Silver Model Naked

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This Silver-Haired Pinup Shows Just How Sexy 60 Can Be
Feminist, Stylist, Writer, Gray Rebel, Soul-Detective
You can do two interesting things with your body when you’re a woman over 60: Cover up (with hat and gloves!) like the delightful Diane Keaton (69), or strip down like audacious Susan Sarandon (also 69). I’m a happy single of that age group, and whatever forces drove me to it, I had a crazy idea last week: Professional pinup pix of me just for myself! I always loved the vintage images by famous pinup artists like Vargas and Gil Elvgren. Now I am vintage myself, and no restrictions apply.
Feeling sassy and adventurous (feelings one should always follow with enthusiasm!) I envisioned a silver-haired version of Burlesque-Queen Dita von Teese (wishful thinking is inspirational!) for myself — maybe a little less artificial. And although women are known to always look for flaws in their image, that wasn’t for me! I was putting my money on looking as glamorous as can be. And so off I was to photographer Beate Pilgreen http://bestboudoirla.com in Los Angeles, a grey vixen in transition, with a small shopping bag full of stuff one might need, like very red lipstick, false eyelashes, push-up bras, billowing chiffon shawls, the works.
As a rule I’m not exactly obsessed with the idea of being photographed at all costs in black fishnet stockings and sadistic stiletto-heels, draped in red silk — few of my age-group are — but why not indulge in some naughty fantasy and show off for fun? It’s one thing to do a little amateurish number in front of your iPhone and embarrass your grown-up children, but another to do it like a proud pro with nothing to prove and without the pressure of perfection because nothing needs to end up on a magazine cover.

So I was game all right, except frontal nudity was out and so was bathing in a large Martini glass. Also, no whips, no winking, blowing kisses and snuggling with a python. Part of the fun is that doing “boudoir” photos feels almost deliciously perverse and forbidden because ageism and hypocrisy is still rampant and freedom of expression is all but a dream if older folks are doing it.
Let’s look at troublemaker Susan Sarandon who recently managed again to ruffle feathers and provoke mostly peeved, uptight (British) men. What did she do? Cartwheels in her undies? Grabbing her crotch while making a political speech? No, much worse, she wore nothing but a bra under her designer jacket and had the nerve to talk (at the SAG Awards) about famous dead people as if they wouldn’t have minded to look at a sexy 69-year-old woman’s very nice (and natural) breasts. It shows that it often needs just one woman and a ridiculously tame situation to remind us of our beauty police who guard public esthetics and settle questions about wrinkles, soft jaw-lines and jiggling flesh, apparently a threat to the emotional well-being of most men.
Yes, society has a very troubled relationship with beauty, women, sexuality and age. The crazy and cruel rules are especially heaped onto every female over 50. 1. Don’t call attention to yourself in any shape or form. 2. Don’t buy into the silly idea that you still matter (if you ever have). You don’t count, go away! Put all that together and what is left is a stunted female who isn’t allowed to have beauty flaws and certainly can’t be sensuous, sexy and old at the same time. But we all know that sexiness is a state of mind not age and comes in all intriguing impersonations. We all have so many different faces, bodies and identities, and it’s a great game to let them out of their hiding place once in a while and play with all of them.
And if Susan wants her ample bosom to be part of the world around her to be enjoyed (or shocked by) and if I like to shake my silver mane, we can and should do it. And so can you! It’s strip-tease-time! Except for eyelashes. I left mine on all day and night...
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From Digging Crates to Rolling Tape: How "Jazz Is Dead" Revives Jazz Elders
When "Mis-Used" Music Gear Makes Magic
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For sale is a Conn 10m Transitional Silver Sonic tenor saxophone.
This saxophone has been frankenhorned and fully restored to be the beautiful 1 of a kind finished product seen here that absolutely crushes both form and function!
This saxophone started its life out as a prime golden era Conn transitional serial #259xxx with the highly sought after combo of final end run split bell keys + 10m naked lady engraving.
This horn was restored and crafted by the wonderful and mysterious WJ. It seems that WJ was highly inspired by King Super 20s and took his shot of producing a Conn Sonic type piece. Directly above the serial number there is a very high end and professionally designed and executed makers mark stamp. Its extremely light and hard to make out, but its there in a very cool font. Im not sure who even has the capabilities to make these so If anyone has any information on who WJ is please let us know.
