Sassie And Mandy Toons

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In hindsight, I think cartoons aren't made entirely for the younger generation, they are meant for the grown ups as well. Or maybe the movie makers decided to have an inside joke and threw in some sexual imagery just for a few laughs. There are many shows that subliminally added sexual content, much to the horror and dismay of the parents who were smart enough to spot it. 
Here's a list of 18 such cartoons where 'sex' made a guest appearance: 
Perhaps the creators decided to play with your imagination when they released the poster of Lion King in 2002. If you look closely, all you see is a woman's derriere, clad only in panties!
Mickey and Minnie's innocent love story turned out not-so-innocent. This cover of Bladid, shows Mickey Mouse engaging in some secret activity!
This Walt Disney classic shows the main characters with a castle in the backdrop. A closer look at the castle shows there's something mischievous on the creators' part!
And that's how Sebastian came out of the friendzone!
I think The Little Mermaid and sex go hand-in-hand. In this wedding scene, the minister appears to have a "hard-on".
In Hercules, when the muses are singing the song Zero to Hero, one of them steps forward and her dress flies up, revealing quite a lot!
This scene might have scarred every child who grew up on Toy Story! The characters are seen gawking at what they're witnessing: a grown up Andy engaging in sex!
After the scene where Simba lies down on a cliff, dust flies up into the sky and forms the word 'SEX' for a brief moment. I guess that's what Simba needed at that point in time. 
Hailing from a place that's called Bikini Bottom, this show always made sexual references, quite like the image below!
Wonder what Squidward is trying to "pump out"!
Tom and Jerry was a show aimed at kids, but that didn't stop it from subliminally flashing sexual imagery. Like this for instance!
Perhaps this Disney movie had hidden clues to the kind of content that it wanted to show! Well, the word "SEX" spells out clearly as the lady 'entangles' the protagonist!
One of my favourite shows while growing up, Recess had some 'not-so-pretty' moments. Mikey is definitely trying something he has never done before!
The hard to please Muriel Finster (pun unintended) seems to enjoy what she's riding (pun unintended)! 
Oh hell no! What the fuck did I just see? Did the creators of Rugrats realize how mentally scarring this image is?
I always knew there was something shady about this cartoon especially the quest for them 'Jawbreakers', but 'wut da hail' is Eddy trying to do?
Waking up is the 'second hardest' thing for Unca Donald!
Rugrats continued the trend of subliminal sexual messaging in the spin-off show called Rugrats All Grown Up! A grown up Susie Carmichael seems to enjoy what she sees.
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  (Redirected from World Premiere Toons)
What a Cartoon! (later known as The What a Cartoon! Show and The Cartoon Cartoon Show) is an American animated anthology series created by Fred Seibert for Cartoon Network. The shorts were produced by Hanna-Barbera Productions; by the end of the run, a Cartoon Network Studios production tag was added to some shorts to signal they were original to the network. The project consisted of 48 short cartoons, intended to return creative power to animators and artists, by recreating the atmospheres that spawned the iconic cartoon characters of the mid-20th century. Each of the shorts mirrored the structure of a theatrical cartoon, with each film being based on an original storyboard drawn and written by its artist or creator.
Intertitle for What a Cartoon! in its original incarnation designed by Jesse Stagg (1995–96).
World Premiere Toons
The What a Cartoon! Show
The Cartoon Cartoon Show
Gary Lionelli
Bill Burnett (uncredited)
Joey Ahlbum
John R. Dilworth
Christine McClenahan
Richard Ostiguy
Michael N. Ruggiero
Davis Doi (supervising producer)
February 20, 1995 –
November 28, 1997
The series first aired on February 20, 1995, and the shorts were promoted as World Premiere Toons.[1] During the original run of the shorts, the series was retitled to The What a Cartoon! Show and later to The Cartoon Cartoon Show until the final shorts aired on August 23, 2002. The project served as the launching point for multiple Cartoon Network animated television series, including The Powerpuff Girls, Dexter's Laboratory, Johnny Bravo, Cow and Chicken, Courage the Cowardly Dog, Mike, Lu & Og, Sheep in the Big City, Whatever Happened to... Robot Jones?, Codename: Kids Next Door, Grim & Evil, and Megas XLR, as well as Fox’s Family Guy.
