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UnWrapped Podcast
Empowering Women Behind the Camera: Felicity Jones, Vivica A. Fox, Ashley Park, Javicia Leslie and Cate Shortland
Kim Basinger, Jenny McCarthy and Sharon Stone are just a few of the actresses who posed for the men’s magazine
Matt Hejl | November 27, 2020 @ 4:30 AM
We look back at some of the stars who appeared nude in the late Hugh Hefner's iconic magazine Playboy.
The legendary star appeared nude in the first issue of Hefner's magazine.
The "Charlie's Angels" star made waves with her cover.
Hot off her 1979 R-rated hit "10," Bo Derek appeared the following year -- without the cornrows.
Basinger did her famous Playboy shoot in 1981 but it appeared two years later around the time of her stint as a Bond girl in "Never Say Never Again."
Just as the Material Girl was taking off in her film debut "Desperately Seeking Susan," Playboy published nude pics from 1978 when she was a struggling artist in NYC.
Stone appeared around the time she starred in "Total Recall."
The "Baywatch" star also graced the cover of the magazine's "final" nude issue in 2016.
The model was paid $20,000 to pose for Playboy -- and parlayed that into a lucrative career on TV.
The actress unsuccessfully sued Playboy when it published nude shots from her early days as a model.
The former Bond girl ("The World Is Not Enough") posed just five months after giving birth.
Lindsay Lohan - January/February 2012 
The former child star did a pictorial in 2012 inspired by Marilyn Monroe's shoot for the first issue.
Maher calls out ‘the a–hole division’ on ”Real Time“
Ross A. Lincoln | July 30, 2021 @ 10:13 PM
On the latest episode of “Real Time,” Bill Maher spent some time defending Olympic gymnastics superstar Simone Biles and her decision to withdraw from several Olympic events to protect her mental health.
Specifically, Maher said “the award for lowest, vilest was the conservatives who went after Simone Biles.”
Maher read comments from several right wing critics of Biles, including Charlie Kirk, the Texas deputy Attorney General, “some a–hole I never heard of, who gets quoted by people I have heard of,” Piers Morgan, and a former “Real Time” guest. All of whom either disparaged Biles’ character or called her loyalty to America into question, prompting Maher to collectively refer to them as “the a–hole division.”
“We ran this poor girl, this amazing machine, until she, not permanently, but temporarily was just broken. Can you imagine the anxiety? These armchair quarterbacks sitting there with f—ing crumbs on their shirt, looking at someone who twists and flies in the air and lands on a little strip. Where’s your mental toughness?”
To that, Maher’s round table guest, Democratic representative Rep. Stacey Plaskett (Virgin Islands) said: “My response to that, they can kiss my overworked Black woman ass.”
“I saw an article today from Glamour magazine which really was fascinating to me, talking about what this young woman had been through,” Plaskett continued, referring to this article. “Overcoming the sexual scandal that occurred in gymnastics. Having the kind of pressure on her. Being the best gymnast that has ever been in this field. And she needs the opportunity if she wants to rest.”
The article, Plunkett continued, was “discussing the fact that historically, culturally, black women have never had the opportunity to rest, to say ‘I’ve had enough, I’m tired.’ We helped build this country.”
Maher contended that “I don’t think she wants to rest. We pushed her to the ultimate limit. She sucked it up as long as she could. Can you imagine the anxiety? I mean, how do you even sleep? I know now that when you don’t sleep fully, and I mean fully, you’re at way less capacity.”
Maher’s other panel guest, Joshua Green, added that the whole conservative freakout was predictable. “It’s part of that ecosystem of right wing bating that sparks an angry counter-reaction among liberals,” he said, advancing a theory of politics that was ably described by Amanda Marcotte in her book “Troll Nation.” “Everybody starts screaming and fighting, and trying to cancel each other, and what they’ve done is politicize something that isn’t remotely political.”
”That wasn’t where we left them in season one,“ Josh Pate told TheWrap
Loree Seitz | July 30, 2021 @ 8:57 PM
(Warning: This post contains major spoilers for Season 2 of “Outer Banks.”)
