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^ "Festival de Cannes: Traveling Companion" . festival-cannes.com . Retrieved 2009-09-26 .
^ Osterberg, I.; Beumers, B.; et al. (2022). Aleksei Balabanov: 'Brother' . KinoSputnik. Intellect Books Limited. p. 12. ISBN 978-1-78938-485-7 . Retrieved 20 August 2022 .
^ Brother (1997) , retrieved 2021-01-08
^ Народное кино: «Брат 2» и «Война»
^ "Monetochka's new music video about Russia's crime-addled 1990s is modeled on a classic cult film" . Meduza . 2018-08-21. Archived from the original on 2018-08-22 . Retrieved 2020-10-30 .
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Brother ( Russian : Брат , translit. Brat ) is a 1997 Russian neo-noir crime drama film written and directed by Aleksei Balabanov . The film stars Sergei Bodrov Jr. as Danila Bagrov, a young ex-conscript who becomes embroiled with the Saint Petersburg mob through his criminal older brother. It appeared in the Un Certain Regard section at the 1997 Cannes Film Festival . [1]
After its release on VHS in June 1997, Brother unexpectedly became one of the most commercially successful Russian films of the 1990s and quickly rose to cult film status throughout Russia. Due to the film's popularity and fan demand, a sequel, Brother 2 , was released in 2000.
The film begins after the protagonist, Danila Bagrov ( Sergei Bodrov Jr. ) returns to his small home town following his demobilisation from the Russian Army . Even before he reaches home, he ends up in a fight with security guards, when he accidentally walks onto a film set. The local police release him, on the condition that he will find work, and we learn that his late father, once a classmate of the precinct, was a thief in law and died in prison. His mother, not wishing for him to share his father's fate, insists he travels to Saint Petersburg to seek out his successful older brother Viktor, whom his mother is confident will help him make a living.
Danila travels to Saint Petersburg, but his attempts to make contact with Viktor are unsuccessful. Instead, he wanders around the city. He befriends Kat, an energetic drug addict, and "The German" Hoffman, a homeless street vendor whom Danila helps after a thug attempts to extort him.
Unbeknown to their mother, Viktor is an accomplished hitman who goes by the street name "The Tatar" but is growing too independent and is starting to irritate his mob boss, "Roundhead." His latest target is "The Chechen," a Chechen mafia boss who was recently released from prison and now runs a market. Roundhead, who is unhappy with the amount of money that Viktor demanded for the hit, orders his thugs to watch him in secret.
Danila eventually meets up with Viktor. To avoid exposure, Viktor passes his assignment to his brother, gives him money to settle into the city, and then lies to him that the Chechen has been extorting from him, asking Danila to perform the hit. Danila agrees, monitors the Chechen's frequent visits, asks the Hoffman to find him a room in a communal flat in the city centre. With a makeshift silencer and a decoy firecracker he takes him out without being spotted by the latter's security. As Danila makes his exit, Roundhead's thugs spot and chase him. Making his escape, Danila jumps into a freight tram and, despite being wounded, manages to kill one of the pursuing thugs.
The tram driver, a woman named Sveta, helps Danila escape, who recovers and meets up with her. Despite being married to an abusive husband, the two begin an affair. With the money given to him by Viktor after the hit, he begins to enjoy Saint Petersburg, gives his provincial image a makeover, takes Sveta out to a concert of his favourite Nautilus Pompilius , and manages to scare away her husband. At the same time he also meets up with Kat to go to a nightclub, smokes cannabis in an afterparty and sleeps with her afterwards.