The series is influential for birthing a slew of original Cartoon Network hits and helping to revive television animation in the 1990s. Once it had several original shorts, those became the first Cartoon Cartoons (a collective term for retro Cartoon Network original series). From 2005 to 2008, The Cartoon Cartoon Show was revived as a block for reruns of older Cartoon Cartoons that had been phased out by the network.
Fred Seibert became president of Hanna-Barbera Cartoons in 1992 and helped guide the struggling animation studio into its greatest output in years with shows like 2 Stupid Dogs and SWAT Kats: The Radical Squadron. Seibert wanted the studio to produce short cartoons, in the vein of the Golden age of American animation. Although a project consisting of 48 shorts would cost twice as much as a normal series,[2] Seibert's pitch to Cartoon Network involved promising 48 chances to "succeed or fail", opened up possibilities for new original programming, and offered several new shorts to the thousands already present in the Turner Entertainment library. According to Seibert, quality did not matter much to the cable operators distributing the struggling network, they were more interested in promising new programs.[3]
With Turner Broadcasting CEO Ted Turner and Seibert's boss Scott Sassa on board, the studio fanned out across the world to spread the word that the studio was in an "unprecedented phase", in which animators had a better idea what cartoons should be than executives and Hanna-Barbera supported them.[4][5] The company started taking pitches in earnest in 1993 and received over 5,000 pitches for the 48 slots. The diversity in the filmmakers included those from various nationalities, race, and gender. Seibert later described his hope for an idealistic diversity as "The wider the palette of creative influences, the wider and bigger the audiences."[5]
Seibert's idea for the project was influenced heavily by Looney Tunes.[5] Hanna-Barbera founders and chairmen William Hanna and Joseph Barbera, as well as veteran animator Friz Freleng, taught Seibert how the shorts of the Golden Age of American animation were produced. John Kricfalusi, creator of The Ren & Stimpy Show, became a teacher of sorts for Seibert and was the first person Seibert called while looking for new talent for the project.[6]
As was the custom in live action film and television, the company did not pay each creator for the storyboard submitted and pitched. For the first time in the studio's history, individual creators could retain their rights, and earn royalties on their creations.[6] While most in the industry scoffed at the idea, encouragement, according to Seibert, came from the cartoonists who flocked to Hanna-Barbera with original ideas.[7]
The format for What a Cartoon! was ambitious, as no one had ever attempted anything similar in the television animation era.[5] The shorts produced would be a product of the original cartoonists' vision, with no executive intervention: for example, even the music would be an individually crafted score. Each "Looney Tunes length" (7 minutes) short would debut, by itself, as a stand-alone cartoon on Cartoon Network.[4][5] Seibert explained the project's goal in a 2007 blog post: "We didn’t care what the sitcom trends were, what Nickelodeon was doing, what the sales departments wanted. [...] We wanted cartoons."[5]
The What a Cartoon! staff had creators from Europe (Bruno Bozzetto), Asia (Achiu So), and the United States (Jerry Reynolds and colleague Seth MacFarlane). The crew also contained young series first-timers (like Genndy Tartakovsky, Craig McCracken, Rob Renzetti, Butch Hartman, and John R. Dilworth), but veterans as well (like Don Jurwich, Jerry Eisenberg, and Ralph Bakshi). In addition to the veterans, William Hanna and Joseph Barbera each produced two shorts each for What a Cartoon!. Many of the key crew members from previous Hanna-Barbera series 2 Stupid Dogs joined the team of What a Cartoon! as well.[6]
Many of its crew members later went on to write and direct for Dexter's Laboratory, Johnny Bravo, Cow and Chicken, I Am Weasel, and The Powerpuff Girls, including those named above. The Kitchen Casanova director John McIntyre is particularly known for directing several Dexter episodes. Ralph Bakshi's two shorts (Malcom and Melvin and Babe! He... Calls Me) were considered too risqué to be shown.[8] It has been rumored that John Kricfalusi was slated to direct several new What a Cartoon! shorts of his own (produced by his production company, Spümcø).[9] However, both Yogi Bear-influenced cartoons were commissioned separately by Seibert, and instead premiered as their own: Boo Boo Runs Wild and A Day in the Life of Ranger Smith both premiered in 1999.[10]
Inspired by Seibert's interest in the modern rock posters of Frank Kozik, each of the shows' creators worked with the internal Hanna-Barbera Creative Corps creative director Bill Burnett, and senior art director Jesse Stagg, to craft a series of high quality, limited edition, fluorescent art posters. The Corps launched a prolonged guerrilla mailing campaign, targeting animation heavyweights and critics leading up to the launch of World Premiere Toons. The first poster campaign of its kind introduced the world to the groundbreaking new stable of characters.[11]
