Sadistic Nurse

Sadistic Nurse




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Club Fate: Meanwhile... Back At The Lab!
copyright Ian MacDonald 2020. Permission required for any use.
Eventually science will bring Cov Sars 2 to heel.
Prior to germ theory, immunology, molecular and cellular biology, atomic physics and many other scientific disciplines of the 20th century, combined with power of logic and thought and experiment, humanity has cowed many of the viruses, parasites, and bacteria that have plagued humans since the beginning of time. Where we havent eliminated or reduced their power against us, we can at least understand how they work, where they live, how to avoid them and treat the symptons of their disease.....The greatest gift to humanity has been the power of scientific thought. No power on earth has delivered so much to the human condition than our abilities to identify, understand and deal with the pathogens all around us. Yet as Carl Sagan warned and most other scientists echo, Science and scientists are relegated to the world of nerdom, geekdom, the mad scientist, liberal academic, egg head, socially awkward wierdo, Mr. Spock or Cmdr Data, etc...at our own peril. Healing crystals, prayer, quackery, unshakable belief, "gut feeling"...while some of these are surely important for a person's meaningfulness, these have not returned any real improvement in the human condition over thousands, and presumanly hundreds of thousands of years of hominid history. Arguably science has delivered its share of problems such as nuclear weapons, but in balance humanity has benefitted exponentially because of it. The same nuclear physics that led to the bomb also produced the electron micrscope that confirmed the existence of viruses around 1926.
As a society there is a trend of distrusting science and scientists. This is stoked daily by ignorants without an iota of scientific training or even the smallest speck of understanding...despite most them benefitting highly from science's bounty. Those with money usually benefit the most from science, while also espousing a medieval society. In the current outbreak of Covid19 it is notable that our wealthiest, and often our most conservative politicians are at the front of the queue getting tested, recieving the best medical care, paid for generously at taxpayer expense. The rest of us are told to wash hands, wear scarves and die off for the good of the economy. This un-Christianly sentiment I would think would make the Christ, I read about in the Bible weep. The Christ I was taught about, was by the thoughtful, beautiful, smart and sadly departed soul, Rev Paul Pearson. A materials engineer, trained in mathematical physics, who loved Theology and was drawn to be like Christ, and became a much lower paid minister, to spread the word and minister to all in need, no matter what their status in life. The "devout" and religous christians of my childhood church relieved him of his ministry there, because he was wasting the church's money ministering to anyone who wanted it rather than just our church's members at the local hospital. I myself do not feel there is a god or afterlife, I do hope so and I'm sure Mr. Pearson is there. However history on earth, for many things, but especially with respect to infectious disease and suffering, leads me to think god isn't there or is extremely cruel and sadistic to let people suffer with infectious disease. Alas Mr. Pearson knew science and its power, and knew that his role was to comfort the sick, perhaps with HIV, and remind them that it wasnt some punishment, but was a virus. And he believed Science would deliver, just like the Space Shuttle he worked on, delivered the Hubble Telescope to let us see the cosmos. In the late 2020 HIV is no longer a death sentence because of HIV1 protease inhibitors. But it didn't come easily, only under pressure from many gay activists who were told initially it was their wages of sin.
Anyway the amount of suffering pathogens have heaped on humanity is incalculable. As I pick my brain for examples I come up with a, certainly incomplete, list that is a disgusting murderer's row...TB, typhoid, yellow fever, malaria, leprosy, black plague, bubonic plague, cholera, ebola, small pox, measles, mumps, meningitis, hepatitis, helicobacter, scabies, fleas, lice, yeast infections, fungal infections, flu, rubella, diptheria, polio, staph, tetanus, roundworms, flat worms, hookworms, tapeworms, guineaworms, ecoli, salmonella, botulism, sleeping sickness, listeria, rotovirus, norovirus, pseudomonas, zika, dengue fever, conjunctivitis, syphilis, gonorrhea, hpv, HIV, leishmania, rabies, pneumonia, rotavirus, hantavirus, anthrax, SARS, MERS, pertussis, brucellosis, cryptosporidium, encephalitis, haemophilis influenza, herpes, histoplasmosis, lyme disease, pneumonic plague, srep rocky mountain spotted fever, shigella, trichomoniasis, trichinosis....and more but I cant think of them. And all the praying, and wishing them away, and quackery, has done nothing. Only the power of science has turned the tide, sometimes by highlighting simple truths like sanitizing our drinking water. Anyway Science will succeed again with Covid19, not at this point before it has claimed too many lives. Im afraid this horse has left the barn, due to the unconscionable incompetence of our federal govrrnment. As the death toll grinds on and scientists struggle to put a boot on this virus' neck hopefully we will fund our CDC and agencies and scientists...its unrealistic...but like we do basketball players or movie stars. After all what have they really done for humanity? And scientists will go back to underfunded labs, and bashing from ignorants who'd turn time back to the days when religous order killed witches and commited self flagellation to appease god, but never even slowed a plague.
