Sex Scene Games Of Thrones

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Sex Scene Games Of Thrones

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Joe Otterson and Phil Hornshaw | August 28, 2017 @ 9:55 AM

Missy Schwartz | September 3, 2022 @ 6:47 pm


Missy Schwartz | September 3, 2022 @ 5:57 pm


Rosemary Rossi | September 3, 2022 @ 5:48 pm


Missy Schwartz | September 3, 2022 @ 5:30 pm


Jolie Lash | September 3, 2022 @ 4:45 pm


Harper Lambert | September 3, 2022 @ 4:10 pm


Adam Chitwood | September 3, 2022 @ 2:00 pm


Harper Lambert | September 3, 2022 @ 1:30 pm


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TheWrap takes a mostly-clothed, SFW look at some of the steamiest moments from the HBO series across the last seven seasons
There have been plenty of times when characters got down and dirty during the last six seasons of "Game of Thrones," although it hasn't always been pleasant. Here's your fully safe for work look at some of the most memorable sex scenes in the show, including at least one that involved leeches. (Note: Spoilers ahead!)
This scene set the tone for much of the show when the twins were caught committing incest by Bran Stark. From its setting in abandoned broken tower to its ending with attempted murder, the whole thing is pretty gross.
We got introduced to the Imp in memorable fashion during this brothel scene. The lovable sex worker Ros was also a part of the moment, before she went on to bigger and better things in King's Landing.
A key turning point in Daenerys taking control of her situation is when she takes control in bed with Khal Drogo. This scene also marks a turning point in their relationship, from arranged marriage to actual love affair.
Long before he became Reek, Theon snuck the ever-present sex worker Ros into Winterfell for this steamy encounter. The stories that Theon was a pretty great lover were part of what led Ramsay to take his "favorite toy" away from him.
The secret lovers faced some turmoil when they argued over Renly's marriage to Loras' sister, Margaery. But it's clear they care for each other, which makes everything that follows so much harder for Loras to bear.
Stannis & Melisandre: Season 2, Ep. 2
The blood magic the Red Woman, Melisandre, utilizes often has some gross but sexy requirements. The tryst between her and Stannis is necessary to create a ghostly shadow that murders his brother Renly, adding a whole extra level of creepy.
Robb Stark's downfall began when he broke his engagement to the daughter of Walder Frey in favor of Volantis-born nurse, Talisa. The pair's love isn't enough to save them from betrayal at the Red Wedding, unfortunately.
Podrick and various sex workers: Season 3, Ep. 3
Podrick proved to be quite the ladies' man when several sex workers refused to take his money -- apparently because he was so good in bed. Bronn and Tyrion demanded details but whatever tips Pod had, they were revealed offscreen.
The tender moment in the cave, in which Jon Snow breaks his vows to the Night's Watch, shows real feelings between Jon and Ygritte, despite him being a Crow and her being a Wildling. This is the one moment of happiness the two share before their different worlds tear them apart, with tragic consequences.
Theon, Myranda & Violet: Season 3, Ep. 7
In this torturous scene, Myranda, Ramsay Bolton's girlfriend, and a second woman, Violet, come to Theon in the torture chamber. He has just enough time to feel like a person again, and for the scene to get hot, before the horrible truth is revealed about Ramsay's plans for Theon.
Melisandre & Gendry (and leeches): Season 3, Ep. 8
More sexy blood magic times with Melisandre, this time with her seducing the bastard son of Robert Baratheon, Gendry. After the act, she puts leeches on him -- the King's Blood they suck out of Gendry allows Melisandre to see the future. Creepy though that may be, it wasn't a wholly bad deal for Gendry.
Oberyn and Ellaria not only had each other but several other women and men at the same time at Littlefinger's brothel. The Dornish have fewer hangups than the rest of Westeros, that's for sure.
Daenerys took her first lover since Drogo when she slept with sexy sellsword Daario Naharis. The pair had something of a relationship from then on, but Daenerys broke it off when she sailed for Westeros -- and was surprised that doing so didn't really bother her.
Ramsay was creepy enough on his own. But then you add in Myranda, his girlfriend and the daughter of his kennelmaster. Myranda's just as sick as Ramsay when it comes to sadism, and their sexy moment oscillates between pleasure and pain pretty easily.
Missandei & Grey Worm: Season 7, Ep. 2