As part of the restoration the horns bell looks to be fully silver plated after the factory. The bell is not solid silver, however its a beautiful lush thick coat of silver that left the factory engraving enact in great shape!  
The horn is very shiny and bright, as well so are our photo lights so its hard to photo the detail on the engraving but its very nice in the hands!
The original Conn neck was replaced with a solid silver factory Selmer neck!
This horn DOES NOT come with its original Conn neck!
This horn comes with a very rare and sought after solid silver Selmer neck. 
Back some 20 30+ years ago for a very limited time Selmer made these solid silver necks. At the time there weren't as many players flocking to solid silver necks as today's interest so there were very few produced and sold.
When these Selmer necks come to market by them selves they sell and retail for a very heft fee by them selves! Necks are not easy to make, and very expenesive to buy these days. These necks have excellence design and craftsmanship + being solid silver and Selmer brand so they are very valuable piece.
A typical Conn 10m neck will not fit on this body in anyway what so ever. The bodies female neck receiver appears to have been modified or changed out with a different receiver to fit flawlessly with the neck. I could guess this may be a Selmer neck receiver to match the Selmer neck.
When you insert the neck onto the body, the neck fits with absolute perfection. They seal perfectly and it feels like your putting a modern Yamaha 82z neck on its body or something with complete ease with that cshhhh tight seal sound.
Often times on these horns one of the first modification is to move the neck strap ring. The factory location is very uncomfortable and by moving it a touch allows the angle to be extremely functional and playable.  The neck strap has been changed and moved on this horn.
The right hand thumb rest on these horns are typically pretty small and can hurt your finger. This thumb rest has been upgraded with a Selmer style modern thumb rest which really helps to hold the horn.
To complete the horn the entire body, keys and parts were lacquered with some of the most beautiful lacquer ive seen. The color is a dark honey that really looks nice and lush. There is a two tone effect on the horn that is just awesome. In the hands, out of our bright lights its rather lovely! The lacquer has sealed over all the modifications creating a cohesive and complete product.
Overall this horn is a work of art and a true full restoration. The horn was well thought out. It must have taken quite some time and energy to find the most perfect #259xxx split bell key naked lady, find a solid silver Selmer neck, take all the time to silver plate the bell, finish the body, overhaul the horn and complete the project.
There's no doubt someone definitely spent alot of time, money and love on this horn.
While this saxophone was fully overhauled at one point, it appears to have just been sitting in its non original case for the last im not sure 5 or 10 years. 
The horn has a weird smell to it. Its not a vintage musk, Im not sure how to describe it, more of a sweet smell most likely from just sitting in a case for however long.
I'm recommending a full COA clean oil adjust on this horn.
Once again the horn smells, plan on having it cleaned to fully finish the process and make a new home.
The horn is fully functional with all of the keys opening and closing just right. The action is lighting speed clamping down hard, but again the horn smells so you will want to have your tech clean it!
A restoration like this today + Conn tenor + Selmer neck would be an insane amount of money. This horn really is ultimate players 10m. Its setup for the player that loves Conn 10ms, but also wants a slightly more modernized version of it that can be used as a main horn. 
The horn is an absolute beast. I find this exact serial number era horns to be some of the loudest and most spread sounding horns ever produced. THAT in combination with the solid silver neck truly makes this one of the most powerful sax combinations possibly known to mankind!
If you are interested the original #259xxx transitional Conn neck & matching neck tenon from this exact horn does exists. It will be listed soon on an additional listing, not included with this sale.
There is only 1 of these in the world and when its gone its gone. If you love this horn please do not hesitate to buy and pay over, we will ship ASAP upon payment!
This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. Items must be returned in original, as-shipped condition with all original packaging.
Good condition items function properly but may exhibit some wear and tear.learn more
Feedback Summary for Selling & Buying
Mouthpiece was packed well and shipped quickly. Super straightforward, no complaints!!
Thanks for a very nice flute. The condition was better than expected, it's very beautiful.
Item described well. Good communications with seller. Thank you! A+++
Conn 10M Naked Lady 1946 Rolled Tone Holes Collectible Condition
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