Sarah Polly Nude

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Sarah Polly Nude
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The actress and comic talks about her new movie and her nude scene and "female comics" and Joan Rivers and the evolution of her act

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Monday lunch at Peels restaurant, East Village of Manhattan.
SCOTT RAAB: I see you're still brave enough to wear a hoodie, even in these troubled hoodie times.
SR: I'm gonna stand my ground. You look good in a hoodie.
SS: I would like a Build-a-Biscuit with scrambled eggs really well done. And could the eggs not have pepper in them?
SS: They always put pepper in the eggs, and it makes me cough. If they forget, I'll eat it. I wish there was a more interesting reason — pepper killed my grandmother and so I can't ever eat it again.
SR: I overprepared for this interview.
SS: I went to the Take This Waltz premiere last night at the Tribeca Film Festival.
SS: It was exciting because Steve Martin and Nora Ephron came. I wore a dress that was loaned to me and high heels that were so high I couldn't stand on them. It was ridiculous, but my manager just wants me to look like a nice lady every once in a while. It fills me with a weird rage to wear shoes that make me not able to walk easily or run if I had to. It feeds into this whole war on women thing in my head.
SS: The current one. The fear-based emergency war on women. I did the red carpet, and then I took my shoes off. I brought sneakers and warm clothes because it was cold and rainy. And I just hung out in a little holding area while the movie was on.
SR: Was everyone there from the cast?
SS: Seth [Rogen] wasn't because he's shooting a movie, but Michelle Williams and Luke Kirby were there.
SR: I had a hard time with the movie. What woman in her right mind prefers Luke Kirby over Seth Rogen?
SS: Well, I agree. I mean, Luke Kirby's pretty handsome, but Seth's character is funny and kind and wonderful.
SR: Whatever beauty Luke Kirby's character has is really androgynous.
SS: Yeah, I'm personally not into a guy who wears pedal pushers and a necklace.
SR: I thought the shower scene in which you appear nude was brilliant in its way.
SS: Taking all my own mishigas out of it, it's so unsexualized. I'm standing like a caveman. It's very dead. Now, I'm trying to be positive about myself, because I feel like even if you're self-deprecating it's still a kind of self-obsession. So I'm trying to just say I'm a human body — it works. If I were somebody else looking at my character, I'd be like, "She's beautiful." I'm practicing. I'm not succeeding.
SR: Because there are older women in the shower room with you, it's meaningful in the broader narrative of the movie — the idea that time passes and bodies fall apart. It's a gratifying scene.
SS: Women are naked in front of each other every day. It's a very common, comfortable thing. You're trying on clothes, or you're in the shower at the Y. But the female nudity in movies is always sexualized. Sarah [Polley, director of Take This Waltz ] said, "It would be interesting to see this everyday occurrence that's never mirrored on film." There's no music telling you how to feel. There's no sexy lighting. I keep using the word jarring. It isn't funny or dramatic. It just is.
SR: I realized when I saw Funny People that Seth Rogen's a good actor.
SS: I loved the weeks working with him because he is the least neurotic Jew I've ever met in my life. I don't know that it has to do with being a Canadian or that his parents are married and in love and have room to love their kids or what, but he's so undaunted by things. He's like, "Hmm, this is a line. I'll say it like it's real." It's simple for him.
SS: Not really. When I came out to L. A., I got a part in an episode of Star Trek: Voyager, and I hired an acting coach. He finally said, "Look, when you're running from lasers, sometimes you just have to pretend you're running from lasers. There's nothing from your childhood to pull up." I thought there must be some skeleton key to acting, but as soon as he gave me license to pretend, I thought, "I know how to do that."
SR: Out of all the different performing arts, stand-up to me is by far the most fascinating — the idea of one human being standing up and the audience saying, "Okay, kill me." And you have lived that life for years.
SS: I can't believe how much time has passed. The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage. Earlier in my career, I was really tight, really together, and knew who I was and I was confident. I kind of feel in between now.
SR: Is that because you're taking on other jobs and not doing as much stand-up?
