Schliersee buying blow

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Schliersee buying blow

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Schliersee buying blow

How nice it must be not to have to reinvent yourself all the time. To be sure where your own place is in life. Josef Geisler, the blacksmith from the Schliersee Valley, has long arrived at his place and seems to be a happy person. Upon entering the forge, a journey back in time begins. Huge forging hammers stand along the long wall, behind them stretch, up to the ceiling, the drive belts. Workbenches covered with thick wooden panels, on which are shavings and rusty tin cans, draped as if for a still life. The anvil stands on a coarse, oversized block of wood and is centrally located in front of the chimney, where the fire is already blazing and the hard coal is glowing red-golden. Above the chimney hang several dozen forging tongs. Everything is covered with a brown-black patina, even the cobwebs are black. The tools and equipment seem to have been in use for centuries. In mythology, he is described as ugly and limping, but thanks to his powerful stature, Hephaistos was a skilled blacksmith and craftsman. He fashioned out of glowing iron everything his Olympic gods friends needed to live and enjoy. The armor of the Ares, the arrows of the Eros or the scepter and the thunderbolts of Zeus. Unlike Hephaestus, Josef Geisler, the real blacksmith, is not ugly and limping, nor does he have a naked, well-trained torso, but instead he wears blue man, a blue and white striped linen shirt and a wool sweater against the autumnal cold. But as with his patron saint, many of his manufactured tools are made for eternity. Iron shops, construction shops, forestry offices, woodworkers and private individuals are among his customers. For them, he makes axes, hatchet, bark peelers, sapies and wrought iron pans. As early as , glowing iron with powerful hammer blows was formed into tools. The inferred water masses of neighboring Hachlbach have been driving the three-ton forging hammers for centuries with the help of a water wheel measuring nearly five feet in diameter. At present, the water wheel stands still, it needs to be repaired. For such emergencies and for the cold season, where the creek leads to too little water, Josef Geisler then switches the electric motor for the forging hammers. Under deafening blows, the hammer whistles up and down, squeezing the glowing piece of iron together into an axe leaf. Josef Geisler moves the workpiece virtuously under the powerful hammer blows back and forth. Sometimes he stands to the left of the hammer, then again to the right. The speed of the consecutive strokes cannot be adjusted, only on and off, the hammer can be set by means of a foot pedal. The blacksmith has no trouble following the set beat of the mighty machine, despite his 80 years, his movements seem concentrated and powerful — in line with the machine, he shapes the tool according to his ideas. Josef Geisler was born in After his apprenticeship as a locksmith and mechanical engineer he began working in in the Hachlschmiede. In he took over the smithy. Next door, he built a house for his family in He never questioned his work. There was always enough work. On Saturday he did not have to work as a journeyman, at most to clean up the workshop. After his boss and his brother retired, he always worked alone — because he wanted it that way. When the metal glows bright red, it has a temperature of degrees, at yellow already a temperature of degrees. If the temperature of the workpiece drops below degrees when hammering, you have to heat the workpiece again, otherwise it becomes brittle and tears. In order for the metal to harden, it is deterred after heating up. This happens by immersing yourself in water or oil. From grey to white-yellow, the colour of the workpiece can change as it cools down. Which colour is the right one and how long and how often you have to immerse the workpiece to cool down, you only learn through a lot of experience. But Josef Geisler does not want to think about quitting at all, he still has enough commissioned work to do. But in fine weather it can happen that he is only in the morning in the workshop, then his wife Therese urged him to go with her on the mountain. Here, axe wedges, ice scratches, sapie and wrought iron pans pile up in all sorts of sizes and shapes. But burning is important for a wrought-iron frying pan. Slice a raw potato, heat the pan and fry the potato slices vigorously with a little oil and 1 tbsp salt. Then discard the roasted potato slices and rub out the cooled pan with kitchen paper. The pan is now ready for use. As a tip: Never use detergent, under no circumstances scrub the pan, in the case of encrustations, soak the pan with hot, clear water and then rinse. Maybe after rinsing, rub in the inside of the pan with some salad oil. Next Post Salsify risotto Next Post.

Schliersee buying blow