The tension between Daenerys' former slaves turned trusted advisers has been ramping up for what seems like forever. Finally, Missandei and Grey Worm had their moment together. The Unsullied are famously eunuchs, but Grey Worm and Missandei found ways to be intimate that got around his limitation.
Jon Snow and Daenerys Targaryen, Season 7, Ep. 7
After teasing romance between Jon and Dany all through the season, it finally happened on the boat from Dragonstone to White Harbor. It wasn't the most ridiculous sex scene of the show, but it was one fans have been waiting for throughout Season 7 -- and for fans who predicted this might happen long ago, years .
If you liked this gallery, check out our list of "Game of Thrones" power rankings.
And refresh yourself on important characters who are no more with our gallery of dead supporting characters you've forgotten .
The filmmaker triumphed at the Creative Arts Emmys for his acclaimed three-part Disney+ doc about the Fab Four
Three-time Oscar winner Peter Jackson added to his trophy collection on Saturday, taking home the Emmy for best director of a documentary/nonfiction program for his widely acclaimed Disney+ project, “The Beatles: Get Back.” As a producer of the doc, he also won for Outstanding Documentary or Non-Fiction Series .
Accepting his second award of the night, Jackson recalled how old he was when the footage in the documentary was shot in 1969. “I was an 8-year-old in New Zealand, a Boy Scout wearing short pants. But to be a tiny part of The Beatles’ story was a dream come true for that 8-year-old kid.”
The three-part, nearly eight-hour documentary chronicles The Beatles’ 22-day recording of their “Let It Be” album, which was previously understood to be a dark chapter in the band’s existence. Drawing from nearly 100 hours of footage shot in 1969 on a London soundstage and then at The Beatles’ Apple Corps recording studio, Jackson lovingly restored grainy images and deteriorating audio, creating a vibrant fly-on-the-wall look at the 20th century’s most beloved band as they write and record songs that are now classics.
Unlike “Let It Be,” the film released in 1970 that used much of the same footage but depicted an unhappy band on the brink of breaking up, “Get Back” shows the Fab Four enjoying the creative process and each other’s company — and yes, working through inevitable tensions. The film culminates in the famous London rooftop performance that was The Beatles’ final public show.
Among the film’s biggest fans is none other than Paul McCartney (who is also an executive producer). As Giles Martin — “Get Back” music supervisor and sound mixer (and son of legendary producer and “fifth Beatle” George Martin) — told TheWrap earlier this year, “Paul McCartney wanted to get a drink immediately after seeing it, he was so happy. And I suppose if you do eight hours of something and people still want more, that’s the best compliment you can get.”
Jackson won the directing Emmy for the concluding chapter of the docs-series, “Part 3: Days 17-22.” He shares his Outstanding Documentary or Nonfiction Series triumph with executive producers McCartney, Ringo Starr, Yoko Ono and Olivia Harrison, plus producers Clare Olssen and Jonathan Clyde.
She’s already got plenty of Grammys and an Oscar. Tonight puts her one step closer to joining an elite group of entertainers
Tonight, Adele won the Outstanding Variety Special (Pre-Recorded) Emmy for her CBS special, “One Night Only.” She is now just one little Tony award away from joining the illustrious EGOT club.
EGOT stands for Emmy, Grammy, Oscar and Tony and only 17 people can claim the status, including recent new member Jennifer Hudson, who won a Tony for producing the musical “A Strange Loop” in June. Adele has collected multiple Grammys over the years and in 2013, she won the Oscar for Best Original Song for “Skyfall.”
“One Night Only,” a concert filmed at L.A.’s Griffith Observatory, marked Adele’s first live performance in six years. She debuted tracks from her latest album, “30,” and sang many of her biggest hits, from “Rolling in the Deep” to “Someone Like You.” In the middle of the show, she helped a fan pull of a surprise marriage proposal, quipping “Thank god she said yes!”
The pre-recorded concert aired Nov. 14, 2021, and was followed by an interview with Oprah Winfrey, which drew 9.9 million viewers, enough to become the most-watched special since the Oscars.
In addition to Outstanding Variety Special, “One Night Only” won Outstanding Lighting Design/Lighting Direction for a Variety Special, Outstanding Sound Mixing for a Variety Series or Special and Outstanding Technical Direction/Camerawork for a Special. It is also nominated for Outstanding Directing in the variety/special category.
“It’s more than just threats,” Cross said. “Their rhetoric has already led to actual violence, and there is likely more to come”
