Sex Kino Eva
🛑 ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻
Sex Kino Eva
Deliver to
Russian Federation
Don't Change
Change Address
Movies & TV
›
Genre for Featured Categories
›
Drama
Unable to add item to List. Please try again.
Sorry, there was a problem. There was an error retrieving your Wish Lists. Please try again.
Sorry, there was a problem. List unavailable.
4.0 out of 5 stars
37 ratings
Aspect Ratio
:
1.85:1 Is Discontinued By Manufacturer
:
No MPAA rating
:
Unrated (Not Rated) Package Dimensions
:
7.5 x 5.1 x 0.6 inches; 3.2 Ounces Director
:
Joseph Losey Media Format
:
Multiple Formats, NTSC, Widescreen, Black & White Run time
:
1 hour and 47 minutes Release date
:
September 26, 2000 Actors
:
Jeanne Moreau, Stanley Baker, Virna Lisi, Lisa Gastoni, Riccardo Garrone Language
:
Unqualified Studio
:
Kino Video ASIN
:
B00004WMMY Number of discs
:
1
4.0 out of 5 stars
37 ratings
Brief content visible, double tap to read full content.
Full content visible, double tap to read brief content.
Top reviews
Most recent
Top reviews
Marvelous French new wave film. A must see for Jeanne Moreau fans!
I bought the Joseph Losey set because I had good recollections of both The Servant and Accident from the time of their original release. Watching them again revised those recollections sharply downwards. However, having just read a review of Eva which describes the film as Jeanne Moreau's greatest performance, I gave this a viewing. I hold Jeanne Moreau in very high esteem. Alas, I found the film a disappointment. The narrative makes no sense. Time and again, one wonders "Why would this character behave that way?" On some occasions it could be put down to alcohol: on others down to obsession. But too many times, the action just makes no sense. Similarly, the dialogue comes across as excessively enigmatic. Far too frequently, the conversations make no sense. The cinematography is in a rather higher class. The shots of both Rome and Venice are generally inspired, although Losey seems a little too fond of setting the camera overhead. I have no problems with the acting. I found much of the film simply defying credulity, but I put that down to the script, rather than the performances.
This is one for Joseph Losey-Stanley Baker completists. And since their even harder-to-find CRIMINAL is also available on Prime, that and EVA would make a fine double bill for those who enjoy Losey's arch stylizations, which in retrospect work better when paired with equally arch writing. That might explain why this film can't quite compare to Losey's collaborations with Harold Pinter. EVA comes across often as Sixties artiness for artiness' sake. And I can't help but feel Jeanne Moreau is miscast as the bitch goddess of Venice's decadent set. She walks the walk, but when you see Baker's phony writer choose her over the divine Virna Lisi, something doesn't sit right.
The film handles the same theme -obsessive and destructive love- than
The Gypsy And The Gentleman
, a film Joseph Losey directed four years earlier. As it is, the movie is still captivating. Highly recommended.
For anyone who has seen "The Servant" or any other of Joseph Losey's films, Eva is a must-see. Losey is at his most playful while still delving into the "Loseyesque" level of emotion on proud display in the brilliant "The Servant", his most famous. Jeanne Moreau is simply fabulous and an absolute treat to watch--easily the highlight of the film. The other remarkable issue is how frank the sexuality is. Some of the scenes actually play quite shockingly, even though there is minimal nudity and they play off different standards of the day. The disc comes with 2 versions of the film, a theatrical release and a director's cut which is 15 minutes longer. The transfer for the theatrical release is as good as you can hope for. Very nice. The director's cut poses a problem, but not where the DVD is concerned. The only print in existence is one with Swedish subtitles, so it detracts from the film. Most of the film is in English, but there is some important scenes in Italian, so in this version you don't know what the characters are saying. What I recommend is watching the theatrical cut, then skimming through the director's cut to see the differences--apparently, Losey wasn't happy with the theatrical cut at all, so it's nice that Kino at least included both so we get a rare look into the mind of a cinematic genius.
