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Published: 20:36 BST, 2 June 2014 | Updated: 22:45 BST, 2 June 2014
These are the 'too-short' shorts that caused administrators at a Montreal high school to kick student Lindsey Stocker off campus.
Stocker donned the jean shorts To Beaconsfield high school on the first hot day of the season, and was temporarily suspended when she refused to change.
The grade 11 girl is seen wearing the controversial shorts for the first time, in pictures published by the Montreal Gazette .
'Too short': These are the denim shorts that got Montreal teen Lindsey Stocker suspended from school
Stocker unwittingly started a revolution by refusing to change out of a pair of shorts, when she was told they were not appropriate for school on May 21.
She refused, and instead printed a poster that she plastered over the school, questioning why girls' bodies were the focus of the rules instead of boys' behavior.
During third period on that day, two vice principals entered her classroom and told everyone to stand up so their outfits could be inspected .
'And when they came to me after about two rows of looking they stopped and told me my shorts were too short and I had to change,' Stocker told the National Post .
Get shorty: Lindsey Stocker says she was humiliated in front of her class for wearing a pair of shorts on a hot day
'They continued to tell me would be suspended if I didn't start following the rules. When I told them I didn't understand why I had to change they told me that it doesn't matter - I don't have to understand the rules, I just have to comply by them.'
Stocker felt singled out and humiliated in front of her class, but what concerned her more was a set of rules that focused on girls' bodies rather than boys' behavior.
So instead of complying with the rules, she went and printed up about 20 posters and stuck them up all over the school.
The posters read, 'Don't humiliate her because she's wearing shorts. It's hot outside. Instead of shaming girls for their bodies, teach boys that girls are not sexual objects.'
Statement: Although Stocker's poster only remained up for about 10 minutes before teachers took it down, it had the desired effect
Support: Stocker has had strong support on social media and other girls at her high school are wearing shorts to school in solidarity
The posters were taken down by teachers after about 10 minutes, but they live on in social media.
Stocker also has won the support and admiration of other girls at school.
'Most people are agreeing with her, women shouldn’t have to cover themselves up completely because we shouldn’t be viewed as sexual objects,' student Sierra Drolet told CJAD News .
Lauren Paquay, 15, showed up wearing shorts in support of Stocker. She said the dress code verification - making girls stand up with their arms by their sides to ensure their outfits are fingertip length - is 'humiliating.'
School rules: The school district spokesperson says there are dress rules for both girls and boys
'People are being judged for the way they dress, they have to change because boys look at them. The boys should be the ones who have to learn to treat women better and look at them in a different light,' she told CBC .
The chairperson of the Lester B Pearson School Board told CJAD News that Stocker has been suspended for not following the rules.
'The rules are there to help the children learn and prepare them for their future work places, high school is a job for them, they are there to learn to function in society, so it’s important that the rules be followed,' Susanne Stein Day says.
'Girls and boys have rules on dress codes; it is not a girl, boy thing, that’s not the point.'
'I was in violation for showing my legs,' she says. 'And that, point blank, is a problem for me.'
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Part of the Daily Mail, The Mail on Sunday & Metro Media Group

As mainstream Hollywood lags behind in meaningful explorations of sexuality, these provocative short films embrace the unusual tapestry of human predilections.
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As film festivals pivot to the ever-shifting landscape of distribution and sales, the way we consume independent film is changing more dramatically than anyone could have predicted. Audiences can now experience a wider variety of films online, opening a world of possibilities that will hopefully benefit smaller films. With any luck, the new reality will broaden movie lovers’ horizons enough to include short films , which U.S. audiences can be reluctant to embrace. Most filmmakers begin to craft their voices with shorts, and given the significance of making a strong first impression, the format encourages creative risks. What’s more, younger and emerging filmmakers naturally have a finger on the pulse of more progressive ideas, ensuring a broader range of perspectives.
While mainstream Hollywood struggles to address human sexuality in any meaningful way, these four recently-released short films explore sex and desire with a refreshing playfulness. Whether it’s a feminist genre take on actual bloodlust, or a comedy about an erotic encounter where the two people never touch, these films celebrate the full spectrum of human desire. They’re all available online, though you’ll have to head over to YouTube for the more explicit titles, and each one has its own unique vibe.
Though dealing swimmingly with sexual themes, this daring drama pushes the envelope a bit too far to be considered flat-out sexy. Rather, Australian filmmaker Renée Marie Petropoulos uses sexuality as fertile ground to explore the complex connection between a mother and daughter, and each woman’s complicated relationship to her own sexuality. A quintessential “cool mom” throws a raucous pool party for her wide-eyed teenage daughter, eerily pushing her to flirt with the boys. The older woman saunters in her loose caftan doling out Jello shots, sucking down a cigarette after some boys toss her in the pool with the rest of the teenagers. As her daughter looks on — whether in shame, disgust, or normal teenage angst — an ocean of pain is shared in the glances between the two.
