Sex Education Naked

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Sex Education Naked
An intimacy expert worked with the cast and crew to create a safe working environment.

By
Rachel Thompson on January 10, 2019


Asa Butterfield as Otis and Gillian Anderson as Jean in 'Sex Education'
Credit: Sam Taylor/Netflix


Otis with new friend, an resident 'bad girl' Maeve.
Credit: Jon Hall/Netflix


Otis and his best pal Eric.
Credit: Sam Taylor/Netflix

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Hollywood's #MeToo reckoning not only shone a light on the industry's toxic culture of predation and sexual violence. It also underscored the critical need for an overhaul of the way sex and consent are portrayed on our screens, and a major change in the way cast and crew members are treated on and off set.
In Netflix's new teen comedy Sex Education, that change is palpable in the way the writers' tackle the topic of sex, but also in how sex scenes were filmed.
Netflix hired an "intimacy coordinator" to ensure both cast and crew felt comfortable when filming sex scenes and responsible for making sure actors agreed to be touched during intimate scenes.
Director Kate Herron told Mashable at an advanced screening of the first episode that the intimacy coordinator helped cast members with the sex scenes, but her main function was "making it clear that everyone's comfortable with what's going on".
"So, things like agreeing touch, but also other things like everyone being on board with what the scene's about," said Herron. The intimacy coordinator wasn't just tasked with liaising with the actors engaged in the intimate scenes, she also worked with the crew. "That's equally just as important for crew as well. No one should have to go home after filming a sex scene and feel like what they've done is like something really wrong," said Herron.
"It was about making it a safe, comfortable working environment, particularly because, not all the sex scenes I did, but quite a lot of them were for comic effect and you cant really make something funny if people don't feel comfortable," Herron added.
Ita O'Brien — the intimacy coordinator — says she works to ensure that intimate scenes are rehearsed to the same extent you would a fight or stunt scene and that everyone involved is consulted throughout. "I give a structure and process to get through sex scenes," said O'Brien. "So instead of a director saying: 'this is what I want, get on with it', or 'you two go away and work it out yourselves', both of which can leave people in compromising situations.
O'Brien talked about how she goes about making sure everyone involved isn't dreading the sex scenes and feeling uncomfortable. "I'm there to help them choreograph it clearly, ensuring everyone was okay with both the physicality and the nudity," she said. "You agree the scene step-by-step, including where people have consented to be touched, so they can be freer to tell the story and further their character through the scene." The same rules apply to supporting artists, who according to O'Brien are often "overlooked" and "told to go off and make it up themselves."
Before the filming even began, the entire cast and crew took part in a day-long intimacy workshop. "We started with people sharing experiences of intimate scenes and sexual content at work, both good and bad," said O’Brien. "Actors said to me that was groundbreaking, to have that connection as an opener and a leveler." It was also important to help the actors keep their "personal self private" during sex scenes. "You don’t want to bring who you are into a sex scene, so how else can you explore sexual rhythms? We looked at footage of dogs, cats, lions, gorillas, slugs and snails, then physicalised them so they had the rhythms at their fingertips and could apply them to different characters," said O’Brien.
Created and written by Laurie Nunn, Sex Education is the story of 16-year-old Otis, a "very shy, awkward, quite neurotic teenage boy" who lives with his mum Jean, a sex and relationships therapist. "Because of this he has this weird secret superpower, he has this incredible theoretical knowledge of sex and relationships even though he himself can't even masturbate," Nunn told Mashable.
Nunn's exploration of the universality of being an awkward, sexually inexperienced 16 year old is inspired by her love of iconic teen movies and TV shows and the YA genre. "We really wanted to pay homage to the John Hughes films of 1980s," said Nunn. Netflix's commissioning editor Alex Sapot described the series as "a real homage to John Hughes, the '80s" and "an interesting intersection" of the John Hughes aesthetic and Laurie Nunn's modern voice. Nunn added that their aim was to harness this inspiration and "take tried and tested tropes and subvert them and look at them from a new perspective."
In light of the criticism John Hughes ' movies have faced for their depiction of teen sex, this subversion of tropes is, it's safe to say, necessary if Sex Education hopes to achieve its goal of being the next iteration of the teen drama. In the wake of the Harvey Weinstein allegations, Molly Ringwald — who starred in Hughes' The Breakfast Club , Pretty in Pink , and Sixteen Candles — spoke about how she now feels about the sexualised scenes in light of the #MeToo movement.
In an op-ed in the New Yorker , Ringwald wrote that her mother "spoke up during the filming" of the scene in The Breakfast Club in which "bad-boy character" John Bender hides under the desk of Ringwald's character Claire and seizes the opportunity to look at her underwear. "Though the audience doesn’t see, it is implied that he touches her inappropriately," wrote Ringwald, who was a minor at the time of filming the scene.
My mom also spoke up during the filming of that scene in The Breakfast Club , when they hired an adult woman for the shot of Claire’s underwear. They couldn’t even ask me to do it—I don’t think it was permitted by law to ask a minor—but even having another person pretend to be me was embarrassing to me and upsetting to my mother, and she said so. That scene stayed, though.
Three decades on, this homage to Hughes' teen films is distinctly different in its approach to sex both on and off screen.
O'Brien thinks the show has the potential to change attitudes towards sex in the #MeToo era. But, the work behind the scenes, can and should spark change within the entertainment industry. HBO took the decision in late 2018 to "staff every one of its television shows and films" that feature sex scenes with an intimacy coordinator.
"There has been a seismic shift this year," said O'Brien. "Apart from this for Netflix, I’ve done a series with Amazon, and Sky have said they’ll be using intimacy guidelines. It’s all really positive for the industry."
Sex Education 's approach to navigating sex scenes with a cast of young actors — many of whom are on their first big break — is a positive one. But, hiring intimacy coordinators shouldn't be something unique to the teen genre. This move sets a valuable precedent and should be adopted industry-wide.
Rachel Thompson is the Features Editor at Mashable. Based in the UK, Rachel writes about sex, relationships, and online culture. She has been a sex and dating writer for a decade and she is the author of Rough (Penguin Random House, 2021).

