Secret Admirer Step Sisters We Just Porn
⚡ ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻
Secret Admirer Step Sisters We Just Porn
Sections
Music
Movies
TV
Comedy
Games
Books
Food
Drink
Travel
Tech
NoiseTrade
Video
Newletter
Netflix
Amazon
HBO Max
Hulu
Disney+
NoiseTrade
Video
Newsletter
Netflix
Amazon
HBO Max
Hulu
Disney+
NoiseTrade
Video
Newsletter
Netflix
Amazon
HBO Max
Hulu
Disney+
By Paste Staff & TV Writers | October 14, 2022 | 5:05pm
Some of you will remember walking into a Blockbuster (or, for the hip, your local mom and pop video store) on a Friday or Saturday night and being overwhelmed with all of the choices. Drama? Comedy? Documentary? Where to begin? You could get lost forever wandering down those aisles and wondering, “but is this the best choice?”
The same can happen now when you scroll around Netflix; the options seem endless (and they nearly are, so much so that Netflix’s own newly released series often get lost!) What you need is to be able to log on and know exactly what you want to start bingeing without wasting time scrolling around.
Enter Paste — our TV writers are ready to assist in helping you find what you need. Below we’ve ranked 50 of the best TV shows on Netflix, but it’s just a start. Bookmark this page and come back as more series are added to Netflix (and some may be taken away) each month. And an important note: The list now starts with our #1 pick!
Looking for streaming series on other networks? You can also check out our lists of the Best TV Shows on Hulu , the Best TV Shows on Amazon , as well as our weekly Power Ranking for even more recommendations.
Created by: Vince Gilligan Stars: Bryan Cranston, Anna Gunn, Aaron Paul, RJ Mitte, Giancarlo Esposito Original Network: AMC
Some argue that The Wire is TV’s best drama of all time; others stand up for Mad Men or The Sopranos , the latter of which has the benefit of being so important historically that it begins many textbooks’ modern TV eras. But Breaking Bad made its bones quickly, publicly, and with plenty of pizzazz. It entered the TV landscape with just a few episodes of tonally questionable wobbling—the balance-finding of an ambitious acrobat searching for the tightrope’s center—and stuck the landing on the remaining five seasons. Who cares if the first season’s DVD case called it a dramedy? America knew what it was immediately, even if we didn’t know exactly where it was going. How has the tragic ballad of science teacher-turned-meth kingpin Walter White (Bryan Cranston) weathered its title over the years? If the current TV landscape is anything to judge by, it’s a proud grandfather, looking over its progeny with the same glee and gentle judgment of any overachieving patriarch. Breaking Bad may not have set the paradigm of unlikable anti-heroism in pop drama, but it certainly put the “pop” in the designation. (And don’t forget to watch the show’s probably unnecessary but nevertheless wonderful follow-up film El Camino ). — Jacob Oller
Created by: Love Productions Stars: Mary Berry, Paul Hollywood, Prue Leith, Mel Giedroyc, Sue Perkins, Sandi Toksvig, Noel Fielding, Matt Lucas Original Network: BBC
Known across the pond as The Great British Bake-Off , the appeal of the wildly popular reality TV series—most seasons of which are now available on Netflix—is its refusal to go in for dramatic contrivances. Against Fox’s Gordon Ramsay-hosted properties, Chopped , and even Top Chef , with their constant backbiting and broken dreams, the contestants on GBBS are sunny, mutually supportive amateurs (albeit extraordinarily skilled ones); in any given episode, the worst crisis is judge Paul Hollywood pressing a finger into a scone and pronouncing it “underbaked” (or literally pronouncing it “overwerked and oonderbaked”). Even with new hosts and new judge as the series moved to ITV from the BBC, GBBS remains a wonderful, inspiring, refreshing, whimsical and altogether happy series.— Matt Brennan and Allison Keene
Developed by: Jeffrey Addis, Will Matthews Stars: Taron Egerton, Anya Taylor-Joy, Nathalie Emmanuel, Simon Pegg, Mark Hamill, Jason Isaacs Original Network: Netflix
There is a moment in Netflix’s The Dark Crystal: Age of Resistance —a prequel to Jim Henson’s beloved Dark Crystal movie (which is great but you do not need to have seen it before this)—where two ancient characters are recounting an important tale to our heroes. It’s about the beautiful land of Thra, and an event many years past that caused an imbalance and blight within the crystal that stands at the center of their world. All of the answers they seek will be “brought to life by that most ancient and sacred of arts…” they’re told, with a dramatic pause as the character looks right at the camera and breathes out: “Puppetry!”