The new season of OBX brings adventure in the Bahamas, new characters and mystery and a steamy romance between Kiara and Pope — despite persistent fans shipping Kiara and JJ.
“We saw some of the feedback from the fans about how everybody was cheering for Kiara and JJ to get together,” OBX co-creator Josh Pate, who co-created the series with brother Jonas Pate and Shannon Burke, told told TheWrap, “But that wasn’t where we left them in season one.”
Although Kiara rejected Pope in the show’s first season, landing him in the friend zone, but their relationship evolves in the second season, leaving any chances of Kiara coupling up with JJ in the dust.
The creators say they embraced “naturalism” to determine the characters’ romantic fates, rather than trying to force anyone into a ship. “Since the genre story is so heightened, we try to go more into naturalism with the romances where it wasn’t too over the top either way,” Josh said.
For Kiara, who struggles with her relationship with her family and solidifies her identity as a Pogue, that meant leaning into the trust she found with Pope at the end of the first season.
“We wanted to play out the hand we were dealt with,” Burke said. “We tried to feel like, what do we think is real between these characters, and move it forward organically where it felt like realistically what would have happened with those characters.”
The creators adopted the same approach to John B. and Sarah’s relationship, especially when Sarah’s grief over her father’s supposed death leads her back to her ex-boyfriend, Topper.
“So early on their story was them getting together,” Josh said, “Once they’re together, we knew we wanted to have a wrinkle back with Topper. We leaned into the complications between that kind of original love triangle.”
“Complications” is an understatement for this relationship. The second season picks up after Sarah’s father, Ward, stole the Pogues’ treasure and tried to kill John B. — not to mention that John B. also suspects Ward of killing his late (or so we think) father.
So when John B. doesn’t seem too fazed by Ward’s supposed death, we get it. But Sarah, who grieves over her tumultuous relationship with her father, finds companionship with Topper, who understands her family’s struggle and has been “relentlessly kind” to her, according to the creators.
“John B. is going after Sarah’s father. She’s professed to be in John B.’s life, of course she’s on his side, but it’s complicated,” Jonas said, “We wanted to show… what that would feel like, to basically have your boyfriend and father at war with each other.”
“Outer Banks” season 2 is now streaming on Netflix.
The ”SNL“ cast member faced backlash after joking about Simone Biles
Loree Seitz | July 30, 2021 @ 6:20 PM
Hours after deactivating his account, Michael Che returned to Instagram on Friday with a post asserting he’d been hacked “again,” which we *think* is probably a joke.
Che deactivated his account earlier in the day after he posted jokes at the expense of gymnast Simone Biles, including one about Larry Nassar, the doctor she accused of sexual abuse, which provoked a significant social media backlash.
Just before deleting his Instagram account, he posted a message saying “Man, I got hacked today, can’t believe they got me. Yall kno [sic] I only do jokes about whites and cops. S’all good now, I changed my password and everything.. anyway, y’all hear about dababy though? thay’s crazy.”
He returned hours later by posting a black image with white letters that said: “Mannnn, yall not gonna believe this s—.. I got hacked again.” And, he captioned the post, “clearly somebody tryna turn us against each other. I dunno why…”
It’s hard to tell — reading something is different than hearing it — but if we had to guess, Che is just kidding about being hacked. But who knows, maybe it was, as several of his followers joked, actually Che’s “Weekend Update” partner Colin Jost screwing with him.
Emmy-nominated editor Jessica Brunetto explains how her previous collaborations with the creators gave her a ”home field advantage“
Jason Clark | July 30, 2021 @ 2:07 PM
An editor’s task of crafting a brand-new comedy is always a daunting one; as they say, timing is everything. (Doing it all within a pandemic is also not a picnic.) But what if you had the luxury of some inside knowledge on the people you would be working with? Jessica Brunetto, celebrating her first Emmy nomination for her work cutting together HBO Max’s sleeper hit “Hacks,” just happened to have worked with at least two of its three creators before she ever took a seat at the editing table.