Dutch card. Photo: Columbia. Peter O'Toole in Lawrence of Arabia (David Lean, 1962).
Golden-haired, blue-eyed Peter O'Toole (1932-2013) became an international superstar with his unforgettable turn as the British expatriate T.E. Lawrence in David Lean's epic masterpiece Lawrence of Arabia (1962). After surviving cancer and alcoholism, O’Toole made a triumphant come-back with Oscar nominated appearances in The Stunt Man (1980) and My Favorite Year (1982).
Peter Seamus Lorcan O'Toole was born in 1932. In his autobiography Loitering with Intent: the Child (1992), O’Toole wrote that he was not certain of his birthplace, while he had birth certificates from two countries. According to IMDb, he was born in Connemara, Ireland. Other sources indicate Leeds, England, where he also grew up, as his birthplace. However, he was the son of Constance Jane (née Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. As a boy, Peter decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theatre and made his stage debut at 17. He served as a radioman in the Royal Navy for two years. From 1952 to 1954 he attended the Royal Academy of Dramatic Art as a scholarship student. His classmates included Albert Finney, Alan Bates and Richard Harris. While at RADA, he was active in protesting British involvement in the Korean War. Later in the 1960s he would be an active opponent of the Vietnam War. O'Toole began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the English Stage Company, before making an inconspicuous film debut in the Walt Disney production Kidnapped (Robert Stevenson,, 1960), a faithful adaptation of the Robert Louis Stevenson classic. Two years later, O'Toole was chosen by director David Lean to play Thomas E. Lawrence in Lawrence of Arabia (David Lean, 1962). The part of the conflicted British liaison officer caught at the center of an Arab revolt made O'Toole an international superstar. Brian McFarlane observes in the Encyclopedia of British Film: “It was a remarkable study in obsession, catching the right balance between mystic and man of action, bringing to the role kinds of intensity and zeal that few other British actors could have done”. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He was nominated as Best Actor for King Henry II in Becket (Peter Glenville, 1964) starring Richard Burton. Two years later he was nominated again for portraying Henry II, this time in The Lion in Winter (Anthony Harvey, 1968) alongside Katharine Hepburn.
Peter O‘Toole was one of the greatest actors of his generation. During his career, he received eight Academy Award nominations but never won the Oscar. (He had more nominations without winning than any other actor.) TCM suggests that his flamboyant personal life was maybe to blame: “Known as one of Hollywood's most infamous party animals in his prime, O'Toole earned a reputation as a prodigious drinker alongside his contemporaries and fellow countrymen Richard Harris, Richard Burton, and Oliver Reed. O'Toole's booze-fueled hijinks eventually took their toll, however, on both his career and his health. While the actor did manage to pick up his fifth Oscar nomination for the wickedly funny The Ruling Class (Peter Medak, 1972), the seventies were, generally speaking, a decade long low-point in the actor's personal life and career.” Once considered one of the most beautiful men ever to grace the silver screen only a decade earlier, O'Toole's alcoholism had cost him his looks. In 1979, his 20-year marriage to Irish actress Sian Phillips ended in divorce, when she left him for a younger man. Medical problems threatened to destroy his life. Originally he thought the problems were the result of his drinking but it turned out to be stomach cancer. He survived by giving up alcohol and by serious medical treatment. He returned to the cinema with two triumphant performances: a sadistic, tyrannical director in the behind-the-scenes comedy The Stunt Man (Richard Rush, 1980), and an ageing swashbuckling film star strongly resembling Errol Flynn in My Favorite Year (Richard Benjamin, 1982). For both films he received an Oscar nomination. On stage, he received good reviews as John Tanner in Man and Superman and as Henry Higgins in Pygmalion (1984), and he won a Laurence Olivier Award for his performance in Jeffrey Bernard is Unwell (1989). However, O'Toole found meaningful film roles increasingly difficult to come by. He appeared in such duds as Supergirl (Jeannot Swarc, 1984), Creator (Ivan Passer, 1985) and Club Paradise (Harold Ramis, 1986), but fortunately he also appeared in the much-garlanded grand epic The Last Emperor (Bernardo Bertolucci, 1987). The film about the final Emperor of China (John Lone) won the Oscar for Best Picture.