The first cartoon from the What a Cartoon! project broadcast in its entirety was The Powerpuff Girls in "Meat Fuzzy Lumkins", which made its world premiere on Monday, February 20, 1995, during a television special called the World Premiere Toon-In (termed "President's Day Nightmare" by its producers, Williams Street). The special was hosted by Space Ghost and the cast of Space Ghost Coast to Coast, and featured comic interviews and a mock contest with the creators of the various cartoons. The Toon-In was simulcast on Cartoon Network, TBS Superstation, and TNT. To promote the shorts, Cartoon Network's marketing department came up with the concept of "Dive-In Theater" in 1995 to showcase the 48 cartoon shorts. The cartoons were shown at water parks and large municipal swimming pools, treating kids and their parents to exclusive poolside screenings on 9' x 12' movie screens.[12]
Beginning February 26, 1995, each What a Cartoon! short began to premiere on Sunday nights, promoted as World Premiere Toons.[13] Every week after the premiere, Cartoon Network showcased a different World Premiere Toons made by a different artist. After an acclimation of cartoons, the network packaged the shorts as a half-hour show titled World Premiere Toons: The Next Generation, featuring reruns of the original shorts but also new premieres.
Eventually, all of the cartoons were compiled into one program which was used the name World Premiere Toons: The Show until the summer of 1996 when it started bearing the name of the original project: The What a Cartoon! Show.[6] The show's initial premieres for each short preceded Cartoon Network's Sunday night movie block, Mr. Spim's Cartoon Theatre. The shorts continued to air on Sundays until 1997, when the network moved the shorts to Wednesdays at 9pm.[14] Following the premiere of Johnny Bravo, Cow and Chicken and I Am Weasel as full series in July 1997, the series shifted to Thursday nights, where it remained.[15]
The What a Cartoon! Show continued airing new episodes on Thursdays until November 28, 1997, when the final short of the 48 contracted during Seibert's era aired. In 1998, Cartoon Network debuted two new short pilots and advertised them as World Premiere Toons: Mike, Lu & Og and Kenny and the Chimp,[9] both of which were produced by outside studios. The two pilots were later compiled into The Cartoon Cartoon Show, while both shorts eventually garnered their own series, Mike, Lu & Og in 1999 and Codename: Kids Next Door in 2002. Two pilots entitled King Crab: Space Crustacean and Thrillseeker, respectively dated 1999 and 2000, was also retconned into The Cartoon Cartoon Show anthology.
On June 9, 2000, The What a Cartoon! Show was relaunched as The Cartoon Cartoon Show. In this new format, it aired reruns and new episodes of the full-series Cartoon Cartoons, as well as new Cartoon Cartoon shorts and old WAC! shorts. From 2000 to 2001, the pilot shorts appearing on the network's viewer's poll that lost to The Grim Adventures of Billy & Mandy and Codename: Kids Next Door (except for Whatever Happened to... Robot Jones?) were added to the anthology. The show continued to air until October 9, 2003, when it was temporarily dropped from the network's schedule.
On September 12, 2005, The Cartoon Cartoon Show was revived, this time as a half-hour program featuring segments of older Cartoon Cartoons that were no longer shown regularly on the network, such as Cow and Chicken, I Am Weasel, and others. Some Cartoon Cartoons were moved exclusively to this show and the Top 5, though there was also some overlap with shows that already had regular half-hour slots outside the series. In 2006, the programming was expanded to also include non-Cartoon Cartoons that were regularly shown on the network, such as Foster's Home for Imaginary Friends, Camp Lazlo, My Gym Partner's a Monkey, and Squirrel Boy. The show ended on June 21, 2008.[16]
In 2007, reruns of What a Cartoon! played briefly on Cartoon Network's retro animation sister channel, Boomerang.[17]
Dexter's Laboratory was the most popular short series according to a vote held in 1995 and eventually became the first spin-off of What a Cartoon! in 1996. Two more series based on shorts, Johnny Bravo and Cow and Chicken, premiered in 1997, and The Powerpuff Girls became a weekly half-hour show in 1998. Courage the Cowardly Dog (spun off from the Oscar-nominated short The Chicken from Outer Space) followed as the final spin-off in 1999. In addition, the Cow and Chicken short I Am Weasel eventually was also spun off into a separate series: in all, six cartoon series were ultimately launched by the What a Cartoon! project, any one of which earned enough money for the company to pay for the whole program.[6] In addition to the eventual spin-offs, the What a Cartoon! short Larry and Steve by Seth MacFarlane featured prototypes of characters that would later go on to become MacFarlane's massively successful Family Guy.
