Schoolgirl Pin

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ВКонтакте – универсальное средство для общения и поиска друзей и …
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Перевести · 03.07.2020 · Let us know if you'd wanna see a part 2 !! & don't forget to check out our other challenges ️ Thank you & we …
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Перевести · Camila Cabello - This Love . What am I wearing? Tableau Vivant \ Lovely hair - New release is out @ Cupid Inc, a sleek short bob with a valentine themed hair pin that can be turned off. =Zenith=Offshore schoolgirl …
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Перевести · 28.05.2020 · We were asked if we could do the schoolgirl pin challenge.This we have …
Schoolgirl pin challenge with my son
Schoolgirl pin challenge with my son
Schoolgirl pin challenge with my daughter
👭 Schoolgirl-Pin Challenge with my mum 😁
Japan’s Schoolgirl Pin-Ups| Unreported World
😅 Schoolgirl-Pin-Challenge with Johannes 😁
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ВКонтакте – универсальное средство для общения и поиска друзей и одноклассников, которым ежедневно пользуются десятки миллионов человек. Мы хотим, чтобы друзья, …
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Перевести · 28.12.2019 · So this challenge was requested but really not a challenge for us as you will see! Let us know …
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Перевести · 10.07.2020 · The request was, if i could make the schoolgirl-pin-challenge with my husband 😅. 𝐑𝐞𝐪𝐮𝐞𝐬𝐭𝐬 …
https://m.vk.com/video-84675148_171127349
ВКонтакте – универсальное средство для общения и поиска друзей и одноклассников, которым …
https://m.vk.com/video-84675148_456239073
ВКонтакте – универсальное средство для общения и поиска друзей и одноклассников, которым ежедневно пользуются десятки миллионов человек. Мы хотим, чтобы друзья, …
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View allAll Photos Tagged schoolgirl pin
Tableau Vivant \ Lovely hair - New release is out @ Cupid Inc, a sleek short bob with a valentine themed hair pin that can be turned off.
[Merak] - Sweet Love - Event Opening Date: February 5th - 25th, 2020. Then will be at [Merek] Mainstore
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❤️ 3 Head sizes / Rigged version only
❤️ "Fatpack" Include Styler HUD & 72 Colors , Tint color HUD
❤️ Material and baby hair can be on or off
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Tandra Quinn (USA 1931-2016) was a model and starlet whose stunning beauty lit up the cinema screen briefly in the early 1950s, in four Hollywood films; most notably the now-cult surreal science fiction picture, Mesa of Lost Women (USA 1953).
Born Derline Jeanette Smith in South Los Angeles in the Depression, her mother was determined that her daughter would not suffer the hardship she had herself experienced in her childhood; the best way as she saw it, ensuring that her child became a successful Hollywood actress.
Derline had an auspicious start winning Number 1 Perfect Baby in America award (as declared by the Chiropractors Association); and her subsequent childhood steps into show business were fashion modelling and attending acting lessons with the Meglin Kiddies, a famous drama studio for children.
However, even before these early curtain calls, Derline had suffered a tragic burning accident that would leave her physically and mentally ( she suffered a constant fight with depression) all her life; and ultimately undermine her confidence in her Hollywood career.
That is not to say that there was plenty of bright hope at the beginning: the startlingly pretty youngster auditioned alongside her contemporary, Elizabeth Taylor (USA 1932-2011) for the role that the 'well-connected' Taylor would win in National Velvet (USA 1944); and then had a small role as a schoolgirl in Weekend at The Wardolf (USA 1945), starring Lana Turner (USA 1921-1995).
After 20th Century Fox had signed her up to a 7 year contract, the spectre of her early tragedy reared its head, leading to her being dropped by the studio, after casting directors complained that a screen test highlighted an imbalance in her features, when photographed ( Derline had been told that the burns had hampered bone development). She was deeply hurt - but on screen there is no evidence that her beauty was marred; just evidence of the rife insensitivity and brutality of the studio system.
Happily, in 1950 she was chosen as “Goose Girl” at Hollywood Park; to 'preside over the geese in the Hollypark infield'; and as 'Goose Girl' she guested on the television show, Turf Topics, on KTTV. Publicity stills reveal her blossoming beauty.
