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Really great action sequences, with some nice violent ends, and a very interesting story that almost feels like it starts in the middle, leaving you guessing about his past. It kind of has a very John Wick feel to it, but maybe slightly less over-the-top crazy.
Denzel Washington is just great and The Equalizer belongs like the John Wick (Keanu Reeves) and Taken (Liam Neeson) movies to the new masterclass of revenge/vigilante movies. The Equalizer is a true to the heart successor of our former (or still) heroes of long gone times like Mr. Eastwood and Mr. Bronson: the king is dead, long live the king, so to say.

The Equalizer is great stuff - if you like your action spiced up with a good shot of violence.
In the inventory of almost normal heroes like Jason Bourne, Jack Reacher, Frank Castle, Bryan Mills, John Wick, ... here is a brand new one: Robert McCall a.k.a. The Equalizer. He gives a chance to the unlucky ones against the villains, by 'equaliz'-ing the forces. In this first opus, he meets by chance a prostitute as young as lost and ... hop! hop !! hop !!! ... he annihilates the Russian underworld of Boston. Wooooow!. Sounds easy!! The result is rather successful. I loved it.
The thing that makes this film watchable and cool are Denzel, sure there is a history, a over the top one, but also with feelings.
So I just finished watching Equalizer (EQ1) again, so I can watch Equalizer 2 (EQ2) for the comparison.

It's too bad both films had the same director and writers, as they have a bad habit of dragging out the writing and the scenes. Both films at just over 2 hours is just way too long, especially in the simplistic singular plot or EQ1. However, that plot still worked, and mainly because of the entire casts especially Denzel Washington's performance(s). EQ2 certainly had better pacing and a more suspenseful plot - albeit predictable, however it had many plot issues and holes as well as some scenes that needed to be edited down. The new supporting cast was not as strong either.

Which did I enjoy better? Probably EQ1 by a small margin, but they both got an 8/10 from me, as they each had their merits and issues. Nevertheless still enjoyable. I hope if they come out with a EQ3, they speed up the pacing within the writing and directing.
Antoine Fuqua's and Denzel Washington's paths collide once more as they come together to create a stylish and daring action thriller about a man with a mysterious past, whose quiet life suddenly turns into a rip- roaring adventure of guns and thrills. Both Denzel Washington and Chloe Grace Moretz give stellar performances and display perfect chemistry as two friends stuck in a world of crime and violence. Arguably Fuqua's best film since 'Training Day', 'The Equalizer' is a brutal and merciless tale that explores the Russian underworld on the East Coast and the corruption ties within the law enforcement of Boston's police department.
In terms of an action movie I gave the equalizer a 7 but soon after felt the need to watch it again and then upped it to an 8. Why? We'll it's an action movie but yet there's no crazy car chases, there's no bombs or heavy big explosions every where. Really the only action scenes are the fight scenes and even they don't come that often. But when they do come they deliver. Denzel is as awesome as ever in these scenes and the creativity in these scenes are what sets it apart from every other action movie. The main character Robert McCall in an ex specialist of some sort, you don't know what at first but know that he's highly trained in something and is now working as an ordinary man working at Home Depot or home Mart as it is in the movie. He looks like just your every day man but can kill you with just about any everyday weapon. And he does this so calmly that big crazy car scenes and explosions would rake away from his character. A man that takes the bus to come kill a whole gang is pretty bad ass by any standard.

As always I don't want to give spoilers but I do recommend this as a good wholesome action movie.
Rooting for a badass hero with a kickass attitude has never been as satisfying as watching Denzel Washington dish out some brutal punishment. This is exactly what you get in The Equalizer, an action thriller based on the late 80's TV series of the same name, but amped up with ultra-violent realism.