When a cunning teenager steals a dildo and harness from her local sex shop, she suddenly finds herself empowered beyond the imaginations of her small-minded boyfriend. Emboldened by the high of her new toy, she exudes a new confidence in front of her friends, who seem devoted to conventional gender roles. She quickly grows tired of being shut out of the boys’ games, and poses a unique dare to the young men in her circle. But her confidence is rewarded when her macho lover surprises her in exciting ways.
This funky little documentary explores the world of custom-order porn, a niche filmmaking enterprise designed by married couple Dan and Rhiannon Humes. Though they began their career in mainstream porn, the duo soon recognized an opening for user-designed content. Customers approach them with fantasies, whether to explore a specific fetish or to revisit an erotic childhood memory, and the Humes then craft them into bespoke porn. The film shows the coupe lugging camera equipment around their California home, interviewing the performers, and recounting customers and requests that stuck with them. Many of the scenarios are surprisingly moving, like the guy who just wants to see a pretty girl call him “honey” and “love.”
Three films in, and director Mathew Puccini has pretty much covered the gamut of queer experience. With a light touch and a lyrical eye, Puccini’s shorts play like a moving triptych of quietly pivotal moments in the lives of queer men. “The Mess He Made” starred Max Jenkins as a man waiting for the results of an HIV test, and “Lavender” featured Michael Urie as half of a couple who invite a younger third into their longterm relationship. “Dirty” explores the awkwardness of a more universal folly — bottoming for the first time. As always in Puccini’s work, the characters are tender and natural; the images aglow with intimacy.
The most erotic film ever made about a window washer, “Squeegee” follows a delightfully weird tryst between a career woman and the scruffy younger man who washes her office windows. The 10-minute short is almost entirely devoid of dialogue, instead relying on a moody jazz score that wouldn’t be out of place in a noir. Lead actress Amy Rutherford embodies her frisky businesswoman with an empowered girlishness, communicating everything from desperate lust to soulful longing with nothing more than a few subtle looks. The glass that separates the two characters is both a literal safety barrier as well as representative of the often murky disconnect between fantasy and reality. Written and directed by Morgan Krantz, “Squeegee” is an entertaining comedic interlude that has a lot to say about the human condition. You’ll never look at window washers the same way again.
“I find sex to be pretty absurd, and I wanted to show that,” Krantz told Short of the Week , which premiered “Squeegee” in late May. “I’ve also been in relationships with people where we both know there is no practical way to really be together. But when you’re having one of these ‘flings,’ I have found that it can actually be easier to express how wild you are about a person… because you both know that you can never end up together. So that’s the glass between these two characters.”
Lithe and full of longing, a young Italian embraces his provocative drag persona in this short and sensual documentary. Vincenzo is a young queer artist from Naples, Italy who performs cabaret-style drag at La Boum, Milan’s premiere gay club. His soul-searching voiceover narrates visually sumptuous footage of his performances, interspersed with more traditional community scenes of life in Naples. Whether he’s going by Vincenzo, Ambrosia, or Vincenzo D’Ambrosia, the film celebrates his shifting identity as he explains that the very act of naming himself is both confusing and empowering. While he appears confident and beautiful onstage, behind the scenes Ambrosia bounces between concerns about being pretty or feminine enough and feeling like he’s letting down his family every time he puts on a heel. Director Peter Spark expertly crafts this glittery dance between art and artist, allowing the harshness of Ambrosia’s inner monologue to exist side by side in beautiful contrast with his enthralling stage persona.
A young woman anxiously awaits a special visitor in a quaint roadside motel room in this surprising and humorous gore-inflected genre morsel. When her young and lanky massage therapist arrives, he isn’t exactly one for small talk, immediately putting her even more edge. Writer/director Meredith Alloway takes center stage as the eager client; she’s natural and open opposite a deliciously creepy Peter Vack. Following a string of TV roles in shows like “Mozart in the Jungle” and “Homeland,” Vack distinguished himself as a filmmaker with the highly controversial “Assholes,” which premiered at SXSW in 2017, prompting IndieWire’s David Ehrlich to call it “one of the most disgusting movies ever made.” While “Deep Tissue” is more provocative than disgusting, the final reveal is in line with Vack’s own filmmaking philosophy. Keep ’em on their toes, and they’ll eat it right up. You can watch “Deep Tissue” via The Future of Film Is Female.
Quirky and unnervingly erotic, this whimsical stop-motion animation celebrates all kinds of bodies and predilections. The film debuted as part of Sundance Film Festival’s 2018 Midnight Shorts Program, and premiered online as a Vimeo Staff Pick last year. The films spies on different creatures in bed, from lesbian nuns to gender-blending lovers. Animator Michaela Olsen wanted to show “the lives people lead behind closed doors,” and while her intricately crafted figures aren’t all people, each character channels a unique persona even in their brief scenes. “I wanted to play on the idea of seeing every detail of the characters’ worlds and secrets,” Olsen told Vimeo . “They’re opening up their world to you as a viewer and showing you their true selves.”
This Article is related to: Film and tagged Sexuality , Short Films
Under Covers seems interesting because I like stop motion animation.
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