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Four strangers ”become the loves of each other’s lives,“ co-creator Justin Noble tells TheWrap about the HBO Max series
The Sex Lives of College Girls returns for season 2 on HBO Max (HBO)
“The Sex Lives of College Girls” co-creator Justin Noble wants to center “four girls fall[ing] in love together as friends” — ensuring their love lives don’t dominate the plot, and instead focusing on the friendships, passions and identity crises that make up the college experience for many.
“Despite the title, the show is about four strangers who live together and become the loves of each other’s lives over time,” Noble told TheWrap about Season 2. “I think that’s what a lot of college experience is for many people, especially those who get lucky and love their roommates.”
While the friends return to Essex after Thanksgiving break with their community more cemented than when they first arrived on campus just a couple months before, the sophomore season has raised the stakes as each character, from Kimberly’s struggle to come up with full tuition after losing her scholarship to Whitney’s determination to find a path that fills the hole left by the end of soccer season.
Though Noble and fellow co-creator Mindy Kaling always wanted to make a show about college, Noble says creators are often told there’s no stakes in the world of college — a statement that didn’t ring true to Noble.
“No one feel stakes reverberate in a larger way on them than like someone who’s 18, 19 [or] 20 years old,” Noble said, adding that the stakes are relative to the character experiencing them. “They think that something can derail the entire rest of their lives if it doesn’t go the way that they think they need it to.”
In preparation for writing the show, Noble and Kaling visited college campuses across the country — even visiting their alma maters of Yale and Dartmouth, respectively — to explore the common themes issues that are top of mind for many students.
As Noble, himself, swapped his biochemical engineer major early into his freshman year, the pair felt that the “identity crises that arise in these first couple years [was] a real thing that needs to be explored.”
“So many people think they know exactly what they want to do with their life, and a lot of them are throwing a curveball when they later find out that’s not the case,” Noble said.
As is the case with Pauline Chalamet’s Whitney when the soccer off-season creates a “deafening” void after devoting hundreds of hours per week to the sport.
“What is she going to do with all [that] time, especially when everyone else is pursuing goals with [that] time?” Noble said. “We also wanted to throw some new challenges Whitney’s way that are kind of the opposite of what soccer was for her.”
The co-creators’ research also lifted the veil on the “toxic situations that arise with financial, gigantic financial differences between suitemates,” a topic the series dives deep into as Kimberly desperately searches for solutions to come up with tuition money while Leighton’s family gifts her brother with an Audi to cheer him up after getting expelled from school.
“College is this weird, borderline sociological experiment, where people are randomly thrown together,” Noble said, adding that he couldn’t think of another time in life where people who don’t necessarily have much in common are forced into such close quarters.
“When we think about the relationships between our girls, we wanted to make sure they were coming from different worlds, where they could all be learning lessons from each other,” he said.
Picking up the second season just a couple months into the year, the show’s timeline reflects the whirlwind experience of undergrad, as Noble admits even his own college journey had countless twists and turns as he figured out the right major and path that suited his interests.
“We let our characters go a week at a time in our world, because I feel like that’s true to their experience in college,” Noble said. “If you ask Bela what she’s doing next Sunday, she has no clue.”
While Bela has been the friend group’s “happy clown,” Noble also wanted to explore her shifting motivations in the second season, as Noble notes that she often sees something out of the corner of her eye and runs towards it before finding the next thing she’ll pursue.
“There’s something admirable and exciting about that — we all have that friend, and we all find energy from that friend, because we never know what the hell to expect from them,” Noble said. “There is a little bit of a problem that comes for that person in terms of what do they stick with.”
The show also employs a heavily female writers’ room that sparks conversation amongst the writers about the reality of issues women face in college — some of which Noble admits he’s been sheltered from by his female friends.
“We want to make sure that in addition to having fun, and it being a comedy and having a lot of jokes per page, that we’re still telling stories that can hopefully bring about a little change or make people feel like they’re not alone,” Noble said.
New episodes of “The Sex Lives of College Girls” Season 2 debut weekly on Thursdays on HBO Max.