“I’d been working with [showrunners] Lucia Aniello and Paul W. Downs on the show ‘Time Traveling Bong’ on Comedy Central,” says Brunetto. “And I had also done the pilot of ‘Awkwafina is Nora from Queens‘ with Lucia, and that was basically when this show came along where I got to work with their partner Jen Statsky. It was almost like a home field advantage, and they’re really fun and lovely people so I’m glad it worked out.”
“Hacks” debuted in mid-May 2021, on the later side of Emmy eligibility, and took off like a shot, cementing Jean Smart’s can-do-it-all status as a major actor, and putting a spotlight on its creators and brand-new star Hannah Einbinder, playing an entitled, recently-disgraced younger writer paired with Smart’s skeptical superstar Deborah Vance. Einbinder’s profile rose considerably, a great irony considering she tread the very stand-up boards the show depicts so sharply. Says Brunetto of the duo: “There was a little bit of improv, but they were so excellent at giving us a broad range of performance so we could hone in and build the rhythms, knowing when they should more emotional or more playful with each other.”
“I got my episodes in a lot of small pieces. Especially the pilot, which started shooting in November and I got the final pieces in April when they were finally able to shoot their Las Vegas unit,” says Brunetto. “I think we were in tune with what was happening in every room, and what was working and what needed to be refined. So, it was really a group collaboration to kind of figure out the right tone of the show. I knew early on reading the scripts that it was this group’s best work.”
And some of that trial-and-error aptly mirrors the ups-and-downs of the stand-up act of Smart’s Deborah Vance, a superstar who is still very insistent on having the best act she can, even when she’s earned the right to slum it a bit. “They had a fairly cinematic approach to it at times, which I thought really gave us a lot of freedom,” Brunetto notes. “I think the most literal stuff comes across in Episode 8, where Deborah is essentially dealing with a heckler. So even though I didn’t cut Episode 8, you do start with Deborah on stage getting big laughs in the pilot, which I cut, and then in the same episode you see her bombing in a lot of the sound design, reflecting her internal struggle. It’s told more from the point of view of Deborah on stage.”
Another hallmark of the show’s narrative is the backdrop of Las Vegas, and what it’s like to actually live there versus have a wild weekend. And thankfully, despite pandemic limitations, the team was able to accomplish their tasks. “We were trying to show the opulence and the glamour of it all but also the very dirty underbelly to Vegas,” says Brunetto, noting that their schedule constantly had to be revised and that the Vegas segments were actually filmed much later in the shoot. “Sometimes there were as many as three cameras rolling, and it was also an opportunity for us to constantly be going back through everything to make sure it all felt cohesive and jelling with the rest of the season, as all the episodes were sort of evolving at the same time.”
But the structural issues paid off in the end, and timing proved fortuitous in another quite unexpected way, according to Brunetto. “I was not aware of the network’s master plan, but I believe it worked. Having “Mare of Easttown” and “Hacks” overlap on the air was actually pretty great for us. And I think it really impressed the world with Jean’s range and abilities. Not that they didn’t already know but having that much of her was like candy that you can’t get enough of.”
”Pose“ alum tells TheWrap he’s just glad James wasn’t first
Jennifer Maas | July 30, 2021 @ 1:50 PM
(Warning: This post contains spoilers for Thursday’s episode of “American Horror Stories,” titled “The Naughty List.”)
You better watch out. You better not cry. You better not be a jerk on social media, “American Horror Stories” is telling you why. Because a killer Santa is coming to town on this week’s episode and punishing the members of the stars of fictional digital series “Bro House” for being naughty.
A spin on the slasher genre, the installment, aptly titled “The Naughty List,” follows Wyatt (Charles Melton), Zinn (Nico Greetham), James (Dyllón Burnside) and Barry (Kevin McHale), popular YouTubers who get “canceled” after they post a video of them cheering on a suicide. They spend the better part of the episode trying to make amends (and regain their followers), not by apologizing, but by doing increasingly tone-deaf and cruel stunts on their channel. This culminates in the boys heading to a mall to torment the store’s Santa (played by Danny Trejo) and his elves and telling all the kids he’s not real.
Their punishment ends up being far worse than a lump of coal, as this Santa turns out to be a serial killer who actually impersonates and kills other mall Santas, and decides to murder the boys for their social media sins.
