Sex Kino New 2022

Sex Kino New 2022
2021 was a great year for queer movies, but as always, we’re hoping next year will be even better.
This year saw great performances in non-queer movies by queer performers like Lady Gaga in House of Gucci and Kristen Stewart in Spencer , as well as some great queer films, including Benedetta , Flee , the Fear Street trilogy, Ride or Die , and My Name is Pauli Murray . And next year is going to be even gayer.
From the first major studio gay rom-com, to queer-inclusive horror, to Harry Styles playing a queer cop, the next year will have a ton of great LGBTQ+ content on the big screen. Here are 11 queer films coming out next year we can’t wait to see.
Billy Eichner wrote and starred in this gay rom-com with an all LGBTQ+ principal cast, including Bowen Yang, Ts Madison, Guillermo Diaz, and Luke Macfarlane as Eichner’s love interest. The movie, which is being called the first gay romantic comedy by a major studio, just wrapped filming and is scheduled to hit theaters August 22, 2022.
Alexandra Grey and Trace Lysette are starring in this indie romantic thriller set in San Francisco’s famed Tenderloin, the world’s first legally recognized transgender district. With a cast that includes RuPaul’s Drag Race winner Kylie Sonique Love and Krystal Thomas, the movie is hoping to get strong awards attention for it’s acting, directing and writing.
Inspired by Pride and Prejudice , and written by and starring Joel Kim Booster, Fire Island follows two best friends (Booster and Bowen Yang) as they embark on a weekend vacation to Fire Island along with a group of eclectic friends and a lot of rosé.
Spyglass and Hulu’s new version of Hellraiser stars trans actress Jamie Clayton as the iconic demon Pinhead. Principal photography for the film has already been shot, so get ready for this horror film to come soon!
Queer actresses Auli’i Cravalho and Rowan Blanchard star as two high school girls who fall in love in this upcoming Hulu coming-of-age film. The stars are currently garnering some attention, as Cravalho recently posted a video on TikTok calling her co-star Blanchard biphobic .
Billy Porter’s directorial debut stars Eva Reign as a high school trans girl who is asked out after the boy who has a crush on her gets some advice online. It’s based on a wonderfully sweet real-life reddit post, so we can’t wait to see how cute this high school romance is.
Jasmin Savoy-Brown plays a new queer character named Mindy in the latest Scream film, which sees original Scream writer Kevin Williamson returning to the franchise as an executive producer. Scream comes out January 14, 2022.
Premiering at Sundance , and directed by wife team Tig Notaro and Stephanie Allynne, Am I Ok? tells the story of best friends Jane and Lucy, when one of them gets a promotion to move to London and the other comes out as gay. The film stars Dakota Johnson and Sonoya Mizuno.
Another Sundance premiere, Framing Agnes features Zackary Drucker, Angelica Ross, Jen Richards, Silas Howard, Max Wolf Valerio, and Stephen Ira in director Chase Joynt’s look at one trans woman who participated in a gender health research study at UCLA in the 1960s. The film blends fiction and nonfiction together to bring a new look at an important part of trans history.
Keiynan Lionsdale and Dylan Sprouse will star in this romantic comedy from Lionsgate and BuzzFeed. It follows “a young man in a tricky situation, who follows the advice of his unconventional best friend and uses social media to create a fake boyfriend to keep his awful ex-lover out of his life” but then meets the person he thinks might be the real love of his life. The movie is supposed to be out in time for Pride 2022.
Harry Styles stars as a bi policeman named Tom Burgess who marries a woman played by Emma Corrin after falling in love with a man in a time when same-sex relationships were still illegal. The film then catches up with the married couple a few decades later when Tom’s former lover re-enters their life.

The days of big-bucket-of-popcorn multiplex-going still exist, but they are no longer the primary option for enjoying massive blockbusters or high-brow hits — and everything in between.
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“Neptune Frost,” “Happening,” “Elvis,” “Cha Cha Real Smooth,” “Nope,” and “Watcher”
Ah, summer at the movies. While the movie-going experience has shifted dramatically over the past couple of years — the days of big-bucket-of-popcorn multiplex-going still exist, but they are no longer the primary option for enjoying massive blockbusters or high-brow hits and everything in between — the thrill of a season spent soaking up a wide variety of new films has not abated. The coming months feature the kind of fare long associated with the summer season, from a brand-new Marvel joint to a long-awaited “Top Gun” sequel, the latest entry into the “Jurassic World” franchise and even a new Pixar outing, but there’s even more to find among the bombastic and just plain big titles.