Stop scrolling and watch one of these great films now
Finding a good movie to watch on Amazon Prime Video can be difficult to say the least. While Amazon’s robust library of titles is available to every Amazon Prime subscriber, they don’t exactly make it easy to find what you’re looking for. That’s where we come in. Below, we’ve assembled a growing list of the best movies on Amazon Prime right now. Our carefully curated selection runs the gamut from crowd-pleasing blockbusters to Oscar-winning dramas to delightful rom-coms and beyond. There’s a little something for everyone, so stop the endless scrolling and simply choose one of these great movies to watch.
Check out our list of the best movies on Amazon Prime video below. The list will be updated weekly with new titles.
Kick off spooky season in style with one of the best horror movies ever made, “An American Werewolf in London.” Filmmaker John Landis’ 1981 film toes the line between horror and comedy perfectly as it follows two American backpackers who are attacked by a werewolf while traveling in England. One dies, and the other is left to question whether he’ll soon turn into a werewolf all while being haunted by the rotting corpse of his best friend. This one has groundbreaking makeup effects by Rick Baker that set the gold standard for werewolf transformations.
How does a violent, Viking epic from the visionary director behind “The Witch” and “The Lighthouse” sound? The answer is “very cool,” and that’s exactly what you get with “The Northman.” The 2022 film stars Alexander Skarsgard as a Viking warrior prince seeking to avenge the murder of his father (played by Ethan Hawke). The film follows his quest with breathtaking vistas and a killer cast that includes Nicole Kidman, Anya Taylor-Joy, Willem Dafoe and Bjork (yes, that Bjork).
One of the best comedies of the 21st century, “Bridesmaids” is just as funny as it was when it first hit theaters in 2011. Kristen Wiig stars in and co-writes the story of a woman who sees her friendship tested with her BFF when her best friend’s (Maya Rudolph) looming wedding brings her in conflict with a newer, richer friend (played by Rose Byrne). Melissa McCarthy steals the show so well she earned an Oscar nomination for her performance, but what makes “Bridesmaids” endure is the laughs are paired with a relatable, emotional story about friendship.
Nothing bridges the gap between summer and fall quite like “Edward Scissorhands.” Director Tim Burton’s 1990 film stars Johnny Depp as the unfinished creation of a reclusive old inventor, with scissors for hands and a yet-to-be-completed brain. When he’s discovered in the mansion by the suburbanites down below, he becomes enmeshed in modern culture but finds it difficult to fit in. This is a classic outsider story told like a fairy tale, with a twinge of darkness and hint of magic throughout. Winona Ryder, Dianne Wiest and Anthony Michael Hall co-star.
If underrated and/or misunderstood gems are more your speed, check out “Jennifer’s Body.” This darkly comic 2009 film hails from Oscar-winning “Juno” writer Diablo Cody and “The Invitation” director Karyn Kusama, and tells the story of a popular high school girl who is abducted and ritualistically sacrificed which turns her into a demonic force that feeds on young teenaged boys. While marketed as a teen horror film, “Jennifer’s Body” is actually a smart take on the male gaze and sexuality through the lens of two talented female filmmakers. Megan Fox, Amanda Seyfried, and J.K. Simmons star.
Leonardo DiCaprio and filmmaker Martin Scorsese reunited for the third time in their career for the 2010 thriller “Shutter Island,” based on the book by Denis Lehane. This is a classic psychological thriller told by a master filmmaker, as DiCaprio and Mark Ruffalo play 1950s U.S. Marshals dispatched to a facility for the criminally insane to investigate the disappearance of a woman who drowned her three children. This is visually striking but also haunting – it’s as close as Scorsese has come to a true horror movie, and it packs a whopper of a twist ending.
If it’s been awhile since you saw Steven Spielberg’s “A.I. Artificial Intelligence,” it’s well worth giving another shot. Originally conceived by Stanley Kubrick, Spielberg revived the project after Kubrick’s death and wrote and directed this tale of a young boy A.I. who is programmed to love and then abandoned by his adopted family. One part fairy tale and one part nightmare, this is one of Spielberg’s darkest films, with the director maintaining a heartbreaking emotional core throughout the young boy’s journey. Fair warning: If you’re a parent, have tissues at the ready.