“Oh nooo!” our heroes groan, and one immediately falls asleep.
That is the bias that Age of Resistance acknowledges it’s up against—but folks, get over it. Allow this incredible production to sweep you away in an epic fantasy journey, one that is able to so much more deeply and fully explore the world Henson and Frank Oz imagined with the original film. You can liken it to Lord of the Rings or Game of Thrones or any high fantasy series you like, but after 10 magical hours it truly stands on its own as a gorgeous, innovative, emotional, joyous, and exceptional wonder. If that sounds hyperbolic, it’s only because that’s exactly the kind of sincere enthusiasm the show engenders. Get past any hesitance over the puppets (which are actually outstanding, as CG is used only to smooth out backgrounds and action), turn subtitles on to help you remember all of the character names, and immerse yourself in this incredible world that we are so, so lucky to have.— Allison Keene
Created by: Vince Gilligan Stars: Bob Odenkirk, Michael McKean, Rhea Seehorn, and Jonathan Banks Original Network: AMC
When Bob Odenkirk showed up towards the end of the second season of Breaking Bad , playing sleazy lawyer Saul Goodman, it was a small shock to the system for anyone who had long appreciated his work as a writer and a comic actor on series like SNL and Mr. Show . Little did we know that this was only the beginning of a tragic and hilarious tale that would start to take on the scope of an epic Russian novel. This prequel to Vince Gilligan’s meth drama has accomplished the nearly impossible, expanding upon the source material of Breaking Bad with dynamic and sometimes heartbreaking results. And give full credit to Odenkirk (and his co-stars Michael McKean, Rhea Seehorn, and Jonathan Banks) for further bringing to life how shaky a person’s morality can be, especially when there are great gobs of money involved. — Robert Ham
Created by: Jerry Seinfeld, Larry David Stars: Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander, Michael Richards Original Network: NBC
On any given weekday, the likelihood is high that I watch a Seinfeld rerun that I’ve seen at least 20 times before, and I’m not alone in that habit. The fact that the show has been in continual reruns and syndication since its 76-million viewer finale proves how beloved it remains to this day: Seinfeld is still making money for networks two decades after it ended. Its grasp on pop culture minutia was on another level entirely, as was its distaste for typical sitcom conventions. Long-term relationships and love triangles were practically non-existent on Seinfeld . Never did characters offer sappy apologies to each other. Never did they even learn from their mistakes! Larry David and company were instead committed to telling stories of everyday, casual misanthropy from people who viewed themselves as generally decent or average, but were in reality pretty terrible individuals. Without even going into depth about the show’s transformative effect on the cultural lexicon, known as “Seinlanguage” it’s easy to see how Seinfeld uniquely stood out from every one of its peers. — Jim Vorel
Created by: Eugene Levy, Daniel Levy Stars: Eugene Levy, Daniel Levy, Catherine O’Hara, Annie Murphy, Emily Hampshire, Noah Reid, Jenn Robertson, Chris Elliott Original Network: Pop TV
The narcissistic matriarch of her spoiled clan, stripped of their fortune and plopped down in the rural burg of Schitt’s Creek, former soap star Moira Rose—as played by Catherine O’Hara, dressed by costume designer Debra Hanson, and written by Schitt’s Creek co-creator Dan Levy and his team—was, for the series’ first two seasons, the main reason to tune in: She’s high camp catnip (“What is your favorite season?” “Awards.”) with a wig collection that qualifies as the best drama on television. And then something happened. Her husband, Johnny (Eugene Levy), once the owner of a successful chain of video stores, rediscovered his purpose running a motel. Moira won a seat on the town council. Their son, David (Dan Levy), opened a store and met the love of his life. Their daughter, Alexis (Annie Murphy), finally finished high school (it’s a long story) and decided to enroll in community college. In Seasons 3, 4, and 5, the Roses put down roots, and as they have, the people of Schitt’s Creek—once treated primarily as rubes, innocently getting in the way of the family’s plans to flee back to their former lives—have learned to wrangle them, in some cases by developing sharper edges of their own. Though it hasn’t lost its absurdist inflection, what began as a fish-out-of-water comedy about a bunch of snobs reduced to eating mozzarella sticks at the Café Tropical has become a gentler, warmer, more complicated tale of what happens when the fish sprout legs, and one of the best comedies on television: Call it the sweetening of Schitt’s Creek . — Matt Brennan