Only die-hard fans of French New Wave need to trouble themselves with this interminable moldy oldie. Made in 1962, this film may have been an interesting look at the underbelly of La Dolce Vita, but it has definitely corked and soured with time. This is a very drippy, wet movie in the worst way; from the canals of Venice, to drizzly Rome with water fountains, to the leading man excusing his infidelity with lines like "that's the way I am, Baby." Cool man, cool. Crazy. Cool. Jeanne Moreau plays the empty souled sex kitten like a second rate Brigitte Bardot. Her acting (at least in this decade) was posey, coy and irritating. Since she was usually playing the kind of woman that men want to slap around, I guess she succeeded in what her Directors wanted. In fairness, it is the work of an actress who was not directed very well, attempting to be interesting in the extended, endless times where there is no dialogue and she has to fill the time. Today's actress would just "be," but you can hear the Director yelling "Do something different." Don't just go to bed, roll on the floor and pull the blanket off the bed! She's trying so very hard to get attention, and she all ready has a camera on her! Contrast her here with one of the all-time classic screen beauties, Virna Lissi, who does a quietly fantastic acting job here as the wronged Fiancee - even her final actions are off screen - so that it becomes very hard to see why Tyvian (Stanley Baker) would look at Moreau twice. Even in small scenes, you can see Lissi evaluating things she does and does not say - inner life. There is a secondary male character who looks so much like Baker as to be a shorter twin and you have some unnecessary visual confusion in this mannered 60s vie boheme. One could assume the confusion, the canals, the endless archwasys are supposed to represent Tyvian's inner life. The main stand out here is the interesting camera angles, which sometimes turn this into a cinematic equivalent of an Escher picture. Too bad the rest of the film is not as interesting as the camera angles. This film makes it obvious why Hollywood picked up Lissi and not Moreau. (Thankfully, Moreau has aged beautifully in many respects.)
4.0 out of 5 stars
Jeanne Moreau in character
I have been looking for a Jeanne Moreau film in a role quite similar to this one. I remember her as a femme fatale, and in the last scenes she put on a sailor's outfit and her facial expression was unforgettable. I hoped this film Eva was the one, but it wasn't. However, this film is very good, although it is close to 60 years old. I liked Eva very much and it is not at all dated after all these years.
3.0 out of 5 stars
"Eve" - Dir. Joseph Losey, with Jeanne Moreau & Stanley Baker
'Eve' [Jeanne Moreau] is a beautiful, cold-hearted, cruel and very strange woman. As the film progresses, we find she is married to someone who appears to spend most of his time away, apparently in Africa at this time. She fills her time doing whatever she feel like doing, taunting men, who fall over themselves to wine and dine her in the best restaurants. If they can afford her expensive tastes, she will spend a weekend with them but whether or not she takes money from them is never spelled out, though she does demand money from the hero but more as a way to humiliate him. She treats them all with the same indifference that drives them to try and possess her. i was surprised that she didn't occasionally get a black eye and a good slapping when she pushed someone too far. Jeanne Moreau plays Eve perfectly with that gloriously pouty bottom lip and a fine line of curiously cruel behaviour. She was at the height of her popularity and is quite lovely at times. We never do find out why she is this way and has no intention of changing. The chief male character is a Welsh author, Tyvian [Stanley Baker], whose first book sold very well and made him a fortune when it was sold to films. He is a moody, weak but intelligent man with a secret. He is something of a womaniser and his girlfriend [Virna Lisi], who becomes his fiancee then his wife, knows his weaknessess but marries him anyway. He drinks too much and puts on 'turns' in bars, talking too much. He is there for the Venice Film Festival with the producer of his book and who thinks he mistreats his fiancee. The producer is in love with her and try though he might to change her mind, she marries the Author, who does love her but who cannot resist Eve. You know right then, it's all going to end in tears and it does. The film is set in Venice and Rome and even though it is in glorious black & white, the settings are great. It was a time of experimentation for photographers and cameramen and you get some flashy shots. The lighting is suitably clever and atmospheric and suited Stanley Baker perfectly. At that time, he was very popular both with Losey and the public. He was the epitome of tall, dark and handsome with that wonderful Welsh lilt in his voice. He usually played strong men both good and bad and this role is a showcase of emotion he rarely got to play. You may not like him and it's not a film you are going to watch every year, but you will remember him. There is a curious cameo role from James Villiers, who will make you smile and wonder what he was doing here. His distinctive manner went on to make him very popular in later years and talent that runs like a racehorse to his son, Christopher. This edition has both the theatrical cut and the director's cut, which is 15 mintes longer. One of the few remaining prints of the film, this has some curious sub-titles but mostly English dialogue. The sound is patchy at best. Music is by Michel Legrand and is edgy and completely forgettable. This film is rather typical of the new wave experimental films that were emerging at that time, remember this is 1962; the 'reality' films and kitchen-sink dramas so beloved of the arty critics, the New Wave films. The French and Italian film were frequently incomprehensible. That said, no collection of Jeanne Moreau or Stanley Baker films is complete without this curiosity.
