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From Wikipedia, the free encyclopedia
This biography of a living person needs additional citations for verification . Please help by adding reliable sources . Contentious material about living persons that is unsourced or poorly sourced must be removed immediately , especially if potentially libelous or harmful. Find sources: "Sekhar Das" – news · newspapers · books · scholar · JSTOR ( December 2018 ) ( Learn how and when to remove this template message )
^ "Element of unknown" . Calcutta, India: Telegraph India. 30 December 2005 . Retrieved 27 February 2012 .
^ Das, Mohua (25 March 2009). "A complex world" . Telegraph Calcutta . Calcutta, India . Retrieved 10 July 2012 .
^ Bhattacharya, Arijit (7 February 2011). "Rich man, poor man" . Telegraph Calcutta . Calcutta, India . Retrieved 10 July 2012 .
^ "From the floors" . Telegraph Calcutta . Calcutta, India. 2 June 2010 . Retrieved 10 July 2012 .
Sekhar Das ( Bengali : শেখর দাশ ; alternately spelled Shekhar Das ) [1] is a Bengali film/theatre director, scriptwriter/playwright, actor and producer. He has three award-winning feature films to his credit. Jogajog (Relationships) based on Nobel Laureate Rabindranath Tagore 's classic novel has been his 11th feature film, of which four features were made for television release and others for theatre release. He also made over 20 short films for Television and umpteen nos of documentaries and travelogue. Das also teaches film/drama as invited faculty;writes on his subject for different magazines. He served as a jury in different film festivals in India and abroad.
Resigning from a highly successful corporate career in 1997, Sekhar started his professional career in films and television, although he earned highest reputation as an actor par excellence but preferred writing scripts in the initial stage of his career, one of which, namely, Prohor won the national and International awards. Soon he took up direction in TV and films. Directed many mystery thrillers for a leading TV channel, possibly he is the only director internationally known to have adapted great Russian Playwright Anton Chekov's all four classics in Bengali for TV film. A globe trotter that he has been, Sekhar Das had been associated with a travelogue program for a TV Channel for nearly three years as presenter, writer and director. This program covered Europe, particularly France and Germany, from Asia, it was Vietnam, Malaysia, Singapore, Australia.
He served on the juries for different international film festivals, was also jury for the national awards in India, and he was selected as one of the selection committee members for nominating Indian film to Oscar.
Graduating from the University of Calcutta in both science and English literature, Sekhar Das, learned a bit of French from Alliance Francais de Calcutta, keeping his masters in English literature incomplete, Das opted for film studies and appreciation in the Chitrabani (Communication centre of St Xaviers college, Calcutta). After receiving outstanding certificates in different streams of cinema, Das took serious interest in the Art of Screenplay writing and acting. He was lucky to learn the art of scripting from the Master screen play writer Jean Claude Carrier.
While working for an insurance company, Sekhar Das somehow lost interest in cinema and concentrated in theatre arts. He had the rare opportunity to meet and discuss theatre with directors of international repute like Peter Brook, Jerzy Grotowsky, Richard Secchner, Eugenio Barba, and with Indian theatre directors like Habib Tanvir and Badal Sarkar. He produced and directed dozens of plays some of which are Sophocles’ Oedipus , Chekov’s Uncle Vanya , Tagore’s ‘Visarjan’ (The sacrifice), Tasher Desh (The land of Cards), Rather Rashi (The rope of the Chariot), Jean-Paul Sartre’s ‘Condemned of Altona’, Arrabal’s 'Picnique in the Battlefield’, Dario Foe’s "Can’t pay, Won’t pay", Athol Fugard’s Road to Mecca , Arnold Weskar’s trilogy and many other plays. He excelled as an actor too and during those days he had the opportunity to meet Indian directors Satyajit Ray, Mrinal Sen and Budhhadeb Dasgupta.
From 1997 onwards Sekhar Das left his association with Insurance company to join in the Television and cinema professionally. From 1997 to 2000 he wrote for award winning television programmes as also wrote for highly popular television series. He directed short films and long videos during that period. But in 2000 he decided to quite Television and concentrated on Films:-
He adopted 4 great plays of Anton Chekov,(Three Sisters, Uncle Vanya, The Seagull, Cherry Orchard) for Television with unique idiom of cinematic drama.
