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Watch Sex and the City - Miranda: Where We Left Off
The note given to Carrie, letting her have the wedding dress, was written by Vivienne Westwood .
Carrie returns books to the main branch of the New York Public Library. That branch has not been a lending library for more than 60 years.
An extended version version exists. While it shortens a few shots, collectively, by about 2 seconds, it adds about 5 minutes.
The major additions are - 1. When Carrie tries on her outfits before she leaves her apartment, the rest of the girls, including Lily, try on her outfits as well. 2. Right before Carrie leaves the apartment, she disconnects the computer. 3. Carrie walks through the Mexican house alone for a bit. 4. When Miranda find her new apartment, she goes in, looks around and tell some guy that she is interested in it. 5. Following the scene where Samantha and Smith have sex and talk about Samantha feeling distanced, she and Carrie talk on the phone - Carrie is using a public phone - and Samantha tells her she will be coming much less to New York in order to take care of her relationship with Smith and Carrie is surprised. 6. Following the scene where Carrie buys the Vogue issue, she meets with Charlotte and they go trick-and-treating together with Harry and Lily and a neighbor shows her condolences, which makes Carrie wear a mask for the next door. 7. Following the scene where she types "Love..." on her laptop, Stanford calls and invites her to a party where he is bored and she declines.
Labels or Love Written by Salaam Remi and Rico Love Performed by Fergie Produced by Salaamremi.com Vocal production by Rico Love for Division One Mixed by Phil Tan Contains an interpolation of the "Sex and the City Theme" by Douglas J. Cuomo (as Douglas Cuomo) Fergie appears courtesy of Will.I.Am / A&M / Interscope Records
A disappointed longtime fan of the series
Let me preface this by saying that I am a straight female who has been a fan of the SATC series since its second season. I have every episode on DVD and have honestly seen every episode at least 5 times, including the commentaries by Michael Patrick King. That said, I could not be more disappointed in the film. To say that this movie was for fans of the series is insulting in my opinion because where the series had heart, depth and some intelligence, the movie had labels, poop jokes and lame choices by the characters. First of all, yes, Carrie Bradshaw is the main character, but could the other 3 women have been treating any more cavalierly? The "plot lines", if you can call them that, for the other characters seemed to be thrown into the mix just to give them something to do while Carrie ran around town, changing outfits and hair colors to the delighted shrieks of 15 year old fans. I can only imagine that was the audience the film wanted to capture because expecting grown women to follow this crap is insanity. Secondly, the ending of the film made me completely lose respect for Carrie. I cannot imagine an emotionally healthy 41 year old woman making the same choice she made. I think she needs intensive therapy because she is obviously a masochist who values the ability to purchase brand name couture more than her own happiness. And if the ability to buy couture is what makes her really happy, well, then, the 15 year old target audience should be thrilled. That said, I probably will see the sequel. I'm hoping they bring in more writers from the series to add some of the emotional oomph that this movie painfully lacked. *sigh* I just can't seem to quit SATC.
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A New York City writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her. A New York City writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her. A New York City writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her.
Mr. Big : Ever Thine, Ever Mine, Ever Ours.
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