Meanwhile, Roundhead is angry about losing one of his men and the fact that Viktor used delegated someone else to carry out the hit, and decides to draw him into a combined raid. Viktor, again suspecting a trap, passes the job to Danila once more. The two thugs raid the apartment, but their main target is away. While they wait, in an apartment on the floor above, a party is taking place with several well-known Russian rock musicians. A young radio director, Stepan mistakes the raided flat for the party flat and is almost killed by the thugs, who take him captive. Vyacheslav Butusov , the lead singer of Nautilus Pompilius, makes the same mistake, but is saved by Danila, who opens the door. Danila, bored of the waiting, follows Butusov to the party above and relaxes in the friendly musical atmosphere. Some time aftewards he comes back downstairs to find the thugs killed their primary target, and are about to do the same with Stepan. Danila prevents this and kills both thugs. The corpses are dragged to the Smolensky Lutheran Cemetery , where the Hoffman helps Danila dispose of the bodies.
Roundhead is furious finding out what happened. Instead of going after Viktor, he decides to track Danila and intercepts Sveta's tram. They later raid her apartment, where his men beat and rape her, and learn his phone number, as well as his address. A henchman nicknamed "Mole" ambushes Danila near his apartment building, but Danila manages to kill Mole. Realising that staying home is unsafe, he travels to Sveta's house and is shocked at her state. He learns that Roundhead was responsible and realises that the only way they could have tracked Sveta was when he returned a phone call from her home telephone to his brother.
At the same time, Roundhead raids Viktor's apartment and forces him to call Danila at gunpoint, urging him to come over. Realising the depth of the situation, Danila goes back to the communal room that he was renting, and buys a shotgun from his landlord, converts it into a sawn off , and replaces the duck-hunting pellets with nailheads. At Viktor's apartment, he takes out Roundhead and two of his henchmen and tells the surviving thug to warn the rest of the gang that he will kill anyone who hurts his brother. In reply, the thug tells him that it was Viktor who turned him in, as Danila already suspected.
Danila forgives his brother, gives him some of the money from Roundhead's suitcase, and then tells him to return home and to work for the militsiya . Danila decides to go to Moscow. He visits Sveta, intending to take her with him, but her husband has returned and is beating her. Seeing Danila, he challenges him to a fight, but Danila fires a shot into his thigh beforehand. Sveta rushes to her husband and begins to treat his wound. Danila urges her to leave with him, but she tells him to get out and never come back. He then meets up with Hoffman, and two converse about the influence of the city on its residents, saying that everyone is weak here, to which the German replies that the city is an evil force that drains the strength from those who enter it. Danila offers him money, but Hoffman declines, saying "What's good for the Russian is death for the German." Before he leaves the city, he finds Kat to say goodbye. She is indifferent to his departure, but he gives her money nonetheless.
The last scene of the film shows Danila walking out of a snow-covered forest. He hitches a ride to Moscow on a passing truck. As he chats with the driver, the final shot is of the winter road stretching far into the wilderness.
The film also features brief appearances from several Russian rock musicians:
The entire filming process took place within 31 days, on a small budget of approximately $10,000. The actors worked for little to no pay and, due to the low budget, wore their own clothes on set throughout most of the film. Some clothing was bought second-hand at flea markets, such as Danila's sweater that he wears throughout most of the film. Most of the film was shot in Saint Petersburg on Vasilyevsky Island ; the first six minutes of the film, set in Danila's hometown of Priozersk, were shot on location, with the scene where Danila walks onto a film set taking place outside the walls of Korela Fortress .
Svetlana Pismichenko learned how to operate a tram for her role as Sveta. During the filming of the scene where Sveta's husband is shot in the leg by Danila, the actor playing him (Vladimir Ermilov) really was wounded in the leg due to an accident with the pyrotechnics. Before the filming of the last scene, where Danila hitchhikes on a truck, the crew realized that none of the actors knew how to operate a truck. Because of this, Sergei Astakhov, the film's camera operator, played a brief role as the truck driver. [ citation needed ]
Brother was selected for screening at a number of Russian and international film festivals, where it won many awards. The festivals include, among others: [2]
The film was released on VHS in June 1997 and premiered on television on 12 December 1997. [ citation needed ]
The film became an instant hit, and raised the fortunes of both Sergey Bodrov and director Aleksei Balabanov. The story's depiction revolves around the problems and attitudes of the 1990s Russia: crime, poverty (in face of the homeless Hoffman), the disaffection of the Russian youth (as with the character Kat), failing families (as with Sveta and her abusive husband) and of course, betrayal and hypocrisy even towards the most closest of relatives (such as Viktor first using Danila as cover, and then turning him over). All this was brought about in the aftermath of the Soviet collapse, which took place only six years prior. Yet, despite such negative connotation amid the social decay, it illustrates that there is still courage and good in the face of Danila, who is portrayed as having an acute sense of right and wrong, and appears to follow some semblance of a moral code . As such it carries a powerful psychological message to the Russian audience that even in such gloomy times there is still hope.
