Sex Interview

Sex Interview
A NOTE ABOUT RELEVANT ADVERTISING: We collect information about the content (including ads) you use across this site and use it to make both advertising and content more relevant to you on our network and other sites. Find out more about our policy and your choices, including how to opt-out. Sometimes our articles will try to help you find the right product at the right price. We may receive payment from third parties for publishing this content or when you make a purchase through the links on our sites.
Nationwide News Pty Ltd © 2022. All times AEDT (GMT +11). Powered by WordPress.com VIP
More stories to check out before you go
A journalist who interviewed a man while having sex with him at a swingers’ club has revealed what the wild parties are really like.
A journalist who interviewed a man while having sex with him at a swingers’ club has revealed what the wild parties are really like.
Louise Fischer, from Denmark, visited Swingland in Ishøj, near Copenhagen, earlier this year – to report on the club reopening as Covid-19 restrictions were relaxed.
And the 26-year-old interviewed a male partygoer while they were in the throes of passion.
In the clip, which aired during a morning Radio 4 show in March and was later shared on Twitter , the journalist can be heard moaning as she romps with the man.
Radio 4 captioned it: “Warning: It got hot and wet for both our reporter and the guests.”
The interview, in Danish, hears Louise asking: “What are you seeing right now?” and the man replies he is looking at a gorgeous woman who had not tried a swingers’ club before.
In other sections, people can be heard panting or “arghing” during sex.
While one guests tell Louise they like the parties “because it’s good food and great sex”.
Louise spent several hours chatting to fellow partygoers, but the piece was cut down to a few short minutes for radio.
She also revealed what the party was really like – with guests enjoying a glass of wine at the bar before moving off to a huge bed.
Louise told BT : “It’s a big bed in the middle of a room, they invited me up. They wanted to show me what to do in a swinger club, then they started touching my body.”
She said she hadn’t planned to have sex during the interview, but added: “For me, it’s very natural. It is part of my job to give an insight into a world not everyone has access to.”
She says her getting involved “loosened up the guests” who were initially “reluctant” to be interviewed.
Louise added: “It was cool that I somehow created trust by being a part of their world.”
She insists she wasn’t pressured into having sex by the radio station.
People were stunned by the boldness of the clip, with one listener writing: “It was just an excuse for a bang. It was completely unnecessary.”
Another wrote: “Things only women can do hehe. Had a man had sex on the radio, he would probably have had the whole country against him.”
But Louise told the Copenhagen Post she’s been showered with compliments, calling her “brave”, sending her “respect” and telling her “good journalism” on Instagram and Facebook.
This article originally appeared on The Sun and is reproduced here with permission
The popular personality recently discovered she’s one of only 5 per cent of all women who experience this rare act in the bedroom.
There’s one habit that we’re all guilty of – and it’s killing our sex lives. But there’s an easy solution, says Jana Hocking.
Researchers discovered this secret hack to the female orgasm decades ago, but Nadia Bokody says few men are aware of it.

A NOTE ABOUT RELEVANT ADVERTISING: We collect information about the content (including ads) you use across this site and use it to make both advertising and content more relevant to you on our network and other sites. Find out more about our policy and your choices, including how to opt-out. Sometimes our articles will try to help you find the right product at the right price. We may receive payment from third parties for publishing this content or when you make a purchase through the links on our sites.
Nationwide News Pty Ltd © 2022. All times AEDT (GMT +11). Powered by WordPress.com VIP
More stories to check out before you go
A journalist who interviewed a man while having sex with him at a swingers’ club has revealed what the wild parties are really like.
A journalist who interviewed a man while having sex with him at a swingers’ club has revealed what the wild parties are really like.
Louise Fischer, from Denmark, visited Swingland in Ishøj, near Copenhagen, earlier this year – to report on the club reopening as Covid-19 restrictions were relaxed.
And the 26-year-old interviewed a male partygoer while they were in the throes of passion.
In the clip, which aired during a morning Radio 4 show in March and was later shared on Twitter , the journalist can be heard moaning as she romps with the man.
Radio 4 captioned it: “Warning: It got hot and wet for both our reporter and the guests.”
The interview, in Danish, hears Louise asking: “What are you seeing right now?” and the man replies he is looking at a gorgeous woman who had not tried a swingers’ club before.
In other sections, people can be heard panting or “arghing” during sex.
While one guests tell Louise they like the parties “because it’s good food and great sex”.
Louise spent several hours chatting to fellow partygoers, but the piece was cut down to a few short minutes for radio.
She also revealed what the party was really like – with guests enjoying a glass of wine at the bar before moving off to a huge bed.
Louise told BT : “It’s a big bed in the middle of a room, they invited me up. They wanted to show me what to do in a swinger club, then they started touching my body.”
She said she hadn’t planned to have sex during the interview, but added: “For me, it’s very natural. It is part of my job to give an insight into a world not everyone has access to.”
She says her getting involved “loosened up the guests” who were initially “reluctant” to be interviewed.
Louise added: “It was cool that I somehow created trust by being a part of their world.”
She insists she wasn’t pressured into having sex by the radio station.
People were stunned by the boldness of the clip, with one listener writing: “It was just an excuse for a bang. It was completely unnecessary.”
Another wrote: “Things only women can do hehe. Had a man had sex on the radio, he would probably have had the whole country against him.”
But Louise told the Copenhagen Post she’s been showered with compliments, calling her “brave”, sending her “respect” and telling her “good journalism” on Instagram and Facebook.
This article originally appeared on The Sun and is reproduced here with permission
The popular personality recently discovered she’s one of only 5 per cent of all women who experience this rare act in the bedroom.
There’s one habit that we’re all guilty of – and it’s killing our sex lives. But there’s an easy solution, says Jana Hocking.
Researchers discovered this secret hack to the female orgasm decades ago, but Nadia Bokody says few men are aware of it.