SS: I'm doing a lot of stand-up, but not like when you're living in New York and you can do three sets a night and it's your life, and you sleep all day and you wake up and you eat with a bunch of other comics and then get ready for the night. I'm doing it a couple times a week at least, but I'm still just finding myself, you know? I don't think I'll ever feel done. I've realized that being beholden to some sort of character you found success in just makes you a caricature of yourself. I feel bad naming names because it's not their fault, but there are great, famous '80s comedians — Dice comes to mind — who found wild success and now still go on the road, and they want to kill and they want to give the audience what they want because that's inherently a comedian's desire. So he puts on the jacket, you know? To not grow and change and be so different from 20 years ago, to still be in that place because you're afraid? It gives the audience what they want, what they're expecting, but it's not current. I wish those comics would take the chance to be who they are now onstage. You have to be willing to disappoint the audience for a while.
SR: In his book Born Standing Up, Steve Martin writes about just walking away. He just couldn't stand it anymore because he was doing some version of what you were describing.
SS: There are a lot of people who had that Steve Martin fame and are now on the road with an arrow through their head.
SS: Tig Notaro. She's magical. She's gonna be huge. Gigantic.
SS: She's in California, but she's everywhere.
SS: I just did a pilot for NBC [ed. note: not picked up for the fall season] . It's just the opposite of my show on Comedy Central [ The Sarah Silverman Program ], which I loved. That show was broad and I was like Bugs Bunny and it had jokes and I loved it. But I wanted to do something 180 degrees different, so this new show is like a sit-dram. I feel very free.
SR: I just finished your book, The Bedwetter. I thought that you were very careful in the book with the people in your life.
SS: My mom gets very sensitive. My dad loves to be talked about, good or bad. He just loves it. He's not even hearing the content, he's just hearing him. When I'm onstage, he's looking at the audience members and can't believe that there are strangers listening to me, and he's just delighted by the whole thing. My mom doesn't like it. She feels like she's being made fun of. I wish she would delight in it, because it comes from love.
SR: I'm surprised that Jimmy Kimmel is never mentioned in the book.
SS: You know, my stepmother isn't in it, either.
SR: In an article about you, someone used the word sassy. You okay with someone describing you as sassy?
SS: It's like it's another word for Jewish. Or woman comedian.
SR: You seem like you're part of a new generation of female comics. Although a lot of people have said you're not a "female comic."
SS: Isn't that interesting? And it's meant as a compliment. Women comics have had it drilled into them that they only talk about tampons. And now no women comics will talk about it. It's like they've been shamed out of talking about the female experience, because that would make them less of a comedian. I don't ever want to shy away from something that interests me.
SR: Did you see Joan Rivers's documentary, A Piece of Work ?
SS: That movie was amazing and heartbreaking. I hope she lets herself someday feel the joy of her life. She could have all the money in the world and all the success in the world, and she'll never feel respected enough or successful enough. It's just a terrible way to live. She could be so happy, you know?
SS: Yeah, but when people go "There wouldn't be a Sarah Silverman or a Kathy Griffin if not for you," I feel like she thinks, "What am I, dead?" And the truth is she's as vital as she's ever been. She's brilliant.
SR: Some of the guys who've never done real stand-up, like Will Ferrell and Bill Murray, seem like relatively happy people. I think there's a core of real anger or misery inside every true stand-up comic.
SS: There's resentment, too. You want to make people laugh and by virtue of that please them, but when you're instructed to make people laugh and please them, you're too resentful to do it.
SR: You seem like you're part of a new generation of Jewish comics, too. Were you ever bat mitzvahed?
SS: No, we weren't raised with any religion. I didn't know Jews until I moved to New York. But then my sister became a rabbi after grad school. She was like, "I'm gonna go to rabbinical school." And my dad said, "I didn't even know you were Jewish!"
SR: Your dad's phone messages are one of the best parts of your book.
SS: That's my favorite part. I can't pick up the phone when he calls — his voice mails are always gold.
SS: Saturday, yeah. Shabbas. You're so good. I just heard a great old joke: An elderly couple goes to Germany, and they're doing the whole tour. And they get into a big fight on the bus, and they go on the tour of Auschwitz and they're not speaking to each other the whole time. And they get back on the bus, and the husband says, "You were right. I was wrong. I'm sorry." And she says, "Oh, now you're sorry. Now that you ruined Auschwitz for me."






