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Axaftina pesnê ya ji bo Nebahat Akkoç – Sibel Kekili
Xelata Anne-Klein a Jinan a sala 2015-ê diçe ji bo jina kurd Nebahat Akkoc ji ber berxwedana wê yê çalak li dijî tund û tîjiya (şideta) mal û mîrîtiyê (dewletê) ji bo parastina (berevaniya) wê di ber mafên mirov û jinan de.
Heinrich-Böll-Stiftung
NAVENDA KOMELEYA
Amerîkaya Bakûr
Nûsîngeha Waþîngtonê, DC- YDA, Kanada, Diyaloga Navneteweyî
Wehkevîya mafan, azadîya ray û ramanan, perwerde.
Keçika Kurd ya piçûk di sala 1955an de, li Kanîreşa ku navçeyeke herêma Enetolîya Rojhilat e hatiye dinyayê, di nav heyşt xwişk û birayan de ya sêyemîn e û qet haya wê ji van têgînan tunebû. Zaroktîya wê bi malbatê re derbas bû, çû dibistanê û paşê bû mamoste. Zewicî û du zarokên wê çêbûn. Keçika piçûk ya piştî gelek salên borî ji gund hat, di sîyasetê de çalak bû û bû jineke ciwan ya meraqdar. Di nav TOB-DERa çepgir de û bi hevalên xwe yên ku wek hev difikirîn re, xwe di qadeke azad de his dikir. Ev hemû berî derbeya eskerî ya 1980yî bûn. Heta wê demê jîyana wê, dinyaya wê di nav sîstemeke dîyar de bû.
Lê ev dinyaya bê qeda û bela, bi derbeyê re serobino bû. Bi awayekî bêhejmar komele û sazî hatin qedexekirin, qefleyekî mezin yê mêrê wê jî di nav de, kesên ku cuda difikirîn bi pêleke girtinê ya mezin re avêtin hefs û zîndanan. Ev ji bo wê serdemeke nuh bû. Nebahat Akkoçê ji wê rojê ve li hember hemû neyarên eşkere an dizî dest bi têkoşînê kir. Ji şer re amade bû. Ne tenê ji bo mêrê xwe, herwiha ji bo azadîya kesên din jî.
Nifteya azadîyê li gora wê perwerde û ronakbîrî bû. Di serlêdanên hefsê de alîkarîya jinên ku nexwenede bûn kir. Di nav van jinan de, jinên Kurd yên qet bi Tirkî nizanîbûn, nikarîbûn bi Tirkî bipeyivin jî hebûn. Di axaftinên xwe yên bi van jinan re de dît ku, ev jin ne tenê bi şideta sîyasî re beramber in, herwiha di nav malbatê de jî bi şidetê re rûbirû dimînin. Ji vê rewşê tenê encamek derdiket: Wek Seroka Şaxê ya Sendîqaya Kedkarên Zanyarî û Perwerdeyê dest bi tevgerê kir.
Ji ber şer û pevçûnan, heta sala 1993yan, bi awayekî rêk û pêk nikarîbû çalakîyên perwerdeyê bimeşanda, her kes ji van hewldanên wê ne razî bûn. Gelek mamoste li pê hev dihatin kuştin û qatilên wan dîyar nedibûn, her tim veşartî diman. Nebahat Akkoçê bi daxûyanîyên çapemenî ev kuştin bi awayekî tund rexne dikir. Ji ber vê yekê, ne tenê di nav sendîqayê de, ji hêla emnîyetê jî hat lêpirsîn.
Sala 1993yan wê ji bo jîyana Akkoçê bibûya serdemeke nuh. Mêrê wê gava ji dibistanê vedigerîya malê hat kuştin. Akkoçê ji bo ku hemû jîyana xwe têxe oxira mafên mirovatîyê dev ji karê xwe yê mamostetîyê berda, di hin partî û komeleyan de dest bi kar kir. Di sala 1994an de di seranserê 12 rojan de girtî ma û îşkence dît. Di wê demê de fahm kir ku, divê êdî bi hemû hêza xwe ji bo mafên jinan şer bike. Di nabêna salên 1994 û 1997an de 15 caran hat girtin û di her carê de zor û zulmeke mezin lê hat kirin.
Ji ber ku rê li ber ray û ramanên wê dihat girtin, ew diavêtin hefsê, îşkence lê dikirin û qatilên mêrê wê nedihatin dîyarkirin, serî li Dadgeha Mafê Mirovan ya Ewropa xist. Ev doza ku, di qada navnetewî de wek ‘Doza Akkoçê’ dihat zanîn, li dij Tirkîyê doza yekemîn bû û ji ber vê yekê jî, bi awayekî serkevtî bi dawî hat.