Around this time the esteemed photographer Paul Hesse arranged an appointment for her at RKO to meet Howard Hughes. Hughes wanted her to pose in bright light while he hid behind a curtain, but she refused; and she would say in a 2006 interview, that she was probably the only girl ever to stand up Howard Hughes; known for his enticement of so many Hollywood beauties.
The road of B-movies inevitably lay ahead and interspersing modelling with acting, she tried various names including Tundra Nova, Jeanette Quinn - as she was billed in The Neanderthal Man (USA 1953), in which she played, with great sensitivity, a deaf mute - before settling on Tandra Quinn.
The irony was that in all her movie roles she had no dialogue, despite having an exquisite velvet voice which had impressed producers, to accompany her expressive beauty - and which, as can be confirmed by those who knew in her later years (including myself), endured agelessly.
Tandra Quinn crossed paths with a plethora of Hollywood stars during her brief film career; and in her last years recalled knowing Joi Lansing (USA 1928-1972), at drama school, working alongside fellow pin up model, Mara Corday (USA 1933 -), Beverly Garland (USA 1926-2008) & Helen Walker ( USA 1922-1968) in Problem Girls (USA 1953); and Dolores Fuller, Ed Wood Jr's muse (USA 1923-2011) in Girls of The Night (USA 1954). She also knew Marilyn Monroe (USA 1926-1962), with whom she shared a photographer and Rock Hudson (USA 1925-1985) & John Wayne (1905-1979) were amongst her neighbours, around 1960, whilst she lived in Newport Beach - where she would also see resident Mamie Van Doren (USA 1931-)
In 1954, she married a Beverly Hills builder Herbert Smithson ( who passed in 1995) who also taught tennis to the Hollywood Stars, including Gary Cooper (USA 1901-1961) and became a mother to two children. She then retired from films - and quite the entrepreneur, she embarked on various projects, never quite getting the right financial backing; but taking her all around the world - including to Australia and Tahiti. In the 1970s she became interested in gold mining which occupied her and her companion Phillip for the rest of her life.
As a classic Hollywood film buff I was fascinated with the B-movie, Mesa of Lost Women, which I first saw on video in the late 1990s - and was intrigued to research any of the surviving actors; especially Tandra Quinn (Derline). Research on the internet lead me to contact Derline's younger sister Loretta in California in 2005. As an artist I had created cartoon tributes featuring Derline in her heyday as Tandra Quinn ( I had even depicted her with her own Star on the Hollywood Walk of Fame) - and I was eager to surprise her and hopefully uplift her.
She was delighted - though humbly bemused and incredulous that anyone would remember let alone celebrate her - which only warmed me to her all the more. She had virtually forgotten "that corny old movie" as she called it, until one day in the 1990s, she walked into a half price book & video store in Dallas, spotted the cover featuring her pin up pose and said to herself, " I guess I'll buy one". Lightly mentioning to the cashier that she was buying it "..'cause this is me" provoked much excitement - "you're kidding?!" - and he and his co-workers asked her to sign the cover of another tape of the movie, as 'Tandra Quinn'.
We quickly became firm friends, initially through long letters (she wrote in beautiful script from her Texas home…. "I came here hoping to find a cute cowboy, but…") and then later by long telephone calls - sharing care, support (we both fought depression and suffered knocks in life), our Christian faith - and laughs; always thanking God for humour. Derline had the most wicked dry sense of humour that would be accompanied by the most infectious peel of laughter.
Derline had suffered much hardship in her later years and ever wanting to lift her from a sense of worthlessness , I would always remind her that she was a beautiful piece of film history, from a Golden Era of Hollywood; forever preserved on film. She was usually dismissive and I so wanted her to receive more recognition; so with her permission I contacted film historians Tom Weaver and Alan 'Al' Doshna to tell then that I had discovered Tandra Quinn- and she agreed to wonderful revealing interviews with them, respectively in 2006 and 2015.
Tom Weaver's interview, conducted both through a meeting and telephone calls was first published in Starlog (Issue 365 - May 2008); then again ( with a 'Tandra Quinn today' photograph, showing the former actress as a voluptuous blonde) in his book of Hollywood interviews, I Talked With a Zombie (McFarland & Co. Inc, 2009). Alan Doshna's interview, conducted by phone and in writing containing even more revelations from Derline's film past was published in FilmFax (No.141 - Summer 2015).