After another series of lesser films, Peter O'Toole made again a come-back in the new decennium. In 1999 he already won an Emmy Award for his role in the mini-series Joan of Arc (Christian Duguay, 1999). In 2003, he received a Special Oscar for lifetime achievement, an honour O'Toole only reluctantly accepted. He wrote the Academy a letter stating that he was “still in the game” and proved to be so in the following years. In the blockbuster Troy (Wolfgang Petersen, 2004) he played the dying King Priam opposite Brad Pitt. In the BBC drama serial Casanova (2005), he appeared as the older version of legendary 18th century Italian adventurer. He was once again nominated for the Best Actor Academy Award for his portrayal of Maurice in the May-December romantic comedy Venus (Roger Michell, 2006), scripted by Hanif Kureishi. It was his eighth nomination. O'Toole co-starred as the voice of food critic Anton Ego in the Pixar box office hit Ratatouille (Brad Bird, Jan Pinkava, 2007), an animated film about a rat with dreams of becoming the greatest chef in Paris. O'Toole appeared in the second season of Showtime's hit drama series The Tudors (2008), portraying Pope Paul III, who excommunicates King Henry VIII (Jonathan Rhys Meyers) from the church. This act leads to a showdown between the two men in seven of the ten episodes. Later, O'Toole narrated the horror comedy Eldorado (Richard Driscoll, 2011). In 2012, Peter O'Toole released a statement announcing his retirement from acting due to a recurrence of stomach cancer. He died in 2013 at Wellington Hospital in St John's Wood, London, at the age of 81. Two films were released after his death: Katherine of Alexandria/Decline of an Empire (Michael Redwood, 2014), as Gallus; and The Whole World at Our Feet/Diamond Cartel (Salamat Mukhammed-Ali, 2015). Both were flops. Peter O'Toole had two daughters, actresses Patricia O'Toole and Kate O'Toole (1960), from his marriage to actress Siân Phillips. He also had a son, actor Lorcan O'Toole (1983), by American model Karen Brown. For his body of work he won four Golden Globes, a BAFTA, and an Emmy.
Sources: Brian McFarlane (Encyclopedia of British Film), Nathan Southern (AllMovie), Jim Beaver (IMDb), TCM, Filmreference.com, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Golden-haired, blue-eyed Peter O'Toole (1932-2013) became an international superstar with his unforgettable turn as the British expatriate T.E. Lawrence in David Lean's epic masterpiece Lawrence of Arabia (1962). After surviving cancer and alcoholism, O’Toole made a triumphant come-back with Oscar nominated appearances in The Stunt Man (1980) and My Favorite Year (1982).
Peter Seamus Lorcan O'Toole was born in 1932. In his autobiography Loitering with Intent: the Child (1992), O’Toole wrote that he was not certain of his birthplace, while he had birth certificates from two countries. According to IMDb, he was born in Connemara, Ireland. Other sources indicate Leeds, England, where he also grew up, as his birthplace. However, he was the son of Constance Jane (née Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. As a boy, Peter decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theatre and made his stage debut at 17. He served as a radioman in the Royal Navy for two years. From 1952 to 1954 he attended the Royal Academy of Dramatic Art as a scholarship student. His classmates included Albert Finney, Alan Bates and Richard Harris. While at RADA, he was active in protesting British involvement in the Korean War. Later in the 1960s he would be an active opponent of the Vietnam War. O'Toole began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the English Stage Company, before making an inconspicuous film debut in the Walt Disney production Kidnapped (Robert Stevenson,, 1960), a faithful adaptation of the Robert Louis Stevenson classic. Two years later, O'Toole was chosen by director David Lean to play Thomas E. Lawrence in Lawrence of Arabia (David Lean, 1962). The part of the conflicted British liaison officer caught at the center of an Arab revolt made O'Toole an international superstar. Brian McFarlane observes in the Encyclopedia of British Film: “It was a remarkable study in obsession, catching the right balance between mystic and man of action, bringing to the role kinds of intensity and zeal that few other British actors could have done”. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He was nominated as Best Actor for King Henry II in Becket (Peter Glenville, 1964) starring Richard Burton. Two years later he was nominated again for portraying Henry II, this time in The Lion in Winter (Anthony Harvey, 1968) alongside Katharine Hepburn.
Peter O‘Toole was one of the greatest actors of his generation. During his career, he received eight Academy Award nominations but never won the Oscar. (He had more nominations without winning than any other actor.) TCM suggests that his flamboyant personal life was maybe to blame: “Known as one of Hollywood's most infamous party animals in his prime, O'Toole earned a reputation as a prodigious drinker alongside his contemporaries and fellow countrymen Richard Harris, Richard Burton, and Oliver Reed. O'Toole's booze-fueled hijinks eventually took their toll, however, on both his career and his health. While the actor did manage to pick up his fifth Oscar nomination for the wickedly funny The Ruling Class (Peter Medak, 1972), the seventies were, generally speaking, a decade long low-point in the actor's personal life and career.” Once considered one of the most beautiful men ever to grace the silver screen only a decade earlier, O'Toole's alcoholism had cost him his looks. In 1979, his 20-year marriage to Irish actress Sian Phillips ended in divorce, when she left him for a younger man. Medical problems threatened to destroy his life. Originally he thought the problems were the result of his drinking but it turned out to be stomach cancer. He survived by giving up alcohol and by serious medical treatment. He returned to the cinema with two triumphant performances: a sadistic, tyrannical director in the behind-the-scenes comedy The Stunt Man (Richard Rush, 1980), and an ageing swashbuckling film star strongly resembli
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