Sax And The Single Girl
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Sax And The Single Girl
From Wikipedia, the free encyclopedia
This article is about the book. For the 1964 film, see Sex and the Single Girl (film) .
^ Ouellette, Laurie. "Inventing the Cosmo Girl: Class Identity and Girl-Style American Dreams" . Media, Culture & Society 21 (1999): 361. Retrieved August 19, 2012.
^ Scanlon, Jennifer. "Sensationalist Literature or Expert Advice?" Feminist Media Studies 9:1 (2009): 12.
^ Scanlon. "Sensationalist". p. 1.
^ Jump up to: a b c d [ dead link ] Lewis, Richard Warren (April 1963). "Playboy Interview: Helen Gurley Brown" Archived November 23, 2009, at the Wayback Machine . Playboy . Retrieved February 6, 2010.
^ Scanlon. "Sensationalist". p. 3.
^ Public availability the oral contraceptive in the early 1960s > https://en.wikipedia.org/wiki/Combined_oral_contraceptive_pill#Public_availability
^ Jump up to: a b Scanlon. "Sensationalist". p. 10.
^ Scanlon. "Sensationalist". p. 11.
^ Scanlon, Jennifer. "Sexy from the Start: Anticipatory Elements of Second Wave Feminism". Women's Studies 38.2 (2009): 129.
^ Brown. Sex . pp. 3–11.
^ Brown. Sex . pp. 12–32.
^ Jump up to: a b Brown. Sex . p. 17.
^ Brown. Sex . p. 18.
^ Brown. Sex . p. 22.
^ Brown. Sex . p. 28.
^ Brown. Sex . p. 31.
^ Brown. Sex . p. 32.
^ Brown. Sex pp. 33–64.
^ Brown. Sex . p. 33.
^ Brown. Sex . p. 37.
^ Brown. Sex . p. 51.
^ Brown. Sex . pp. 65–88.
^ Brown. Sex . p. 78.
^ Brown. Sex . p. 68.
^ Brown. Sex . pp. 89–103.
^ Brown. Sex p. 94.
^ Brown. Sex . pp. 104–118.
^ Brown. Sex . p. 104.
^ Brown. Sex . pp. 119–137.
^ Brown. Sex . p. 135.
^ Brown. Sex . p. 136.
^ Brown. Sex p. 138–166.
^ Brown. Sex . p. 154.
^ Brown. Sex . pp. 167–185.
^ Brown. Sex . p. 174.
^ Brown. Sex . p. 178.
^ Brown. Sex . pp. 184.
^ Brown. Sex . pp. 186–202.
^ Brown. Sex . pp. 203–223.
^ Brown. Sex . pp. 224–248.
^ Brown. Sex . pp. 249–267.
^ Scanlon. "Sensationalist". p. 12.
^ Whelehan, Imelda. "Sex and the Single Girl: Helen Fielding, Erica Jong and Helen Gurley Brown" . Essays and Studies 2004: Contemporary British Women Writers 57 (2004): 28. Retrieved February 14, 2010.
^ Ouellette. "Inventing". p. 361.
^ Scanlon. "Sexy". p. 129.
^ Scanlon. "Sensationalist". p. 5.
^ [ dead link ] Berebitsky, Julie. "The Joy of Work: Helen Gurley Brown, Gender, and Sexuality in the White-Collar Office" . Journal of the History of Sexuality 15.1 (2006): 90. Retrieved February 6, 2010.
^ Berebitsky. "Joy". p. 102.
^ Scanlon. "Sexy". p. 145.
^ Gerhard, Jane. "Sex and the City". Feminist Media Studies 5.1 (2005): 38.
^ Gerhard. "City" p. 38.
^ Lyford, Kathy (October 22, 2008). "Mad Men Q&A: 'I'm Fascinated That People Get So Much Out of It.'" Archived November 15, 2013, at the Wayback Machine . Season Pass (blog of Variety ). Retrieved August 19, 2012.