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HIT series Sex Education is back with a bang – and a lot more besides – in what is already Netflix’s most X-rated show.
And in a warning to young fans excitedly awaiting series two — cheekily billed “the second coming” — its star Gillian Anderson says: “Don’t watch it with your parents.”
The first episode of the new season, shown at the world premiere in London on Wednesday, features FIFTEEN scenes of solo sex acts in the opening three minutes.
Mother-of-three Gillian, 51 , said: “I have a 25-year-old daughter and I have never watched it with her, although she has watched it herself.
“We talk about the sex bits. But that’s a lot different than sitting next to your child and watching it together.
“I am not sure any parents would want to watch this with their teenagers in the same room.
“People say they sit and watch it at the same time but in separate rooms.”
The first series was a global hit, having been watched by 40million people in the first four weeks.
It saw former X-Files star Gillian as sex therapist Dr Jean Milburn, mother to main character Otis, played by rising British star Asa Butterfield, 22 .
Otis uses his mum’s expertise to start his own lucrative sex clinic at school, helping a band of hapless teens going through puberty.
Filmed across Wales in Newport, Cardiff and the Wye Valley, the series mixes English and US culture, which helps explain its wide appeal.
Money is in sterling and the actors have British accents, but they play American football and attend an American-type school.
Gillian said of the decision: “The rules are shifting all the time in terms of how an audience receives shows, what they’re willing to accept and what worlds they’re willing to step into.
“I think Netflix feels quite strongly that they’ve hit on something with this amalgamation.”
Although mainly focused on the trials of teen sex, Gillian strips off for a racy scene of her own in the second series opener, romping with on-screen lover Jakob.
BRIT star Asa’s sexually frustrated character Otis pleasures himself 15 times in the first 180 seconds of the season opener – despite being in a number of public places.

The frenzy, which was filmed over six days, is sparked by him finally learning how to become aroused.
But a side effect means he is now turned on by almost anything, including a slice of Brie and wearing corduroy trousers.
Asa, who played the lead role of little boy Bruno in 2008 film The Boy In The Striped Pyjamas, says: “The w***ing montage will follow me around for the rest of my career.
“When I first read it and when they first pitched it to me they said it was going to be a lot of fun. And it was.”
The actor also reveals the cast had to watch animals having sex as part of their homework for the second series.
The idea came from the show’s “intimacy co-ordinator” Ita O’Brien, who believed it would help make sex a less taboo subject.
Asa explains: “We were given a document the night before which was just animals having sex. We all had to read it. It was like homework.
“Then before filming we had a workshop where we wore loose trousers and watched snails having sex for eight hours.”
The role has rocketed child star Asa to grown-up stardom. And while he admits the part was initially a risk, it has certainly paid off.
He says: “When I first signed up, I knew it would be risky, that the scripts were treading new ground.
“I guess I hoped the show would be talked about a bit. But I didn’t expect it to connect so overwhelmingly. It hit at the right time.”
Despite finding it “hellish”, she says she was keen to be a part of the series as it makes her feel young again.
She added: “The show is actually gentle and compassionate. There are a lot of very emotional topics, a lot of difficult topics that are addressed, aside from the sex.
“Abortion, STIs , it looks at the responsibility of the choices youngsters make when they start having sex.
“I would say what draws people in is that everyone is accepted.
“Whoever you are, whatever you look like, whatever your beliefs are, you are not by yourself.
“There is an energy about this show that makes people watching it feel they are OK, however they are.
“That is miraculous. It almost feels like we are carving out another realm of it entirely because the show has taken things into such a different world.
“It feels like it is almost making its own path for that generation.
“I feel a bit more part of the young generation. Plus this role has racked up the most laughs for me.
"When I first read the script I found it really funny.
“And I haven’t had the chance to do much comedy in my career so far.”
The first series finale saw a sexually frustrated Otis finally manage to achieve his goal of pleasuring himself — in front of a crowd of school friends.
EMMA MACKEY, who plays Maeve, says the show has made her more confident talking about sex – and thinks it helps other youngsters do the same.