Following are the films he made for Theatre release:
Mahulbanir Sereng (Songs of Mahulbani) – script & direction Sekhar Das, surprised many by his remarkable debut with the film ‘Mahulbanir Sereng ( The Songs of Mahulbani ), based on the story by Tapan Badyopaghya, the film was marked as first ever Bengali film dealt comprehensively with the lives in the forest ( Jangolmohal). It was a mesmerizing experience for the film lovers for the beautiful songs and its kaleidoscopic view of the nature, the tribal people, their struggle, romance and agony. Critically acclaimed internationally, Mahulbanir Sreng is now a part of history for its commercial success also. It was honored in the Indian Panorama and got 11 awards conferred upon by BFJA.
Krantikaal (Critical encounter) – script & direction. His second film ‘Krantikaal’ (Critical encounter)based on the story by Prafulla Roy, was again a winner for its novelty of the subject that dealt with the secessionist problems of North-Eastern part of India and its treatment. Government of India selected the film for international viewing in seven international languages. This low budget experimental film, a gem of piece was also honored in the Indian Panorama, got two National awards, four International awards and six BFJA awards. [2]
Kaler Rakhal (The Understudy) – script & direction. By his third film ‘Kaler Rakhal’ ( The Understudy) , an operatic musical which portrayed lives of colourful ‘Bahurupis’ (The itinerant performers) Das added another entry to his ‘outsiders’ series, completing the trilogy on ‘contemporary social issues’. Got the ‘Best achievement of the year award from BFJA and international awards.By this Das completes his trilogy on contemporary India
Necklace : Film Necklace , Script and direction by Sekhar Das, a bitter-sweet comedy surprised many for Sekhar’s control over film media and competency to deal with various subjects. The film was dedicated to the 50 year celebration of French new wave. Running successfully with rave reviews in India, USA and Canada since last September 2011, this has been Das' 1st part of "Kolkata" trilogy.
‘Nayanchampar dinratri’ (The tale of Nayanchampa) : Story, script, direction by Sekhar Das, is a compassionate human document connecting two poles of our contemporary society -Rural and Urban. It records a day of a Maid’s life. The story revolves around 'Nayanchampa'(Roopa Ganguly), a middle aged lady representing thousands of women of rural India like her. They start their journey in the early dawn and travel around 8 hours a day to reach the city, serve different households to earn their livelihood and return home in the night when they again work hard to feed their family. Through 'Nayanchampa' not only we get to see the suppressed sorrows and secret aspirations of different representatives of urban society in the present socio-political situation but we also watch the hapless condition of women of rural India, although, very often they remain as the sole bread earners of their family .
Film was shot in the documentary style during monsoon, in the rain soaked city of Kolkata and around different suburb locations with a hand held camera. This has been Das' 2nd part of "Kolkata" trilogy.
ESP: Ekti Rohoshshyo Golpo (ESP: A film fantastic) : Script and Direction by Sekhar Das. The film is on Paula and her nocturnal hallucinations around her loving husband, Spandan. Their physician dismisses her symptoms as relating to insomnia. Their charming, young paying guest, Banya, is a student of psychology. Banya, discovers that Paula has an uncanny ability to predict the future. She connects her condition to that of Extra Sensory Perception (ESP), which her professor of para-psychology, Dr. Maity, confirms when Paula undergoes Zener card tests. Further findings indicate that Paula is under severe trauma due to her past. At the time of her puberty, a temple priest (who was a dwarf) had physically abused her. He now visits her every night in her hallucinations. Further strange developments compound the investigations.
