Sean Young Naked

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Sean Young Naked
Grown Up Gossip & Internet Villainy
Clevelanders still whisper about that time high schooler Sean Young staged her very own dance recital wearing a sheer white Danskin with nothing underneath.
That’s just being artsy, right? After all, she made it to the silver screen, appearing alongside bigwigs like Harrison Ford in Blade Runner and Kevin Costner in No Way Out . But her promising career floundered when on-set squabbling and kooky antics tarnished her professional reputation. Sending mutilated corpse pictures to James Woods after a fizzled tryst didn’t help much either.
Baffled as to why everyone thought she was nuts, she donned a homemade Catwoman outfit and paraded around Hollywood in an ill-advised campaign for the already-cast role. Shockingly, the director remained unconvinced.
Years later, Young appeared in a collection of made-for-TV movies, a soap opera, and Celebrity Rehab with Dr. Drew . Today, the erratic actress is proud to be a Trump-supporting, anti-vaccination conspiracy theorist.
Thankfully like many other hot female actresses , she left a legacy of nude scenes in over a dozen movies. She proudly went full frontal in Love Crimes and there’s a lovely long shot of her naked body from the back in Men . Enjoy the awesome pictures below!
Here are her nude scenes in Seduced by a Thief (2001), Out of Control (1998), The Boost (1988), Haunted Echoes (2008) and The Drop (2006)
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Full archive of her photos and videos from ICLOUD LEAKS 2021 Here Check out Sean Young’s nude/sexy collection, including her see-through, red carpet photos and screenshots with hot scenes from “Love Crimes”, “Men”, “Threat of Exposure”, etc. Mary Sean Young (born November 20, 1959) is an American actress. She is best known for her performances in the films “Blade Runner” (1982), “Dune” (1984), “No Way Out” (1987), “Wall Street” (1987), “Cousins” (1989) and “Ace Ventura: Pet Detective” (1994).
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Back in the 80s, Sean Young was one of the best-known and most recognised movie stars around. Thanks to memorable turns in acclaimed hits and cult classics like Blade Runner, Stripes, Dune, No Way Out and Wall Street, the young actress quickly became a major celebrity and magazine cover model.
However, when tabloid interest in the actress took a nasty turn, and when her own behaviour veered from endearingly quirky to occasionally somewhat unnerving, Young’s star fell hard and fast.
We may never know for sure if Young was just a victim of years of bad press, or if she really has been as badly-behaved as rumoured. Either way, it’s hard not to look back over Young’s life story without feeling some sympathy for the many times she came close to greatness, only to spectacularly crash and burn.
Sean Young was born on the 20th of November 1959 in Louisville, Kentucky. Her birth name was Mary Young, and she was the daughter of Donald Young and Lee Guthrie, both of whom worked in the media.
Her father was a producer and journalist in TV news, whilst her mother was also a journalist and PR executive. Later, Lee Guthrie would co-write the TV movies A Place for Annie and Navigating the Heart with Sean’s sister, Cathleen Young.
Early on, acting was not the line of work which Sean Young intended to pursue. From her childhood, Young was a keen dancer, and this was the path she originally hoped to follow, studying ballet as a young girl then taking this study further at the Interlochen Arts Academy in Interlochen, Michigan.
Eventually, this lead Young to study at the illustrious School of American Ballet in New York City. For a time, she would work as a ballerina, as well as making a move into modelling. Young does not look back fondly on her time as model (simply remarking of it, “I went yuck” in one interview), but this helped get her foot in the door of the entertainment industry.
Thanks to her mother’s contacts in New York, Young was quickly able to find an agent as an actress, and she landed her first film role not long after that: a small supporting part in the 1980 drama Jane Austen in Manhattan.
Jane Austen in Manhattan wasn’t a huge success, but it proved to be a fairly prestigious starting point for Young. The film was made by the producer-director team of Ismail Merchant and James Ivory, who would go onto make several of the most acclaimed period dramas of the 80s and 90s including A Room with a View and The Remains of the Day.
Now a jobbing young actress, Sean Young soon landed her next role in what proved to be her first real hit: the 1981 comedy Stripes , which stars Bill Murray and Harold Ramis as two slackers who decide to join the Army.