Created by: Michael Schur Stars: Kristen Bell, Ted Danson, D’Arcy Carden, William Jackson Harper Original Network: NBC
Some of the best sitcoms in history are about bad people. M.A.S.H. , Seinfeld , Arrested Development : It’d be hard to argue that the majority of their characters aren’t self-involved, intolerant or downright assholes. It’s far, far too early to enter The Good Place into any such pantheon, but it’s relevant in pinning down why the latest comedy from Michael Schur ( The Office , Parks & Recreation , Brooklyn Nine-Nine ) feels simultaneously so cozy and so adventurous. Fitting into a middle ground of sensibilities between occupational comedies like NewsRadio and the sly navel-gazing of Dead Like Me , The Good Place is the rare show that’s completely upfront about its main character’s flaws, creating a moral playground that tests Eleanor’s worst impulses at every turn. Played by Kristen Bell at her most unbridled, she’s a vain, impish character—the type of person who’ll swipe someone’s coffee without a second thought, then wonder why the universe is plotting against her. She’s a perfect straight woman in an afterlife surrounded by only the purest of heart, but the show doesn’t hold it against her. If anything, following in the grand tradition of sitcoms, the show knows that we’re all bad people at one time or another. — Michael Snydel
Created by: Susannah Grant, Ayelet Waldman, Michael Chabon Stars: Toni Collette, Merritt Wever, Kaitlyn Dever Original Network: Netflix
There’s something quietly revolutionary about Unbelievable . It is difficult to watch at times, the kind of series likely to live with you long after its final moments come to a close; for a story centered on rape, that is hardly unusual. The work of its three remarkable lead actors is wonderful but also not unique; other television shows and movies have hired exceptional performers to tell these stories. Instead, Unbelievable distinguishes itself by the simple act of making one very big assumption: that everyone watching already knows that rape is a horrific violation. It assumes you’ve got that handled. It assumes that you’ve seen The Handmaid’s Tale or Boys Don’t Cry , or most recently, The Nightingale , and have plenty of experience seeing rape depicted in media in visceral, nightmarish fashion. It is fully aware that of the people on the other side of the screen one in six women and one in 33 men will have personally experienced a rape or an attempted rape in their lives. It has absolutely no interest in immersing its audience in trauma and violation. Unbelievable knows that you know rape is bad. It does not act as a voyeur. Under the guidance of showrunner Susannah Grant, it is far more interested in the survivor’s perspective—on what happened to her, yes, and how it lingers, but also on the violations that came after.
Based on a Pulitzer-winning piece of journalism by T. Christian Miller and Ken Armstrong (of ProPublica and The Marshall Project, respectively), Unbelievable is a series of such quiet power that its full impact may not come crashing down until after its conclusion.— Allison Shoemaker
Created by: Tom Tykwer, Achim von Borries, Henk Handloegten Stars: Volker Bruch, Liv Lisa Fries Original Network: Das Erste
The excellent ’20s-set series Babylon Berlin is a labyrinthine but deeply human exploration of a key era of German history. Focusing primarily on a mysterious detective from Cologne (Volker Brunch’s Gereon Rath), as well as a poor, ambitious flapper with a desire to work in Berlin’s homicide division (Liv Lisa Fries’ Charlotte Ritter), this neo-noir builds a case around the many forces at work in German society and politics during the Weimar Republic. With the rise of Stalin impacting Europe, and the Treaty of Versailles not sitting well with dangerous nationalist groups, Berlin is a hotbed of covert activities. And the payoff, after the show’s marvelous first two seasons, culminates in one of television’s best episodes of all time (including an outrageous twist you will never see coming).