Something the whole family can enjoy, 2010’s “How to Train Your Dragon” is a sweeping, adventurous and deeply compassionate tale of friendship and prejudice. Set in the year 1010 AD, the story takes place in a small Viking village where Hiccup (voiced by Jay Baruchel) is the awkward and slight young son of the hulking village chieftan (voiced by Gerard Butler). Dragons are meant to be feared, but when Hiccup stumbles across a rare and injured dragon he names Toothless, he learns that dragons may not be so evil after all. Just misunderstood.
Director Mike Nichols and writer Nora Ephron are a match made in heaven in the 1986 romantic comedy/drama “Heartburn,” which stars Meryl Streep as a version of Ephron as the story offers a semi-autobiographical version of the famous author/screenwriter’s challenging relationship with journalist Carl Bernstein. Jack Nicholson plays the Bernstein role in the film, as it charts his infidelity and its impact on the duo’s marriage and children. Streep is spectacular in this harshly realistic portrait of a marriage that’s infused with Ephron’s biting wit.
If you’re up for a laugh, “Role Models” is something of a hidden gem. The 2008 comedy stars Paul Rudd and Seann William Scott as energy drink salesmen who, after a mishap, are forced into community service. They end up joining a big brother-big sister program that pairs them with young boys, one of whom is obsessed with LARP – live-action role playing – and played by Christopher Mintz-Plasse. The film hails from “Wet Hot American Summer” and “Wanderlust” filmmaker David Wain.
Still the only horror film to win Best Picture, “The Silence of the Lambs” is a classic for a reason. Director Jonathan Demme’s adaptation stars Jodie Foster as a young FBI trainee who is tasked with enlisting imprisoned serial killer/cannibal Hannibal Lecter (Anthony Hopkins) for help in tracking down a serial killer of women who goes by the name Buffalo Bill. Demme’s direction is the secret weapon here, preventing the film from becoming gross or exploitative and submerging the viewer into the point of view of Foster’s character. The film won Oscars for Best Picture, Director, Actor, Actress and Adapted Screenplay.
The highest-grossing James Bond movie of all time, 2012’s “Skyfall” officially set the franchise up to compete with the superhero movies that were dominating the box office. In many ways this is the ultimate James Bond film, as Daniel Craig’s character is put through the wringer with a battle against a figure from his (and M’s) past. Director Sam Mendes and cinematographer Roger Deakins bring a refined sophistication to the aesthetics, and the story doubles down on the emotional and raw nature of Craig’s 007.
A contained spy thriller with a heck of a lead performance, “The Outfit” hails from Oscar-winning “The Imitation Game” writer Graham Moore who serves as writer and director on the story of an English tailor (played by Mark Rylance) who gets caught up in a mob war one night while working late in his shop on Saints Row. Zoey Deutch, Dylan O’Brien and Johnny Flynn co-star in the film which largely takes place in the same location, but is dripping with tension and packed with reveals.
Every new Paul Thomas Anderson movie is reason to celebrate, but his 2021 film “Licorice Pizza” is truly one from the heart. The coming-of-age dramedy takes place in 1973 in the San Fernando Valley and follows a cocksure 15-year-old actor (Cooper Hoffman) who strikes up a friendship with a girl in her 20s (Alana Haim). The film navigates their nebulous relationship as well as the anxieties felt by each as they stare down young adulthood, and it’s all wrapped up in PTA’s hilarious and heartbreaking chronicle of life as a kid in 1970s Los Angeles. Come for the time capsule, stay for Bradley Cooper’s hilariously unhinged performance as producer Jon Peters.
If it’s been awhile since you saw Steven Spielberg’s “A.I. Artificial Intelligence,” it’s well worth giving another shot. Originally conceived by Stanley Kubrick, Spielberg revived the project after Kubrick’s death and wrote and directed this tale of a young boy A.I. who is programmed to love and then abandoned by his adopted family. One part fairy tale and one part nightmare, this is one of Spielberg’s darkest films, with the director maintaining a heartbreaking emotional core throughout the young boy’s journey. Fair warning: If you’re a parent, have tissues at the ready.
