Saly buying weed

__________________________

📍 Verified store!

📍 Guarantees! Quality! Reviews!

__________________________

▼▼ ▼▼ ▼▼ ▼▼ ▼▼ ▼▼ ▼▼

▲▲ ▲▲ ▲▲ ▲▲ ▲▲ ▲▲ ▲▲

Saly buying weed

Skip to main content. Home New Products! Back to top. Get to Know Us. Make Money with Us. Amazon Payment Products. Let Us Help You. Amazon Music Stream millions of songs. Amazon Ads Reach customers wherever they spend their time. Sell on Amazon Start a Selling Account. Veeqo Shipping Software Inventory Management. AmazonGlobal Ship Orders Internationally. Shopbop Designer Fashion Brands. Deals and Shenanigans. Ring Smart Home Security Systems. Blink Smart Security for Every Home. Amazon Subscription Boxes Top subscription boxes — right to your door. PillPack Pharmacy Simplified. Amazon Renewed Like-new products you can trust.

Unlock 15% savings

Saly buying weed

The show will be there through Feb. For those of you who live too far away to visit, please take 5 minutes to walk through the galleries with me. To learn more about particular ones, please use the search bar to find posts in the archives. These printed reproductions just a little bit smaller than the bas-relief embroidered scenes, so the scale of the wee folk, bird, foliage, roots, fruit, and thousands of stitches is very similar to their actual size. To keep up with new posts, please subscribe to this blog. Your contact info will not be sold or shared. Type your email…. Subscribe to this blog. While the cover of the book introduces the children in their beds, the back is purely decorative. I wanted it to be a cross-cultural celebration of color, pattern and texture that hopefully will make the person looking at it to want to open the book. There were a couple of practical requirements, too, like a place for the bar code and an open area for the publisher to print promotional copy and add book reviews in future printings. Also, all of the original 3-dimensional embroidered illustrations for the book are included in my current exhibition at the Albany Institute of History and Art in Albany, NY. I edged each strip of felt with blanket stitch and then sewed on wire, to make the long sides firm and straight, like bones on a corset. Otherwise, the strips would be too limp and wobbly to work with. After stitching the strips together, I embellished different motifs on each one with beads, silk ribbon and embroidery stitches. The hardest part was selecting which ones to use and coming up with a combination that was interesting, but not cluttered looking. I wanted each strip to be distinctive, but also work in harmony with the others. The last part involved sewing the border in place on top of a solid felt center piece. Since the book is a perfect square, everything had to line up just right. This frameable poster is the closest thing to seeing the piece in person, which I realize is out of reach for many of you visit this page for current exhibitions. The original bas-relief embroidered scene is just an inch larger than the printed reproduction, so the scale of the wee folk, raspberries, and thousands of stitches is very similar to their actual size. It really depends on how much interest there is. Summertime is one of four seasonal landscapes that are currently on view through Feb. See photos of the show here. To keep up with new posts, please subscribe to this blog Your contact info will not be sold or shared. For the first time, visitors will see both original embroidered artwork and 8 ft. It feels as if you could step inside the scene and pick raspberries! Enchanting Threads includes just about everything in my personal collection, from the doll house I made in to Birds of Beebe Woods. Past exhibitions have included several pieces on loan from private collectors, but I figured that borrowing artwork from their owners for 7 months was too much to ask. The show features over framed tableaus, original picture book illustrations, and sculptural objects from the past 40 years, including fairy houses, walls crowded with wee folk dolls , and the cast of characters from my stop-motion film Liberty and Justice. Bedtime Stitches , the touring exhibition of the entire collection of original illustrations for my most recent picture book, MY BED: Enchanting Ways to Fall Asleep around the World , is included, too. To find out where Bedtime Stitches is going next, please visit the Exhibitions Page. I had an opportunity to walk around the galleries with museum staff and docents, and answer questions that they thought visitors would be curious about, such as how long it takes to make a piece 2 to 6 months and if everything is really hand stitched it is. These opportunities often involve fans who are passionate about my work and want to see it in person, close to where they live. Happily, plans are underway for two solo exhibitions in and , which will be listed on the Exhibitions Page when their locations and dates are confirmed. That being said, I certainly welcome inquiries from museums and art centers who are interested in hosting future exhibitions. I believe that my embroidered pieces have the most value when they are put on public display, where people can become emersed in their detail and 3-demensional quality up close. Books, prints, cards and puzzles are for sale in my shop. Otherwise, it would take many years to create enough