SANTIANNA
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A sea shanty, shanty, chantey, or chanty () is a genre of traditional folk song that was once commonly sung as a work song to accompany rhythmical labor aboard large merchant sailing vessels. The term shanty most accurately refers to a specific style of work song belonging to this historical repertoire. However, in recent, popular usage, the scope of its definition is sometimes expanded to admit a wider range of repertoire and characteristics, or to refer to a "maritime work song" in general. From Latin cantare via French chanter, the word shanty emerged in the mid-19th century in reference to an appreciably distinct genre of work song, developed especially on merchant vessels, that had come to prominence in the decades prior to the American Civil War. Shanty songs functioned to synchronize and thereby optimize labor, in what had then become larger vessels having smaller crews and operating on stricter schedules. The practice of singing shanties eventually became ubiquitous internationally and throughout the era of wind-driven packet and clipper ships. Shanties had antecedents in the working chants of British and other national maritime traditions, such as those sung while manually loading vessels with cotton in ports of the southern United States. Shanty repertoire borrowed from the contemporary popular music enjoyed by sailors, including minstrel music, popular marches, and land-based folk songs, which were then adapted to suit musical forms matching the various labor tasks required to operate a sailing ship. Such tasks, which usually required a coordinated group effort in either a pulling or pushing action, included weighing anchor and setting sail. The shanty genre was typified by flexible lyrical forms, which in practice provided for much improvisation and the ability to lengthen or shorten a song to match the circumstances. Its hallmark was call and response, performed between a soloist and the rest of the workers in chorus. The leader, called the shantyman, was appreciated for his piquant language, lyrical wit, and strong voice. Shanties were sung without instrumental accompaniment and, historically speaking, they were only sung in work-based rather than entertainment-oriented contexts. Although most prominent in English, shanties have been created in or translated into other European languages. The switch to steam-powered ships and the use of machines for shipboard tasks by the end of the 19th century meant that shanties gradually ceased to serve a practical function. Their use as work songs became negligible in the first half of the 20th century. Information about shanties was preserved by veteran sailors and folklorist song-collectors, and their written and audio-recorded work provided resources that would later support a revival in singing shanties as a land-based leisure activity. Commercial musical recordings, popular literature, and other media, especially since the 1920s, have inspired interest in shanties among landlubbers. Contemporary performances of these songs range from the "traditional" style of maritime music to various modern music genres.
In connection with: Sea shanty
Title combos: shanty Sea
Description combos: especially prior on in land such genre other chantey
"Santianna", also known as "Santiana", "Santy Anna", "Santayana", "Santiano", "Santy Anno" and other variations, is a sea shanty referring to the Mexican General Antonio López de Santa Anna. The song is listed as number 207 in the Roud Folk Song Index.[1]
In connection with: Santianna
Description combos: known as Santianna song de Santiano also other Index
"Santiano" is a 1961 song, inspired by the sea shanty "Santianna", which uses the same tune. The song tells of a ship from Saint Malo bound to San Francisco, which is described as a place of great wealth. The French-language version was popularized first in the 1960s by Hugues Aufray.