Jogajog (Relationships):
The film is a contemporary interpretation of Rabindranath Tagore’s classic novel (written on 1927 and later adopted to drama, 1930’s). The plot revolves around the underlying rivalry between two families — the Chatterjees (Biprodas), aristocrats now on the decline and the Ghosals (Madhusudan), representing neo-bourgeoisie and arrogance. Biprodas Chatterjee is a vociferous supporter of equal dignity and rights for women. Kumudini, Biprodas' sister, is caught between the two as she is married off to Madhusudan. She was brought up in a sheltered home where she had followed the traditional way of life and observed all the religious rituals. Her mental image of the husband is as someone who embodies all the qualities of the God (Lord Krishna) she worships. Now, she is rudely shaken by the crude display of wealth and power by Madhusudan. Although brought up to be a good and submissive wife, she resents at the idea of sharing the conjugal bed. But for Madhusudan money means power and marriage means sex, he repeatedly tries to use this to jeer at Kumudini's family; his natural vulgarity, the coarseness of his speech, his arrogant discourtesy made Kumudini's whole being shrank every moment. Soon Kumudini retreated to her shell of spirituality. But a time finally comes when Kumudini cannot take it anymore and she returns to her brother's house, only to realize that she is pregnant. Eventually an unwilling Kumudini is persuaded to return to the Ghoshals. The film also highlights marital rape. Kumudini is subjected to marital rape by Madhusudan. There is also a sexual liaison between Madhusudan and Shyamasundari, the widow of Madhusudan's elder brother.
' "Chekov Plays" (2001) for television
From Wikipedia, the free encyclopedia
Not to be confused with Reema Sen , Rii Sen , Rimi Sen , Riya Sen , or Reema .
Raima Sen (born Raima Dev Varma on 7 November 1979) [1] is an Indian actress who is known for her work in the Bengali and Hindi film industries.
Raima Sen was born on 7 November 1979 in Bombay (present-day Mumbai ) to Moon Moon Sen and Bharat Dev Varma and the granddaughter of actress Suchitra Sen who is regarded as the Mahanayika of Bengali Cinema. Her sister Riya Sen is also in the Bollywood industry. [1] Their father Bharat Dev Varma is a member of the royal family of Tripura . [2] Her paternal grandmother, Ila Devi, was the princess of Cooch Behar , whose younger sister Gayatri Devi was the Maharani of Jaipur . [3] Her paternal great-grandmother Indira was the only daughter of Maharaja Sayajirao Gaekwad III of Baroda . [4] [5]
Raima's maternal great-grandfather Adinath Sen was a prominent Kolkata businessman, whose son Dinanath Sen – a relative of former Union Law Minister Ashoke Kumar Sen - was the Diwan or a Minister of the Maharaja of Tripura. [6] The sisters are credited on-screen under their mother's maiden name, although their official papers carry the surname Dev Varma. [7]
Sen is said to resemble her grandmother much more than either her mother or her sister. [8] In an interview, she says while she enjoys Mumbai's faster pace of life, its gyms and its nightclubs, she misses her family in Kolkata, her dog Cuddles, and Kolkata's street food, notably Jhal Muri and Aloo chaat . [9] Raima Sen in 2006 admitted that she had a brief relation with Odisha politician Kalikesh Narayan Singh Deo in 2006–2007, but the relationship did not last long. [10]
Sen made her debut in the film Godmother , which was a critically acclaimed [ by whom? ] success, but her minor role may have been overlooked in favour of the protagonist, played by Shabana Azmi . She then starred in the film Daman playing Raveena Tandon 's daughter, where her small performance was appreciated.
Her breakthrough role came when she starred in the Rituparno Ghosh 's film Chokher Bali . After a few more average movies she had a critically acclaimed [ by whom? ] hit in 2005 with Parineeta , where she played the playmate of the film's heroine, played by the debutante Vidya Balan . Since then she has had two more hits with the action thriller Dus and the Bengali film Antar Mahal (where she had a very small role). In 2006, she appeared in the film The Bong Connection (co-starring Shayan Munshi ). In 2007, she worked in the thriller Manorama Six Feet Under with Abhay Deol. In 2011, she starred in the hit Bengali film Baishe Srabon , opposite Parambrata Chatterjee .
2014 saw Sen as the leading lady in the critically acclaimed Hrid Majharey , the first Bengali movie based on the works of William Shakespeare , and presented as a tribute on the 450th year of birth of the Bard. [11] [12] She co-stars with Abir Chatterjee and Indrasish Roy in this dark love-story by debutant filmmaker Ranjan Ghosh . [13] The film has earned a rare recommendation from the Film London in its list of world cinema based on the plays of Shakespeare. [14] The film and its screenplay have also been included in the UGC Literature Archive . [15] It is also famous for being the only other Bengali film after Sabuj Dweeper Raja (1979) to be shot in the Andaman and Nicobar Islands . [16] [17] [18]
In 2016, she was seen in Bollywood Diaries , a film written and directed by K.D. Satyam . The film also stars Ashish Vidyarthi and Salim Diwan . [19] Amazon Prime The Last Hour [20] Web Series will release in 2020 Ending in this series Raima Sen & Sanjay Kapoor playing the main role this series directed by Amit Kumar.