Reunited after their collaboration in Training Day, Washington (received his first Academy Award in a leading role) and director Antoine Fuqua are back in this simple yet deadly effective action film. Using a Mark Twain quote about people who find their true purpose late in life, Washington plays Robert McCall, a loner and tragic widower with a mysterious past. On the surface, he is an amiable home depot worker who keeps to himself, indulging in conversations only when spoken too, and slave to some sort of OCD while remaining invisible to people around him. After befriending a Russian teen escort called Alina, (Chloe Grace Moretz all grownup), and discovering she is the victim of sexual abuse, McCall's nice-guy demeanor melts away to expose an aura reverberating layers of darkening complexity. There's a tightly restrained compassion in McCall's eyes, fighting a father-figure compulsion to do what he must, while Alina's is a muted plea for deliverance. This scene takes place in a diner they frequent in Boston, and it's the first of two powerful moments in the film. What follows is the film's first action sequence in a Tarantino-styled dialogue first, and blood splatter later, McCall dispatches Alina's Russian pimp and his goons. When news reaches Moscow, mob kingpin Pushkin sends Teddy (Marton Csokas), to clean up the mess. Covered with satanic tattoos, Teddy is anything but the moniker he goes by and with half the Boston PD on his payroll, it's just a matter of when and where McCall is eliminated. Or so they think.

Having previously scripted The Expendables 2, Richard Wenk's story here is nothing new when considering McCall's proverbial 'set of skills', a comparison if you must, to certain characters Liam Neeson has played. On the other hand, there is a mechanism in place, partly due to the aforementioned OCD, allowing McCall a brief study of the situation before striking with lethal accuracy. While that sounds like a knock-off version of combat tactics employed by Guy Ritchie's titular hero in Sherlock Homes (2009), the payoff is watching McCall take out bad guys with improvised weaponry. It gets a bit hokey towards the end, with McCall using all manner of booby traps to slice, dice and blow up Teddy's dumber-by-the-minute henchmen. Having said that, it is still rewarding to watch Washington demolish enemy after enemy and this is largely due to Csokas' terrific portrayal of Teddy's loathsome nature. To that effect, the best scenes in the film are when Teddy and McCall are face-to-face and denting each other's armour with nothing but well written dialogues. One such scene is a powerful dinner table battering-of-wits, a taut reimagining of that iconic scene in Heat (1995).

While humour and drama throw some light on Boston's mob controlled dirty cops, McCall's relationships with his colleagues, and even a short segment that suggests his origins as a trained killer, The Equalizer really shines with Fuqua's deft handling of action scenes. But topping it off is Washington in a vigilante role that is the best we've seen in years. Fans of Man on Fire (Washington opposite Dakota Fanning) and Léon: The Professional (Jean Reno opposite Natalie Portman), both films about male heroism influenced by female protégés, are in for a visual treat. Heck, who needs improbable superheroes when you have an average Joe with extraordinary capabilities and all without hiding behind a mask or costume? Although compelled to use the N-word, I'll just say – Ma man Denzel. . .doesn't disappoint and neither does The Equalizer.
The Equalizer is NOT Man on Fire. The Equalizer is NOT your typical action flick. Washington's Robert McCall is not self-destructive or addicted. Though there are great choreographed fights, special effects and fantastic explosions, The Equalizer is more Bourne than Bond. Denzel Washington portrays this ex-CIA operative, who is content to live a meticulously simple life. Quietly contained, but with ever-building intensity, Washington turns in another stellar performance.

Chloe Grace Moretz, as the teenage prostitute, is a force...

Antoine Fuqua, the directer who brought us Training Day, which earned Denzel his Best Actor Oscar, helms this movie with a steady hand. His direction of the drama and the action blend seamlessly, drawing us into the complexity of this character-driven piece.

Robert McCall keeps to himself, content to live his ordinary life; he is every man's man. But, his steady moral compass, and strong sense of justice lead him back into the fray. This character is not infallible, and he is not looking for trouble. He just wants what's right.

This film is a superbly acted, exciting and violent ride! In the pursuit of justice, there will be blood. But this time, you'll be rooting for the good guy, and I, a fifty years young woman, loved every minute of it!
Some reviews have characterized this movie as your typical, run-of-the-mill, action movie, nothing you haven't seen before....nothing could be farther from the truth!!

