San Sebastian buy cocaine
San Sebastian buy cocaineSan Sebastian buy cocaine
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San Sebastian buy cocaine
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This Is How Long It Takes to Get Cocaine Delivered in Cities Around the World
San Sebastian buy cocaine
Cocaine Prison , the latest documentary from Bolivian born indigenous filmmaker Violeta Ayala, provides a shocking insight into the world of drug trafficking in Bolivia. Filmed over four years, Cocaine Prison was shot inside a notorious, over-populated and poorly maintained San Sebastian prison. Going beyond documentary conventions, Ayala uses footage filmed by the prisoners themselves, putting her subjects directly in charge of their representations. The film follows Hernan and Daisy, two teenagers, whose family grows coca leaves to make a living. As Ayala says, the relationship between the coca leaf and cocaine is the same as between grapes and wine. However, while growing coca is legal in Bolivia, cocaine production and trafficking is not. In order to raise some money for his band, Hernan decides to transport cocaine to Argentina. He gets caught at the border and is sentenced to eight years in San Sebastian prison. While in prison, Hernan meets Mario, whose case explicitly illustrates the fraudulent criminal justice system when it comes to poverty and drugs. Without sufficient money for bail, Mario spends three years in prison prior to even having a trial. In her documentary, Ayala produces a genuine and humanizing portrait of the marginalized convicts, challenging common misconceptions about the war of drugs. She harshly criticizes the corrupt and flawed system, which imprisons the poor and vulnerable and protects the guilty elite. VA: I went to San Sebastian prison because I wanted to make a film, which would tell a story about the drug trade and the war on drugs from the perspective that I knew and understood. Everything about them is so glamorized and misleading. The motor of the drug trade is people like Hernan and Mario. They represent the majority and this Cocaine Prison is the story of the majority. POV : A number of scenes in your documentary are filmed by prisoners using their own devices without your supervision. What was their reaction to it? VA: I think they were very comfortable with what they were doing. Just give me camera and I will do it. I think they were the ones who had to measure the risk. I think in Cocaine Prison everyone is very responsible for what they are saying. Were you filming for the four consecutive years that you were teaching there? It operates by its own rules, outside the law. What were the challenges of filming in such a place? How were you able to get the footage in and out of the facility? With time, they stopped checking my bag or asking us questions about filming, cameras, etc. VA: No. But a lot of prisoners have their own mobile phones. So the idea that prisoners have nothing is not true. POV : Why did you choose Daisy, Hernan and Mario to be your main subjects and how did you form relationships with them? VA: It was very important to me that Daisy, Hernan and Mario were Indigenous people, who came from the place where the coca leaf grow and that their parents were farmers. It was a good impression to portray in a film. They were also beautiful characters. When I first saw Hernan, he was so scared that he ran to the class because it was the safest place in the prison. He then introduced me to Mario; they were friends and had this great chemistry together. We formed a really strong relationship with them. When I met both Hernan and Daisy, they were in a really low point in their life and had no idea what to do. One guy who we followed ended up being killed even before we started filming. VA: It was tough to go to prison everyday. Besides drug traffickers and producers, there were also lots of rapists and murderers in San Sebastian. I learned so much about humanity there. I never actually stayed overnight in prison. I stayed after dark only once; I came out at 7 pm and it was a little bit scary. I also never went to the prison by myself. I always had someone accompanying me. And then the group of students who I was teaching English started walking everywhere with me. They really respected and liked me. I have never even gone into the toilet in prison so I have no idea how the toilet there looks. And during riots, we were never inside the prison. I knew all the risks and I am generally a very cautious person. POV : Unlike many other countries, the drug trade in Bolivia is non-violent and yet, as seen throughout your film, highly destructive. Could you elaborate on how the international drug trade affects Bolivian people, specifically Indigenous communities? VA: What makes the drug trade valid is the prohibition and the war on drugs. The drug trade on its own just means that you are selling something that someone else wants to buy. The reason why I am so against the war on drugs is because the only people that I saw in the prison charged with drug related crimes were young, vulnerable, Indigenous and country people. You are not going to change anything by putting vulnerable people in prison. We, the Indigenous people, have been growing coca leafs for 14 years. Now, Indigenous teenagers like Hernan are paid dollars to risk their lives transporting cocaine to Argentina. A kilo of cocaine in Bolivia costs 1, dollars; in Argentina, 3,; in the US, , dollars; in Australia, , dollars: so tell me who is making the money? We are not making the money here; the people who profit from the drug trade are in the North. At the moment, when we talk about the war on drugs and the victims of the drug trade we think of the consumers, most of whom are white. Everything in this conflict is about control. I see it as neo-colonialism: the US started the war on drugs to control Latin America, and our politicians enforce drug laws so they can control us too. Look at Brazil and the amount of people who die there everyday for selling a little bit of cocaine. The portrayal of the war of drugs in the modern world is also very problematic. POV : In your film you also show a pretty detailed portrait of the Bolivian justice system and the way that the courts and attorneys deal with numerous victims of international drug trade. Would you say that the justice system itself is partially responsible for so many war on drugs victims? VA: The Bolivian justice system is corrupt by nature because the war on drugs brings corruption. If you have money, you can have better lawyers. If you have no money, you will be in prison forever. There are too many cases, but not enough judges or prosecutors. Our justice system has always worked by the rule that you are innocent until you are proven guilty. But according to the law, which was imposed in Bolivia by the USA , in the drug related cases, you are guilty until you are proven innocent. They are able to have lawyers and trials. And the justice system works this way in most countries in Latin America and it could not have been different because of the war on drugs. Both in Bolivia and Norway, as shown in my previous film, the poorest, more vulnerable people are paying the price for the war on drugs. While the war on drugs imprisons more and more people, the price of cocaine is going up and creates a larger conflict with the whole Latin America. TIFF runs Sept. Visit TIFF. VA: Almost. Share this Facebook Twitter Whatsapp Email. You might be interested in. October 18, October 15, October 10, Antastasia Akulinina Latest posts. Previous Story. Next Story. Latest from Blog. Hot Docs announces dates for festival and opens submissions, but adds plans to seek a. Go to Top.
San Sebastian buy cocaine
‘Everything in this conflict is about control’: Violeta Ayala Talks ‘Cocaine Prison’
San Sebastian buy cocaine
San Sebastian buy cocaine
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San Sebastian buy cocaine
San Sebastian buy cocaine
San Sebastian buy cocaine
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San Sebastian buy cocaine