Denotes films that have not yet been released
Nominated, Filmfare Award for Best Actor Supporting Role (Female) – Bengali
From Wikipedia, the free encyclopedia
Hindi language songs sung by Kavita Khrishnamurthy
This is a list of known Hindi songs performed by Kavita Krishnamurthy from 1976 to date. She had also sung in several other different languages which are not included here.
This is a list of known Marathi songs performed by Kavita Krishnamurthy . She had also sung in several other different languages which are not included here.
Udit Narayan ; Aarti Mukharjee; Yunus
Anuradha Paudwal; Amit Kumar ; Vivek Bajaj
Suresh Wadkar; Hariharan; Shailendra Singh
Mohammed Aziz; Jaspal Singh; Mahendra Kapoor
"Bhala Hai Bura Hai Jaisa Bhi Hai 2"
"Balma Tum Balma Ho Mere Khali Naam Ke"
"Us Kashti Ka Kya Hoga" (2nd Version)
Anuradha Paudwal; Amit Kumar; Shabbir Kumar; Shailendra Singh
Anuradha Paudwal; Amit Kumar; Mohd Aziz
Anuradha Paudwal; Mohd Aziz; Shailendra Singh
Mohd Aziz; Suresh Wadkar; Udit Narayan
Udit Narayan; Anupama Deshpande; Pankaj Mitra
Asha Bhosle; Amit Kumar; Udit Narayan
"Karna Fakiri Phir Kya Dilgiri" (version 1)
"Karna Fakiri Phir Kya Dilgiri" (version 2)
Shailendra Singh; Shabbir Kumar; Jaishree Shivram
Anuradha Paudwal; Mohd Aziz; Suresh Wadkar
Mohd Aziz; Udit Narayan; Sarika Kapoor
"Dikhlayenge Ab Khel Madari Dikhlayenge"
Alka Yagnik; Amit Kumar; Shabbir Kumar
"Tum Mere Aankhon Ki Pahle Sapne Ho"
Shailendra Singh; Nitin Mukesh; Shabbir Kumar
"Andhere Mein Sataye Ujjale Mein Jalaye"
"Roj Raaton Ke Parde Gira Ke" (Sad)
"Ek Doosre Se Khafa Hona Nahin" (Sad)
Alka Yagnik; Shailendra Singh; Mohd Aziz
"Balamaa Hai Tu Mere Dil Ka Mehmaan"
Suresh Wadkar; Dilraj Kaur; Ghanshyam Vaswani
Sukhwinder Singh; Jaishree Shivram; Nilesh Kumar
"Suhane Geet Gaa Rahi Hai Yeh Payal"
Shabbir Kumar; Padma Menon; Shraddha Agarwal
Sudesh Bhosle; Jolly Mukharjee; Johnny Lever
Sudesh Bhosle; Sadhana Sargam; Abhijeet; Balbinder; Padmini Roy
"Ek Dil Ek Jaan Ek Hai Hamara" (Part 1)
"Ek Dil Ek Jaan Ek Hai Hamara" (Part 2)
"Mohabbat Ki Kitabon Mein" (Female)
Abhijeet; Udit Narayan; Sapna Mukharjee
Alka Yagnik; Udit Narayan; Mohd Aziz
"Janani Hum Ramdoot Hanuman" (Sanskrit)
"Aisa Raj Humko Bharat Men" (Female)
"Inhi Logo Ne Liya Dupatta" (Parody)
Alka Yagnik; Kumar Sanu; Sudesh Bhosle
"Pehle Pyar Ki Pehli Yeh Barsaat Hai"
"Meri Jan Na Mujhse Hona Khafa" (duet)
Anuradha Paudwal; Babla Mehta; Sudesh Bhosle; Kavita Paudwal; Sonu Nigam
Anupama Deshpande; Vinod Rathod; Samir Date
"Jee Chahata Hai Tujhe Kiss Karoon"
"Tu Kisi Aur Se Milne Ke Bahane" (Female)
"Aaj Ki Shaam Pyar Karne Walo Ke Naam"
Poornima; Sudesh Bhosle; Jolly Mukharjee
