Serj Feat Nasty
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Serj Feat Nasty
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Shooting Helicopters feat. Serj Tankian
Extended Edit
Benny Benassi ,
Serj Tankian
Ultra
Shooting Helicopters feat. Serj Tankian
Sapele Remix
Sapele ,
Benny Benassi ,
Serj Tankian
Ultra
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Signal from Space ,
Serj Tankian
Serj Tankian ,
Bassassin
Serj Tankian ,
Destind
Serj Tankian ,
ATTLAS ,
Tom Morello
Metric ,
Neon Indian ,
Sleigh Bells ,
Poliça ,
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ATTLAS ,
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The Jon Spencer Blues Explosion ,
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MNDR ,
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Andrew Bird ,
Tokyo Police Club ,
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Richard Judge ,
BullySongs ,
MOGUAI ,
VASSY ,
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Chicco Secci ,
Bonnie Calean ,
David Zowie ,
FATHERDUDE ,
John Legend ,
Sheare ,
Christian Burns ,
Marc Benjamin ,
Chris Nasty ,
Serj Tankian
Benny Benassi ,
Serj Tankian ,
Sapele
Benny Benassi ,
Serj Tankian
Wyclef Jean ,
Sizzla ,
Serj Tankian ,
Akon ,
Lil' Wayne ,
Niia ,
T.I. ,
Shakira ,
Paul Simon ,
Mary J. Blige ,
Chamillionaire ,
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African Children's Choir ,
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Sun ,
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DJ C
Wow, wow...- Wow, wow...Wow, wow...- Wow, wow...Wow, wow...- Wow, wow...Ah, oui...- Ah, oui...Hey- HeyAh, oui-…
Non, non, non, non, je vois nos cœurs s'emballer- No, no, no, no, I see…
Wicked!!LeLeh leh lehLe leLeh leh lehLeh leh lehEgbamiOkpari ohSee wetin she carry oNo more ini…
واخا نعيى نـclasher- Wakha obituary-nclasherغاتبقى انتايا كراشي- Ghattaya Antaya Karachiما يديك مني الغاشي، آي-آي-آي-آي- What…
Va subiendo la corriente con chinchorro y atarraya- The current is going up with chinchorro…
حسبتهم ذيابة آيمة طلعولي نعجات- I thought they were thaiba Aima talauli ewesكنطلقاهم face آيمة…
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yaboseyo!!!its a nice song!!! i have a request, can you visit us here in the philippines?
Search in https://www.soundandsoulonline.com/
Minor Comfort: Nate Hilts of The Dead South on ‘Easy Listening For Jerks’
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CF- First, I didn’t expect the hear a cover of The Misfits’ “Saturday Night”! I was out driving, listening to Part 2, and heard the opening chords. I thought it was an old doo wop song– but I heard the moans and thought, “Is this ‘Saturday Night’?” And then the verse began! A solid choice! And love for Graves-era Misfits, which never happens.
NH- Yeah, it’s a great song! I know it’s a big divide between Danzig and Michael Graves what songs are better.
Was your music background more metal?
I was more of the punk rock kid, a little bit of metal. Most of the other guys, like Scott [Pringle] and Colton, were more the metal guys.
How did you guys transition from punk and metal to more traditional sounds? I’m thinking of the punk and metal scenes with their ride-or-die, you’re-with-us-or-against-us allegiances…
I guess that I was the kid that listened to everything. There was no strictly punk or strictly metal. I was listening to tons of Meat Loaf and Neil Diamond growing up, Anne Murray…
Exactly! It was nice to have that mix of music. When I first met Colton, it was that revival of bluegrass-ish music, with Old Crow Medicine Show and Trampled by Turtles really taking stuff by storm, and I really dug it. When I met Colton, he had just gotten a banjo, so we started hanging out, just jamming around. It was pretty natural.
How did you approach the covers in a way that made them yours? How did you “Dead South” them?
Yeah, good question. I guess it’s sometimes you just sit down and… For example, on EP 1, we took a bunch of those traditional songs. I originally did one of the songs, “Keep On the Sunny Side,” in a major key. I sent it to the guys, and the guys all did parts. Then we were listening to it and said, “This fucking sucks.” Then I took another look at it and said, “I got to make the song minor.” The minor key is where a lot of comfort is in songs, same with “You Are My Sunshine”. Throw it into the minor, make it dark and gloomy, but it still has some power to it.