A feel-good movie if there ever was one, “The Devil Wears Prada” also boasts one of Meryl Streep’s most delicious performances. Set in the world of high fashion, Anne Hathaway stars as a young woman who lands a coveted job as an assistant to Miranda Priestly (Streep), a powerful fashion magazine editor with a knack for tearing people down. Emily Blunt co-stars as Hathaway’s jealous co-worker in what would be a breakout role for the actress, and like so many feel-good movies it’s hard to quantify exactly why this film is so rewatchable, but it is.
Before director Scott Derrickson made “Doctor Strange” or “Sinister,” he combined the worlds of a legal thriller with an exorcism horror movie in “The Exorcism of Emily Rose.” The 2005 film is loosely based on a true story and stars Tom Wilkinson as a priest standing trial for negligent homicide after performing an exorcism on a young girl (Jennifer Carpenter). The film flashes back and forth between the young girl’s supposed possession and the trial, adding an additional layer of tension to the whole proceedings. Scary and thrilling, watch this one with the lights out.
One of the best Jane Austen adaptations ever made and a 90s classic all wrapped up in one film. “Clueless” is loosely inspired by Austen’s “Emma,” except transported to a 1990s high school. Alicia Silverstone is popular (and rich) matchmaker Cher, while Brittany Murphy plays new student Tai who Cher takes under her wing as her “project.” Written and directed by Amy Heckerling, “Clueless” spawned a bevy of buzzwords and catchphrases that are still in the lexicon today, but the film also endures thanks to its winning cast (a young Paul Rudd is aces) and timeless themes – despite the very time capsule-y aesthetic and soundtrack.
Daniel Craig’s final Bond film is at once epic and intimate. “No Time to Die” puts an emotional button on what’s been an emotional ride, as Craig finally infused 007 with a license to feel through his largely acclaimed series of films. In his final go-around, we begin with an extended prologue that puts a button (for now) on his relationship with Dr. Madeleine Swan (played by Lea Seydoux) following her debut in “Spectre.” But when a figure from Swan’s past resurfaces (played by Rami Malek), Bond gets swept back into a game of cat-and-mouse with the highest stakes he’s ever faced before. Swell supporting turns by Lashana Lynch and Ana de Armas as well as a refreshing visual palate from director Cary Joji Fukunaga ensure that with “No Time to Die,” Bond goes out on a high note.
Matt Damon delivers what may be his best performance in filmmaker Anthony Minghella’s 1999 Patricia Highsmith adaptation “The Talented Mr. Ripley.” Damon stars as a sociopathic young man who becomes obsessed with another wealthy young man (played by Jude Law) while on holiday in Italy. So obsessed that he decides to try and steal his life. Richly drawn characters and a standout Philip Seymour Hoffman performance (though when is a PSH performance not a standout?) make this a must-see.
Is “Top Gun” cheesy? Yes. Is it a little dated? Absolutely. But does it still rule? Unequivocally. The film that catapulted Tom Cruise to movie star status is streaming just in time to catch up before you watch the incredible sequel “Top Gun: Maverick.” Cruise plays a cocky pilot who gets the chance to train at an elite Navy school, where he makes friends, enemies and lovers. Tony Scott directs this thing with gusto – you can practically feel the summer heat coming off the frame, and Cruise is dynamite in the lead role.
If you’re in the mood for a great zone-out comedy, 1999’s “Office Space” quite literally never gets old. Writer/director Mike Judge’s satire about the workplace stars Ron Livingston as an unhappy man working a dead-end job who, after a hypnosis session gone wrong, suddenly hasn’t a care in the world. It completely upends his approach to work-life, inspiring his colleagues as well as a potential flame (a waitress played by Jennifer Aniston) to start living their lives a bit differently. Endlessly quotable, this one has a lot to say about the “work-life balance.”
Before “The Florida Project” or “Red Rocket,” filmmaker Sean Baker burst onto the scene with his 2015 comedy “Tangerine” –
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