Sally Kellerman Nude Mash
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Sally Kellerman Nude Mash
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Kellerman in a publicity photo for The Third Day (1965)
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^ Kellerman, Sally (November 4, 2013). "Episode 438" . WTF with Marc Maron (Interview). Interviewed by Marc Maron .
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^ "Kellerman, Sally". Performing Arts . Music Center Operating Company of Los Angeles County. 14 : 7. 1980.
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^ "Sally Kellerman Singing Here Again" (PDF) . The New York Times . October 23, 1975 . Retrieved April 11, 2014 .
^ "After Dark" . New York Magazine . November 25, 1974 . Retrieved April 11, 2014 .
^ Palmer, Robert (May 4, 1977). "Pop – Sally Kellerman All Icing, No Cake" (PDF) . The New York Times . Retrieved April 11, 2014 .
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^ Pfefferman, Naomi (November 23, 2000). "Touchy Subjects Eve Ensler's 'Vagina Monologues' dares to discuss 'down there.' " . Jewish Journal .
^ Holden, Stephen (January 26, 2001). "Sally Kellerman: A Semi-Feminist Potpourri Ending in a Battle Hymn" . New York Times . Retrieved April 11, 2014 .
^ DiSante, Price, Stafford. "Background – The Evolution of What A Pair!" . Whatapair.org. {{ cite web }} : CS1 maint: multiple names: authors list ( link )
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^ "The Susan B. Anthony Award Pin « High Falls Film Festival – Rochester, NY" . High Falls Film Festival. Archived from the original on April 16, 2013.
^ DiSante, Price, and Stafford. "What A Pair! :: Cast 2004 Los Angeles" . whatapair.org. {{ cite web }} : CS1 maint: multiple names: authors list ( link )
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^ DiSante, Price, and Stafford. "What A Pair! :: Cast 2005 Los Angeles" . whatapair.org. {{ cite web }} : CS1 maint: multiple names: authors list ( link )
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^ Tsagaris, Andy (February 24, 2014). "Oscar Nominee Sally Kellerman Joins the Love Can Initiative in Support of the Love Can Tour for America's Children" . SBWire. Archived from the original on April 13, 2014.
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Sally Clare Kellerman (June 2, 1937 – February 24, 2022) was an American actress and singer whose acting career spanned 60 years. Her role as Major Margaret "Hot Lips" Houlihan in Robert Altman 's film M*A*S*H (1970) earned her an Oscar nomination for Best Actress in a Supporting Role . After M*A*S*H , she appeared in a number of the director's projects, namely the films Brewster McCloud (1970), Welcome to L.A. (1976) (produced by Altman, directed by his protégé, Alan Rudolph ), The Player (1992), and Prêt-à-Porter (1994), and the short-lived anthology TV series Gun (1997). In addition to her work with Altman, Kellerman appeared in films such as Last of the Red Hot Lovers (1972), Back to School (1986), plus many television series such as The Twilight Zone (1963), The Outer Limits (1965), Star Trek (1966), Bonanza (1966, 1970), The Minor Accomplishments of Jackie Woodman (2006), 90210 (2008), Chemistry (2011), and Maron (2013). She also voiced Miss Finch in Sesame Street Presents: Follow That Bird (1985), which went on to become one of her most significant voice roles. [1]
At age 18, Kellerman signed a recording contract with Verve Records , but her first album ( Roll with the Feelin ' on the Decca label) was not recorded until 1972. A second album Sally was released in 2009. [2] Kellerman also contributed songs to the soundtracks for Brewster McCloud (1970), Lost Horizon (1973), Rafferty and the Gold Dust Twins (1975), and Boris and Natasha: The Movie (1992).
Kellerman did commercial voiceover work for Hidden Valley Ranch salad dressing, Mercedes-Benz , and Revlon . [3] Kellerman's animation work included The Mouse and His Child (1977), Happily Ever After (1990), Dinosaurs (1992), Unsupervised (2012), and The High Fructose Adventures of Annoying Orange (2013). In 2013, she released her memoir Read My Lips: Stories of a Hollywood Life , describing her trials and tribulations in the entertainment business.