Young and her more seasoned co-star P.J. Soles (Carrie, Halloween ) played a pair of military police officers who become Murray and Ramis’ love interests. Director Ivan Reitman has admitted Young was cast primarily because of her looks, feeling she brought a “sweetness” to the role of MP Louise Cooper.
Her casting in Stripes was a career turning point for Young, and it coincided with another personal landmark: her twenty-first birthday. In fact, Young shot her first day of work on Stripes the very day she turned 21, 20th November 1980.
By interesting coincidence, the very next day was the birthday of her co-star Harold Ramis. Though Young was cast as his love interest, and his superior in the Army, Ramis was by far the elder of the two; 21st November 1980 saw him turn 36.
Stripes was a key film in cementing Saturday Night Live star Bill Murray as a big screen comedy legend. However, Young was not very impressed with the methods of her more famous co-star, and the two are said to have butted heads throughout the production.
With director Ivan Reitman’s encouragement, Murray and his fellow comedy star cast mates (including John Candy ) improvised heavily throughout the shoot. This approach riled Young, who preferred to stick to the script. The resulting tension was bad enough that Murray reportedly declared he would never work with her again.
With domestic takings of over $85 million, Stripes wound up the fifth biggest US box office hit of 1981. As it turns out, Young had also come close to landing the lead in what proved to be the number one blockbuster of the year, Raiders of the Lost Ark.
Young was one among several actresses seriously considered for the role of Marion Ravenwood, love interest of Indiana Jones. She even screen-tested alongside the actor who was initially cast as the male hero, Tom Selleck. Ultimately Karen Allen was cast as Marion, whilst Indiana Jones was played by an actor Young would work with soon enough – Harrison Ford.
Young may have missed out on starring alongside Harrison Ford in Raiders of the Lost Ark, but she would play the famed actor’s love interest in his very next film: the science fiction thriller Blade Runner, directed by Ridley Scott (who had not long since made a name for himself with Alien).
Young landed the key role of Rachael, a replicant (artificial human) who believes herself to be a real person, as she had the look and attitude that director Scott wanted. She beat out competition from Nina Axelrod, a now largely-forgotten actress who went on to work as a casting director.
Blade Runner is widely hailed as one of the greatest science fiction films ever made, but it has also long lived in infamy for the level of tension on set, most of which was down to the exacting specifications of director Ridley Scott. Young experienced Scott’s fastidiousness as soon as she set foot on set.
Young recalls , “My first day was when I walk into Tyrell’s office and say, ‘Do you like our owl?’… [Ridley Scott] kept making me say ‘owl’—one syllable—not ‘ow-well.’ That was my first day. It took 26 takes just to get ‘owl’ right. He was very controlling in that regard.”
Sean Young was still only 21 with two film roles to her name when work began on Blade Runner, so director Ridley Scott had some doubts about whether she was entirely up to the job of playing Rachael. To this end, production executive Katherine Haber was tasked with helping Young nail the character.
Haber recalls , “essentially I was her acting coach… for two weeks prior to shooting, Sean and I would spend time going through the entire script, to get the nuances and to be able to perform to Ridley’s expectations. It was a great experience, and we are friends today.”
Shooting Blade Runner was by all accounts a largely unhappy experience for leading man Harrison Ford, who (like much of the crew) was frequently at loggerheads with Ridley Scott. Unfortunately, Ford didn’t get on very well with his leading lady Young either.
It’s not entirely clear what was the root of Young and Ford’s mutual disdain, but it’s known that it was yet another cause of tension on set, particularly given that Deckard and Rachael are supposed to become lovers in the film.
Blade Runner features a notoriously problematic love scene , which the film’s crew felt was more aptly described as a ‘hate’ scene. Young said of the key moment, “When you’re twenty and you’re insecure, you hope that your leading man will be like, ‘It’s ok, you’ll be fine’… and Harrison wasn’t particularly generous that way.”
Young was genuinely in pain shooting the scene: when Ford thrusts her against the blinds, she “did hit my back pretty hard. And I did cry a lot. But I think it was exactly what Ridley wanted.” Reportedly Ford wasn’t oblivious to this, and shortly thereafter he affectionately ‘mooned’ Young in the hopes of cheering her up.
