several public positions in Mexico. He was municipal president of Tequisquiapan , Querétaro . The family lived in several cities of Mexico as Querétaro, Acapulco , Monterrey , Chilpancingo , Cuernavaca and Puebla , finally settled in Mexico City .
Pinal was fascinated by show business since she was a child. In addition to film and music, she liked to write and recite poems. [9] She studied first at Pestalozzi College in Cuernavaca, and then at the Washington Institute in Mexico City. Despite her artistic aspirations, her father conditioned her to study "something useful" and therefore she learned typing. At age 14 she started working at Kodak as a secretary. [10]
Pinal wanted to study opera. She began to prepare taking classes with a private teacher and then with Professor Reyes Retana. Her first step towards fame occurred when she was invited to participate in a beauty pageant. In this contest Pinal obtained the title of Student Princess of Mexico. In her coronation she met the actors Rubén Rojo and Manolo Fábregas , with whom she became close friends. [11] While studying bel canto, Pinal went to work as a secretary in the pharmaceutical laboratories Carlos Stein. At the music academy, Pinal auditioned for a role in the opera La Traviata . However, this hearing was a failure. Then her teacher encouraged her to take acting courses in the Instituto Nacional de Bellas Artes . In that academy, she was a classmate of figures such as Carlos Pellicer , Salvador Novo and Xavier Villaurrutia . [12] She debuted as an extra in a performance of A Midsummer Night's Dream by William Shakespeare . [13]
Pinal continued working in the pharmaceutical products firm, in her advertising department. Her boss, knowing that she was studying acting, gave her the opportunity to participate in the recording of some radio comedies in the XEQ. She debuted in the comedy Dos pesos la dejada . [14]
At the radio station, she met some publicists, who invited her to be part of an experimental company. She made her debut in that company with a role in the play Los Caprichos de Goya . The director of this work was the Mexican actor and director, of Cuban origin Rafael Banquells , with whom Pinal began an employment relationship and a close friendship that led to romance. Rafael Banquells got the master Carlos Laverne to allow them to use the Ideal Theater of Mexico City for their productions. Laverne chose Pinal to participate in a montage with the company of the Ideal Theater, directed by the Spanish actress Isabelita Blanch. The work was called Nuestra Natacha . Pinal acted in numerous works for this company. Her first star work was Un sueño de cristal . [15]
Just fifteen days after she debuted in the theater, Pinal made her debut in the cinema with a brief role in the film Bamba (1949), starring Carmen Montejo and directed by Miguel Contreras Torres . Contreras Torres had seen her work at the Ideal Theatre and invited her to take part in the project. Contreras Torres was a tough and strict director who made Pinal suffer for her inexperience. Eventually, in that same year, she performed in the film El pecado de Laura , directed by Julián Soler and starring Meche Barba . In that film she worked for the first time in cinema with Rafael Banquells, who at that time was already her husband. Immediately she made another small role in the film Escuela para casadas , by Miguel Zacarías . Pinal met and worked for the first time with the popular actor and singer Pedro Infante in the film La mujer que yo perdí . The actor and comedian Cantinflas (her wedding godfather), chose Pinal as his co-star in the film The Doorman (1950), which was a very big step for the young and new actress. But her first solid step towards popularity was her participation in the comedy El rey del barrio (1949), where she formed a great comedic pair with Germán Valdés "Tin-Tán" , directed by Gilberto Martínez Solares . Pinal and Tin Tán acted together in two more films: La marca del zorrillo (1950) and Me traes de un ala (1952).
Pinal participated in small roles in several more films.
Pinal received her first major recognition, her first Silver Ariel Award as a co-starring actress, for her performance in the film Un rincón cerca del cielo (1952), where she worked again with Pedro Infante. In 1952, she performed with Joaquín Pardavé in the comedies Doña Mariquita de mi corazón] and El casto Susano .
In 1953, Pinal signed a contract with the FILMEX studios of Gregorio Walerstein , who gave her first stellar works in the films Reventa de esclavas (1953) and Yo soy muy macho (1953). In that same year, she made her first musical work with the film Mis tres viudas alegres , where she shared credits with Lilia del Valle and the Cuban rumbera Amalia Aguilar . The success of the film led the three actresses to star, that same year, in the comedy Las cariñosas . In that same year , she acted with Libertad Lamarque in Si volvieras a mí .
Pinal achieved success and recognition in 1954, after participating in the film Un extraño en la escalera , directed by Tulio Demicheli , and starring opposite Arturo de Córdova . De Córdova wanted as his co-stars the Italian actress Gina Lollobrigida or the Cuban rumbera Rosa Carmina , because he distrusted Pinal due to her youth. With the support of the producer Gregorio Walerstein, Pinal made a change of image, highlighting her sex appeal, which helped her to be approved by De Cordova for the film. The film was filmed in Havana , Cuba and it was a remarkable blockbuster, which consecrates Pinal as the first figure in the cinema. [16]
Another director who knew how to make the most of Pinal's histrionic abilities was Alberto Gout . Under the baton of Gout, Pinal made the film La sospechosa (1954). Another outstanding movie in which Pinal participates is Historia de un abrigo de mink (1954),an episodic film that Pinal co-stars with the actresses María Elena Marqués , Columba Domínguez and Irasema Dilián . With Tito Davison as director, Pinal also filmed the Mexican-Spanish-Chilean co-production Cabo de Hornos (1955), along with the actor Jorge Mistral . Pinal worked again with Pedro Infante, this time as his co-star in the famous comedy El inocente (1955).
Pinal starred in several films by Tulio Demicheli. Among the most outstanding is Locura pasional (1955), which would bring her first Silver Ariel award as best actress. The second was thanks to he
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