new pieces to fill an exhibition space. Now, I always have a body of work available to show. After 50 years of single-minded dedication to making art, I feel a shift taking place. In the series about making Summertime , I share photos of different stages of the project and explain what went through my head while I was working on it. In this post Part 2 , I show how I made the thatched roof treehouses nestled in the tree trunks. Part 1 was about forming the tree trunks and future posts will cover other elements of the piece, including plants, raspberries, roses, wee folk, and the Baltimore Oriole. Summertime is the summer scene in a series of four seasonal landscapes that capture the wonder and magic of the natural world. Note cards, prints, bookmarks, and jigsaw puzzles of Summertime and the other scenes in the series Frosty Morning , Mossy Glen and Harvest Time are available in my Etsy Shop. Thatched Roofs I hardly ever buy new materials because I have enough fabric, wire, beads, and thread to last a lifetime. However, sometimes I feel pushed to look beyond the containers full of miscellaneous supplies in my studio for something unique. So, when it came time to make the tree house complex for Summertime , I knew exactly what to use to thatch the roofs. Straw silk is different from other silk embroidery ribbon, which can be too slick for my taste. Doorways and Huts To make the doorways, I cut out holes in pieces of wool felt and edged the openings with a combination of straw silk and pima cotton. I liked how the herring bone pattern around the doorway created a three dimensional effect, so I continued covering the entire hut that way. At some point, I realized that the doorway openings were too flimsy and needed reinforcement, so I stitched wire Memory Thread around the open edges. After stitching the roofs to the top of the huts, I decided to add loops around the bottom edge, like a pixie haircut with bangs. Each landscape in the Four Seasons Series includes housing for the wee folk, either perched in trees, dug into hillsides, or in underground tunnels. The slideshow below features examples of a variety of cozy shelters found in Frosty Morning , Mossy Glen , Harvest Time and Summertime. When I first imagined Summertime , I pictured thatch roofed huts clustered at the base of the center tree, with at least one elevated high enough to warrant a balcony. I formed the balcony out of rubber coated electrical wire and wrapped it with embroidery floss. It felt good to create homes for the wee folk and move on to others parts of the project! Stay tuned for future posts in this series about Summertime. In Part 3, I will share photos, videos and commentary about how I made leaves and branches. In Part 1 of the series about making Summertime , I share photos and commentary about how I created the tree trunks, which provide the framework for the whole composition. Future posts will cover other elements of the piece, including the treehouses, plants, raspberries, wee folk, and the Baltimore Oriole. Before threading the first needle, I pictured the scene in my head for months, mostly while taking walks or riding on the bike path. During this early stage of the process, I made a lot of thumbnail sketches and worked out the basic design. All of the color choices, design changes, and stitching details would come later, as the piece evolved. I formed the structure of the tree with insulated electrical wire of different thicknesses that I found at the hardware store. To make forked branches, I stripped the plastic coating at the ends and wound the exposed copper wire around the adjoining branches. The whole idea was to make an armature that was flexible and strong enough to bend and manipulate as needed. To build up the thickness of the tree, I wrapped the wire with cut strips of cotton quilt batting, which I roughly stitched in place. The next step was to cover the padded wire with wool felt. I started by stitching felt pieces to the back of the tree trunk and branches, making a flat surface that would eventually be sewn to the background sky. Then I stitched pieces of felt over the curved front. The photo below gives a view from the back, as I overlapped the front strip of felt over the back piece. The messy seams will all be covered with embroidery and hidden in the back. At first, I liked how the pink and tan variegated thread looked, but soon realized that it alone was too subtle and needed more saturated accent colors to help it pop in contrast to the sky background. I added bright turquoise and then decided to go even further with hot pink, which I also used to create a cross-hatched effect along the sides of the trunks. I used finer gauge wire to form the smaller branches and wrapped them with embroidery floss. I sewed some glass beads that have been stored in my stash for 20 years to the tips of the branches. It felt so good to finally put them to use! In Part 2, I will show how I made the thatch-roofed treehouses nestled into the tree trunks. Subscribe to this Blog. With warmer weather approaching, it seems like a good time to begin a new multi-part series about making Summertime , the fourth piece in my seasonal landscape series. It feels so good to have completed all four seasons in this project, which I started during the pandemic, as a way to focus on something