Schoolgirl Mistress
🛑 ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻
Schoolgirl Mistress
View all All Photos Tagged strict mistress
SmugMug + Flickr .
Connecting people through photography.
About
Jobs
Blog
Developers
Guidelines
Report abuse
Privacy
Terms
Help forum
English
SmugMug + Flickr .
Connecting people through photography.
Cubura Felix String Bikini MEGAPACK for Jake - Legacy -Enzo - Kario
In strict confidence - Forbidden Fruit
In the garden of delight, angels dreaming bliss
But the sweetest touch of all, is the serpent kiss
And she whispers in your ear, try my fruit of lust
I'm the Queen of ecstasy, in god we cannot trust
Sleep with snakesand you become a victim of the dark
For the mistress of the devil, loves to break a heart
Now its the time to pay the price, painfull is the cost
In the Dawn of innocence, your paradise is lost
♥ When somewhere between friend and lover is.. Daddy & Son
♥ The truth may hurt for a little while, but pretence and lie will hurt the relationship forever.
☑ Don't make decisions without permission
☑ Listen by brains and service mind
S: I'm a fast, hot-tempered, demanding and so very strict woman. Only this type of sub/slave can be with me peacefully. If your personality is not the type of my sub, I don't want to force you be it with unnecessary stress.
R: I already know You are a high Mistress and I already accept Your every rules. I am begging to You to show myself as your real slave, Goddess Mommy
" Thank you for accepting me the way I am. It means a lot that you surrender and live up my standards, dear "
When a 'No' is the most pleasant thing for both.
submitted to the Photo Contest AoP - Café SCHLAGfertig February 2021
Berardo Collection, Centro Cultural de Belem, Belem, Lisbon, Portugal
Spanish expatriate Pablo Picasso was one of the greatest and most influential artists of the 20th century, as well as the co-creator of Cubism.
Born on October 25, 1881, in Málaga, Spain, Pablo Picasso's gargantuan full name, which honors a variety of relatives and saints, is Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruíz y Picasso. Picasso's mother was Doña Maria Picasso y Lopez. His father was Don José Ruiz Blasco, a painter and art teacher. A serious and prematurely world-weary child, the young Picasso possessed a pair of piercing, watchful black eyes that seemed to mark him destined for greatness. "When I was a child, my mother said to me, 'If you become a soldier, you'll be a general. If you become a monk you'll end up as the pope,'" he later recalled. "Instead, I became a painter and wound up as Picasso."
Though he was a relatively poor student, Picasso displayed a prodigious talent for drawing at a very young age. According to legend, his first words were "piz, piz," his childish attempt at saying "lápiz," the Spanish word for pencil. Picasso's father began teaching him to draw and paint when he was a child, and by the time he was 13 years old, his skill level had surpassed his father's. Soon, Picasso lost all desire to do any schoolwork, choosing to spend the school days doodling in his notebook instead. "For being a bad student, I was banished to the 'calaboose,' a bare cell with whitewashed walls and a bench to sit on," he later remembered. "I liked it there, because I took along a sketch pad and drew incessantly ... I could have stayed there forever, drawing without stopping."
In 1895, when Picasso was 14 years old, he moved with his family to Barcelona, Spain. where he quickly applied to the city's prestigious School of Fine Arts. Although the school typically only accepted students several years his senior, Picasso's entrance exam was so extraordinary that he was granted an exception and admitted. Nevertheless, Picasso chafed at the School of Fine Arts' strict rules and formalities, and began skipping class so that he could roam the streets of Barcelona, sketching the city scenes he observed.
In 1897, a 16-year-old Picasso moved to Madrid to attend the Royal Academy of San Fernando. However, he again became frustrated with his school's singular focus on classical subjects and techniques. During this time, he wrote to a friend: "They just go on and on about the same old stuff: Velázquez for painting, Michelangelo for sculpture." Once again, Picasso began skipping class to wander the city and paint what he observed: gypsies, beggars and prostitutes, among other things.
In 1899, Picasso moved back to Barcelona and fell in with a crowd of artists and intellectuals who made their headquarters at a café called El Quatre Gats ("The Four Cats"). Inspired by the anarchists and radicals he met there, Picasso made his decisive break from the classical methods in which he had been trained, and began what would become a lifelong process of experimentation and innovation.