MSNBC’s Tiffany Cross is taking the rhetoric coming from many Americans that the country is on the “brink” of civil war very seriously, saying that it feels like “one has already begun.”
On Sunday’s “The Cross Connection,” the MSNBC host was joined by author Barbara F. Walter and Columbia journalism dean Jelani Cobb in a segment called “Democracy in Danger” to ask the question, has America already slipped into a civil war?
“These days, it feels like we are not just at the brink of a civil war, but that one has already begun,” Cross said, kicking off the discussion, illustrating her point by showing clips of Sen. Lindsey Graham predicting “ riots in the street ” if Donald Trump is prosecuted for” mishandling classified information.” The South Carolina Republican’s comment landed with such force that President Biden mentioned it in his “ soul of the nation” address Thursday night.
Cross followed up that clip with one of former Trump chief strategist Steve Bannon saying that the FBI had become “the Gestapo,” citing a Vox article that said MAGA was a threat to “the American state.”
“They didn’t say the country, they didn’t say America as a nation, they didn’t say the American people. The American state,” Bannon said. “They are absolutely correct. You said the quiet part out loud. We are a threat to the American state.”
Trump supporters and MAGA are “already speaking the language of violence” all for Donald Trump, Cross said.
“They’re threatening the FBI, the DOJ, the state itself. And this is all as they defend their dear leader,” Cross said. “Now, it’s more than just threats, though. Their rhetoric has already led to actual violence, and there is likely more to come. And I don’t need to remind you how the MAGA mob sacked the Capitol on Jan. 6 in an effort to overturn the 2020 election.”
Some of these people are now candidates for office, Cross noted, people who are “looking to run our elections and, quite frankly, our government. And for those insurrectionists being prosecuted, discount Don, is, quote, financially supporting some of them and offering to pardon the lot if he’s reelected in 2024.”
Cross concluded, “More than 40% of Americans think a civil war is likely in the next decade. That’s a big number. Is this where history will say it began?”
The late actor won for voicing a new version of his most famous character, King T’Challa of ”Black Panther“
The late Chadwick Boseman won Outstanding Character Voice-Over Performance at the Creative Arts Emmys on Saturday for playing T’Challa one last time in the Disney+ animated series “What If…?”
In his final performance before his death from colon cancer in 2020, Boseman put a new spin on his “Black Panther” character, playing him as Star Lord T’Challa.
Boseman was one of three actors to earn posthumous Emmy nominations this year, alongside Norm MacDonald and Jessica Walter, who was nominated for “Archer” in the same category as Boseman and is the only performer to earn two post-death Emmy nods (she was nominated for “Archer” last year after passing away).
“When I learned that Chadwick had been nominated for this award, I started thinking about everything that was going on when he was recording it, what was going on in the world and what was going on in our world and being in such awe of his commitment and his dedication,” Boseman’s widow Taylor Simone Ledward said while accepting the award. “What a beautifully-aligned moment it really is, that one of the last things he would work on would not only be revisiting a character that was so important to him in his career and to the world, but also that it would be an exploration of something new, diving into a new potential future.”
“Particularly with everything he said about purpose and finding the reason that you are here on the planet at this very time and how you can’t understand your purpose unless you’re willing to ask, ‘What if?’ Unless you’re willing to say, ‘What if the universe is conspiring in my favor? What if it’s me?’ So thank you,” Ledward said.
Twenty-six actors have been nominated for posthumous Emmys and five have won: Boseman, Alice Pearce (comedy supporting actress, “Bewitched,” 1966); David Burns (supporting actor in TV movie, “The Price,” 1971), Diana Hyland (supporting actress in TV movie, “The Boy in the Plastic Bubble,” 1977) and Raul Julia (lead actor in a TV movie, “The Burning Season,” 1995).
(Marion Lorne, for “Bewitched;” Ingrid Bergman, for “A Woman Called Golda”; and Audrey Hepburn, for “Gardens of the World With Audrey Hepburn,” also won Emmys after they died, but were alive when nominated.)
Competition in Outstanding Character Voice-Over Performance was stiff this year: In addition to Walter, Boseman beat Julie Andrews (“Bridgerton”), F. Murray Abraham (“Moon Knight”), Stanley Tucci (“Central Park”), Jeffrey Wright (“What If…?”) and Maya Rudolph (“Big Mouth”), who won here in 2021 and 2020.