We’re talking about new films from Jordan Peele, Baz Luhrmann, Claire Denis, Alex Garland, Jeremiah Zagar, Peter Strickland, and Quinn Shephard, and that’s just the start. There are festival hits in the mix, too, like Venice winner “Happening,” Sundance crowd-pleasers “Cha Cha Real Smooth” and “Good Luck to You, Leo Grande,” and gems like “Poser” and “Neptune Frost.” Comedy isn’t in short supply, thanks to films like “Fire Island” and “Official Competition,” but thrills and chills are also on offer, with “Men,” “The Black Phone,” “Watcher,” “Resurrection,” and more arriving soon.
This list only includes films that have confirmed release dates from May through August, though a few of IndieWire’s most-anticipated 2022 films have yet to announce their release plans. As spring and summer festivals begin in earnest, we expect a fresh round of new films to be excited about that just might sneak in their own summer release plans after bowing across the circuit.
That means that everything remains in flux, and as plans continue to change, this list will be updated. Whether that includes changing release dates, the method of a film’s release, or adding in some of those anticipated titles that lock in an official date in 2022, this preview remains particularly fluid. For now, however, these are the films we are most excited to see in the coming months.
We’re also thrilled to provide some exclusive new looks at some of our picks, including new stills from “Emergency,” “Good Luck to You, Leo Grande,” “Fire Island,” “Not Okay,” “Flux Gourmet,” “Happening,” “Official Competition,” “Resurrection,” and “Neptune Frost,” plus exclusive clips from “Watcher” and “Brian and Charles,” which you can check out below.
Eric Kohn, David Ehrlich, Jude Dry, Ryan Lattanzio, Samantha Bergeson, and Christian Zilko contributed to this article.
To term French filmmaker Audrey Diwan’s abortion drama “Happening” as being “highly anticipated” is an understatement. The film won the Golden Lion at the 2021 Venice Film Festival, before Diwan landed a nomination for Best Director at the BAFTAs and multiple César Award nods including Best Director, Best Adapted Screenplay, and Best Female Newcomer. But “Happening” hasnt’t happened yet in theaters, and thanks to IFC Films, the feature is finally landing stateside.
Based on a 2000 memoir by Annie Ernaux, “Happening” is set in 1963 France where college student Anne (Anamaria Vartolomei) unexpectedly discovered she’s pregnant. As Anne grapples with the range of emotions and debates as where, how, and if she can terminate her pregnancy, “Happening” takes a docudrama-like approach to showcasing her plight. Much like Eliza Hittman’s festival favorite “Never Rarely Sometimes Always,” Diwan’s “Happening” feels like “just one woman’s true story” told honestly on-screen, as IndieWire’s review out of Sundance, where the film also screened, noted. The bold decision to share a truth without stigma or agenda is what makes “Happening” feel like it’s happening for this current moment. —SB
“Doctor Strange in the Multiverse of Madness”
After the massive success of “Spider-Man: No Way Home,” Marvel is doubling down on multiverse fun with its second Doctor Strange movie. And if the trailers are to be believed, this one will get very, very weird. “Doctor Strange in the Multiverse of Madness” picks up where “No Way Home” left off, following Benedict Cumberbatch’s Master of the Mystic Arts as he tries to deal with the rift he created in the universe that led to different worlds overlapping. He’ll travel directly into the Multiverse to battle what may be his most powerful adversary yet: an alternate version of himself. Following Tobey Maguire’s return to the Marvel world last year, the studio continues to find inspiration in the original “Spider-Man” trilogy, bringing in Sam Raimi to direct the film. In addition to Cumberbatch, the cast includes returning stars Elizabeth Olsen as Scarlet Witch, Rachel McAdams as Dr. Christine Palmer, and Chiwetel Ejiofor as Karl Mordo.