Blade Runner was adapted from the novel Do Androids Dream of Electric Sheep? by acclaimed science fiction author Philip K. Dick. Sadly Dick died before the film was completed, but lived long enough to see some early footage, which he loved – in particular Young’s performance as Rachael.
Dick over-enthusiastically described Young as a “super destructive cruel beautiful dark-haired woman that I eternally write about and now I’ve seen a photograph of her and I know that she exists and I will seek her out and presumably she will destroy me.”
One of the most talked-about aspects of Blade Runner to this day is the question of whether or not Harrison Ford’s replicant hunter Deckard is, in fact, a replicant himself. Ford says no, Ridley Scott says yes – and Sean Young sides with her director.
Young told Empire , “I always believed that [Deckard] was [a replicant] because that’s what Ridley’s always said. As I recall, at the end of the picture he has that unicorn” (an origami figure left by Edward James Olmos’ character Gaff, hinting to a dream of a unicorn Deckard has earlier).
Blade Runner was released to US cinemas on the 25th of June 1982, a mere two weeks after another sci-fi fantasy film, Steven Spielberg’s ET the Extra-Terrestrial. Whilst Spielberg’s heart-warming, optimistic fable quickly became the biggest blockbuster ever, the downbeat Blade Runner was widely ignored by audiences.
The initial reviews for Blade Runner were also largely unkind, and the film seemed doomed to be quickly forgotten. Fortunately for Sean Young, very little of the critical animosity toward the film was in any way aimed at her, with Ford and Scott getting the bulk of the flak.
Blade Runner may have been dead on arrival at the US box office, but Young soon became aware that the film had gone on to have a major impact across the Pacific in Japan. The actress recalls that up to the mid-80s, “My mailbox would be filled with fan mail from Japan.”
This enthusiasm for Blade Runner overseas gradually built up renewed interest in the film back home. This in turn paved the way for the film’s ambitious re-release in the 1991 director’s cut (one of the first special editions of its kind), after which Blade Runner was re-appraised and hailed as a masterpiece.
Blade Runner had only been in theatres for a few weeks when Sean Young’s next big screen appearance arrived in July 1982. Young took second billing under Michael McKean ( This is Spinal Tap ) in Young Doctors in Love, a spoof of TV hospital dramas.
Young Doctors in Love may be largely forgotten today, but it proved to be considerably more profitable than Blade Runner on release, earning just short of $31 million off the back of a $7 million budget; Blade Runner, meanwhile, cost over $30 million and made barely $40 million back.
Not long thereafter, Sean Young landed a role in another big-budget sci-fi movie based on a cult novel: Dune, an adaptation of Frank Herbert’s epic 1965 best-seller. Perhaps ironically, Ridley Scott had originally been attached to direct Dune as well.
Ultimately Scott bailed on Dune as it was stuck in development hell, leaving the reins free for director David Lynch to pick up. Lynch and producer Raffaella De Laurentiis cast Young in the role of Chani, alongside newcomer Kyle MacLachlan as the young hero Paul Atreides.
Sean Young actually came perilously close to missing out on being cast in Dune. There had been some sort of mix-up regarding her screen test: Young wasn’t given the correct details by her agent, and filmmakers David Lynch and Raffaella De Laurentiis thought she’d simply failed to show up.
However, by happy coincidence Young found herself on the same flight from New York to Los Angeles with Lynch and De Laurentiis. The trio talked things out, got along well, had some champagne together, and by the time they arrived Young’s casting in Dune was assured.
Not unlike Blade Runner, Dune has long been infamous for its behind the scenes difficulties, but Sean Young has insisted she had a very happy time working on the film – and has shared behind-the-scenes footage she shot which documents this.
Young brought her own Super-8 camera to Dune’s London set and shot hours of candid footage, some of which she has edited together and released on Youtube. The actress states in her voiceover, “It was an international crew, we all loved it, we were all happy.”
Dune was released in December 1984, and it didn’t wow audiences or critics. Widely criticised for being too confusing, the film attracted largely negative reviews, and proved to be a box office flop, failing to recoup its $40 million budget (an unusually high price tag for a movie at the time).
Director David Lynch and others involved in Dune would ultimately disown the film: Lynch would say later that he “probably shouldn’t have done that picture.” While Young found it a happy experience, she recognised how stressful it was for the director: “David did seem to get more and more depressed because he realised that he’d bitten off a lot.”