Boseman was also nominated for a posthumous Best Actor Oscar in 2021 for “Ma Rainey’s Black Bottom.” He lost to Anthony Hopkins in “The Father.”
The awards are taking place on Saturday and Sunday in Los Angeles
"The Beatles: Get Back"; "Adele: One Night Only" (Hulu/Paramount)
Emmy voters have thrown their love behind music projects including “The Beatles: Get Back,” which has picked up five Emmys, and “Adele: One Night Only,” which has won four, at Saturday’s portion of the two-night Creative Arts Emmys.
In the reality TV world, “Love on the Spectrum U.S.,” the Netflix series that follows people on autism spectrum as they navigate the world of dating and relationships, has managed to snag three Emmys, including ones for casting, picture editing and unstructured reality program. RuPaul Charles has won his seventh Emmy — in a row — for hosting “RuPaul’s Drag Race.”
The 2022 Creative Arts Emmys, which are taking place at the Microsoft Theater in Downtown, Los Angeles (where it’s a scorching 105 degrees outside), honor outstanding artistic and technical achievement in various television program genres, guest performances and exceptional work in the animation, reality and documentary categories. 
It’s a two-night show affair this year, following the template set by 2021. The year prior, however, was spread out across five ceremonies/nights to honor the below-the-line workers in Hollywood.
TheWrap will be updating this list as the winners are announced throughout the night.
For those who want to watch this year’s Creative Arts Emmys, they’ll have to wait until next weekend. An edited version of the two shows will air Sept. 10 at 8 p.m. ET/PT on FXX. The 74th annual Primetime Emmys air the following night at 8 p.m. ET/5 p.m. PT on NBC. It will also stream live for the first time on Peacock.
Check out the complete list of 2022 Creative Arts Emmys winners below.
Outstanding Casting for a Reality Program : “Love on the Spectrum U.S.”
Outstanding Character Voice-Over Performance : Chadwick Boseman
Outstanding Choreography for Variety or Reality Programming : “Savage X Fenty Show Vol. 3”
Outstanding Cinematography for a Nonfiction Program : “100 Foot Wave”
Outstanding Cinematography for a Reality Program : “Life Below Zero”
Outstanding Commercial : “Teenage Dream”, Sandy Hook Promise
Outstanding Costumes for Variety, Nonfiction or Reality Programming : The team from “We’re Here”
Outstanding Directing for a Documentary/Nonfiction Program : Peter Jackson, “The Beatles: Get Back”
Outstanding Directing for a Reality Program : Nneka Onuorah, “Lizzo’s Watch Out for the Big Grrrls”
Outstanding Directing for a Variety Series : Bridget Stokes, “A Black Lady Sketch Show”
Outstanding Directing for a Variety Special
Outstanding Documentary or Nonfiction Series : “The Beatles: Get Back”
Outstanding Documentary or Nonfiction Special : “George Carlin’s American Dream”
Outstanding Exceptional Merit in Documentary Filmmaking : The team from “When Claude Got Shot”
Outstanding Hairstyling for a Variety, Nonfiction or Reality Program : “Annie Live”
Outstanding Host for a Reality or Competition Program : RuPaul Charles of “RuPaul’s Drag Race”
Outstanding Hosted Nonfiction Series or Special : Stanley Tucci, “Stanley Tucci: Searching for Italy”
Outstanding Individual Achievement in Animation : “Arcane,” “The Boy Savior”; “Arcane,” “Happy Progress Day”; “Arcane,” “When These Walls Come Tumbling Down”; “The Boys Presents Diabolical”; “The House”; “Love, Death and Robots,” “Jibaro”
Outstanding Lighting Design/Lighting Direction for a Variety Series : “The Voice”
Outstanding Lighting Design/Lighting Direction for a Variety Special : “Adele: One Night Only”
Outstanding Makeup for a Variety, Nonfiction or Reality Program : “Legendary” and “We’re Here”
Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score) : David Schwartz, Composer, “Lucy and Desi”
Outstanding Music Direction : Adam Blackstone, “The Pepsi Super Bowl Halftime Show”
Outstanding Narrator : Barack Obama, “Our Great National Parks”
Outstanding Picture Editing for a Nonfiction Program : “The Beatles: Get Back”
Outstanding Picture Editing for a Structured Reality or Competition Program : “Lizzo’s Watch Out for the Big Grrrls”
Outstanding Picture Editing for an Unstructured Reality Program : “Love on the Spectrum U.S.”
Outstanding Picture Editing for Variety Programming : The team from “A Black Lady Sketch Show”
Outstanding Production Design for a Variety Special : “The Pepsi Super Bowl Halftime Show”
Outstanding Production Design for a Variety, Reality or Competition Series : “RuPaul’s Drag R
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Je Me Branle Devant Ma Soeur
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