In connection with: Santiano (song)
Title combos: song Santiano
Description combos: 1960s San the the French to the Hugues song
Antonio de Padua María Severino López de Santa Anna y Pérez de Lebrón (21 February 1794 – 21 June 1876), often known as Santa Anna, was a Mexican general, politician, and caudillo who served as the 8th president of Mexico on multiple occasions between 1833 and 1855. He also served as vice president of Mexico from 1837 to 1839. He was a controversial and pivotal figure in Mexican politics during the 19th century, to the point that he has been called an "uncrowned monarch", and historians often refer to the three decades after Mexican independence as the "Age of Santa Anna". Santa Anna was in charge of the garrison at Veracruz at the time Mexico won independence in 1821. He would go on to play a notable role in the fall of the First Mexican Empire, the fall of the First Mexican Republic, the promulgation of the Constitution of 1835, the establishment of the Centralist Republic of Mexico, the Texas Revolution, the Pastry War, the promulgation of the Constitution of 1843, and the Mexican–American War. He became well known in the United States due to his role in the Texas Revolution and in the Mexican–American War. Throughout his political career, Santa Anna was known for switching sides in the recurring conflict between the Liberal Party and the Conservative Party. He managed to play a prominent role in both discarding the liberal Constitution of 1824 in 1835 and in restoring it in 1847. He came to power as a liberal twice in 1832 and in 1847 respectively, both times sharing power with the liberal statesman Valentín Gómez Farías, and both times Santa Anna overthrew Gómez Farías after switching sides to the conservatives. Santa Anna was also known for his ostentatious and dictatorial style of rule, making use of the military to dissolve Congress multiple times and referring to himself by the honorific title of His Most Serene Highness. His intermittent periods of rule, which lasted from 1832 to 1853, witnessed the loss of Texas, a series of military failures during the Mexican–American War, and the ensuing Mexican Cession. His leadership in the war and his willingness to fight to the bitter end prolonged that conflict: "more than any other single person it was Santa Anna who denied Polk's dream of a short war." Even after the war was over, Santa Anna continued to cede national territory to the Americans through the Gadsden Purchase in 1853. After he was overthrown and exiled in 1855 through the liberal Plan of Ayutla, Santa Anna began to fade into the background in Mexican politics even as the nation entered the decisive period of the Reform War, the Second French Intervention in Mexico, and the establishment of the Second Mexican Empire. An elderly Santa Anna was allowed to return to the nation by President Sebastián Lerdo de Tejada in 1874, and he died in relative obscurity in 1876. Historians debate the exact number of his presidencies, as he would often share power and make use of puppet rulers; biographer Will Fowler gives the figure of six terms while the Texas State Historical Association claims five. Historian of Latin America, Alexander Dawson, counts eleven times that Santa Anna assumed the presidency, often for short periods. The University of Texas Libraries cites the same figure of eleven times, but adds Santa Anna was only president for six years due to short terms. Santa Anna's legacy has subsequently come to be viewed as profoundly negative, with historians and many Mexicans ranking him as "the principal inhabitant even today of Mexico's black pantheon of those who failed the nation". He is considered one of the most unpopular and controversial Mexican presidents of the 19th century.
In connection with: Antonio López de Santa Anna
Title combos: de López López Anna Antonio Antonio López Anna de
Description combos: Ayutla in Alexander Santa an the allowed than An
This is a list of songs referencing the city of Liverpool, England: "100 Miles to Liverpool" - Lindisfarne "Blow the Man Down" - traditional sea shanty "Capaldi’s Cafe" - Deaf School "Does This Train Stop on Merseyside?" - Amsterdam "Faulkner and Hope" - Deaf School "Fearless" - Pink Floyd "Ferry Cross the Mersey" - Gerry & the Pacemakers "Go to Sea Once More" - traditional sea shanty "Going Down to Liverpool" - The Bangles "Heart As Big As Liverpool" - The Mighty WAH! "I Wish I Was Back In Liverpool" - The Dubliners "In My Liverpool Home" - Peter McGovern, The Scaffold, The Spinners "In Liverpool" - Suzanne Vega "Kardomah Cafe" - The Cherry Boys "Leaving of Liverpool" - traditional folk song, performed by The Pogues, The Dubliners "Let's Dance to Joy Division" - The Wombats "Liverpool" - Cherry Vanilla "Liverpool 8" - Ringo Starr "Liverpool 8" - Deaf School "Liverpool 8 Medley" ("Liverpool 8", "Children Of The Ghetto", "Stanhope Street") - The Real Thing "Liverpool Blues" - The Vipers "Liverpool Drive" - Chuck Berry "Liverpool Docks" - Smokie "Liverpool Girl" - Ian McNabb "Liverpool, I'll meet you there" - Ian Morris "Liverpool Lullaby" - Judy Collins, Cilla Black "Liverpool Lou" - Dominic Behan, The Scaffold "Liverpool Rain" - Racoon "Long Haired Lover from Liverpool" - Jimmy Osmond "Maggie May" - traditional song, not to be confused with "Maggie May" by Rod Stewart "Off To Sea" - The Longest Johns "On The Boat To Liverpool" - Nathan Carter "OHM" - Pardon Us "Penny Lane" - The Beatles "Rock Ferry" - Deaf School "Roll, Alabama, Roll" - traditional sea shanty "Rotterdam (Or Anywhere)" - The Beautiful South "Santianna" - traditional sea shanty "Sealand" - Orchestral Manoeuvres in the Dark "Strawberry Fields Forever" - The Beatles "Streets of Kenny" - Shack "The Skipper's Lament" - John Haines "Johnny Todd" - traditional sea shanty "Villiers Terrace" - Echo and the Bunnymen "Whiskey on a Sunday" - written by Glyn Hughes, covered by The Dubliners, Danny Doyle "Whip Jamboree" - traditional folk song
In connection with: List of songs about Liverpool
Title combos: Liverpool List Liverpool of songs about songs Liverpool of
Description combos: Hope Liverpool Hope Whip by The Liverpool Does Man
List of folk songs by Roud number
This is a list of songs by their Roud Folk Song Index number; the full catalogue can also be found on the Vaughan Williams Memorial Library website. Some publishers have added Roud numbers to books and liner notes, as has also been done with Child Ballad numbers and Laws numbers. This list (like the article List of the Child Ballads) also serves as a link to articles about the songs, which may use a very different song title. The songs are listed in the index by accession number, rather than (for example) by subject matter or in order of importance. Some well-known songs have low Roud numbers (for example, many of the Child Ballads), but others have high ones. Some of the songs were also included in the collection Jacobite Reliques by Scottish poet and novelist James Hogg.