She says: “Just because we’ve done a show about sex doesn’t suddenly make us sex experts.
But I love it when mums come up to me in the street and say, ‘Thank you for helping me talk about sex to my kids’. I wish this show existed when I was at school. This is why it works so well.”
In the series, Maeve navigates a difficult relationship with her addict mum, played by Anne-Marie Duff, 49.
She says: “Anne-Marie is an actual living legend. All I do is react off her, that’s all I had to do. I soaked it all up.”
But with his new girlfriend Ola unaware of his unrequited love for bad girl Maeve, played by Emma Mackey, 24 , fans were left desperate to find out what happens next.
Series two kicks off where the first ended, with Otis seen constantly enjoying solo sex.
Then as an outbreak of chlamydia sweeps the school, his mum is called in to help educate the kids.
As embarrassing as that is for Otis, his new love interest turns out to be the daughter of his mother’s lover, leading to more awkward questions around the dinner table.
The second series becomes available next Friday and writer Laurie Nunn is already bursting with ideas for a longer run.
She reveals: “There are so many things we could try. I maybe won’t take the characters to university.
“I feel like that’s when it gets really wrong because you end with up 40-year-old actors in this role. But we still have loads more to cover.”

SHOW creator Laurie Nunn, who was born in London but raised in Australia, decided on an ambiguous setting in terms of location as she wanted people to focus more on the characters and less on their surroundings.

She explains: “My writing and the hook of the show have got a heightened element to them and they needed an elevated world to match that premise.
“I like to think about it as teenagers in their own utopia.” American actress Gillian adds: “The aim and the hope is that Americans will not notice.
“For instance, the Brits may notice they are throwing American footballs, whereas the Americans won’t notice that that might be strange for people speaking with British accents.”
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‘ Sex Education ‘ might seem like just an entertaining teen comedy show, but you only need to look a little deeper, and you will be able to see a much bigger-themed show that tackles a lot of issues prevalent in both the teen and adult world. The British coming-of-age show deserves to be praised for how it instills notions of body positivity, feminism , sexuality, LGBTQ + relationships , and pretty much everything else in between. This raunchy yet relatable comedy takes you through a roller coaster of emotions, and if you haven’t seen it yet, you should certainly check it out.
With that said, since sex itself is the central theme of the show, we have created a list of all the best sex scenes in Sex Education that you would want to look back on. So here’s a ranked list of the best lovemaking scenes from ‘Sex Education.’

The first sex scene of the show is by far one of the most graphic scenes in its entire runtime of two seasons. It might make you feel a bit uneasy, but it is relatable and has a sense of realism to it. In this scene, Adam and Aimee, who are both the secondary protagonists of the show, have sex at Adam’s place. While Aimee clearly seems to be too performative in bed, even Adam ends up faking an orgasm just to get it over with. Aimee realizes that he faked it, and she starts confronting him about it. Turns out that Adam was just too insecure about himself and the rumors surrounding the size of his penis.
Sex is misrepresented in a lot of ways on screen, but one thing that pretty much every movie or show gets wrong is the golden moment of “climaxing together.” With this scene, ‘Sex Education’ simply shatters this unrealistic parameter and shows the utter realism of how awkward sex can be at times.
This scene actually caused a bit of a flurry on social media amongst fans and has quite the unexpected climax. Episode 3 opens with Maeve’s quirky trailer park neighbors, Cynthia and Jeffrey, deciding to spice up dinner with some lovemaking. Soon, the trailer is shaking, the furniture creaking, and the couple is too busy to see the
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