BLUE PERIOD: 'BLUE NUDE,' 'LA VIE' AND OTHER WORKS
At the turn of the 20th century, Pablo Picasso moved to Paris, France—the cultural center of European art—to open his own studio. Art critics and historians typically break Picasso's adult career into distinct periods, the first of which lasted from 1901 to 1904 and is called his "Blue Period," after the color that dominated nearly all of Picasso's paintings over these years. Lonely and deeply depressed over the death of his close friend, Carlos Casagemas, he painted scenes of poverty, isolation and anguish, almost exclusively in shades of blue and green. Picasso's most famous paintings from the Blue Period include "Blue Nude," "La Vie" and "The Old Guitarist," all three of which were completed in 1903.
In contemplation of Picasso and his Blue Period, Symbolist writer and critic Charles Morice once asked, "Is this frighteningly precocious child not fated to bestow the consecration of a masterpiece on the negative sense of living, the illness from which he more than anyone else seems to be suffering?"
ROSE PERIOD: 'GERTRUDE STEIN,' 'TWO NUDES' AND MORE
By 1905, Picasso had largely overcome the depression that had previously debilitated him. Not only was he madly in love with a beautiful model, Fernande Olivier, he was newly prosperous thanks to the generous patronage of art dealer Ambroise Vollard. The artistic manifestation of Picasso's improved spirits was the introduction of warmer colors—including beiges, pinks and reds—in what is known as his "Rose Period" (1904-06). His most famous paintings from these years include "Family at Saltimbanques" (1905), "Gertrude Stein" (1905-06) and "Two Nudes" (1906).
In 1907, Pablo Picasso produced a painting unlike anything he or anyone else had ever painted before, a work that would profoundly influence the direction of art in the 20th century: "Les Demoiselles d'Avignon," a chilling depiction of five nude prostitutes, abstracted and distorted with sharp geometric features and stark blotches of blues, greens and grays. Today, "Les Demoiselles d'Avignon" is considered the precursor and inspiration of Cubism, an artistic style pioneered by Picasso and his friend and fellow painter, Georges Braque.
In Cubist paintings, objects are broken apart and reassembled in an abstracted form, highlighting their composite geometric shapes and depicting them from multiple, simultaneous viewpoints in order to create physics-defying, collage-like effects. At once destructive and creative, Cubism shocked, appalled and fascinated the art world. "It made me feel as if someone was drinking gasoline and spitting fire," Braque said, explaining that he was shocked when he first viewed Picasso's "Les Demoiselles," but quickly became intrigued with Cubism, seeing the new style as a revolutionary movement. French writer and critic Max Jacob, a good friend of both Picasso and painter Juan Gris, called Cubism "the 'Harbinger Comet' of the new century," stating, "Cubism is ... a picture for its own sake. Literary Cubism does the same thing in literature, using reality merely as a means and not as an end."
Picasso's early Cubist paintings, known as his "Analytic Cubist" works, include "Three Women" (1907), "Bread and Fruit Dish on a Table" (1909) and "Girl with Mandolin" (1910). His later Cubist works are distinguished as "Synthetic Cubism" for moving even further away from artistic typicalities of the time, creating vast collages out of a great number of tiny, individual fragments. These paintings include "Still Life with Chair Caning" (1912), "Card Player" (1913-14) and "Three Musicians" (1921).
The outbreak of World War I ushered in the next great change in Picasso's art. He grew more somber and, once again, became preoccupied with the depiction of reality. His works between 1918 and 1927 are categorized as part of his "Classical Period," a brief return to Realism in a career otherwise dominated by experimentation. His most interesting and important works from this period include "Three Women at the Spring" (1921), "Two Women Running on the Beach/The Race" (1922) and "The Pipes of Pan" (1923).
From 1927 onward, Picasso became caught up in a new philosophical and cultural movement known as Surrealism, the artistic manifestation of which was a product of his own Cubism.
Picasso's most well-known Surrealist painting, deemed one of the greatest paintings of all time, was completed in 1937, during the Spanish Civil War. After German bombers supporting Francisco Franco's Nationalist forces carried out a devastating aerial attack on the Basque town of Guernica on April 26, 1937, Picasso, outraged by the bombing and the inhumanity of war, painted "Guernica." Painted in black, white and grays, the work is a Surrealist testament to the horrors of war, and features a minotaur and several human-like figures in various states of anguish and terror. "Guernica" remains one of the most moving and powerful anti-war paintings in history.