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October 14, 2015 / 2:55 PM
/ CBS NEWS

In October 2015, after losing millions of readers to easily available Internet pornography, Playboy announced that it would be doing away with nudity in favor of partially clothed, raw intimacy. Not a bad idea considering that web traffic to Playboy's site jumped from about 4 million to 16 million when it removed nudity last year.
Still, though, the announcement has some mourning the loss of an iconic cultural cornerstone. Despite its raciness and the controversy that occasionally surrounded it, countless celebrities posed for the groundbreaking adult magazine as a sort of Hollywood rite of passage. This 1985 Madonna cover is just one of the most famous.
When Playboy was first published in 1953, the inaugural issue featured nude photos of Marilyn Monroe. It was notably left undated because the magazine's founder, Hugh Hefner, didn't know if there would be a second issue.
While one might expect public figures like Madonna and Marilyn Monroe to grace the cover of Playboy, other celebrities' cameos were far more unexpected. Comedian Steve Martin, for example, was a bit of a surprising choice for the January 1980 cover. It's probably one of the most memorable ones ever, though.
Between the time she came out with "All I Want For Christmas Is You" and when she married Nick Cannon, Mariah Carey appeared on the cover of Playboy. She donned a one-piece bathing suit with cutouts, and the issue hit the stands in March 2007.
"Keeping Up with the Kardashians" debuted on E! in October 2007. Two months later, its poster girl, Kim, posted up on the cover of Playboy.
Cindy Crawford appeared on the cover of Playboy's July 1988 issue, alongside articles on Jesse Jackson and "The Last Words On Ronald Reagan."
Playboy has stated that its history of provocative articles and newsmaking interviews will remain intact, even after the makeover -- something the magazine has featured since its very first issue, Hefner explained to CBS' Charlie Rose in 2005.
"It was all there, I mean there were food and drink features, fashion," Hefner said.
In January 1995, Drew Barrymore graced the cover ... a child star, all grown up.
In March 2006, fresh off her box office success with "Sin City," "Into the Blue," and "Fantastic Four," Jessica Alba posed for Playboy. Those, of course, were the days before she was a wife, a mother, and a pioneer of eco-friendly soap.
Model and actress Pamela Anderson has appeared on more Playboy covers than anyone else. Beginning in 1989, her Playboy career spans 22 years. She appears on numerous covers, in several centerfolds, and even wrote the foreword to the 2012 coffee table book, "Playboy's Greatest Covers."
Comedian Chelsea Handler appeared on the cover of Playboy's 2009 Christmas issue; the bigger shock perhaps not being that she bared it all, but that she did so in a rather serious context.
Long before Uma Thurman slayed countless men with martial arts in "Kill Bill," she did it with pictorials in the Australian incarnation of Playboy.
In 2012, "Mean Girls" star Lindsay Lohan struck a mean pose on the cover of Playboy's January/February double issue. Insiders said the shoot was designed to be reminiscent of the magazine's inaugural shoot with Marilyn Monroe.
Hugh Hefner later hinted on his Twitter that the Lohan issue was one of the best-selling in Playboy history.
Steve Martin wasn't the only male to grace the cover of Playboy. In April 2012, Bruno Mars appeared on a Playboy cover as well, albeit fully clothed.
Long before she became a co-host of "The View," Jenny McCarthy began her career as a Playboy model in 1993. In 1994, she was chosen as Playmate of the Year and parlayed her success into an acting career.
British supermodel Kate Moss graced the cover of Playboy's January/February 2014 double issue in the magazine's signature bunny ears and tail. The pictorial spread ran alongside a Q&A between Moss and Tom Jones, in which she discusses her cocktail of choice and a night when someone tried to take a picture of her going to the bathroom in the men's room.
In May 1987, "Wheel Of Fortune" co-host Vanna White bared her behind on the cover of Playboy. In a cute play on her television personality, the two Y's in the magazine's name were left out, as if a contestant might soon spin the wheel and shout out that letter.
"Baywatch" actress Carmen Electra appeared in Playboy several times over the course of her career. The first was in May 1996.
Country icon Dolly Parton posed for Playboy in October 1978. It must have been good luck because, shortly afterward, she unleashed a stream of pop-country hits that topped the singles charts, including "9 to 5" and "Islands in the Stream."
Charlize Theron appeared on the cover of Playboy in May 1999, the same year she appeared in both "The Astronaut's Wife" and "The Cider House Rules." It's probably safe to assume the Playboy Mansion had a fairly different set of rules than the Cider House.
Nancy Sinatra earned the "sin" in her last name when she posed for Playboy in May 1995, just one month shy of her 55th birthday. What can you say? Her father was Frank Sinatra, so she learned how to do things "her way."
British supermodel Naomi Campbell stripped down for the December 1999 issue of Playboy, smack in the prime of her career. Her pictorial was 14 pages long.
"Charlie's Angels" actress Farrah Fawcett largely resisted taking her clothes off for magazines or movies throughout the '70s and '80s. So, when she posed semi-nude for the December 1995 issue of Playboy, it created a bit of a stir.
At the age of 50, Fawcett posed for the magazine again. That July 1997 issue came with an accompanying video, in which Fawcett - also an artist - painted a canvas with her body.
Christina Capatides is CBS News' Vice President of Social Media and Trending Content. She is also a senior producer and reporter, focusing on culture and gender equity.

First published on October 14, 2015 / 2:55 PM

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