Akkoçê, di sala 1996an de di odeyeke mala xwe de KAMER ava kir. Û ev rêxistina mafên jinan, ji sala 2005an vir ve, xebatên xwe wek weqif didomîne. Li herêmên Enetolîya Rojhilat û Başûrê Rojhilat 23 şaxên KAMERê hene û jin li hemû şaxan ji bo mafên mirovahîyê biparêzin hewl didin, jê sûdê werdigirin. KAMER, ji sala 2005an vir ve bernameya bi navê ‘Ji bo her jinekê firsendek’ dimeşîne; ev bernameya navborî, firsendekê dide jinan ku, li gund, navçe û bajaran ji şideta di nav malbatê de dûr bimînin, ji kar û barên xwe yên kevneşopî rizgar bibin û jîyana xwe bi awayekî baştir bidomînin.
Gelek tişt hene ku ji bo me karên rojane ne, lê vê însanê ev kar ji bo xwe kiriye armanca jîyanê, hun çawa dikarin keseke wisa serbilind bikin? Dev ji jîyana xwe ya qaşo bi ewlekarî berdaye û li dij şideta li hember jinan dest bi têkoşînê kiriye; ji bo vê yekê cesaret, hêz û desthilatî lazim in. Bi taybetî jî, li welatekî wek vir ku dewlet ji bo hewldaneke wisa tavilê mirov dike neyar. Di çandeke xwedîyê kevneşopîyeke dûr û kûr de, rexnekirina vê kevneşopîyê û tevlêdana birînê ne karekî hêsan e û mixabin dibe sedem ku gelek neyarên nuh derkevin hember we. Di van şerd û mercan de, jineke bi navê Nebahat Akkoç, di demeke kurt de, ji bo gelek mêran û pişt re jî ji bo dewletê dibe xetereke mezin. Xeyalkirina wê zor e, lê gava ku hun devê xwe vedikin, ji we re dibêjin ku tu xayinê welêt î û hun bi êrîşan re rûbirû dimînin. Nebahat Akkoç, heta ku gîhaşt vê astê ne tenê bi êrîşan re rûbirû ma, şidet û îşkence sererast di bedena xwe de dît. Ji şidetê jî ji îşkencê jî kêm nema.
Daxwaza têkoşîna ji bo kesên din û têkoşîna ji 35 salan dirêjtir ya ji bo mafên jinan û mirovan, qet ne tiştekî sivik e. Ji ber vê yekê çalakîyên wek yên îro yên ku wê û karên wê derdixin ber çavan, hîn girîngtir dibin. Nebahat Akkoça delal, divê em jinên wek te, di têkoşîna li dij şideta li hember jinan de bi tenê nehêlin.
Ez heyrana te me Akkoça Rêzdar, ji ber ku ewqas sal in ku te cesaretê xwe wenda nekiriye, di her carê de tu rabûye ser xwe û te şerê xwe dewam kiriye û tu hîn jî vî şerî dikî, ez heyrana te me. Tu her çiqas di rewşeke zor û dijwar de be jî, tu ji bo kesên din her tim şer dikî. Sedema ku gelek jin di nav malbatê de bi şidetê re rûbirû dibe an jî ji şideta mêrê xwe xelas nabe, ne tenê tunebûna cesaretê ye, bi qasî te ne xwedî zanîn in û wek te li xwe xwedî dernakevin. Tevî hemû astengan jî, li hember dijberên ku dixwestin te ji holê rakin, te dev ji şerê xwe berneda û tu di rêya xwe de meşîya. Ev rê hêja bû ku tu ewqas ber xwe bidî û her tim şer bikî. Ji ber vê yekê, ez li ser navê hemû jinan, ji dil û can spasîyên xwe pêşkêş dikim. Ji ber ku te bi her awayî ji bo dinyayeke hîn bi edalet şer kiriye, ez stûyê xwe li ber te bi rêzdarî ditewînim.
© Heinrich-Böll-Stiftung e.V.
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Classic movies. Gay movies. International cinema. Socially conscious & political cinema.
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Feo Aladag’s Turkish-German drama Die Fremde / When We Leave , which recently received six Lola nominations, was voted best narrative film at the 2010 Tribeca Film Festival.
In When We Leave , Sibel Kekilli, the star of Fatih Akin ’s 2004 European Film Award winner Head-On , plays a determined Turkish woman who flees her abusive husband in Istanbul, settling with her five-year-old son in Berlin. Once there, she finds herself at odds with her traditionalist Muslim family.