Sex and the Single Girl is a 1962 non-fiction book by American writer Helen Gurley Brown , written as an advice book that encouraged women to become financially independent and experience sexual relationships before or without marriage. The book sold two million copies in three weeks, [1] was sold in 35 countries [2] and has made the Los Angeles Times , The New York Times and Time bestseller lists. [3]
In 1960 Brown's husband, David Brown , suggested she write a book that discusses "how a single girl goes about having an affair". [4] The book was rejected by several publishing houses until it was accepted by Bernard J. Geis of Bernard Geis Associates. [5]
The original title was Sex for the Single Girl , but this was changed because "it sounded like [it] was advocating sex for all single girls." [4] Brown had also written a section on contraceptive methods that was omitted from the final publication. [4] [6]
The book was advertised through a large-scale campaign created by Letty Cottin Pogrebin of Bernard Geis Associates in conjunction with Brown. The campaign involved print ads as well as television, radio and bookstore appearances; however, Brown often was barred from saying "sex" during her television appearances. [7] Cottin and Brown also attempted to have the book censored or banned in the United States as a marketing gimmick, but they were unsuccessful. [8] The book also was endorsed on the jacket by Joan Crawford and Gypsy Rose Lee , [7] and the 2003 edition is endorsed on the back cover by Sex and the City ' s Kim Cattrall .
Following the success of Sex and the Single Girl , Brown became the editor of Cosmopolitan magazine in 1965, [9] and went on to publish several other books which include Sex and the Office (1965), Helen Gurley Brown's Single Girl's Cookbook (1969), and Sex and the New Single Girl (1970).
In the 2003 edition, Brown includes a reintroduction to her book and briefly outlines the static situations and changes that the single woman has faced from the 1960s to 2003.
The reviews that followed the publication of Sex and the Single Girl , "were either highly favourable...or highly negative" [42] and often attacked Brown's writing style and credibility. While several of Brown's concepts were "in common with the second-wave feminist arguments she precedes," [43] other second-wavers such as Betty Friedan "found Brown's message 'obscene and horrible.'" [44] When questioned regarding the criticism the book has received, Brown replied that:
This is how it was for me. This is how I played it. It's just a pippy-poo little book and people come back with this diatribe about its great social significance. Well it's just because nobody ever got off his high horse long enough to write to single women in any form they could associate with. If they had, somebody else would be the arbiter for single women at this point instead of me. [4]
Jennifer Scanlon, author of Bad Girls Go Everywhere: The Life of Helen Gurley Brown , argues that through Sex and the Single Girl Brown became "not only one of the founders of second wave feminism but stands as a key antecedent for the third." [45] Scanlon also argues that with Sex and the Single Girl , Brown would "cross the line between the fictional and the real", exploring the real single women that had been previously presented in fictional form in such novels as Peyton Place (1956) and The Best of Everything (1958). [46]
Julie Berebitsky explores the impact of Sex and the Single Girl on the pink-collar worker of the 1960s and Brown's blurring of the professional and the personal in a business environment, as she "directed women to seek professional advancement...to use gender, and to varying degrees, sexuality for their own gain." [47] Berebitsky also contrasts Sex and the Single Girl with The Executive Secretary , a guidebook published in 1959 by Marilyn Burke, secretary to Dale Carnegie and Dorothy Carnegie, [48] that cautions against demonstrations of female sexuality in the workforce.
Scanlon suggests that Sex and the City is "the most direct descendent of the sexual politics Helen Gurley Brown introduced in Sex and the Single Girl " [49] and Jane Gerhard argues that " Sex and the City pays direct homage" [50] to Sex and the Single Girl , as both present the "connection between women's financial independence and their sexual liberation." [51]
AMC 's Mad Men creator Matthew Weiner frequently attributes Sex and the Single Girl and The Feminine Mystique as heavily influencing the creation of his characters and scenarios, especially involving the single female office worker. [52]
The Four Square paperback edition published (in London) in 1964 includes "£ove $tory", an unpaginated 32-page supplement by the cartoonist and illustrator John Glashan , between pages 128 and 129.
Warner Bros. paid $200,000 for the rights to the book that was made into a film of the same name (1964), starring Natalie Wood , Tony Curtis , Henry Fonda and Lauren Bacall . The film version follows the main character, Dr. Helen Gurley Brown (Wood), who is based loosely on Brown, through several comedic situations resulting from the publication of her book Sex and the Single Girl .