The What a Cartoon! project and its assorted spin-offs brought Cartoon Network more commercial and critical success, and the network became an animation industry leader as the 1990s drew to a close. In 2001, coinciding with the death of William Hanna, Hanna-Barbera Productions absorbed into Warner Bros. Animation and Cartoon Network opened its own production arm, Cartoon Network Studios, in Burbank, as the rightful Hanna-Barbera successor to produce original programming for the network and future projects. Two What a Cartoon! shorts, Wind-Up Wolf and Hard Luck Duck, were the last cartoon shorts directed and produced by co-founder and co-chairman William Hanna. In addition, What a Cartoon! and spin-offs were the final original productions released by Hanna-Barbera.
Creator of The What a Cartoon! Show, Fred Seibert, left Hanna-Barbera in late 1996 to open up his own studio, Frederator Studios, and has persistently continued in the tradition of surfacing new talent, characters, and series with similar shorts "incubators", including (as of 2015) Oh Yeah! Cartoons (Nickelodeon, 1998), Nicktoons Film Festival (Nickelodeon, 2004), The Meth Minute 39 (Channel Frederator, 2008),[18] Random! Cartoons (Nickelodeon/Nicktoons, 2008), Too Cool! Cartoons (Cartoon Hangover, 2012), and GO! Cartoons (Cartoon Hangover, 2016).[19] Oh Yeah! Cartoons[20] showcased What a Cartoon! alumni (Butch Hartman, Rob Renzetti) and launched several successful Nickelodeon series, including The Fairly OddParents, ChalkZone and My Life as a Teenage Robot. Frederator Studios also launched an animation film festival, Nicktoons Film Festival from 2004 to 2009; only to have The Mighty B! greenlit as a series based on the Super Scout short; though one short from Alex Hirsch would later go on to make Gravity Falls for Disney Channel/Disney XD. The studio launched another animation showcase in 2006, titled Random! Cartoons, which in turn produced Nickelodeon's Fanboy & Chum Chum in 2009, Cartoon Network's Adventure Time in 2010, and Cartoon Hangover's Bravest Warriors in 2012.
A sequel-of-sorts to the What a Cartoon! project, a Cartoon Network project titled The Cartoonstitute, was announced in April 2008. Created by the channel executive Rob Sorcher and headed by The Powerpuff Girls creator Craig McCracken and My Life as a Teenage Robot creator Rob Renzetti, the project was to "establish a think tank and create an environment in which animators can create characters and stories", and also create new possible Cartoon Network series.[21][22] However, the project was eventually scrapped as a result of the late 2000s recession and only 14 of the 39 planned were completed.[23] Nevertheless, J. G. Quintel's Regular Show short and Peter Browngardt's Secret Mountain Fort Awesome were greenlit to become full series. A recurring character on the show, Uncle Grandpa, would get his own series two years later.[24] The Big Cartoon DataBase cites What a Cartoon! as a "venture combining classic 1940s production methods with the originality, enthusiasm and comedy of the 1990s".
On April 15, 2021, Cartoon Network announced it debuted a new iteration of Cartoon Cartoons.[25]
The following is a list of the original shorts produced under Fred Seibert's management for What a Cartoon! by Hanna-Barbera. The shorts are listed in the order that they originally aired.
The Powerpuff Girls fight to stop Fuzzy Lumpkins' plot to turn everything into meat.
Note 1: This episode was included as a bonus toon on various Cartoon Network Video releases throughout the series run.
Note 2: First pilot to The Powerpuff Girls.
Dee Dee and Dexter battle turning each other into animals, using Dexter's latest invention.
Note 1: First short to become a series after being deemed most popular through a vote held in 1995.
Note 2: First pilot to Dexter's Laboratory.
Yuckie Duck works as a cook and waiter in a dirty restaurant, and delivers unappealing orders to the demanding customers.
The Flintstones'
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