Brother has an approval rating of 100% on review aggregator website Rotten Tomatoes , based on 5 reviews, and an average rating of 7.63/10. [3]
Following the film's success, Balabanov initially planned on making a Brother trilogy: the second instalment was to take place in Moscow and the third in America . During the writing phase, however, he abandoned this idea and combined the second and third parts into a single sequel instead. [4] Brother 2 is notable for having a significantly higher budget, placing more emphasis on action sequences, and being set in Moscow and Chicago .
In the 2018 music video for her song "90", the Russian singer-songwriter Monetochka reenacts scenes from Brother . [5]
$10,000–$20,000 [ citation needed ]
"People on the hill (Люди на холме)"
"Mother of the Gods (Матерь богов)"
"People on the hill (demo) (Люди на холме (демо))"
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Sexy and unsettling, in equal measure.
When it comes to adulthood, there are few things more complicated than sex . (Okay, maybe taxes, but those aren't nearly as enjoyable.) Yes, sex is fun, but it's never just fun. It can also be exciting, delicate, primal, and, on some occasions, downright thrilling. Perhaps that's why auteurs have returned so frequently over the years to films that blend sex and danger (sometimes to the point of horror —but, you know, do you what you're into, with consent).
So we wrangled a list of them together—films that titillate while still resisting straight smut-hood. (Okay there's a little of that.) The best of these films use sex in a nuanced, thought-provoking way. They highlight the vulnerability of sex and the danger of an illicit pairing. They can pique your sexual curiosity, get your heart pumping, and still make you feel like you watched something decent.
So turn the air condition up a bit to keep things comfortable, snuggle up with someone who's down with a touch of dirty, and check out this list of some of the sexiest erotic thrillers ever.
Don't worry about all the controversy surrounding this sexy, suburban thriller, and just experience it for yourself, darling. Directed by Olivia Wilde, the film stars Florence Pugh and Harry Styles as a happy couple in the 1950s who move to a creepy town created just for the mysterious company he works for.
Famous for that roller-coaster scene , Fear stars a young Reese Witherspoon as a teenager who falls in love with a shady guy named David (Mark Wahlberg). Her father doesn't approve, and David becomes increasingly protective of her until he can't take it anymore and breaks into their house.
Beside the fact that it's an excellent film, the sexual tension in The Talented Mr. Ripley is beyond palpable. Starring Jude Law, Gwyneth Paltrow, and Matt Damon, the film follows Tom Ripley—a common man tasked with bringing back a wealthy playboy to the States in the 1950s. He travels to idyllic Italy, but it soon becomes apparent that Ripley is far more menacing than initially perceived, and he'll do anything to either be or have the man he is supposed to be fetching.
You should not fuck with robots. You should not fuck robots. You should not robots, period. Ex Machina is stereotypically A24-level beautiful, but it's equal parts sexy and terrifying as two men, a programmer and a tech company's CEO, come to learn that the invention they've created—a gorgeous robot by the name of Ava—is far more powerful than the two initially believed. Let's just say she's no Alexa.
