Shyla Stylez se tape une grosse baise avec son prof

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Shyla Stylez se tape une grosse baise avec son prof
jeudi 08 septembre 2022, Saint Adrien





Vie locale , Faits divers , Artigat




Publié le 20/03/2013 à 03:52
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Au tribunal correctionnel, BA comparaissait hier pour avoir fait preuve de violence avec usage d'une arme sur un de ses amis, BB, le 21 février. Celui-ci était en couple avec l'ancienne petite amie de BA, qui n'acceptait pas la «trahison» de son ami.
«Quand on voit l'état de la voiture, on comprend que vous avez eu une crise de violence.» À l'audience de la chambre correctionnelle d'hier, la présidente Isabelle de Combettes de Caumon semblait impressionnée par les dégradations que BA a infligées, avec une barre de fer, aux biens de BB, le 21 février, à Artigat.
Alors que sa petite amie, avec qui il vivait en couple depuis 4 ans, l'avait quitté depuis une semaine, ce jeune chauffagiste de 26 ans avait du mal à se remettre. Notamment quand la jeune femme lui a appris qu'elle s'était mise en couple avec un de ses amis proches, BB… Il n'a pas pu le supporter. «Ca faisait six mois qu'il lui faisait des avances par SMS. Je regrette vraiment mon acte mais je ne pouvais plus», a précisé BA.
Le 21 février, il prend donc une barre de fer en forme de «T», se rend au domicile à Artigat de BB et casse la voiture de celui-ci à grands coups de barre de fer. Ensuite, il rentre dans la maison où BB vit en colocation, qu'il connaît bien, et détruit sa télévision et son ordinateur avant de se rendre à l'étage où était BB. «Ca ne vous a pas suffi de détruire du matériel ? Il a fallu que vous le cherchiez», remarque le procureur Claude Cozar avant de rappeler le proverbe : «protégez-moi de mes amis, mes ennemis je m'en charge.»
En haut, donc, il donne un grand coup pour atteindre BB et tape le dossier de la chaise sur laquelle il était assis. Le dossier vole en éclat et blesse BB au dos. «Je n'ai pas pu travailler pendant une semaine et demi. La chaise m'a sauvé», témoigne BB qui s'est porté partie civile. Si le tribunal reconnaît que c'est bien le sentiment de trahison qui a poussé BA à passer à l'acte, c'est maître Frédéric Baby, avocat de la défense qui a prononcé le mot : «c'est un acte passionnel. Et par définition, cela ne se reproduit pas.» Comme le prévenu n'était pas en état de récidive légale, qu'il n'a pas cherché à revoir BB ou son ancienne petite amie, la présidente Isabelle de Combettes de Caumon a condamné BA à 8 mois de prison avec sursis sans mise à l'épreuve et avec une interdiction de détenir une arme pendant 3 ans.
Un terrain à bâtir d'un total de 2 200m2 situé sur les abords immédiats d'u[...]
Dans le joli village d'Artigat, venez découvrir ce grand terrain d'une supe[...]
CHARMANTE MAISON AVEC PISCINE AU CALMEC'est à 5 minutes des commerces, écol[...]
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The 20 Best Christmas Movies Of All Time