This movie is based off the television series called "The Equalizer". It is about an ex-CIA operative who uses his special skills to help ordinary people who have no other recourse. This movie version of The Equalizer is more reminiscent of Matt Damon's Jason Bourne, and it is this that sets this movie above your typical action flick. In fact, in Mr. Damon's own words, The Equalizer "...reminded me of the Bourne Identity, in that both are sophisticated adult, thriller franchises where the protagonists are capable of high-action exploits, but aren't running around in spandex." Directed by the great Antoine Fuqua, the man who brought us Training Day, The Equalizer is a gritty and violent, suspenseful and superb action film. This movie is very character-driven, and Denzel Washington, who plays protagonist Robert McCall, gives another stellar performance. His character lives alone, keeps to himself, and seems to suffer from some form of OCD. Most importantly, McCall is not McClane! He is not a wise-cracking cop in the wrong place at the wrong time, but rather a quiet and complex character, whose sense of justice is awakened when a young girl is brutally beaten.

This movie gives you everything you would want from an action film: guns, explosions and great effects. However, the violence and bloodshed in this movie are deserving of it's R- rating, and create this film's authentic feel. The excellent performances by the cast are also what raise this movie well above your ordinary action movie. Team Washington/Fuqua gives us a darker hero for darker times, and one you will cheer on every step of the way!!!
Cliched and done to death formula! But still fun to watch on a night when you don't want to be bothered with something cerebral. Denzel Washington is good as ever & the Russian Mafia doesn't stand a chance in hell anyway! Am gonna hit the sequel next folks...
At the end of it all, I found this movie very boring. The story is old as dirt. The plot is so obvious that as soon as characters appear on screen one can identify, "He'll be killed," "She'll be kidnapped and used as bait," "Something bad's gonna happen to him," and my all-time favorite, "He's the innocent, likable guy introduced early then ignored for 90 minutes (so we'll forget about him), only to have him turn up as a hostage in the big showdown." And every prediction is spot-on.

Example of bad writing: Two thugs walking up to a door. The last thing Thug 2 says to Thug 1 as they approach the door, "Whatever you do, don't call him Little John." Very next shot, inside the door, Thug 1 starts talking smack... and guess what he does? When the setup is literally 5 seconds earlier, we all see it coming. Give us the setup in a different location, maybe? Or at least disguise the setup amidst a longer, funny/entertaining conversation? Nope, just lay out that one line setup, then walk on in. We the viewers will just deal with it.

Denzel's character is likable. I mean, insanely likable. Beyond the depth of my willful suspension of disbelief likable. He's always friendly, always in a good mood, always smiling. He's ecstatic just to be alive. Everyone loves being near him. He's never "just a guy." He's more helpful than a college professor, more inspirational than a priest, more motivational that a fitness instructor. Every scene in his workplace (which is visited repeatedly throughout the movie) includes no less than 2 background guys smiling giddily when Denzel arrives to work, and laughing loud at every word Denzel speaks. Going to work at Home Depot - sorry, "Home Mart" - surely isn't like that in real life.

But there's more to Denzel, isn't there? Who is this guy? Where'd he come from? Who knows? We'll never know. But clearly he's bad-ass. More moves than Shakira and deadlier than Seal Team Six. He seems to know how to handle any situation and any number of attackers - just because. No reason; he's just awesome. If you ever saw the classic comedy PLANET TERROR, just think of the scene, "Give him the gun. Give him all the guns." Because, ya know, he's just so bad-ass for no logical reason.

The bad guy was awesome. While Denzel's fight scenes were a lot of super-close blurry shots, the few scenes where the Bad Guy establishes his badness were rather good, very tense, very violent and cringe-worthy.

THE EQUALIZER has all latest bells and whistles with music, atmosphere, and build-up. The one female lead is developed nicely (especially compared to every other innocent victim who may as well have stepped out of Little House On The Prairie). Much of the movie is very tense, and keeps you hanging on to each scene, waiting to see what happens next. But ultimately, we all know Denzel will kick ass, so it's all just a waiting game. It felt very long. The wait is made so much worse when the viewer knows exactly what's coming. There's just no surprises here. You've seen this movie 500 times, I'm sure.