By Zachary Zane Published: Apr 15, 2021
Advertisement - Continue Reading Below
Advertisement - Continue Reading Below
You'll never know what they're into unless you ask.
Whether you’ve been intimate for years or are just beginning the physical component of your budding relationship, it’s probably a good idea to learn what your partner likes sexually. It’s crucial to know their turn-ons, turn-offs, fantasies, and pleasure points. It won’t just make sex better for them, it’ll make sex better for you, too. I can’t be the only one who gets turned on seeing my partner moan ecstatically because they’re loving how I gently kiss their neck.
As every therapist has said since the dawn of mankind, communication is key. So go on and ask your partner some sex questions to get to know them better. Don’t ask questions like “How many guys have you had sex with?” That in no way affects you and can make your partner feel self-conscious or slut-shamed. You want to ask questions that help you better understand your partner’s arousal patterns, kinky thoughts, and mindset before, during, and after sex.
Here’s a list of 52 sex questions to ask your partner to get to know what really turns them on in the bedroom.
( Note : Some of these questions are rather explicit. Be considerate when asking them. Don’t ever force of pressure your partner to respond to anything they don’t feel comfortable answering. Also, start with the tamer questions before asking the more graphic ones.)
Zachary Zane is the author of Boyslut: A Memoir and Manifesto and co-author of Men’s Health Best. Sex. Ever. He writes “Sexplain It,” the sex and relationship advice column at Men’s Health , and is editor-in-chief of the BOYSLUT Zine, which publishes nonfiction erotica from kinksters across the globe. His work has been featured in New York Times, Rolling Stone , Washington Post , Playboy , and more.
The 30 Best Sex Toys You Can Buy on Amazon
I'm Still Hung Up on All My Bad Hookups
Setting Boundaries Can Save Your Relationships
Esther Perel Discusses the Future of Relationships
Experts Share Tips for Dating as a Single Parent
19 Tips for Getting Hard and Staying Hard
My 'Boyfriend' Won’t Admit That He’s My Boyfriend
An A-Z List of Gender Identity Terms
Why 'Parasocial Relationships' Might Be Healthy
I’ve Never Given a BJ and Am Scared I’ll Be Awful
Our product picks are editor-tested, expert-approved. We may earn a commission through links on our site.
©Hearst Magazine Media, Inc. All Rights Reserved.

You will be redirected back to your article in seconds

The director explains to IndieWire how the response to his earlier films inspired "Decision to Leave," a movie that could open him up to new audiences.
Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox

IndieWire is a part of Penske Media Corporation. © 2022 IndieWire Media, LLC. All Rights Reserved.
Powered by WordPress.com VIP