Tandra Quinn is forever preserved on celluloid but the lady behind the starlet was so much more: she was a loving, caring, generous, compassionate, often ingenious and feisty human being. She had an extraordinary knowledge of health foods and was an advocate for alternative therapies (although her one personal vice was sugar - "I'm an ice cream & cookies gal!") and a great passion for fighting against injustice . She also protested against cruelty to animals in which she took an active part in highlighting in no uncertain terms, when she tentatively joined Facebook in 2011; at the encouragement of her niece.
Derline and I sadly never got to meet in person - though our hearts most definitely met and bonded. I am completing and posting this tribute on what would be the 73rd birthday of my late beautiful mother Marjorie J. Whatley (1943- 1981), about whom Derline showed so much interest; and compassionate care for me, in my early bereavement
Whilst Derline had deteriorating health problems, she hid from everyone - including her sister - how widespread the cancer was becoming, that claimed her life on October 21, 2016. She passed away peacefully in Florida as she wished (" I'm an ocean gal!" she shared) supported by her son Scott.
I was naturally distressed to hear this past August that she had been admitted to hospital as an emergency - and with prayers, painted this portrait tribute ( photographed just after completion), primarily inspired by her role of Tarantella in Mesa of Lost Women (USA 1953), for which she was most known; determined that it would be painted in her lifetime. Two months later Derline was released from her trial of suffering.
I was deeply honoured to know Derline as my dear friend; though as a film fan I would I have loved a dedicated photograph I never wanted to bother her( I have a treasured batch of letters) - so I conclude this tribute with the inscription Tom Weaver arranged for Tandra Quinn to write in the cover page of his book in 2009:
" To my dear Sir Stephen ~ This one of Tom's Zombies has awakened to send her love! ~ Tandra Quinn (your Derline)"
Stephen B. Whatley, November 18, 2016.
But I don't so mad photoshop skillz helped me ;) this photo is from last time I went out as a babe, maybe a week back. This ponytail / pigtail / schoolgirl(ish) look is most definitely NOT the the usual look I go with :D But still it looks pretty ok to me! Whaddaya think sisters?
AND: Don't get me wrong, just wanted to see how I look with blue eyes :) I'm more than happy with my hazel brown thingys :D
Baby, lead me to your beauty, let me lift the curse
Turn the lincoln continental to a big black hearse
Before I met you my heart was a stone black wall
You're a crazy little daisy, beautiful and tall
Just shot a YouTube video of this hold
girl dressed as a naughty schoolgirl who is taking off her clothes. She's wearing just a bra and a short skirt. What is also so sexy, is the posing on a mirror which offers an upskirt peek.
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Playing hooky, Bristle in woods wearing a sexy blue plaid short school girl skirt and thigh high stocking socks.
Austin Fine Art and Glamour Photography
Specializing in Capturing Female Beauty with Digital Photography
Playing hooky, Bristle in woods wearing a sexy blue plaid short school girl skirt and thigh high stocking socks.
Dutch collectors card. Photo: Union. Caption: Belinda Lee - you will also meet her in the next issue of Palet in four weeks.
English actress Belinda Lee (1935-1961) was a knock-out peroxide starlet who became an authentic brunette star.
Belinda Lee was born in Budleigh Salterton, England, in 1935. Her parents were Robert Esmond Lee, a former army captain and owner of the Rosemullion Hotel, and Stella Mary Graham, a florist. They raised Belinda as a good class-English country girl. She pesters her parents to send her to drama school. They finally relent, and Belinda attends the Tudor Arts Academy in Minehead / Hindhead, Surrey, and later the Royal Academy of Dramatic Arts (RADA). While playing in one of the Academy’s productions, she was spotted by director Val Guest and cast for the comedy The Runaway Bus (1954) with Frankie Howerd and Margaret Rutherford. Val Guest introduces her to Rank’s still photographer Cornel Lucas, who takes some glamour publicity photographs for The Runaway Bus. Lucas is 14 years her senior. They fall madly in love and become engaged. For her role as a dumb blonde pulp-thriller addict in the film, she received good notices. She was then cast as Amanda, one of the nubile and naughty schoolgirls in The Belles Of St.Trinians (Frank Launder, 1954). This anarchic comedy is set in the riotous, thankfully fictional girls' school St Trinian's, created between 1942 and 1951 by British cartoonist Ronald Searle. It was the first of a series of five films wand starred Alastair Sim in a dual role. When the Rank Organisation offered her a seven-year contract in 1954, Belinda Lee readily accepted. That same year Lee and Lucas married. Lucas takes thousands of photographs of his wife and sends them to leading newspapers and magazines around the world.