Oh yeah, and Denzel knows everything. He appears magically inside buildings and rooms where one shouldn't be able to sneak in. He has cell phone numbers one shouldn't have access to - the characters even comment on it, "How the hell did you get that number?!" No answer. Doesn't matter. It's a movie. Just turn off your brain and enjoy the tension building. How does Denzel know when the bad guys will appear at a time and place, so he can intercept them in the night? Don't know, doesn't matter, I guess. How does Denzel sneak into a closet-sized room without the occupant noticing? How does Denzel have time to set up his trap, rig wires, etc, without anyone seeing this work being done? Who cares, the resulting deaths are cool.

Go to sleep. Tune out. Enjoy. But don't expect to take this movie with you. You'll have forgotten it by the time you leave the parking lot.
Antoine Fuqua's big screen adaptation of the 80′s TV series The Equalizer opens with an impressive tracking shot through an open window, and into the orderly and near empty apartment, belonging to Robert McCall (Denzel Washington). McCall lives a Spartan existence; for the first twenty minutes of the picture, he hardly says a word. Fuqua (Training Day) gives a lengthy shot as you watch McCall fold something delicately into a napkin. When you see him unfold the napkin at his regular diner, and place the teabag into a cup of hot water, you understand immediately that this man is a creature of habit, firmly set in his ways. Every night he's there, reading a book. He's such a regular, that he strikes up a familiar acquaintance in a young teenage prostitute, Teri (Chloe Grace Moretz)), which eventually grows into something of a friendship. There is something undeniably hidden within him, however. When he realizes the danger Teri is in thanks to her nefarious Russian pimps, he forgoes his cautious life, and willingly brings on the pain.

Director Fuqua accordingly really brings on the style for these sequences. His relative quiet touches give way to mayhem. Before every murder McCall commits, the camera slows down, taking on a golden hue, and you literally see McCall breaking down every element of his victims: tattoos, facial expressions. And then he lets loose: even timing himself to see if he can voice dispatch Mafiosi in 30 seconds or less.

And The Equalizer is undeniably fun. It's one of those thrillers that begins moody and atmospheric, and then decides it would be more fun to see how many people can be dispatched with nail guns or corkscrew openers; and it is similarly unconcerned with logic in the idea that McCall decides to take down the entire East Coast hub of the Russian mafia, simply over one teenage prostitute. But with Fuqua this stylistically assured, and Washington equally game, does it really matter?

As Teri, Chloe Grace Moretz (Kick Ass, Carrie) forgoes the sarcastic strategy Jodie Foster used as a teenage hooker in Scorsese's Taxi Driver. Teri is arguably much more frightened of her violent handlers, and is less given to false bravado as result. And even though her character really amounts to little more than a glorified supporting part after she is sent away, she is a great deal of fun to watch, and she holds her own more than capably against Denzel Washington (The Book Of Eli). The habit of extended cameos in The Equalizer is even more extreme in the case of Melissa Leo as Robert's former CIA contact, who pops up to give a vital piece of information on the evil mobster, and to tentatively tiptoe around the subject of his wife, while offering a small measure of comfort. The bit part parade reaches "blink-and-you-miss him" cameo status, by casting a reputable star like Bill Pullman as Leo's husband, and giving him no more than four lines (though of course it's possible that this may be a larger part that met with cuts in the editing room).

If anything, a weakness of The Equalizer is that McCall's troubled personal life is left as somewhat ambiguous. Who can blame it really? The opening aims for a quiet kind of profundity, and it succeeds, but isn't really interested in following through. For all its thin characterization, there is something just as nice in watching Denzel Washington coldly and calculatingly firing a nail gun in righteous vengeance.


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In its introductory scenes The Equalizer is not a bad movie. However, once the plot gets underway it becomes one. Here is yet another movie about a one-man arsenal hell-bent on mopping the floor with grimy hoodlums
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