Sadhana Sargam; Vijayta Pandit Shrivastava
"Main Hosh Mein Nahin Hoon" (Female)
"Thodi Hasi Hai to Thode Aasoo" (duet)
Udit Narayan; G V Prakash; Shraddha Pandit
"Tere Bina Nahin Hai Guzaara"(Female)
Kumar Sanu; Vijayta Pandit Shrivastava
Alka Yagnik; Kumar Sanu; Udit Narayan
Udit Narayan; Abhijeet; Sudesh Bhosle; Poornima
Vinod Rathod; Udit Narayan; Gurdas Maan; Bela Sulakhe
Vinod Rathod; Udit Narayan; Gurdas Maan; Bela Sulakhe
Preeti; Vinod Rathod; Anand Raaj Anand
Shankar Mahadevan; Hariharan; Aditya Narayan
"Dhak Dhak Dil Kare Ghabraoon Sajana"
Anuradha Paudwal; Udit Narayan; Amit Kumar
Alka Yagnik; Udit Narayan; Sudesh Bhosle
"Mohabaat Ki Kismat Pe Aata Hai Rona"
Sapna Mukharjee; Vinod Rathod; Udit Narayan
Sonu Nigam; Kavita Paudwal; Sukhwinder Singh; Sangeetha
Alka Yagnik; Babul Supriyo; Nayan Rathod
Bappi Lahiri; Bappa Lahiri; Arun Bakshi
"Haseenayein Zulfon Ka Phanda Bichayein"
Alka Yagnik; Kumar Sanu; Udit Narayan
"Prabhuji More Abgun Chit Na Dharo"
Chhoti-Chooti-Choriyan Se Dil Bhar Gaya
Alka Yagnik; Abhijeet; Udit Narayan; Sonu Nigam; Sukhwinder Singh; Shankar Mahadevan; Shaan; Mahalaxmi Iyer; Jaspinder Narula
Anuradha Paudwal; Roop Kumar Rathod
Ustad Sultan Khan; Shankar Mahadevan
Alka Yagnik; Anuradha Paudwal; Kumar Sanu; Udit Narayan; Hariharan
"Chhote Chhote Bhaiyon Ke Bade Bhaiyya"
Roop Kumar Rathod; Pratima Rao; Udit Narayan; Sonu Nigam
Alka Yagnik; Anuradha Paudwal; Kumar Sanu; Hariharan; Udit Narayan
"Mujhe Chhooke Sajan Yeh Mast Pawan"
Udit Narayan; Kavita Paudwal; Ila Arun
Sonu Nigam; Nitin Mukesh; Shraddha Pandit; Babul Supriyo
Tabun Sutradhar; Naresh Sharma; Mona Arun
Jaspinder Narula; Arvindar Singh; Mohammed Aziz; Tanvi Azmi
Vijayta Pandit Shrivastava; Vinod Rathod; Roop Kumar Rathod
Sujata; Pamela Jain; Kavita Paudwal
Udit Narayan, Abhijeet Bhattacharya
Alka Yagnik; Amit Kumar; Udit Narayan; Sonu Nigam
Pandit Birju Maharaj; Madhuri Dixit
Makbool Khan - Sabar Ali - Sardool Sikander
Alka Yagnik; Sudesh Bhosle; Kailash Kher
"Maine Apna Jeevan Saathi Chun Liya"
'Duniyawalon Ko Nahi Kuch Bhi Khabar"
Manna Dey; Sonu Nigam; Shadab Sabri
"Parbhu Ji More Aaugan Chit Na Dharo"
Asha Bhosle, Shailendra Singh, Amit Kumar
Sudesh Bhosle, Babul Supriyo and Anupama Deshpande
Monali Thakur, Gautam Ghosh, Pratik Chowdhury
Babul Supriyo, Sanjeevani, Tanzir Tuhin
Lata Mangeshkar, Asha Bhosle, P. Unnikrishnan, Hariharan, S. P. Balasubrahmanyam, Kaushiki Chakraborty, Bhimsen Joshi
Anuradha Paudwal, Rani Verma, Shailendra
Suresh Wadkar, Vinay Mandke, Uttara Kelkar
Gore Gore Haath Tyala Mehndichi Saath
Suresh Wadkar, Sudesh B
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