With a few movie roles to her name, Sean Young made her first mark on the small screen in 1985. One-off drama Under the Biltmore Clock, an adaptation of an F. Scott Fitzgerald story for TV series American Playhouse, gave Young her first top-billed leading role as Myra Harper.
1985 also saw Young star in four episodes of TV mini-series Tender is the Night, another F. Scott Fitzgerald adaptation. But Young hadn’t forgotten about the movies: that year also saw her appear in live-action Disney movie Baby: Secret of the Lost Legend, which met a lukewarm critical and commercial response.
After another TV mini-series, 1986’s Blood & Orchids, Young returned to the big screen in a big way with 1987 thriller No Way Out, in which she played the female lead behind the up-and-coming Kevin Costner, and established Hollywood superstar Gene Hackman.
Although it was only a modest box office hit, No Way Out has widely been credited with launching Costner as a major leading man; he would go on to some of the biggest hits of the late 80s and early 90s. At the time, it looked like it would do the same for Young, who earned widespread praise for her performance as Susan Atwell.
No Way Out was the first film in which Sean Young appeared naked on camera. While the actress says she felt comfortable doing so, she also felt that she wasn’t really given any choice in the matter.
In 2020 documentary Skin: A History of Nudity in the Movies, Young explains, “It’s not like you could say to the producers, ‘I love this part but I don’t want to do the nudity’. You had to do the nudity. That’s what they were banking on as part of their sexy project.” She also says that director Roger Donaldson ordered her to lift up her shirt for him at her audition.
1987 was ostensibly a good year for Young. On top of No Way Out, she also landed a plum role in director Oliver Stone’s acclaimed drama Wall Street , which famously landed Michael Douglas the Best Actor Academy Award for his performance as the unscrupulous Gordon Gekko.
Young had what should have been a key supporting part as Kate Gekko, the wife of Douglas’ Gordon. However, in the final cut of the film her appearance amounts to little more than a cameo, and it is understood that her role was significantly reduced due to tensions on set.
Wall Street’s more prominent female role – Darien Taylor, girlfriend of Charlie Sheen’s Bud Fox – was taken by Young’s old Blade Runner co-star Daryl Hannah. Reportedly neither Hannah nor director Oliver Stone were entirely happy with this casting – and Young is also said to have had strong feelings on the issue.
As well as being vocal in declaring that Hannah was all wrong for Darien, Young also told Oliver Stone that she should take the role instead, and that Hannah should take over Young’s role of Kate. Stone would not acquiesce to this, and tensions between director and actress ensued.
It wasn’t just Oliver Stone that Young clashed with on the set of Wall Street. There are all manner of rumours surrounding the actress’s behaviour in the making of the film, with allegations that after Stone refused to give her Hannah’s role she would often turn up late to set without having learned her lines.
One person who really didn’t take kindly to Young was her young male co-star Charlie Sheen, who decided to get back at her in a very school bully-ish manner: the actor is said to have slyly taped a note to Young’s back reading “I am a c***.”
Reports vary as to how Young’s time on Wall Street came to an end. It has been claimed that her role was originally far larger than it wound up being in the final film, but because the cast and crew found her so hard to work with, her scenes were drastically rewritten and reduced at short notice.
It has also been widely rumoured that, in a final act of petty revenge, Sean Young walked off the set of Wall Street taking the entire contents of her character’s wardrobe. However, writer-director Oliver Stone has refused to say whether or not this actually happened.
Even whilst the rumour mill began to swirl with reports about Sean Young being hard to work with, the actress was still widely admired by men and women alike for her beauty. Notably, Young was honoured by influential fashion magazine Harper’s Bazaar.
In 1987, Young was listed by Harper’s Bazaar as one of America’s ten most beautiful women, alongside the likes of Michelle Pfeiffer, Andie MacDowell, Lisa Bonet and Anjelica Huston . Young would continue to enjoy a good relationship with the magazine, appearing on their cover in 1989.
Stripes and Young Doctors in Love proved that Sean Young was not averse to playing comedy, and in 1988 she could have added another comedic entry to her resume. She was offered the part of Janet Colgate, the female lead of con artist comedy Dirty Rotten Scoundrels.
However, Young decided against taking the ro
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