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The title Sax and the Single Girl is a play on Helen Gurley Brown's book Sex and the Single Girl, but Allen isn't a saxophonist; she's a singer. Greatly influenced by Nancy Wilson but more consistently jazz-oriented, Allen delivers a CD that is competent though not very original or adventurous. Her primary focus is standards that had been recorded by jazz singers time and time again, including "Old Devil Moon," "I'll Take Romance," "Don't Get Around Much Anymore" and "I Thought About You." Allen's versions are likable, though far from definitive. The most pleasant surprise on this album (which was produced by Cecil Brooks III in 1994 but didn't come out until 1998) is an interpretation of "Crazy," a country-pop gem written by Willie Nelson that became a major hit for Patsy Cline in the early 1960s. "Crazy" works well in a jazz setting, and Allen's tasteful version makes one wish that she made unlikely choices more often instead of playing it safe so much of the time. Allen has the chops and the talent, but she needs to take more chances and be less conventional in her choice of material.
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With a 600 plus song repertoire and blend of vocals, tenor and alto sax, Anne can tackle a huge variety of venues and audiences. Dust off your dancing shoes, Anne Bavin is about to hit a town near you!
A GIRL LIKE YOU AMERICAN WOMAN ANOTHER BRICK IN THE WALL ANOTHER ONE BITES THE DUST BABY PLEASE DON’T GO BAD MOON RISING BETTER BE GOOD TO ME BLACK BETTY BLACK NIGHT BORN TO RUN BORN TO BE WILD BOW RIVER BOYS IN TOWN BRING ME SOME WATER BROKEN ENGLISH CAN’T GET ENOUGH OF YOUR LOVE CAN THE CAN CHERRY CHERRY CHOIR GIRL COCAINE CRACKLIN’ ROSIE CRAZY LITTLE THING CALLED LOVE DANCE HALL DAYS DARLING IT HURTS DEVIL GATE DRIVE DEVIL WENT DOWN TO GEORGIA DIRTY DEEDS DON’T GET ME WRONG DON’T LOOK NOW DON’T PLAY YOU’RE ROCK N ROLL TO ME DOWN DOWN DOWN ON THE CORNER EAGLE ROCK ECHO BEACH EX’S AND OHS FEVER FIVE HUNDRED MILES FLINGLE BUNT FLY TOO HIGH FOOL IN LOVE FOREVER NOW GEAR JAMMER GET BACK GET DOWN AND GET WITH IT GLASS OF CHAMPAGNE GLORIA GOLDEN YEARS GREEN ONIONS HARDEN MY HEART HAVE YOU EVER SEEN THE RAIN HEARTBREAK HOTEL HEAT IS ON HELLO I LOVE YOU HELP YOURSELF HEY BABY HIGH VOLTAGE HIGHWAY TO HELL HITCHCOCK RAILWAY HOLLYWOOD NIGHTS HURRICANE HURT SO GOOD I CAN SEE CLEARLY NOW I FEEL LIKE A WOMAN I FEEL THE EARTH MOVE IF YOU THINK I’M SEXY I’LL MAKE YOU HAPPY I’LL TAKE YOU HOME KATHLEEN I LOVE ROCK AND ROLL I’M A BELIEVER I MAYBE TOO YOUNG I’M ON MY WAY IS THIS LOVE I WANNA ROCK AND ROLL ALL NIGHT I WANT YOU TO WANT ME JAILBREAK KEEP ON ROCKING ME BABY KEEP YOUR HANDS TO YOURSELF KHE SAHN LEAVE YOUR HAT ON LE GRANGE LET’S STICK TOGETHER LIDO SHUFFLE LIGHT MY FIRE LIKE THE WAY I DO LITTLE SISTER LODI LONG WAY