In connection with: List of folk songs by Roud number
Title combos: songs number folk songs Roud List of Roud number
Description combos: also Roud and number also Ballad in and for
El Pony Pisador is a musical group from Barcelona that mixes various styles of folk and traditional music from around the world, including Celtic music, sea songs (sea shanties and habaneras), bluegrass, tarantella and yodel. The band's name refers to the J.R.R. Tolkien's The Lord of the Rings inn The Prancing Pony, called «El Pony Pisador» in the Spanish translation. Their repertoire includes their own versions and themes. In addition to Catalonia, they have performed in several European countries, the United States and Canada. They also performed at the Albany Folk and Shanty Festival, In Western Australia in September 2023. The origins of the band date back to 2013, when Adrià Vila and Ramon Anglada decided to form an Irish music group inspired by groups such as Flogging Molly, Dropkick Murphys, The Dubliners or The Clancy Brothers. With the progressive incorporation of the other members, the group was consolidated with its eclectic and festive style, performing music mainly with traditional instruments and filled with humorous references from tavern culture and the world of pirates, fantastic literature and comics. In 2016 they presented their first album, Yarr's y Trons! (self-published and self-produced) in which they collect songs from diverse musical traditions, from Ireland to Asia Minor. The group's first video clip, "Tot és part de ser un pirata", one of their most famous songs, is from this album. The promotional tour took them to perform at folk music festivals all over Catalonia and to participate in various international folk and sea shanties festivals with performances at the Eurofolk Festival (Germany), the Harwich Shanty Festival and the Falmouth Sea Shanty ( United Kingdom), the Rotterdam Shany Fest or the International Maritime Music of the Corte Ship Celebration (Michigan, United States), among others. At the end of 2019 they published a second album titled Matricular una galera , this time incorporating sounds typical of swing, habaneras, Bulgarian dances, sea shanties, Tuvan throat singing and even heavy metal. A few weeks before its public launch, the group premiered the video clip for the song "La confraria del Menhir." This song and the album's title are a tribute to the Asterix comics created by Uderzo and Goscinny. Two other video clips from the album, "Lime Scurvy" and "Santianna", were recorded in the occupied mansion of the House Buenos Aires in Barcelona. In January 2020 they were included among the groups nominated for the 2020 Enderrock Awards for best new artist, best folk album and best folk song of 2019, being finalists in the last category. In March of the same year, they offered a live concert via streaming during the lockdown in the midst of the crisis of the COVID-19 pandemic. On January 25, 2021, they released the cover of their third album, JAJA Salu2, through their social networks. Three days later, on January 28, 2021, the first song of the disc in single format, La Noble Vila de Su, was released. On February 11, 2021, they released the full album that contains, among others, the track entitled La Balada de Nils Olav, composed live for streaming on July 30, 2020. In 2023 they released The Longest Pony, a collaborative studio album with the Bristol band The Longest Johns. In 2024 they published Ocells (birds), an album sung entirely in Catalan and where the theme of all the songs revolves around birds.
In connection with: El Pony Pisador
Title combos: Pisador Pony El Pisador Pony
Description combos: Ramon Germany from music name Santianna among Aires created
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