Kekilli, who was nominated for this year’s German Film Award, also won the best actress award at the Tribeca festival.
Ferzan Ozpetek’s gay comedy Loose Cannons , received a Special Jury Mention in the Narrative Feature category.
Alexandra Codina’s Monica & David , about a love affair between two people with Down syndrome, was chosen as the best documentary. (Codina is the cousin of the film’s Monica.) The Special Jury Mention went to Julia Bacha’s Budrus .
The best actor award was given to Eric Elmosnino for his portrayal of Serge Gainsbourg in Gainsbourg (Vie héroïque) / Gainsbourg, Je t’Aime … Moi Non Plus , which also stars Lucy Gordon, who killed herself last year, as Gainsbourg’s wife Jane Birkin ; Laetitia Casta as Brigitte Bardot ; and Anna Mouglalis as Juliette Greco.
Cesar winner Yolande Moreau and veteran filmmaker Claude Chabrol also have roles in the Joann Sfar-directed biopic.
Among the other filmmakers honored at Tribeca were newcomers Kim Chapiron, who directed the youth correctional facility drama Dog Pound , and Clio Barnard, for the British mix of documentary and fiction, The Arbor .
Freakonomics , directed by Heidi Ewing, Alex Gibney, Seth Gordon, among others, will be Tribeca’s closing-night film on Friday.
2010 World Narrative Feature Competition Jurors:
Hope Davis, Aaron Eckhart , John Hamburg, Cheryl Hines, John Ridley, Gary Ross and Gary Winick
The Founders Award for Best Narrative Feature
When We Leave (Die Fremde)
Directed and written by Feo Aladag (Germany)
Special Jury Mention
Loose Cannons
Directed by Ferzan Ozpetek, written by Ferzan Ozpetek and Ivan Cotroneo
Best New Narrative Filmmaker
Kim Chapiron for Dog Pound
Written by Kim Chapiron and Jeremie Delon (France)
Best Actor in a Narrative Feature Film
Eric Elmosnino as Serge Gainsbourg in Gainsbourg, Je t’Aime… Moi Non Plus
Directed and written by Joann Sfar (France)
Best Actress in a Narrative Feature Film
Sibel Kekilli as Umay in When We Leave (Die Fremde)
Directed and written by Feo Aladag (Germany)
2010 World Documentary Feature Competition Jurors:
Jessica Alba , Margaret Brown, Abbie Cornish , Marshall Curry, Whoopi Goldberg , Aidan Quinn and Eric Steel
Best Documentary Feature
Monica & David
Directed by Alexandra Codina (USA)
Special Jury Mention
Budrus
Directed by Julia Bacha (USA, Palestine, Israel)
Best New Documentary Filmmaker
Clio Barnard for The Arbor (UK)
2010 Best New York Narrative Competition Jurors:
Selma Blair , Zach Braff, Zoe Cassavetes, Darko Lungulov and Andrew McCarthy
Best New York Narrative
Monogamy
Directed by Dana Adam Shapiro, written by Dana Adam Shapiro and Evan M. Weiner (USA)
Special Jury Mention
Melissa Leo for her performance in The Space Between
Directed and written by Travis Fine (USA)
2010 Best New York Documentary Competition Jurors:
America Ferrera, Dave Karger, Dan Klores, Scott Neustadter and Kate Snow
Best New York Documentary
The Woodmans
Directed by C. Scott Willis (USA, Italy, China)
2010 Best Narrative Short Competition Jurors:
Justin Bartha, Katherine Dieckmann, Jack Dorsey, Peter Facinelli and Brooke Shields
Best Narrative Short
Father Christmas Doesn’t Come Here
Directed by Bekhi Sibiya, written by Sibongile Nkosana, Bongi Ndaba (South Africa)
Special Jury Mention
The Crush
Directed and written by Michael Creagh (Ireland)
2010 Best Documentary and Student Short Competition Jurors:
Perry Miller Adato, Tim Armstrong, Jared Cohen, Scandar Copti, Larry Gagosian, Alicia Keys and Shirin Neshat
Best Documentary Short
White Lines & The Fever: The Death of DJ Junebug
Directed and written by Travis Senger (USA)
Special Jury Mention
Out of Infamy: Michi Nishiura Weglyn
Directed and written by Nancy Kapitanoff, Sharon Yamato (USA)
Student Visionary Award
some boys don’t leave
Directed by Maggie Kiley, written by Matthew Mullen, Maggie Kiley (USA)
Special Jury Mention
The Pool Party
Directed and written by Sara Zandieh (Iran, USA)
The 2010 Tribeca Film Festival Virtual winners were voted on by the TFF Virtual Premium passholders.