positive and healing. Over the coming weeks and months, I will share photos, videos and commentary about different aspects of the project, from raspberries to tree houses and their inhabitants to a life size Baltimore Oriole. Summertime is the summer scene in a series of seasonal landscapes that capture the wonder and magic of the natural world. Posters, note cards, bookmarks, and jigsaw puzzles of Summertime and the other scenes in the series Frosty Morning , Mossy Glen , and Harvest Time are available in my Etsy Shop. I know that you like to see my fingers in action, so I took videos of different parts of the process. Please read ahead for details. Join us for an engaging discussion with three artists creating with fiber in 3D! Link to sign up: www. A book signing will follow the presentation. Opening reception with the artist on July 27th. Artist talk TBA later in the fall. Starting this summer, The Albany Institute of History and Art will host a major exhibition of over 80 bas-relief pieces and sculptural objects from my collection. The show will include a large selection of my artwork from the past 30 years, including Bedtime Stitches , the touring exhibit of original illustrations for my most recent picture book, MY BED: Enchanting Ways to Fall Asleep around the World. Also on display will be recent works that explore cultural diversity, migration, fashion, the natural world, and a range of social narratives, from the everyday to topical subjects. To keep up with new posts, subscribe to this blog. A while back, a fan from the Midwest kindly sent a boxful of bur oak acorn caps. They are humongous compared to regular run-of-the-mill acorn caps that I used as hats for the 3-inch tall dolls in my how-to book Felt Wee Folk. To start, I painted faces on a bunch of wooden beads and ball knobs, until I was satisfied with a few impish ones with upturned pointy noses. I increased the size of their pipe cleaner bodies and made hands to scale. It was also an opportunity to use larger faux flower petals from my collection for the skirt. I made a peplum jacket pattern and cut it out of felt, which I embellished with a flower petal collar, beads, embroidery floss, and metallic thread. Because these fairies have nice big feet, I could more easily cobble shoes for them. This pair of slippers are made out of felt, with a bit of wire reinforcement to give them a pointy elfin look. The response to the video was mixed. Some people were uncomfortable with the disorderly jumble, while others were relieved to see another creative space that looked as messy as theirs. I attached felt wigs to the bead heads using the same techniques that I teach in my how-to book, Felt Wee Folk. I created tangled ringlets by stitching yarn up an down the long tresses. Just as with the smaller fairies, I made wings out of faux flower petals. But because of the increased scale, these wings were too floppy. I gave them extra support by sewing wire along the outside edge, going around a few times until the wire was completely hidden by thread. In this video, you can watch over my shoulder while I stitch wire to the outside edge of a wing and embroider a felt tailcoat. I dressed one of the fairies in an embroidered felt vest and leafy cravat…. You can find them hovered over a fairy house made by Andrea Riggillo. Our family is growing so fast, I can hardly believe it! I then wrapped a length of DMC memory thread a kind of wire with 3 strands of variegated embroidery floss see video below. Using the drawing as a template, I bent the wire to form his name and stitched the letters together where they touched. I thought it would be easier to see the process using contrasting wire and thread colors. Of course, using the same color wire and thread is better for hiding gaps and inconsistencies. It takes a lot of practice to get the hang of wrapping the wire. For this banner, I created layers of felt pieces, which I blanket stitched with pima cotton Watercolours by Caron. So, I decided to wind a single strand of orange embroidery floss around the wire numbers see video below. I looked through my driftwood collection and found the right sized stick that would work as a hanging bar. I braided cord to make a strap and drilled holes in the stick big enough to thread cord through. This video shows how I chain stitched spirals on the scalloped flaps at the bottom of the banner. Type your email… Subscribe to this blog. I love embroidering simple stitches with silk ribbon. The border looked like a window when it was finished The last part involved sewing the border in place on top of a solid felt center piece. Seasonal Landscape Series Enchanting Threads includes just about everything in my personal collection, from the doll house I made in to Birds of Beebe Woods. Birds of Beebe Woods The show features over framed tableaus, original picture book illustrations, and sculptural objects from the past 40 years, including fairy houses, walls crowded with wee folk dolls , and the cast of characters from my stop-motion film Liberty and Justice. Characters, props and scenery from the stop-motion film, Liberty and Justice. Type your email… Subscribe to this Blog. Blog at WordPress. Subscribe Subscribed. Sign me up. Already have a WordPress. Log in now. Loading Comments Email Required Name Required Website.

Saly buying weed