Kellerman [4] was born in Long Beach, California , on June 2, 1937 [5] to Edith Baine (née Vaughn), a piano teacher from Portland, Arkansas , [6] : 15 and John Helm "Jack" Kellerman, a Shell Oil executive from St. Louis, Missouri. [6] : 16 [4] She had an older sister, Diana Dean Kellerman. Her younger sister, Victoria Vaughn Kellerman, died in infancy. [6] : 18 Edith was a Christian Scientist and raised her daughters in this faith. [6] : 17–21
When Kellerman was in fifth grade, the family moved from Long Beach to the San Fernando Valley . [6] : 29 She spent her early life in then-rural Granada Hills in a largely unpopulated area surrounded by orange and eucalyptus groves. [7] During her sophomore year of high school, the Kellermans moved from San Fernando to Park La Brea, Los Angeles , where she attended Hollywood High School . She grew to stand 5'10 1/2" (179.07 cms). Due to her shyness, she made few friends and received poor grades (except in choir and physical education) but appeared in a school production of Meet Me in St. Louis . [6] : 4–5
With the help of a high-school friend, Kellerman submitted a recording demo to Verve Records founder and head Norman Granz . After signing a contract with Verve, however, she was daunted by the task of becoming a recording artist and walked away. [8] [6] : 14
Kellerman attended Los Angeles City College , [9] and also enrolled in Jeff Corey 's acting class. [6] : 8 Within a year, she appeared in a production of John Osborne 's Look Back in Anger staged by Corey and featuring classmates Shirley Knight , Jack Nicholson , Dean Stockwell , and Robert Blake . [10] Towards the end of the 1950s, Kellerman joined the newly opened Actors Studio West [11] [12] and debuted before the camera in the film, Reform School Girl (1957). [13] To pay her tuition, Kellerman worked as a waitress at Chez Paulette. [6] : 35
Kellerman made a number of television-series appearances. She was in an episode of the western Cheyenne , as well as a role as a waitress in the John Forsythe sitcom Bachelor Father . Struggling for parts in television and films, Kellerman acted on stage. She debuted in Henrik Ibsen 's An Enemy of the People , [6] : 55 followed by parts in a Pasadena Playhouse production of Leslie Stevens 's The Marriage-Go-Round and Michael Shurtleff 's Call Me by My Rightful Name (1962). [6] : 63
In 1964, Kellerman played Judith Bellero, the manipulative and ruthless wife of Richard Bellero (played by Martin Landau ), in an episode of The Outer Limits titled " The Bellero Shield ". A role as Holly Mitchell, perverted mistress of George Peppard 's character in The Third Day (1965), followed. She played leading lady to David Niven in his television series The Rogues in 1965 for an episode titled "God Bless You, G. Carter Huntington" which revolved around her striking beauty to a large degree, and appeared in a 1965 Alfred Hitchcock Hour episode titled "Thou Still Unravished Bride."
A year later, she played psychiatrist Elizabeth Dehner (who studied the long-term effects of space on a crew) in " Where No Man Has Gone Before ", the second pilot for Star Trek . Three months after that, Kellerman played Mag Wildwood in the original Broadway production of Breakfast at Tiffany's , directed by Joseph Anthony and produced by David Merrick , which closed after four preview performances. Before the closing the musical numbers were recorded live, and she recorded three songs which appeared on the original cast recording . [14]
Near the end of the decade, Kellerman guest-starred in The Invaders in the episode "Labyrinth" (1968). She also had turns as the severely beaten (and only surviving) victim of Albert DeSalvo in the Boston Strangler (1968), and Phyllis Brubaker ( Jack Lemmon 's materialistic wife) in the romantic comedy The April Fools (1969). [15] She turned down a role in Paul Mazursky 's Bob & Carol & Ted & Alice (1969). [6] : 87 She played Eleanor in the Hawaii Five-O episode "The Big Kahuna" (1969).
