SPLICING LANGUAGE
https://aepiot.com/search.html?q=SPLICING%20LANGUAGEMultiSearch Tag Explorer
aéPiot
Go
The cell nucleus (from Latin nucleus or nuculeus 'kernel, seed'; pl.: nuclei) is a membrane-bound organelle found in eukaryotic cells. Eukaryotic cells usually have a single nucleus, but a few cell types, such as mammalian red blood cells, have no nuclei, and a few others including osteoclasts have many. The main structures making up the nucleus are the nuclear envelope, a double membrane that encloses the entire organelle and isolates its contents from the cellular cytoplasm; and the nuclear matrix, a network within the nucleus that adds mechanical support. The cell nucleus contains nearly all of the cell's genome. Nuclear DNA is often organized into multiple chromosomes – long strands of DNA dotted with various proteins, such as histones, that protect and organize the DNA. The genes within these chromosomes are structured in such a way to promote cell function. The nucleus maintains the integrity of genes and controls the activities of the cell by regulating gene expression. Because the nuclear envelope is impermeable to large molecules, nuclear pores are required to regulate nuclear transport of molecules across the envelope. The pores cross both nuclear membranes, providing a channel through which larger molecules must be actively transported by carrier proteins while allowing free movement of small molecules and ions. Movement of large molecules such as proteins and RNA through the pores is required for both gene expression and the maintenance of chromosomes. Although the interior of the nucleus does not contain any membrane-bound subcompartments, a number of nuclear bodies exist, made up of unique proteins, RNA molecules, and particular parts of the chromosomes. The best-known of these is the nucleolus, involved in the assembly of ribosomes.
In connection with: Cell nucleus
Title combos: Cell nucleus
Description combos: or and expression dotted nucleus nucleolus membrane pl nuclei
Lisp (historically LISP, an abbreviation of "list processing") is a family of programming languages with a long history and a distinctive, fully parenthesized prefix notation. Originally specified in the late 1950s, it is the second-oldest high-level programming language still in common use, after Fortran. Lisp has changed since its early days, and many dialects have existed over its history. Today, the best-known general-purpose Lisp dialects are Common Lisp, Scheme, Racket, and Clojure. Lisp was originally created as a practical mathematical notation for computer programs, influenced by (though not originally derived from) the notation of Alonzo Church's lambda calculus. It quickly became a favored programming language for artificial intelligence (AI) research. As one of the earliest programming languages, Lisp pioneered many ideas in computer science, including tree data structures, automatic storage management, dynamic typing, conditionals, higher-order functions, recursion, the self-hosting compiler, and the read–eval–print loop. The name LISP derives from "LISt Processor". Linked lists are one of Lisp's major data structures, and Lisp source code is made of lists. Thus, Lisp programs can manipulate source code as a data structure, giving rise to the macro systems that allow programmers to create new syntax or new domain-specific languages embedded in Lisp. The interchangeability of code and data gives Lisp its instantly recognizable syntax. All program code is written as s-expressions, or parenthesized lists. A function call or syntactic form is written as a list with the function or operator's name first, and the arguments following; for instance, a function f that takes three arguments would be called as (f arg1 arg2 arg3).
In connection with: Lisp (programming language)
Title combos: Lisp language language programming Lisp
Description combos: best late and by its language Lisp specified notation
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in Les Vues Cinématographiques in 1907 (translated from French): An obstruction of the apparatus that I used in the beginning (a rudimentary apparatus in which the film would often tear or get stuck and refuse to advance) produced an unexpected effect, one day when I was prosaically filming the Place de L'Opéra; I had to stop for a minute to free the film and to get the machine going again. During this time passersby, omnibuses, cars, had all changed places, of course. When I later projected the film, reattached at the point of the rupture, I suddenly saw the Madeleine-Bastille bus changed into a hearse, and men changed into women. The trick-by-substitution, called the stop trick, had been invented and two days later I performed the first metamorphosis of men into women and the first sudden disappearances that had, at the beginning, such a great success. According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film The Execution of Mary Stuart, in which a primitive version of the trick appears. In any case, the substitution splice was both the first special effect Méliès perfected, and the most important in his body of work. Film historians such as Richard Abel and Elizabeth Ezra established that much of the effect was the result of Méliès's careful frame matching during the editing process, creating a seamless match cut out of two separately staged shots. Indeed, Méliès often used substitution splicing not as an obvious special effect, but as an inconspicuous editing technique, matching and combining short takes into one apparently seamless longer shot. Substitution splicing could become even more seamless when the film was colored by hand, as many of Méliès's films were; the addition of painted color acts as a sleight of hand technique allowing the cuts to pass by unnoticed. The substitution splice was the most popular cinematic special effect in trick films and early film fantasies, especially those that evolved from the stage tradition of the féerie. Segundo de Chomón is among the other filmmakers who used substitution splicing to create elaborate fantasy effects. D.W. Griffith's 1909 film The Curtain Pole, starring Mack Sennett, used substitution splices for comedic effect. The transformations made possible by the substitution splice were so central to early fantasy films that, in France, such films were often described simply as scènes à transformation. This technique is different from the stop motion technique, in which the entire shot is created frame by frame.
In connection with: Substitution splice
Title combos: splice Substitution
Description combos: at to by careful many or which achieve splicing
Splice may refer to:
In connection with: Splice
Description combos: Splice may to refer may refer may Splice to
In written English usage, a comma splice or comma fault is the use of a comma to join two independent clauses. For example: It is nearly half past five, we cannot reach town before dark. The comma splice is sometimes used in literary writing to convey a particular mood of informality. It is usually considered an error in English writing style. Some authorities on English usage consider comma splices appropriate in limited situations, such as informal writing or with short similar phrases.
In connection with: Comma splice
Title combos: Comma splice
Description combos: style to In informality It convey usage English appropriate
Splice is a 2009 science fiction horror film directed by Vincenzo Natali and starring Adrien Brody, Sarah Polley, and Delphine Chanéac. The story concerns experiments in genetic engineering being done by a young scientific couple, who attempt to introduce human DNA into their work of splicing animal genes resulting in the creation of a human–animal hybrid. Guillermo del Toro, Don Murphy, and Joel Silver are credited as executive producers of this film. Theatrically released on June 4, 2010, it received generally positive reviews from critics and grossed $27.1 million against a $30 million production budget.
In connection with: Splice (film)
Title combos: Splice film
Description combos: film young of concerns Splice million horror by young
In mathematics and theoretical computer science, a splicing language is a formal language which formalizes the action of gene splicing in molecular biology. Splicing languages have a variety of definitions based on the form of splicing rules allowed, which describe how one may "cut" and "paste together" strings from the language to obtain new strings. In all of them, given an initial language I {\displaystyle I} over a finite alphabet Σ {\displaystyle \Sigma } and a set of splicing rules R {\displaystyle R} , a splicing language is the smallest language containing I {\displaystyle I} which is closed under applying any splicing rule r ∈ R {\displaystyle r\in R} . The original definition of a splicing language was given by Head in 1987. Later on, alternative and inequivalent definitions were provided by Păun and Pixton. The class of languages generated by Head splicing is strictly contained in that of those generated by Păun splicing, which is in turn strictly contained in that of those generated by Pixton splicing.
In connection with: Splicing language
Title combos: Splicing language
Description combos: describe is by of rules definitions language Sigma computer
Quick Access
Tag Explorer
Discover Fresh Ideas in the Universe of aéPiot
MultiSearch | Search | Tag Explorer
SHEET MUSIC | DIGITAL DOWNLOADS
© aéPiot - MultiSearch Tag Explorer. All rights reserved.
Hosted by HOSTGATE