All signs point to “Doctor Strange in the Multiverse of Madness” being one of the biggest cultural phenomenons of the summer. The trailer promises a feast for the senses, with the film continuing to push the boundaries of reality as it brings more of the fantasy and horror elements of the Marvel comics into the film fold. And Kevin Feige recently referred to Cumberbatch’s Doctor Strange as “the anchor of the Marvel Cinematic Universe,” suggesting that this will be a foundational film in Phase 4 of the franchise. Also, it’s 2022 and Bruce Campbell has a cameo in a Sam Raimi movie, which we should all be able to agree is good news. —CZ
Director Ninja Thyberg eviscerates the Los Angeles adult industry in this cooly detached but ballsy porn drama, which was initially scooped up by A24 out of Sundance 2021. But the distributor parted ways with the film over its theatrical cut, with Neon now making moves to release the movie uncensored to U.S. audiences.
The film follows a 20-year-old woman named Linnéa (newcomer Sofia Kappel), who arrives from Sweden to Los Angeles. It’s in the glittering land of Hollywood that she assumes the identity of Bella Cherry, hoping to become an international adult movie star, but that path to fame comes with a slew of compromises and anguishes. As Bella starts to rise up in the industry, the stakes, too, are raised, and some of her shoots become increasingly harrowing, and friends and lines of trust get blurred in the process. — RL
Men! Flawed gender, fantastically ominous film title. Little is known about Alex Garland’s small-scale pandemic movie about a grieving widow (Jessie Buckley) who goes on a solo holiday to the English countryside, but the creepy-as-hell trailer that A24 released last month — in which Rory Kinnear seems to be playing all of the men our poor heroine meets during her stay — suggests that she probably isn’t searching for solace in the right place.
Garland has flirted with horror in all of his previous work as a director (“Ex Machina,” “Annihilation,” and the miniseries “Devs”), but we can’t wait to find out what happens when he fully commits to the genre. The promise of a lead performance from the always-spectacular Buckley and a new score from Ben Salisbury and Geoff Barrow (high lords of sonic discomfort) is itself enough to make “Men” one of the must-see movies of the summer. —DE
Quantrell Colbert/© 2021 Amazon, exclusive to IndieWire
Carey Williams’ engaging satire follows a pair of Black college roommates (RJ Cyler and Donald Elise Watkins) who come home on the verge of party plans to find a white student passed out in their dorm. Worried about the optics of calling 911 and all the understandable fears of racially-charged consequences that entails, the pair decide to try and return the woman to wherever she came from.
The result is a zany and socially-conscious romp that finds the pair’s relationship reaching a breaking point as they consider their very different plans for the future (medical school and weed, respectively). Think “Superbad” with a polemical edge: The movie builds toward an applause-worthy moment that provides the ultimate repudiation of half-baked white guilt. Based on a short film that led to KD Davila’s Blacklist screenplay, “Emergency” is both catharsis from and a necessary engine for the frustrations of America’s fractured race relations in the 21st century. —EK
Two years after its original release date, the long-awaited new chapter in the saga of American cinema’s most iconic fighter pilot is finally here. Though it was released 36 years ago, “Top Gun” left open an ideal portal for a sequel: Tom Cruise’s Maverick decides to parlay his heroic stature into a teaching gig. Years later, he’s brought back to instruct some plucky new Top Gun hopefuls under the auspices of his old pal Tom “Iceman” Kasinsky (Val Kilmer, whose limited speaking ability these days leaves open the question of what a cameo might look like).
After Indiana Jones had to coach the next generation, this has become de rigeur for long-awaited sequels to ’80s franchises, and Maverick’s tasked with managing the rambunctious young pilot (Miles Teller) who happens to be the son of Maverick’s late pal Goose (RIP). The rest of the cast includes an assemblage of other familiar faces, from Ed Harris to Jon Hamm, but everyone’s really here for the daring flight sequences (especially Cruise, the daredevil who gets into the pilot seat for his own scenes). On that front, Joseph Kosinski appears to have delivered, and “Top Gun: Maverick” may be just the familiar ticket to welcome audiences back to movie theaters this summer. —EK
Lennon looks the part: teal-tinted hair, cool tattoos, a punky sartorial sense, big headphones. As she sulks around the edges of a gallery opening on the arty side of Columbus, Ohio, she seems to fit in, until you notice… Why isn’t Lennon talking to anyone else? How come no one has said hello to her? And why is she recording the incredibly basic party chatter around her instead of actually partaking in it?