Rank typecasted Belinda Lee as one of their glamorous starlets. Dylan Cave at BFI Screenonline: "At the 1955 Cannes film festival she led Rank's glitterati during the studio's uncharacteristic attempt to generate British Cinema glitz. This may well have prompted Diana Dors' outrageous mink bikini at the same event - a barely concealed method of stealing back the limelight." Lee was often seen as a second-string Diana Dors. Lucas advises her to stop bleaching her hair. She landed bigger comedy roles opposite stars like Benny Hill in Who Done It? (Basil Dearden, 1956) and was served up as typical window dressing in Miracle in Soho (Julian Amyes, 1957). The swashbuckler Dangerous Exile (Brian Desmond Hurst, 1957) concerns the fate of Louis XVII, who died in 1795 as a boy, yet was popularly believed to have escaped from his French revolutionary captors. Lee played a spirited young woman looking after the refugee heir (Richard O'Sullivan). That year, British exhibitors voted her the 10th most popular British film star at the box office.
Belinda Lee then went to Rome to play the female lead, Aphrodite, in La Venera Di Cheronea/Goddess of Love (Fernando Cerchio, Victor Tourjansky, 1958) opposite Jacques Sernas and Massimo Girotti. She met intelligent, and good-looking Prince Filippo Orsini, head of one of the oldest and finest families in Italy, with many popes and generals in their lineage. Soon there was a romance between the married prince and the also married film star, and it became an international scandal. Wikipedia: "Italian newspapers reported that Miss Lee had taken an overdose of sleeping pills. Three days later, papal prince Filippo Orsini, who had been linked to her by the papers, was reported to have been hospitalised after slashing his wrists. Police refused to comment on the newspaper reports linking the two romantically. Orsini, whose injuries were light, refused to tell the police why he had done it. Lee said that she had been suffering from insomnia and had taken an overdose by mistake. Both were married to others at the time. The Vatican said that Orsini would lose his title if it were proven that he had attempted suicide" Belinda Lee returned to England for Nor The Moon By Night (Ken Annakin, 1958) in which she was even allowed to suggest sexual desire. However, the scandal significantly had damaged the image that Rank had built for Lee and, by the end of 1958, her contract was terminated, with her husband filing for divorce.
In 1959, after her divorce from Cornel Lucas, Belinda Lee moved definitively to Italy. Her personal drama worked to Lee's advantage. Avoiding the complete obscurity suffered by many Rank starlets, the European film industry offered her a range of riskier roles that played on her previously contained sexuality. The parts she played, the colour of her hair, her publicity photographs: all were in marked contrast to her British period. She played voluptuous temptresses in low-budget epics as Le Notti di Lucrezia Borgia/The Nights of Lucretia Borgia (Sergio Grieco, 1959) and Messalina Venere imperatrice/Messalina (Vittorio Cottafavi, 1960), but she also gave credible dramatic performances in Francesco Rosi's immigration drama I Magliari/The Magliari (1959), in Il Sicario/Blood Feud (Damiano Damiani, 1960) and in the intense war story La lungha notte del 43/The Long Night of '43 (Florestano Vancini, 1960). While on holiday in California with her boyfriend, filmmaker Gualtiero Jacopetti, she suddenly died in a car accident. Near San Bernardino, California, on US 91, their driver, driving too fast, loses control on the winding road. A tire blows, the car somersaults and is flipped over on its top, and Belinda is thrown out. She is seriously injured and dies twenty minutes later of a fractured skull and broken neck in the arms of a California police officer. Belinda Lee was only 25. It all ended much too soon. In 1962 Gualtiero Jacopetti presented Mondo Cane, the first and commercially most
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SCHOOL GIRL PIN CHALLENGE!! - YouTube
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Schoolgirl Pin