George C Scott


May 13, 2016 6:54 am


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Twas’ the night before … Sorry, let’s start that again. ’Twas the month before… No. One more time. ’Twas a month and two days before Christmas. Nailed it. Anyway, it’s Thanksgiving week, but you wouldn’t know it from what’s playing theaters: a few weeks ago brought “ Christmas With The Coopers ,” this past weekend saw the opening of both the enjoyable Seth Rogen holiday-themed comedy “ The Night Before ,” and Todd Haynes ’ sublime “ Carol ,” which is set over the Christmas period, while next week we get the Evil Santa horror-comedy “ Krampus .”
Studios release their Christmas movies well in advance to let them play longer in theaters, knowing that few will want to see them once January rolls around. In an entirely unrelated move, we’ve been thinking about Christmas films. And so below, you’ll find twenty of the best ever. Take a look at our picks and let us know your own present-wrapping favorites in the comments.
If a Christmas-time setting is useful for anything, it’s often to play up a sense of loneliness in a character —the holidays are meant to be a time to spend with loved ones and family, and you can isolate a character beautifully by the simple means of surrounding them with festive revels. Perhaps more than anything else, this makes “The Apartment” a Christmas movie: though it spans a few months and climaxes memorably on New Year’s Eve, the film makes as great a use of the holidays as anything else here. Billy Wilder ’s film, maybe the greatest romantic comedy ever made, stars Jack Lemmon as an ambitious, lonely office drone who lets his higher-ups use his apartment for their extra-marital affairs. He’s in love with elevator operator Ms. Kubelik ( Shirley MacLaine ), who is in fact the mistress of his boss Sheldrake ( Fred MacMurray ). Though often incredibly funny, Wilder’s film stands apart from other holiday films by its rich vein of melancholy, and none more so than during arguably the movie’s most memorable stretch, involving a Christmas party where everyone finds out everything that’s going on, and Lemmon finds MacLaine having attempted suicide in his apartment, and then spends several days with her while she recuperates. The Christmas backdrop elevates the fairy tale feel of the story, even if it’s a bittersweet one for much of its running time, and the perfect climax to a perfect film warms your heart like chestnuts roasting on an open fire.
Perhaps a Christmas movie more out of its association with a shitload of toys than because of a seasonal vibe (though Santa Claus does make an appearance), “Babes In Toyland,” a very loose adaptation of the operetta of the same name, is another movie that became a holiday TV staple, airing on New York’s WPIX for many years. If it does not quite encompass Laurel & Hardy ’s finest hour, the film is certainly one of their most imaginative and family-friendly efforts. The two play Stannie and Ollie, two toymaker’s assistants who live in a shoe in Toyland who try to raise money to stop the evil Silas ( Henry Kleinbach ) from forcing Bow Peep ( Florence Roberts ) to marry him against his will. Surprisingly convoluted plot wise and even surprisingly scary by the time bogeymen invade at the end, the film perhaps suffers in comparison to Laurel & Hardy’s best by letting the comedy take a back seat to the plot and adventure elements. But the two are as good as ever when given a chance, the film makes good use of the music throughout, and there’s a level of imagination at play that should still capture the attention of kids who aren’t checking Twitter every five minutes…
There’s rum in the egg nog in Terry Zwigoff ’s “Bad Santa,” and maybe a little bit of puke too: unlike some of the more kid-friendly entries on this list, this no-holds-barred comedy is a 100%, unapologetically adults-only affair. Which is to say there’s bouts of sloppy jacuzzi sex, conspicuous binge-drinking and more creatively colorful profanity than a hundred “ South Park ” episodes. Billy Bob Thornton , a born outlaw if ever there was one, plays Willie Stokes, a piece-of-shit crook moonlighting as a mall Santa Claus, with his pint-sized, foul-mouthed partner Marcus as an attending elf. Some rays of sunshine trickle into Willie’s dark, boozy world in the form of a horny bartender with a Saint Nick fetish ( Lauren Graham of “ Gilmore Girls ”) and an overweight, underloved kid who frequently finds himself a target of bullies. Zwigoff is an ace profiler of the downtrodden and disenfranchised (see his bitter, lovely “ Ghost World ” if you haven’t already) and “Bad Santa” never asks to be loved, to its credit . There’s no Christmas spirit forcing Willie to change his reckless, philandering ways: he remains a true-blue American scumbag, all the way to the movie’s literal middle finger of a final shot. Featuring crackerjack supporting turns from two since passed comedy greats — John Ritter as the mall’s perpetually flustered overseer and Bernie Mac as a hard-charging private consultant tasked with cleaning up Willie’s messes— “Bad Santa” is a naughty present for the holiday hell-raiser in us all, and almost certainly the most gleefully foul Christmas movie on this list.
Grammatical nightmare of a title aside (is it mean to be Best Man-Holiday? Or Best-Man Holiday?), “The Best Man Holiday” is a strong attempt at rebooting the “ Family Stone ”-esque tragicomedy with a more diverse cast than usual. The sequel to 1999’s “ The Best Man ,” directed like this film by Malcolm D. Lee , switches up genres, from comedy-drama to a sort of “ Big Chill ”-style reunion movie, as Lance and Mia ( Morris Chestnut and Monica Calhoun ) ask their old friends to join them for Christmas, which is the first time they’ve all been together in fourteen years. It’s refreshing not just because, like the original, it focuses on resolutely middle class African-American characters, but for showing a Christmas revolving less around family and more around friends. It’s a little odd that the film exists at all, given the fourteen year gap, but it proves more effective than a dozen similarly-plotted Sundance movies at examining the fractures and bonds of friendship and at juggling an ensemble cast — Taye Diggs, Sanaa Lathan, Terrence Howard et al— with a lot of actors who are often underused given good material to play with here. It becomes weighed down a bit near the end, as terminal illness melodrama threatens to overwhelm proceedings, but on the whole, this is good enough to make us glad that a third movie in the trilogy is on the way next year.