Film indubbiamente ben fatto , con bei paesaggi invernali di Venezia, a volte intrisi di foschia. Ma pesante! Fortunatamente (o sfortunatamente?) la versione italiana in DVD è assai più corta dell'originale di 135'. Ottima comunque la qualità del DVD.
5.0 out of 5 stars
ottimo film di difficile reperibilità
Il film è arrivato prima del tempo indicato e in perfette condizioni. Lo consiglio a tutti gli amanti dei film di Losey anche se fra questi è il meno compreso. Bellissima Virna Lisi e intensa la recitazione di Moreau. Indimenticabile il fascino di Venezia nella fotografia di Gianni Di Venanzo
Your recently viewed items and featured recommendations
Conditions of Use Privacy Notice Interest-Based Ads © 1996-2022, Amazon.com, Inc. or its affiliates
WELSH WRITER TYVIAN JONES SEEMS TO HAVE IT ALL, SIXTIES STYLE, AN INTERNATIONAL BEST SELLER, AN APARTMENT IN ROME, A GORGEOUS FIANCEE IN VIRNA LISI, BUT HE'S BITTER ANYWAY. HE MEETS HIS EXISTENTIAL MATCH IN ENNUI IN THE MOD SEDUCTRESS EVE, PLAYED BY JEANNE MOREAU, WHO WAS NEVER MORE CYNICAL OR ICONIC.
Elegant and lush, and filmed in Venice, Rome, and rural Italy, Joseph Losey's Eva (released in the U.S. and Britain as Eve ) is a cold, cruel film about crippling insecurity and sexual manipulation. Burly Stanley Baker simmers as a swaggering but self-loathing Welsh author happily indulging in the continental high life, covering up a devastating secret with braggadocio and sneering machismo; Jeanne Moreau has never been icier as the cruel, manipulative, high-rent prostitute Eve who becomes his obsession. They never become more than fascinating enigmas, but they send off sparks in an indulgently fatalistic film that wallows in human weakness and emotional self-destruction. Beautifully filmed and elegantly scored, with Billie Holiday tunes weaving a sad sense of loss through the picture, Eva became a showcase for Losey's arresting visual style and electrifying direction, and the springboard for such later, more restrained masterpieces as The Servant , Accident , and The Go-Between .
The producers recut Losey's final version of the picture by 16 minutes, redubbed it, inserted lines, and changed the music (they "destroyed the rhythm and the comprehensibility of the picture," accuses Losey in an interview). The DVD includes both the release version and the 119-minute director's cut, mastered from the only surviving copy, an English-language Scandinavian print with Swedish and Finnish subtitles. It's frustrating that Kino didn't use the tools of digital technology to marry the two prints, using only the necessary footage from the subtitled version, and instead the director's cut is marred by subtitles throughout. Nonetheless, it's an important preservation of director Joseph Losey's vision. --Sean Axmaker
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Multiple Formats, NTSC, Widescreen, Black & White
James Villiers, Jeanne Moreau, Riccardo Garrone, Giorgio Albertazzi, Stanley Baker, Joseph Losey, Lisa Gastoni, Virna Lisi James Villiers, Jeanne Moreau, Riccardo Garrone, Giorgio Albertazzi, Stanley Baker, Joseph Losey, Lisa Gastoni, Virna Lisi… See more
Copyright © 2022 Apple Inc. All rights reserved.
Comment must not exceed 1000 characters
265
22
Share
Copy Link
More
6,075 plays 6,075
View all comments 9
Reposted 10 months ago 10 months ago
Comment must not exceed 1000 characters
26
6
Share
Copy Link
More
913 plays 913
View all comments 6
Comment must not exceed 1000 characters
230
24
Share
Copy Link
More
4,558 plays 4,558
View all comments 24
Comment must not exceed 1000 characters
163
25
Share
Copy Link
More
3,950 plays 3,950
View all comments 10
whypeopledance
-
PREMIERE: Tilly Electronics - Pepperoni (Sex Kino Remix) [Sex Kino]
Disco Suicide
-
Tiempo De Maldad - L'amour Toxique (Sex Kino Remix) [Skycrew Records]
19
Repost
Share
Copy Link
Add to Next up Add to Next up Add to Next up Added
Comment must not exceed 1000 characters
214
32
Share
Copy Link
More
Nicole Porn Videos
Young Girls 14 16 In Porn
Porn Ru Ebalka