Despite the time period (in a surprise perhaps to American viewers), the first time we are shown a swastika is not until the Season 2 finale. But the slow turning of that tide—the fall of democracy, the rising blame against the Jewish community—is felt throughout, as violence spills out onto the streets, among a population still splintered from the horrors of the first World War. And yet, Babylon Berlin is never a dark series. It can be sad or heartbreaking, but it can also be luminous and joyous. It’s cerebral and emotional. It takes time to spend an entire episode casually lounging by a lake, but also builds such an intricate interplay of narrative threads that, when they start to pay off, you will come away astonished. The show’s distinct German Expressionist style, gorgeous costuming, and keen sense of character make it unmissable TV. Don’t be scared of the subtitles—though it is dubbed, it is best experienced in its native language. — Allison Keene
Created by: Peter Berg Stars: Kyle Chandler, Connie Britton, Taylor Kitsch, Jesse Plemons, Aimee Teegarden, Michael B. Jordan, Jurnee Smollett Original Network: NBC
Who ever thought football, a sport infamous for its meatheads and brute force, could be the cornerstone of one of television’s most delicate, affecting dramas? Heart-rending, infuriating, and rife with shattering setbacks and grand triumphs— Friday Night Lights is all of these, and in those ways it resembles the game around which the tiny town of Dillon, Texas, revolves. “Tender” and “nuanced” aren’t words usually applicable to the gridiron, but they fit the bill here, too. Full of heart but hardly saccharine, shot beautifully but hyper-realistically, and featuring a talented cast among which the teenagers and parents are—blessedly—clearly defined, the show manages to convince episode after episode that, yes, football somehow really is life. Clear eyes, full hearts, can’t lose. — Rachael Maddux
Created by: Natasha Lyonne, Leslye Headland, Amy Poehler Stars: Natasha Lyonne, Charlie Barnett, Greta Lee, Yul Vazquez, Elizabeth Ashley Original Network: Netflix
Netflix’s Russian Doll was almost too good to be renewed. By all means, renew Natasha Lyonne. Renew Amy Poehler. Renew Leslye Headland. Renew Charlie Barnett. Renew Rebecca Henderson and Greta Lee as hot mess hipster art friends ready to make parties across the Netflix spectrum that much spikier and sparklier. Renew Elizabeth Ashley as every Netflix heroine’s no-bullshit therapist (but make it fashion) mom-figure. Renew sharp, funny women directing sharp, funny women written by sharp, funny women. Renew that hair. Renew every damn thing about Russian Doll that helped make it such a brambly triumph of black comedy, macabre ennui, and existential optimism. (Everything, that is, except Dave Becky in a producer’s chair—if Broad City can change precedent after four seasons, new series can avoid setting one altogether.) Renewing Russian Doll as a whole is trickier. It is, in the eight shaggy, smartly-constructed puzzlebox episodes of its debut season, nearly perfect. — Alexis Gunderson
Created by: Ava DuVernay Stars: Asante Blackk, Caleel Harris, Ethan Herisse, Jharrel Jerome, Marquis Rodriguez, Felicity Huffman, John Leguizamo, Michael K. Williams, Vera Farmiga Original Network: Netflix
You cannot look away from When They See Us or shelter yourself from the blinding truth. On April 19, 1989, 28-year-old Trisha Meli was jogging in Central Park when she was brutally raped and left for dead. In a coma for 12 days, Meli had no memory of what happened to her and was unable to identify her attacker or attackers. The series doesn’t shy away from the horrors of what happened to Meli. A successful white woman left for dead in America’s most famous public space did not sit well with New York City. Everyone—the mayor, the district attorney, the police department—wanted her attackers caught. But somewhere along the line, Manhattan District Attorney Linda Fairstein (Felicity Huffman, in her first post-scandal role) and NYPD detectives lost sight of wanting to find the actual criminal and decided to solve
Porn Mature Sluts Hard
French Milf Sexy
Latin Dress