Desire is a dangerous thing, be it for professional aspirations or personal ones. Black Swan dives deep into the world of ballet, pitting Natalie Portman and Mila Kunis against each other as much as it throws them together. Sensual, intense, and deeply disturbing, the feature from Darren Aronofsky is somehow sexy in a way that is borderline troubling. It will also ensure that you don't pick at your fingernails ever again,
Be prepared to do some reading after you finish this famously complicated and mind-boggling thriller from auteur David Lynch, which skewers Hollywood with its offbeat humor and dark cautionary themes. While Lynch's neo-noir focuses mostly on an aspiring actress (Naomi Watts) playing amateur detective upon her arrival in Los Angeles, the film features a notorious lesbian love scene between Watts and her co-star, Laura Elena Harding.
Not to be confused with the Oscar-winning movie about how everyone in Los Angeles is secretly racist, this Crash is directed by David Cronenberg and based on J. G. Ballard's cult novel. The film stars James Spader, Holly Hunter, Deborah Kara Unger, and Rosanna Arquette as a group of people with a very particular fetish: they get turned on by car crashes.
Richard Gere bared all in this thriller written and directed by iconoclast Paul Schrader. Gere stars as Julian, a suave and sophisticated male escort living in Los Angeles who begins an affair with a wealthy women (played by Lauren Hutton). But when one of his regular clients is murdered, Julian is the prime suspect—and he must prove his innocence while avoiding a similarly deadly fate.
Ang Lee followed up his acclaimed romance Brokeback Mountain with another controversial film: an erotic espionage-themed drama in which a Chinese woman sets out to seduce a Japanese official in an attempt to assassinate him.
Franck is a handsome young man who spends his idle summer days on a lakeside beach that's serves as a popular cruising spot for gay men. He spots another gorgeous man he's like to know, but his affections are complicated when he witnesses the object of his desire drowning another man in the water—which begins a complicated, psychosexual love affair.
A remake of the 1946 noir film (based on James M. Cain's classic novel), this David Mamet-penned adaptation stars Jack Nicholson as a drifter who begins a steamy affair with a woman who runs a roadside diner (Jessica Lange). As their chemistry burns with passion, so does their nefarious plan to murder the woman's husband.
Coinciding with the pop performer's Erotica phase, Body of Evidence stars Madonna as a woman who is charged with the murder of her lover—who died from erotic asphyxiation. Willem Dafoe plays her lawyer, who cannot help but become entangled by her sadomasochistic charms.
Bruce Willis plays a damaged former psychologist who finds himself attracted to a mysterious woman, who fulfills his most erotic desires. While the relationship becomes manipulative, it also becomes dangerous—as the former doctor is stalked by his patient's murderer who will stop at nothing to kill him before he discovers their identity.
Gael Garcia Bernal stars in this complex murder mystery from acclaimed auteur Pedro Almodóvar. A director in Madrid meets a mysterious actress, who turns out to be his childhood best friend (and crush) Enrique. The two begin a psychological journey into their troubled pasts in a twist-filled Spanish noir.
Director David Cronenberg is most interested in making his audience squirm, and there's no better example than this creepy and bizarre thriller in which Jeremy Iron plays a pair of twin gynecologists (yep, you read that right) whose brotherhood is tested in deadly ways when they both fall for the same beguiling woman.
After a young American woman living in Vienna overdoses on pills, a detective investigates to see if the event was a suicide attempt. He soon discovers that she was having an fraught affair with a psychology professor (played by Art Garfunkel)—an affair that sparked a sexual obsession.
Sharon Stone stars as a recently divorced woman who moves into a new swanky apartment in New York. She soon becomes romantically involved with two of her neighbors: a handsome man who's spying on the building's residents, and a novelist who may also be a murderer. Things get sexy, but they don't end well for anyone.
After breaking off her engagement, Allie (Bridget Fonda) is in need of a roommate in her giant Manhattan apartment. She finds Hedy (Jennifer Jason Leigh) through a personals ad and offers her a room. But their comfy relationship turns bizarre when Hedy becomes obsessed with Allie—an obsession that turns deadly.
A serial killer is stalking and murdering gay men in New York City, and Al Pacino's detective must go undercover in the dark underbelly of the S&M scene to find him. William Friedkin's thriller was controversial upon its release, but
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