TO THE TOP LOOKING OUT MY BACKDOOR LOVE HER MADLY LOVE ME TWO TIMES MIDNIGHT HOUR MONEY MONY MONY MOST PEOPLE I KNOW MOVE OVER MUSTANG SALLY NEVER TEAR US APART NEW SENSATION NOT IN IT FOR LOVE PARRADISE BY THE DASHBOARD LIGHT PETER GUNN PRICE OF LOVE PROUD MARY RAMBLE TAMBLE RAUNCHY REBEL ROUSER RISING SUN ROCKING ALL OVER THE WORLD SEX ON FIRE SHADDOW BOXER SHAPE I’M IN SHE’S GOT TO BE LOVED SPIRIT IN THE SKY STAIRWAY TO HEAVEN STUCK IN THE MIDDLE SULTANS OF SWING SUPERSTICIOUS SWEET CAROLINE SWEET HITCH HIKER SWEET HOME ALABAMA TAKE A LONG LINE THANK THE LORD FOR THE NIGHT TIME THE LETTER THE WILD ONE THORN IN MY SIDE TNT TO HER DOOR TOO BIG TRAVELING BAND TREAT HER RIGHT TRY JUST A LITTLE BIT HARDER TURN UP YOUR RADIO TUSH TWISTING BY THE POOL UNCHAIN MY HEART UP AROUND THE BEND WALKING ON SUNSHINE WE WILL ROCK YOU WHAT YOU NEED WHEN TOMORROW COMES WHISKEY IN THE JAR WHO’LL STOP THE RAIN WOULD I LIE TO YOU YEP YOU CAN’T HURRY LOVE YOU REALLY GOT ME YOUR MAMA WON’T LIKE ME YOU SHOOK ME ALL NIGHT LONG YOU TALK TOO MUCH WHAT YOU GET IS WHAT YOU SEE
ALL SHOOK UP BE BOP A LULA BLUE SUEDE SHOES BURNING LOVE CROCODILE ROCK DA DO RON RON DO YOU WANNA DANCE GREAT BALLS OF FIRE HAPPY BIRTHDAY SWEET SIXTEEN HIPPY HIPPY SHAKE HONEY DON’T HOUND DOG JAIL HOUSE ROCK JOHNNY B GOODE LET’S HAVE A PARTY LET’S TWIST AGAIN LION SLEEPS TONIGHT LIPSTICK ON YOUR COLLAR LIVING DOLL LUCKY LIPS MEMPHIS OLD TIME ROCK AND ROLL OOBY DOOBY PEPPERMINT TWIST PRETTY WOMAN RED RIVER ROCK ROBOT MAN ROCKABILLY REBEL ROCK AROUND THE CLOCK ROCKIN’ ROBBIN RUNAWAY SAW HER STANDING THERE SHAKE RATTLE AND ROLL SHAKING ALL OVER SHE’S MY BABY SHINDIG SHOUT SOMEBODIES FOOL STUCK ON YOU STUPID CUPID SUMMER HOLIDAY SUMMERTIME BLUES SWEET NOTHINGS TEDDY BEAR THAT’S WHAT I SAY THE HUCKLEBUCK THE WANDERER TUTTI FRUIT TWIST AND SHOUT WALK DON’T RUN WHOLE LOTTA SHAKING WOODEN HEART YEA YEA YOU KEEP A KNOCKING
AFTER MIDNIGHT ALWAYS A WOMAN AMERICAN PIE BAD TO THE BONE BALLAD OF LUCY JODAN BEFORE YOU ACCUSE ME BETTE DAVIS EYES BLACK VELVET BLUE SKIES BLUES IN E COME BACK AGAIN CLYDE DANCE OF 1000 FACES DON’T IT MAKE YOUR BROWN EYES BLUE EDGE OF REALITY EVERY BREATH YOU TAKE FLIP FLOP FLY GEORGIA ON MY MIND GIRL YOU’LL BE A WOMAN SOON GUITAR BOOGIE HEART OF GOLD HOUSE OF THE RISING SUN I AM SAILING I DON’T WANNA TALK ABOUT IT I DRINK ALONE IF LOVE WAS A TRAIN IMAGINE I PUT A SPELL ON YOU KOZMIC BLUES KNOCKING ON HEAVENS DOOR LITTLE RED ROOSTER LONG AS I CAN SEE THE LIGHT MADDISON BLUES MAIN STREET MIDNIGHT SPECIAL MINI THE MOOCHER MY BABY JUST CARES FOR ME MY BABY LEFT ME NIGHTS IN WHITE SATIN NOTHING COMPARES TO YOU ONLY WOMEN BLEED OTHER SIDE OF THE SUN RIDERS ON THE STORM ROADHOUSE BLUES ROCK ME BABY ROCKY MOUNTAIN WAY SASHA SLIPPING AWAY SOLITARY MAN SONG SUNG BLUE STAND BY ME STARMAN STILL
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