Did you grow up with “You Are My Sunshine”?
To a degree, right? Everyone knows the chorus, but no one really pays attention to the sad words.
You cover a lot of stylistic ground with these EPs. Who was responsible for exposing you to a variety of sounds when you were a kid?
Well, right off the bat, my parents listened to a nice mix of good music– Shania Twain, all the way to Meat Loaf, the Nitty Gritty Dirt Band… That’s kind of where it all started. And then once the age of LimeWire and Napster, where you download songs, the world just opened up. I started finding songs left and right. Then I was actually the one that started introducing other people to music, which was really cool. I couldn’t imagine only listening to one style of music for the rest of my life because I just love what people do with sounds.
I forget how important LimeWire, Napster, and Kazaa were to me. I’d always spent money at the record stores, but taking a chance on CD was a $20 risk, maybe a $30 risk if it was an import. And some stuff was simply impossible to track down, otherwise. Now we have Spotify essentially filling that filesharing void. What’s your take on Spotify?
It’s definitely a blessing and a curse. The blessing is that you are available to anyone in the world who has Spotify. They might stumble upon you– that’s successful. The possibility of getting discovered and exposure on there is fantastic. The tough thing about Spotify is that they don’t pay a ton for spins, so that’s where a lot of negativity comes from with a lot of artists because it’s much more profitable for the artist when you’re actually buying a song from them to listen to it, as opposed to just spinning. However, if you’re spinning that song all day, every day, that helps .
The band-related radio stations that Spotify curates have been especially helpful to me. Have you found any bands through the Dead South Radio?
You know, actually, that’s a great question. I know that I’ve been pretty turned on to some bands. I can’t think of any off the top of my head right now. Because yeah, I love when you’re done listening to playlist, and it connects you somewhere else, and you’re like, “Oh, that’s good. That’s real good.”
Keeping track of bands gets overwhelming these days. I’m not sure if it’s my memory slipping as I get older? If my priorities are elsewhere…
Well, that’s true. And it’s like what we were saying– there’s so many now. It’s just an open world.
Is that a good thing or a bad thing?
I think it can actually cause a lot of ADHD with bands too. “I’m really into this band… Oh, now, the next band this week,” and it flies all over the place. So again, I think it’s a blessing and a curse. It’s always great to be able to discover bands. But when you have so many options, it’s easy to forget about some band that you were really into a month ago.
Getting back to the EPs, did Dead Sound start by covering songs? Find some common ground and go from there?
No, actually, we just started writing and jamming right off the hop. Covers are a foreign thing to us. But there was always this idea of when we were doing these EPs of doing whatever the hell we wanted with them. We had that project mindset of, “It’s just for fun, we’ll do as many as we want, and make them for the rest of our lives.”
At the beginning of COVID, we all got some recording gear because we’re all separated and weren’t able to see each other. This was a really good learning experience on how to use Pro Tools, how to take songs and make them our own a little bit. It was a good learning experience.
Were are you familiar with Pro Tools before?
No, not at all , and it’s not very user-friendly (laughs)!
Was that frustrating on your end or did that inspire you maybe down the road to do production work, to be on the other side of the glass?
Yeah, actually, I think one day that’d be fantastic. However, at the beginning it was super frustrating, to the point where I’d start trying to record something; then I’d to do something here, and I didn’t know what the hell I was doing, and nothing was working. But then once you get the hang of it, start playing around, and actually doing research, it’s a lot of fun and really cool to do.
What was the process for choosing the songs you’d cover? Were there any arguments?
Actually, it was pretty easy. We all get along pretty, pretty well. The arguments are very far and few between, so it’s great. But when it came to EP 1, we went with the traditional side because we work with the publishing company called Pure Music. They were throwing around the idea of maybe going into their catalog, doing a couple of versions of our own. Then we thought, “ Well if we’re going to do that, why don’t we just start this EP project? We’ll start with traditional sound for the first one.” Then that grew into doing a second on
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