Tribeca Film Festival Virtual Best Feature Film
Spork
Directed and written by J. B. Ghuman, Jr. (USA)
Tribeca Film Festival Virtual Best Short Film
Delilah, Before
Directed by Melanie Schiele (Singapore)
Teddy Chen’s Bodyguards and Assassins was the big winner at the 2010 Hong Kong Film Awards, held on Sunday. Set in the early years of the 20th century, the action thriller with political undertones – and a national blockbuster ($44 million) – received a total of eight awards, including Best Picture, Best Director, and Best Supporting Actor (Nicholas Tse).
Other Hong Kong Film Award top winners included Best Actress Wai Ying-Hong, who plays a single mother whose son is accused of rape in At the End of Daybreak , and writer-director Alex Law, who won the Best Screenplay award for Echoes of the Rainbow , a family drama about a poor parents caring for their cancer-stricken son in 1960s Hong Kong.
Other Echoes of the Rainbow winners were veteran Simon Yam, voted Best Actor for his performance as a hardworking cobbler (Yam had also been in the running for his murderous family man in Night and Fog ); Aarif Lee, chosen as the year’s best new actor; and the title song, which happens to be performed by Lee.
The Best Supporting Actress was Michelle Ye for her gang member in Accident . The Academy Award-winning Japanese drama Departures was voted the Best Asian Film.
Veteran Wai Ying-Hong had previously won both the Golden Horse and the Asian Film Award for Best Actress. Wai had recently suffered a career downturn and had been battling depression.
“I’m not ashamed to tell you that I had at one point given up on my life,” Wai, fighting away the tears, told the crowd. “I really couldn’t see how my future would pan out. But now I’m very confident. I know I belong to the movies. I know I belong to acting.”
The Hong Kong Film Award ceremony also included a tribute to Bruce Lee, who would have turned 70 next November, and a moment of silence in honor of the victims of last week’s earthquake in China’s Qinghai province.
Best film: Bodyguards and Assassins
Best Asian film: Departures (Japan)
Best director: Teddy Chen, Bodyguards and Assassins
Best new director: Cheung King-wai, KJ: Music and Life
Best actor: Simon Yam, Echoes of the Rainbow
Best actress: Wai Ying-Hong, At the End of Daybreak
Best supporting actor: Nicholas Tse, Bodyguards and Assassins
Best supporting actress: Michelle Ye, Accident
Best new performer: Aarif Lee, Echoes of the Rainbow
Best screenplay: Alex Law, Echoes of the Rainbow
Best cinematographer: Arthur Wong, Bodyguards and Assassins
Best film editing: Kong Chi-leung, Chan Chi-wai, Overheard
Best art direction: Ken Mak, Bodyguards and Assassins
Best costume and makeup design: Dora Ng, Bodyguards and Assassins
Best action choreography: Stephen Tung, Lee Tat-chiu, Bodyguards and Assassins
Best original film score: Chan Kwong-wing, Peter Kam, Bodyguards and Assassins
Best original film song: “Echoes of the Rainbow” from Echoes of the Rainbow , composer Lowell Lo, lyrics by Alex Law, performed by Aarif Lee
Best sound design: Steve Burgess, Wu Jiang, Red Cliff II
Best visual effects: Ng Yuen-fai, Chas Chau, Tam Kai-kwan, The Storm Warriors
Lifetime achievement award: Lau Kar-leung
Wai Ying-Hong quote: The Associated Press
February 2010: Teddy Chan’s Bodyguards and Assassins , the story of a gang of martial-art fighters trying to protect early 1900s Chinese revolutionary leader Sun Yat-sun during a visit to Hong Kong, garnered a whopping 19 nominations – a record – for the 2010 Hong Kong Film Awards. Among those are best film, best director and best actor (Wang Xueqi). Featuring Donnie Yen Zi-dan, Leon Lai Ming, and Tony Leung Ka-fai, Bodyguards and Assassins has grossed approximately US$50 million in several Asian territories since its Dec. 18 release.
The other best film nominees are John Woo’s Red Cliff II , Alan Mak and Felix Chong’s cop thriller Overheard , the Jackie Chan vehicle Shinjuku Incident , and King-wai Cheung’s documentary KJ: Music and Life . A portrait of six years in the life of piano-playing prodigy Wong Ka-jeng, KJ is the first documentary ever to be nominated in the Hong Kong Film Awards’ best picture category.
In addition to Teddy Chan, others in the running for best director are Ann Hui ( Night & Fog ), John Woo ( Red Cliff II ), Derek Yee ( Shinjuku Incident ), and Alan Mak and Felix Chong ( Overheard ).
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