Our Brands

Variety

Deadline

Rolling Stone

WWD

HollywoodLife

Gold Derby

Spy

Robb Report

Footwear News

BGR

IndieWire

Sourcing Journal

TVLine

Fairchild Media

She Knows

Park Chan-wook attends the photocall for “Decision To Leave” at the 2022 Cannes Film Festival
This question may sound radical to anyone familiar with the colorful violence and disturbing sexuality at the center of his work. Start with the “Vengeance Trilogy”: From the multiple suicides in “Sympathy for Mr. Vengeance” (2002) to the one-man army slaughtering a sea of henchmen in’s “Oldboy” (2003) all the way through a husband raping his wife at the dinner table in “Lady Vengeance” (2005), the South Korean auteur has built his own aesthetic out of dark, visceral material that intensifies his protagonists’ powerful desire to take control of their circumstances.
The same impulse reverberates through his bloody vampire drama “Thirst” and the twisted eroticism of “Stoker.” Even his 2006 romantic comedy “I’m a Cyborg, But That’s OK” includes a sequence in which an emaciated hospital patient hallucinates about going on a killing spree in the hospital ward.
Yet here comes “ Decision to Leave ,” a classy, elegant noir about a detective (Park Hae-il) investigating a mysterious widow (Tang Wei) who may or may not have something to do with her husband’s death. IndieWire’s David Ehrlich called it “the most romantic movie of the year” when the movie premiered at Cannes and won the Best Director prize for Park. A few months later, South Korea selected “Decision to Leave” as its official Oscar submission, a first for the director in his 30-year career. Suddenly, a filmmaker whose work inspires fervent fan-worship and repulsion alike has the potential to be embraced by the wider crowd he deserves.
At least, that’s the way Park sees it. “I have always considered that I have been making love stories,” he said through a translator, speaking at the Toronto International Film Festival, where “Decision to Leave” was making its North American premiere. “But I realized at one point that nobody has been saying that about my films. They even laugh when I make that kind of comment and take it as a joke. That got me into thinking about why. My assessment was that perhaps violence and nudity were really just at the forefront of everything. It was just too strong, too graphic. This time around, I really had to subdue these things to show something different.”
That’s not to say that “Decision to Leave” lacks bite. The central narrative has an aura of doom that gradually encompasses it as the pieces pile up, and the inciting death in question replays several times in the detective’s mind, though nothing in the movie rises above the level of PG-13 disturbances. “It’s important for me that teenagers can be able to watch this film,” Park said. “But what’s even more important for me is that the adult audience who refused to watch my films before because they thought they were gross or too gory — if they feel that they are invited to come to the cinema and watch my film, that means a lot to me.”
For years, Park’s work has been lumped in with other Asian “extreme cinema” alongside the likes of “Ring” and “Battle Royale.” Park resented that classification. Once an aspiring art critic, he has long said that his shift to filmmaking came after a screening of “Vertigo,” a movie to which “Decision to Leave” owes a debt. “I just made the films that I was passionate about,” he said. “We don’t need such categorization or sales branding for Asian films to be introduced to more audiences.”
Nevertheless, Park is wary of alienated fans who have invested in his earlier work. At TIFF, he beamed about an encounter with “a Caucasian woman who recognized me and she said she saw my first feature film, which is really rare even for Korean audiences. I was really happy to hear that.”
He hoped that even those diehards would appreciate his intricate storytelling in “Decision to Leave.” In all his movies, Park revels in slow builds and hidden information that informs later scenes. In this case, that process informs the forbidden romance between cop and suspect at the center of the story. “The process of solving the mystery is completely amalgamated with the process of these two protagonists falling in love,” he said. “That was the objective from the very beginning. I didn’t tackle the mystery part separate from any other storylines.”
In fact, “Decision to Leave” stands out for the way it treats that mystery as secondary to the dynamic between the would-be couple. The investigative layer is a Trojan Horse for more intimate developments in the final third. “My film starts out as a film noir and ends as a romance,” Park said. “Most film noirs are too obsessed with creating the ambience and focusing on the dark mood. They fail to bring out the multidimensional facets of life.”
Park singled out “Double Indemnity” as a key exception — another movie with DNA all over “Decision to Leave” — and also drew inspiration from Martin Beck’s 1960s Swedish detective novels. “I don’t think there are a great many films that have succeeded at translating that kind ambience and the mood, done so excellently done in the literature, onto the screen,” Park said.
Park wrote the movie with Jeong Seo-Gyeong, who collaborated with the director on much of his work going back to “Lady Vengeance.” The pair developed the story in short bursts over email. “There was no pre-planned concept in the beginning,” Park said. “I said, OK, I want this film to tell the story of a police detective who falls in love with the woman he encounters while investigating a homicide case. I want to tell both the investigative side and the romantic side all at the same time as if it’s one story.” Jeong suggested they make the widow a Chinese character so they could try to cast Wei, an actress Park had wanted to work with for years. “That was the first decision we made,” Park said. “From there — without any conclusion in mind — we started to write.”
The acclaim for “Decision to Leave” follows the global recognition of Park’s colleague Bong Joon-ho (Park produced Bong’s “Snowpiercer”). When Bong’s “Parasite” made Oscar history as the first non-English movie to win the Oscar for Best Picture, Park said, it “made what was impossible to imagine possible.” He called it “a monumental moment in the history of cinema.”
But he had his own ambitions for “Decision to Leave.” He lambasted the Academy for failing to nominate many non-English language performers over the years, noting that the cast of “Parasite” was snubbed, and added that his own stars deserved better. “It’s going to be another hurdle, an even bigger hurdle, for actors speaking in a different language to get recognized,” he said. “The Academy needs to be able to assess the acting capability beyond language. That would be something very special. Now that I am in a position that I can dream, I can imagine that my actors can win.”
Of course, the acting categories are especially competitive this year and much of the buzz around “Decision to Leave” centers on Park himself. But the director cautioned that there was no reason to assume his previous sensibilities had been sidelined by subtler approaches.
“I didn’t intend to make this film so that it would be the first film of the next chapter of my career,” he said. “My next film could very well be like my previous films.” By that point, he may have some new admirers along for the ride.
MUBI releases “Decision to Leave” theatrically on Friday, October 14.
This Article is related to: Film and tagged Decision to Leave , Inteviews , Park Chan-wook
Listen to these IndieWire podcasts.
Interviews with leading film and TV creators about their process and craft.

Teen Fuck Holes
Cut A Hole
High Heels Online

Sex Interview

Report Page