Cut to a title card that, amusingly and painfully, lets us in on the surface truth of Lennon’s existence: The film is called “Poser,” and that is exactly what Lennon (Sylvie Mix, outrageously good in her first starring role) is. While the elevator pitch of Ori Segev and Noah Dixon’s prickly feature directorial debut is simple enough — it’s “Single White Female” set in the vibrant Columbus indie scene, with a generous dash of podcast humor — the film’s fascinating setting and a pair of breakout lead performances set it a cut above other films like it. Spiky, funny, feverish, and more than a little nail-biting, “Poser” is an auspicious debut and proof that this seemingly well-tapped sub-genre isn’t done chilling audiences just yet. —KE
Kino Lorber, exclusive to IndieWire
The experimental Afrofuturist musical from multi-disciplinary artists Saul Williams and Anisia Uzeyman defies categorization, which is what makes it so exciting — and confounding. Part contemporary operetta, part anarchist sci-fi saga, the dreamlike tale follows a gender-shifting soothsayer and an off-the-grid hacker enclave as they dodge the ravages of a senseless resource war.
Filmed in the beautiful hills of Burundi, the visual impact of the fantastical tale is marked by sculptural sets and whimsical costumes that turn upcycled trash into glistening treasure before our eyes. The music is hypnotic and thrumming, a blend of invigorating protest songs and mournful ballads. The film is the latest iteration of a multifaceted project called “MartyrLoserKing,” which includes three albums and a graphic novel, and is bursting with enough life and ingenuity to fill a solo exhibition. —JD
The long-awaited gay vacation bonanza from writer Joel Kim Booster heralds the mainstream arrival of the queer comedy boom, with Kim Booster also starring alongside fellow comedian on the rise, Bowen Yang. A fixture in the highly influential gay stand-up scene, Kim Booster has appeared in beloved comedies like “Search Party,” “The Other Two,” and “Shrill.” After years defining New York’s indie comedy world as co-host of the beloved “Las Culturistas” podcast (with Matt Rogers), “Saturday Night Live” star Yang shot to international fame almost immediately after he first appeared as the bitchy iceberg who sank The Titanic.
The film stars the pair as two best friends on a group trip to New York’s bustling gay beach destination Fire Island, and is said to be a contemporary riff on “Pride and Prejudice.” With “Spa Night” and “Driveways” filmmaker Andrew Ahn directing the feature, “Fire Island” will mark an exciting (and long overdue) turning point for not only some of our most skilled queer comedians, but Asian American ones as well. —JD
Between Alex Garland’s “Men” and Chloe Okuno’s debut feature “Watcher,” is 2022 the summer of the gaslighting thriller? This one returns “It Follows” breakout Maika Monroe to her rightful place as a horror-movie scream queen, here starring as lonely wife Julie, who joins her new husband (Karl Glusman) on a gloomy relocation to his family’s native Romania. She’s abandoned her acting career, and whatever shreds of hope she had left, to follow him to Bucharest. She often finds herself alone, unoccupied, and despondent amid the anonymous apartment complex that surrounds her.
One night, while people-watching from her window, Julie sees a vague-looking figure watching her across the shaft in an adjacent building. Later, her sense of being followed intensifies, but by whom exactly remains unclear. All the while, a serial killer known as The Spider is stalking the streets, slashing women’s throats to the point of nearly beheading them.
But if that sounds gruesome, it’s not quite the slow-burn effect this movie oozes — and with the added, paranoiac dread of late-’60s and early-’70s thrillers, from “Rosemary’s Baby” to “Klute,” where a woman is constantly shifting to evade the crosshairs of danger. The other obvious reference is, of course, Alfred Hitchcock’s “Rear Window,” here dashed with a bit of De Palma luridness. — RL
There are Adam Sandler movies, and then there are movies that happen to star Adam Sandler — a distinction that was fuzzy enough even before Netflix started distributing them both. “Hustle” will only add to the confusion, as the Sandman’s latest Netflix vehicle is neither a work-for-hire gig like “Uncut Gems” or a “Sandler and his pals goof around on Reed Hastings’ dime programmer” à la “Hubie Halloween,” but rather a seemingly more dramatic feature like “Reign Over Me” and “Funny People,” and the first of his films co-produced by Lebron James.
Helmed by “We the Animals” director Jeremiah Zagar, “Hustle” stars Sandler (bearded, so you know he means business) as a former basketball scout who tries to jump-start his old car
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