Christmas movies become classics not necessarily on release, but often due to a time-honored tradition of endless TV repetition while you’re in a food coma. It happened to “ It’s A Wonderful Life ” back in the day, it happened to “ Elf ” and “ Love Actually ” since, and it’s happened to “A Christmas Story,” which airs in a continuous Christmas Eve marathon on TBS every year. Based on stories by anecdotalist Jean Shepherd , the film follows young Ralphie ( Peter Billingsley , who’d grow up to be a director and inflict “ Couples Retreat ” on us) growing up in the 1940s and dreaming of a BB gun, while his parents ( Darren McGavin and Melinda Dillon ) feud over the fire, the next door dogs, and a lamp in the shape of a woman’s leg. Directed by “ Porky’s ” helmer Bob Clark , who co-wrote with Shepherd, this is a rare Christmas movie that doesn’t over-sentimentalize childhood, opting instead for a winningly specific look at family life and as much focus on the perceived injustices of pre-adolescence as on heartwarming holiday cheer. Those of us who grew up outside the U.S. and didn’t have it as a childhood staple might be a little puzzled by its place in the canon —it’s very sitcom-y, in part because Clark shoots it that way— but there are certainly worse movies to watch twelve times in a row while present-wrapping.
Within the Christmas genre, there’s that subgenre of the home-for-the-holidays film, where a dysfunctional, often estranged family are reunited for Thanksgiving or Christmas, with secrets pouring out and bittersweet laughs and tears following. It’s normally done poorly —think “The Family Stone” or that Coopers film that’s in theaters at the moment— but Arnaud Desplechin knocked it out of the park with his tremendous “A Christmas Tale.” Giving a very Gallic spin to the set-up (we have semi-open marriages, discussions of Nietzsche, you name it), this picture sees the reunion of the Vuillard family when matriarch Junon ( Catherine Deneuve ) is diagnosed with leukaemia, and black sheep Henri ( Mathieu Amalric ) returns for the first time in years. In theory, not that much differentiates this film from its American cousins, but Desplechin’s usually finely-honed sense of drama and comedy and a willingness to go deeper and darker than other similar films make it so much more. There’s a real, absolute sense of the interactions, frustrations and love built into a family, with a phenomenal cast (including Jean-Paul Roussillon, Anne Consigny, Melvil Poupaud and Chiara Mastroianni , among others) and Desplecin’s usual deft tonal command and formal playfulness elevate it into something rich, deeply moving and hugely enjoyable. One of the best films on this list.
There’s something irritably smug about the people who announce, usually unprovoked, that “Die Hard” is their favorite Christmas movie —it’s like people whose favorite Beatle is Ringo, or who never fail to mention how they’re not on Facebook. But that doesn’t change the fact that “Die Hard” is one of the three or four best action movies ever made and an indisputably excellent Christmas film, or at least Christmas-set film. Adapted from Roderick Thorp ’s novel, it’s a lean, perfectly constructed thriller that sees NYPD Detective John McClane ( Bruce Willis ) heading to L.A, where his estranged wife ( Bonnie Bedelia ) is working, to attempt to win her back, only to be caught up when terrorists take over the building where she works. Sure, the film mostly uses Christmas as iconography and backdrop, and yes, the film wasn’t released during the season (it opened in July of that year), but the film works in part because of the backbone of reuniting an estranged family, and what’s more Christmas-y than that? Of course, it also works because of the terrific performances by Willis, Alan Rickman and others, the immaculate direction by John McTiernan, the terrific script, and more. But also: Christmas.
Nearly all of Will Ferrell ’s characters seem possessed by a sort of indefinable mania. Sometimes it’s is hidden beneath a fairly normal veneer (“ Old School ”, “ The Other Guys ”), and other times it is not (“ Step Brothers ”). In Jon Favreau ’s charming yuletide yarn “Elf,” Ferrell dials down the vulgarity and aggression that his dunderheaded comic characters often exudes and turns in one of his most earnest, poignant performances to date. The film isn’t exactly substantial —even at its best, it’s light as a cream puff— but as an example of its genre, it’s got heart and laughs to spare. The plot of the film involves Ferrell as one of Santa’s elves who grows up and travels to New Yawk to find his biological father (who turns out to be James Caan ) and his apparently never-ending quest to spread Christmas cheer, even where it is clearly not wanted. The film reflects Buddy’s restlessly optimistic tone, making it a decidedly old-fashioned and satisfying holiday entertainment (the stop-motion animation that’s heavily present early in the film fondly recalls Rankin Bass’ s animated special “ Rudolph the Red-Nosed Reindeer ”). A winning mix of traditional holiday farce and a typically irreverent Ferrell vehicle (check pre-“ Game of Thrones ” Peter Dinklage ’s cameo as an explosive, insecure writer of children’s books) “Elf” holds up probably better than it should —it’s just the right mix of old and new and features one of Ferrell’s most heartrending turns.
This season will see “ Krampus ” try to capture a mix of horror, comedy and festive spirit that’s really only been pulled off once, via Joe Dante ’s glorious “Gremlins.” Like “Die Hard,” released in the summer but set at Christmas, it’s a gorgeously and subversively funny, splattery monster movie with a big heart, but aside from its snowy setting, its greatest contribution to the Christmas canon might be Phoebe Cates ’ dry, darkly hilarious monologue. “The worst thing that ever happened to me was on Christmas. Oh, God. It was so horrible. It was Christmas Eve. I was 9 years old. Me and Mom were decorating the tree, waiting for Dad to come home from work. A couple hours went by. Dad wasn’t home. So Mom called the office. No answer. Christmas Day
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