'SELF PORTRAIT FACING DEATH' AND OTHER LATER WORKS
In the aftermath of World War II, Picasso became more overtly political. He joined the Communist Party and was twice honored with the International Lenin Peace Prize, first in 1950 and again in 1961. By this point in his life, he was also an international celebrity, the world's most famous living artist. While paparazzi chronicled his every move, however, few paid attention to his art during this time.
In contrast to the dazzling complexity of Synthetic Cubism, Picasso's later paintings display simple, childlike imagery and crude technique. Touching on the artistic validity of these later works, Picasso once remarked upon passing a group of school kids in his old age, "When I was as old as these children, I could draw like Raphael, but it took me a lifetime to learn to draw like them." Picasso created the epitome of his later work, "Self Portrait Facing Death," using pencil and crayon, a year before his death. The autobiographical subject, drawn with crude technique, appears as something between a human and an ape, with a green face and pink hair. Yet the expression in his eyes, capturing a lifetime of wisdom, fear and uncertainty, is the unmistakable work of a master at the height of his powers.
Pablo Picasso continued to create art and maintain an ambitious schedule in his later years, superstitiously believing that work would keep him alive. He died on April 8, 1973, at the age of 91, in Mougins, France. His legacy, however, has long endured.
Inarguably one of the most celebrated and influential painters of the 20th century, Picasso continues to garner reverence for his technical mastery, visionary creativity and profound empathy, and, together, these qualities have distinguished him as a revolutionary artist. Picasso also remains renowned for endlessly reinventing himself, switching between styles so radically different that his life's work seems to be the product of five or six great artists rather than just one.
Of his penchant for style diversity, Picasso insisted that his varied work was not indicative of radical shifts throughout his career, but, rather, of his dedication to objectively evaluating for each piece the form and technique best suited to achieve his desired effect. "Whenever I wanted to say something, I said it the way I believed I should," he explained. "Different themes inevitably require different methods of expression. This does not imply either evolution or progress; it is a matter of following the idea one wants to express and the way in which one wants to express it."
An incorrigible womanizer, Picasso had countless relationships with girlfriends, mistresses, muses and prostitutes during his lifetime, marrying only twice. He wed a ballerina named Olga Khokhlova in 1918, and they remained together for nine years, parting ways in 1927. In 1961, at the age of 69, he married his second wife, Jacqueline Roque.
Between marriages, in 1935, Picasso met Dora Maar, a fellow artist, on the set of Jean Renoir's film Le Crime de Monsieur Lange (released in 1936). The two soon embarked upon a partnership that was both romantic and professional. Their relationship lasted more than a decade, during and after which time Maar struggled with depression; they parted ways in 1946, three years after Picasso began having an affair with a woman named Françoise Gilot.
Picasso fathered four children: Paul, Maya, Claude and Paloma.
“Whenever I wanted to say something, I said it the way I believed I should. Different themes inevitably require different methods of expression. This does not imply either evolution or progress; it is a matter of following the idea one wants to express and the way in which one wants to express it.”
From Wikipedia, the free encyclopedia
Queen consort of the United Kingdom and the British Dominions; Empress consort of India
SpouseGeorge V of the United Kingdom
Edward VIII of the United Kingdom, later Duke of Windsor
Mary, Princess Royal, Countess of Harewood
Victoria Mary Augusta Louise Olga Pauline Claudine Agnes
MotherPrincess Mary Adelaide of Cambridge
Mary of Teck (Victoria Mary Augusta Louise Olga Pauline Claudine Agnes; 26 May 1867 – 24 March 1953) was the queen consort of the United Kingdom and the British Dominions, and Empress of India, as the wife of King-Emperor George V. By birth, she was a princess of Teck, in the Kingdom of Württemberg, with the style Serene Highness. To her family, she was informally known as May, after her birth month.
Her father, who was of German extraction, married into the British Royal Family, and "May" was born and brought up in the United Kingdom. At the age of 24 she was betrothed to Prince Albert Victor, Duke of Clarence and Avondale, the second in line to the British throne, but six weeks after the announcement of the engagement he unexpectedly died of pneumonia. The following year she became engaged to Albert Victor's next surviving brother, George, who subsequently became king. Before her husband's accession, she was successively Duchess of York, Duchess of Cornwall, and Princess of Wales. As his queen consort from 1910, she supported her husband through World War I, his ill-health, and major political changes arising from the aftermath of the war and the rise of socialism and nationalism. After George's death in 1936, her eldest son Edward became King-Emperor, but to her dismay he abdicated the same year in order to marry twice-divorced American socialite Mrs. Wallis Simpson. She supported her second son, Albert, who succeeded to the throne as George VI, until his death in 1952. She died the following year, at the beginning of the reign of her granddaughter, Elizabeth II. Briefly, there were three queens in the country: Mary; her daughter-in-law, Queen Elizabeth The Queen Mother; and Elizabeth II.