“It was super cool to dive into this episode that really is like a slasher film. It harkens back to watching ‘Scream’ as a kid and those kind of movies, where it’s young people doing stupid stuff and getting drunk and also getting killed,” Burnside told TheWrap.
The “American Horror Story” spinoff star and “Pose” alum said the order and way in which the “Bro House” residents get killed is significant for multiple reasons — the first being that James, the only Black member of the group, is taken out third.
“I think in terms of the order, it’s the sort of running joke — and there’s truth that lives in every joke — that the Black person always dies first,” Burnside said. “I remember getting the script from Ryan [Murphy] and I was like, ‘Oh God, is the Black guy going to die first?’ And of course, he didn’t, which I was pleased by.”
It’s actually Wyatt who first meets his demise at Santa’s hands, literally, when he’s murdered by his neck being snapped all the way around. Then Zinn is killed by Old St. Nick by being wrapped up in Christmas lights and thrown in the pool, dying of electrocution. Not long after, James takes an arrow through the back of the neck, killing him instantly. The last to die is Barry, the team’s behind-the-scenes tech guru, who also gets shot with some arrows and is bleeding to death, but ultimately gets taken out when Santa sends gasoline down the chimney and sets him on fire.
“Out of the guys, James and Barry are the least terrible of the people,” Burnside said with a laugh. “So I think it was intentional that the worst two of the four guys were killed first and sort of had the most brutal deaths. But I don’t know, Barry ended up getting it really bad, too. I think that James was the one that it was sort of quick and easy for him. But I will say, it was really cool for me to read that I was going to get an arrow through the back of the head. I was like, ‘Oh, that’s awesome! How are we going to make that happen?’ I was really excited about that and excited about the prosthetics. Going through the process of getting the prosthetic for the hand and for the neck was super cool. I got like a whole neck/mouth cast.”
While these guys are being murdered by Santa, the jolly old elf is posting the videos of their deaths on the “Bro House” channel, increasing their subscriber count by the second. And before Barry dies, he gets to see the group hit 5 million subscribers: a goal they all had hoped for and only achieved by being murdered on camera. The moral of this story — not literal murder, to be clear — actually sits well with Burnside.
“I think we live in a culture that’s, like, shock culture and doing whatever we can for the likes and to stay on top and to grab the attention,” he said. “Because the media cycle is so short, people are just trying to do what they can to get the impressions, to make some sort of impression. That’s a really dangerous place that our culture is in right now — doing whatever we can for impressions. But I think it’s more important for us to be thinking about, OK, what is the actual impression that we want to make on the world and on people and how we want people to feel?”
He continued: “I think it’s actually great that these guys all are murdered at the end of the day (laughs). Not in the sense that I think people should be murdered for this stuff. But I think that — and hopefully that doesn’t get printed out of context — but metaphorically, I would like to see a death of this culture of mindless posting, of doing whatever we can for shock value and for impressions and for likes. And instead, actually leaving an impression on the world that we can stand behind and that is in alignment with some sort of moral compass.”
Oh, and as for being murdered by Trejo’s Santa, Burnside said he was genuinely afraid.
“It’s funny, but I was really scared to see him in that suit. I was like, ‘OK, he doesn’t have to say a word. I’m terrified.'”
New episodes of “American Horror Stories” launch Thursday on FX on Hulu.
On-site workers have 60 days to comply
Reid Nakamura | July 30, 2021 @ 1:36 PM
Disney will mandate COVID-19 vaccinations for all salaried and non-union hourly U.S. employees moving forward, the company said in a statement Friday.
“At The Walt Disney Company, the safety and well-being of our employees during the pandemic has been and continues to be a top priority,” the statement reads. “Toward that end, and based on the latest recommendations of scientists, health officials and our own medical professionals that the COVID-19 vaccine provides the best protection against severe infection, we are requiring that all salaried and non-union hourly employees in the U.S. working at any of our sites be fully vaccinated.”
The company said on-site employees would have 60 days to become fully vaccinated. Company employees working remotely will have to get vaccinated before returning to on-site work, as will new employees before
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Show Stars Ariadna Topless