In a 1971 Life magazine interview, Kellerman remembered her television years: "It took me eight years to get into TV — and six years to get out. Frigid women, alcoholics they gave me. I got beat up, raped, and never played comedy." [16]
Kellerman received her breakthrough role (Major Margaret "Hot Lips" Houlihan in Robert Altman 's M*A*S*H ) in 1970. Her performance received Academy Award and Golden Globe nominations, winning the Kansas City Film Critics Circle (KCFCC) Award for Best Supporting Actress, the Golden Laurel for Best Comedy Performance (Female), and a second-place National Society of Film Critics (NSFC) Award for Best Supporting Actress . [17] Kellerman was featured in Life magazine. [18] She again collaborated with Altman in Brewster McCloud as Louise, guardian angel to Bud Cort , and recorded " Rock-a-Bye Baby " for the film's soundtrack. [19]
The actress's next role was a hostile, chain-smoking, sex-addicted woman who was trying to have an afternoon affair with Alan Arkin 's character in Gene Saks ' film adaptation of Neil Simon 's comedy Last of the Red Hot Lovers (1972). In Manhattan after the film, Kellerman declined an offer for a ten-page spread in Vogue from the then editor-in-chief Grace Mirabella . [6] : 118 When she turned down the part of Linda Rogo in The Poseidon Adventure (1972), Stella Stevens got the role. [6] : 146 Shortly afterwards she recorded her first demo with Lou Adler , and Roll with the Feelin for Decca Records with producer-arranger Gene Paige. [6] : 144 After filming Last of the Red Hot Lovers , Kellerman passed up a role in another Altman film:
I had just finished filming Last of the Red Hot Lovers when Bob called me one day at home. "Sally, do you want to be in my picture after next?" he asked. "Only if it's a good part," I said. He hung up on me. Bob was as stubborn and arrogant as I was at the time, but the sad thing is that I cheated myself out of working with someone I loved so much, someone who made acting both fun and easy and who trusted his actors. Stars would line up to work for nothing for Bob Altman.
Oh, the Altman film I turned down? Nashville . In that part I would have been able to sing. Bad choice. [6] : 146
Kellerman's next roles included as a woman involved in a deadly plot in the slasher film A Reflection of Fear (1972); an eccentric woman in the road movie Slither opposite James Caan (1973), and a tormented journalist in Charles Jarrott 's musical remake of Frank Capra 's Lost Horizon (also contributing to the latter's soundtrack). Two years later, she played Mackinley Beachwood in Dick Richards ' Rafferty and the Gold Dust Twins (1975), one of two women who kidnap driving instructor—and former United States Marine Corps gunnery sergeant—Rafferty ( Alan Arkin ), also singing " Honky Tonk Angels ". [20]
In October 1975, Kellerman sang at Reno Sweeney, [21] and performed two shows nightly at the Rainbow Grill from November 25 to December 14. [22] Her next appearance was as Sybil Crane (a woman in the midst of a divorce) in The Big Bus , a parody of disaster films, followed by a role as a lonely real estate agent in the Alan Rudolph -directed and Altman-produced Welcome to L.A. (both 1976). The next year, Kellerman appeared in a week-long run of cabaret concerts beginning at the Grand Finale club on May 2. Songs that evening included versions of Leon Russell and Betty Everett hits. [23]
At the end of the decade, Kellerman's roles included Maureen, a veteran vaudevillian, in Verna: USO Girl (1978); Veronica Sterling, a party-addicted socialite, in the made-for-television film She'll Be Sweet (1978); and Lise Bockweiss—one of several wives of Pasquinel ( Robert Conrad ) and daughter of Herman Bockweiss ( Raymond Burr )—in the 12-episode miniseries Centennial (1978–1979). Kellerman played Kay King, the pretentious and kooky mother of a lovelorn daughter ( Diane Lane ), in George Roy Hill 's A Little Romance (1979).
Kellerman began the decade as Mary, a divorced middle-aged suburban mother struggling to raise her rebellious daughter ( Jodie Foster ) in Adrian Lyne 's Foxes (1980); Martha, a six-times-married eccentric, in Bill Persky 's Serial , and the silly-but-sophisticated Mrs. Liggett in Jack Smight 's Loving Couples . Her later roles included Mary, a child psychiatrist in a sadomasochistic relationship with a psychology professor (Stephen Lackman) after they meet by accident (literally) in Michael Grant's Head On , and a 1920s socialite in Kirk Browning 's made-for-television film adaptation of Dorothy Parker 's 1929 short story Big Blonde (both 1980). From October 3 to November 15, 1980, Kellerman
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