Princess Victoria Mary ("May") of Teck was born on 26 May 1867 at Kensington Palace, London. Her father was Prince Francis, Duke of Teck, the son of Duke Alexander of Württemberg by his morganatic wife, Countess Claudine Rhédey von Kis-Rhéde. Her mother was Princess Mary Adelaide of Cambridge, the third child and younger daughter of Prince Adolphus, Duke of Cambridge, and Princess Augusta of Hesse-Cassel. She was baptised in the Chapel Royal of Kensington Palace on 27 July 1867 by Charles Thomas Longley, Archbishop of Canterbury, and her three godparents were Queen Victoria, the Prince of Wales (later King Edward VII and May's father-in-law), and Princess Augusta, the Duchess of Cambridge.[1]
May's upbringing was "merry but fairly strict".[2] She was the eldest of four children, the only girl, and "learned to exercise her native discretion, firmness and tact" by resolving her three younger brothers' petty boyhood squabbles.[3] They played with their cousins, the children of the Prince of Wales, who were similar in age.[4] May was educated at home by her mother and governess (as were her brothers until they were sent to boarding schools).[5] The Duchess of Teck spent an unusually long time with her children for a lady of her time and class,[2] and enlisted May in various charitable endeavours, which included visiting the tenements of the poor.[6]
Although her mother was a grandchild of King George III, May was only a minor member of the British Royal Family. Her father, the Duke of Teck, had no inheritance or wealth, and carried the lower royal style of Serene Highness because his parents' marriage was morganatic.[7] However, the Duchess of Teck was granted a Parliamentary Annuity of £5000, and received about £4000 a year from her mother, the Duchess of Cambridge.[8] Despite this, the family was deeply in debt and lived abroad from 1883, in order to economise.[9] The Tecks travelled throughout Europe, visiting their various relations. They stayed in Florence, Italy, for a time, where May enjoyed visiting the art galleries, churches and museums.[10]
In 1885, the Tecks returned to London, and took up residence at White Lodge, in Richmond Park. May was close to her mother, and acted as an unofficial secretary, helping to organise parties and social events. She was also close to her aunt, the Grand Duchess of Mecklenburg-Strelitz (née Princess Augusta of Cambridge), and wrote to her every week. During World War I, the Crown Princess of Sweden helped pass letters from May to her aunt, who lived in enemy territory in Germany until her death in 1916.[11]
Princess Victoria Mary shortly before her marriage to the Duke of York in 1893
In December 1891, May was engaged to her second cousin, once-removed, Prince Albert Victor, Duke of Clarence and Avondale, the eldest son of the Prince of Wales.[12] The choice of May as bride for the Duke owed much to Queen Victoria's fondness for her, as well as to her strong character and sense of duty. However, the Duke of Clarence and Avondale died six weeks later during the worldwide influenza pandemic that swept through Britain in the winter of 1891–2.[13]
Albert Victor's brother, Prince George, Duke of York, now second in line to the throne, evidently became close to May during their shared period of mourning, and Queen Victoria still favoured May as a suitable candidate to marry a future king.[14] In May 1893, George proposed, and May accepted. They were soon deeply in love, and their marriage was a success. George wrote to May every day they were apart and, unlike his father, never took a mistress.[15]
See also: Wedding of Prince George, Duke of York, and Princess Mary of Teck
May married Prince George, Duke of York, on 6 July 1893 at the Chapel Royal, St. James's Palace, in London.[16] The new Duke and Duchess of York lived in York Cottage on the Sandringham Estate in Norfolk, and in apartments in St. James's Palace. York Cottage was a modest house for royalty, but it was a favourite of George, who liked a relatively simple life.[17] They had six children: Edward, Albert, Mary, Henry, George, and John.
Princess
Overwatch Tracer Sounds
School Girl Porn Films
Honour May Fake Taxi Porno 2022 Torrent