Samantha Solo

Samantha Solo
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Samantha Colley was born on March 22, 1989 in Canterbury, Kent, England. She is an actress, known for Solo: A Star Wars Story (2018), Genius (2017) and The Crucible (2014).
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Born:

March 22 ,

1989

in
Canterbury, Kent, England

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2 nominations.

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Solo: A Star Wars Story
Ottilie

Genius
Dora Maar / Mileva Maric

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- Alliance of Dark Forces
(2019)
... Andra

- My Sister, the Queen
(2019)
... Andra

- Picasso: Chapter Ten
(2018)
... Dora Maar

- Picasso: Chapter Nine
(2018)
... Dora Maar

- Picasso: Chapter Five
(2018)
... Dora Maar

- Picasso: Chapter Four
(2018)
... Dora Maar

- Picasso: Chapter Three
(2018)
... Dora Maar

2018

Solo: A Star Wars Story

Ottilie

- The Sins of the Father
(2017)
... Eliza

- The Queen's Husband
(2016)
... Eliza

- The Clockwork Prince
(2016)
... Eliza

2014

The Crucible

Abigail Williams

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Casting department (1 credit)

2010

The Arbor
(Documentary) (casting assistant)

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Archive footage (1 credit)

- Einstein: Chapter Ten
(2017)
... Mileva Maric

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The blues chanteuse offers these pointers to help your guitar solos stand out.
With each album, Samantha Fish finds new places to take her songwriting and electric guitar playing. That same adventurous spirit also informs how she constructs her solos. Here are her tips for getting started…
“I like to do a slow bend, just to kind of bring myself in, because it just gives you that second, that pause. I’ve kind of gotten out of the format of soloing over the exact changes of what I’ve been singing over all the time.
“Sometimes it’s cool to put the solo in a completely different key or drop it down. We did that a couple times on the new record [ Faster ]. It is sort of jarring and shocking, but it gives a new place for the guitar to live.”
“Don’t start off ripping and roaring. You don’t want to begin at 100, otherwise you have nowhere to go. Leave yourself some room to go somewhere; slow-hand it. I think sometimes it’s hard for people, younger players maybe, to take those pauses, but that’s something that you have to do. It’s good to be disciplined in that way.”
“If I’m doing something bluesier, I like to break it down and focus on bends and vibrato, and really talk to people. Then you can build and build and build. And then, some songs, it just feels right to just go bam, right into your loudest, most aggressive setting on your pedals. I still like to take my time with the notes at that point. Even if I come in aggressive, there has to be an arc to the solo.”
“It should feel like you’re speaking, especially if you’re a blues guitar player. I think taking pauses is just as important as any note you play, because it’s like when you’re talking – you take breaths, there are pauses. The guitar should be like that too. It’s just an extension of your voice.
“I like to start with a melodic motif. It’s another hook in the song. You want to introduce it and then play around with it, and then reintroduce it again, sometimes as this ‘aha’ moment. I’ve noticed when I’m playing onstage, if I do it just right, people go crazy. I think that’s the whole point. I’m trying to make people latch onto this to make them feel something.”
“The song ‘Bulletproof’ [from Kill or Be Kind ] has a middle solo and then an outro solo, and it’s on a four-string cigar-box guitar, so I feel sometimes a little limited with what I can do. I utilize different pedals with it, like an octave or fuzz. You can really color your sound to be different in that way. Pedals are meant to inspire, trigger new ideas. Sometimes, if I have multiple solos in a song, I’ll use the stuff at my feet to give me a new direction to follow.”
Buy Samantha Fish’s latest album – Faster – here (opens in new tab) .
Jim Beaugez has written about music for Rolling Stone, Smithsonian, Guitar World, Guitar Player and many other publications. He created My Life in Five Riffs (opens in new tab) , a multimedia documentary series for Guitar Player that traces contemporary artists back to their sources of inspiration, and previously spent a decade in the musical instruments industry.
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Samantha
Sammy Nestico - Kendor Music Publishing

Originally written for and played by Bud Shank, this showpiece for alto sax features a wide dynamic range and calls for a soft, smooth approach to background figures. Although written solo lines are provided throughout, the main solo chorus includes chord changes for players with improvisation chops. The chart closes out with a solo cadenza over a sustained ensemble chord.

Jazz Ensemble
#10283500

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UPC: 822795701982

Publisher ID: SN70198

Additional Score
#10283501

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Jazz Ensemble #10283500
Jazz Ensemble #10283500E
Additional Score #10283501

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IN ISSMA HIGH SCHOOL JAZZ ENSEMBLE GROUP I

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